A creative community  

Welcome to week two of The Fine Arts Connector, your weekly listing of news, resources, activities and other shareable content from the Faculty of Fine Arts, specifically compiled for distribution during the current health crisis. 

One thing we’re all increasingly aware of these days is the vital importance of the arts when it comes to a sense of community. While a vast and varied range of socially distant arts options continue to flourish online, and people are discovering the quirky joys of things like choir practices via Zoom, we are still being rocked by news of event cancellations now stretching into the summer—like the TD Toronto Jazz Festival, originally scheduled for June 18-28, and all of Edinburgh’s festivals through to the end of August . . . including the fabled Edinburgh Fringe Festival. 

But we’re continually heartened by the collective outreach efforts of our Fine Arts community—consider recording stars and School of Music Distinguished Alumni Twin Kennedy, who have pivoted #TheHomeboundTour they had planned for this spring into a series of Facebook live performances from their living room. 

Please enjoy—and circulate—this collection of material featuring our faculty, students, alumni, staff and guests as a way of both sharing what our creative community is up to and keeping us connected in this difficult moment in history. You can also help by keeping us in the loop if you’re working on a live-streaming project, have online material to share or are involved in something you’d like people to know about: just email either fineartsevents@uvic.ca or johnt@uvic.ca. Finally, you can sign up here to receive automatic notice of The Connector each week. 

News

#CanadaPerforms update

The funding for the National Arts Centre’s admirable short-term relief fund series #CanadaPerforms is now up to $600,000, thanks to additional donations of $200,000 each from the RBC Foundation and SiriusXM Canada. They’re currently scheduling content by professional Canadian performing artists through to April 30, so you’ve still got until April 13 to apply with your 45-to-60-minute online performance concept. #CanadaPerforms was originally launched with a pair of $100K donations by each Facebook Canada and Slaight Music, as a way for the NAC to ease the financial strain for Canadian artists impacted by the closure of performance venues across Canada related to COVID-19, and to lift the spirits of Canadians during the crisis. 

In related news, the Hollywood Reporter is reporting that “Netflix has donated $1 million to the Toronto-based Actors Fund of Canada for emergency financial relief to reach out-of-work artists in Canadian film, TV, music, theatre and dance. Netflix also gave another $500,000 to The Fondation des Artistes, which supports Quebec artists in need.”

Germany invests in their artists

Looking for an inspiring national story during these trying times? As noted in this story on ArtNet.com, Germany’s federal government has announced a €50 billion aid package for the country’s creative and cultural sectors. The €50 billion will be provided specifically to small businesses and freelancers, including those from the cultural, creative, and media sectors. “Artists are not only indispensable, but also vital, especially now,” says Germany’s culture minister, Monika Grütters.

Compare that to the $300 million US the American government is giving to arts organizations—a small fraction of the overall $2 trillion recently approved bailout package, which saw $500 billion going to big business—or the £160 million earmarked by Arts Council England for arts relief efforts. 

Resources

Heads-up for Phoenix students and recent grads

Canada’s National Theatre School is earmarking $60,000 in financial help for theatre school students and recent graduates during the current health crisis—regardless of what theatrical institution they attended. NTS will award 80 Art Apart bursaries of $750 each to young and emerging actors, playwrights, directors and designers, who will present a piece of art online. Selected applicants will also get their work disseminated through the school’s social networks with the hashtag #ArtApart.

“There are a lot of folks in theatre programs with cancelled plays, readings, end-of-year performances,” says Gideon Arthurs, the chief executive officer of NTS, said in this Globe and Mail interview. “Our fund also is open to students who have graduated in the last five years . . . . All those part-time jobs [many emerging artists] rely on are evaporating as well.”

BC Arts Council administers $3 million relief fund

Recent news that BC’s provincial government is setting up a $3 million fund comes as a bit of relief for eligible arts organizations, who will receive up to $15,000 to help pay their bills during the COVID-19 pandemic, the Times Colonist is reporting. Administered by the BC Arts Council, the fund will provide 50 percent advances on 2020-21 funding for arts groups. Workers in the arts sector who have lost income because of COVID-19 are also eligible to apply for a one-time payment of $1,000 under the B.C. Emergency Benefit for Workers.

For more information, see the BC Arts Council’s COVID-19 FAQs for Arts and Culture Grant Recipients & Applicants—where you can also find answers to questions about travel, performance gatherings, cancellations, pending applications and more.

CBC Arts a key resource 

If you’re not subscribed to the weekly CBC Arts newsletter, you really should be. Each week it offers an invaluable roundup of specifically arts-related news, profiles and funding options for these difficult times. Their latest issue lists over 22 arts advocacy groups and more than a dozen emergency funding sources for writers, musicians, LGBTQ2S artists, technicians and others.

Short films by Writing students

While UVic’s Department of Writing is well-known for producing outstanding authors, poets, playwrights and journalists, it has also been producing some fantastic filmmakers over the past decade. Case in point? Connor Gaston, who completed both his BFA and MFA with Writing and is currently building a name for himself as a feature film director (The Devout) while helping to develop the next-generation of talent as a sessional instructor in Writing. We’re happy to present here a pair of short films Gaston directed, featuring the talents of Writing students.        

The first, 2013’s ‘Til Death, was penned by Writing alumni Ryan Bright, produced by Writing professor Maureen Bradley and created with the talents of the Writing 420 film production and screenwriting class. After losing his soul mate in a fatal bicycle accident, 10-year-old Zachary sets out on a journey to bring Samantha back to life in this magical, modern fairytale. 

The second, 2012’s Bardo Light, was written, directed and edited by Gaston, and features the talents of a number of UVic alumni, including actors Shaan Rahman (Phoenix Theatre) and Chris Mackie (Law), and producer Sandi Barrett (Writing). Accused of murdering his father, a young inventor maintains his innocence, claiming the real culprit was a modified television set.

Bardo Light was an official selection at the Toronto International Film Festival and film festivals in Newport Beach, Sedona, Victoria and the Short Circuit festival.

Step inside this student art project

One of the most fascinating aspects of the Department of Visual Arts is simply walking through the building and discovering what students are working on. One of the busiest undergrads this past year has to be Josh Franklin, whose various projects were remarkable in both scale and concept. As well as being the recipient of a Jamie Cassels Undergraduate Research Award (JCURA) for his project, “Holon Inc: A Multidisciplinary Exploration of Holistic Process Based Art”, Franklin was also recently named the recipient of the $1000 Pat Martin Bates Legacy Award at the 2020 Victoria Visual Arts Legacy Society Awards.  

Working under the supervision of Visual Arts professor Rick Leong, Franklin describes his JCURA project “Holon Inc” as “a durational, multimedia, performance-based, installation project where I will live within a self-built and site-specific structure for seven days and while in it, complete a finite number of pre-dictated tasks. The main objective and or explorative aspect of this performance are to present an unadulterated experience of viewing what occurs from a projects genesis to its dynamic resolution.”

Franklin feels that by exhibiting his my own body in the action of building an environment, the viewer will be given the opportunity to watch and contemplate the work that must be undertaken to actualize the project. 

Now the fun part—you can take a self-guided 360-degree walking tour of “Holon Inc” simply by clicking on the image on the right and then using your mouse or keyboard to navigate your way around it. 

And once you’ve gotten the hang of that, you can take the same kind of virtual tour of Franklin’s 2019 project, “A Paradox in Connection (Walk-In Structure)”. 

The show can go on

When the Phoenix Theatre’s season-ending production of The Children’s Hour closed on its March 12 opening night due to the rapidly spreading COVID-19 pandemic, it signalled the swift cancellation of all public programming in the Faculty of Fine Arts. End-of-the-year performances by our School of Music ensembles and the annual graduating BFA exhibit in Visual Arts matched the closure of performance venues and galleries around the city and across the world.

Yet we’ve also started to see a remarkable flourishing of online content and sharable resources while we practice social distancing and self-isolation. And while our Fine Arts faculty and students have been shifting to completing the academic year online—a particularly challenging scenario for a faculty rooted in hands-on learning—our greater Fine Arts community is already helping to bridge the cultural gap.   

“The wonderful accomplishments of our colleagues and students in the Faculty of Fine Arts remind us that the arts can raise our spirits during uncertain times,” says Acting Dean, Allana Lindgren. “Creativity is always an assertion of hope.​”

With that in mind, we will now be offering the Fine Arts Connector—a weekly update of activities, resources and archival material featuring our faculty, students, alumni, staff and guests as a way of both sharing what our creative community is up to and keeping us connected in this difficult moment in history. You can help us by keeping faculty communications officer John Threlfall in the loop if you’re working on a live-streaming project, have archival material to share or are involved in something you’d like people to know about.  You can also sign up here to receive automatic notice of The Connector each week. 

“During this time, I am reminded of the important role that universities play in the lives of individuals and communities through education, research and public engagement,” says UVic president Jamie Cassels. “Despite the extraordinary circumstances in which we find ourselves, we continue to play that role. We have offered our facilities, resources and capabilities to others, and we continue to challenge ourselves to find new, creative ways to continue to serve our students and communities.” 

Resources

While our colleagues across the arts spectrum continue to create and offer innovative solutions to fill the cultural gap during the current health crisis — like the Social Distancing Festival started by Toronto theatre artist Nick Green, which offers an incredible number of daily viewing options — we are also starting to see valuable information-sharing happening.

This CBC Arts page list a wide range of resources for artists and cultural workers during the current shutdown, ranging from emergency funding and advocacy groups to online resource for training, health & mental health, and temporary/remote job listings.

The BC Alliance for Arts & Culture’s resource list is a treasure trove of links leading to arts-specific resources (including the likes of the Canada Council and the BC Arts Council), digital tools for the arts sector (live streaming options), data (COVID-19 impact surveys) and general resources during the health crisis (“care for your coronavirus anxiety”).

#CanadaPerforms

The National Arts Centre has also launched the $200,000 relief fund #CanadaPerforms, a short-term relief fund that pays Canadian artists for their online performances. Launched via a pair of $100K donations by each Facebook Canada and Slaight Music, the NAC is looking to ease the financial strain for Canadian artists impacted by the closure of performance venues across Canada related to COVID-19, and to lift the spirits of Canadians during the crisis. 

You can apply until April 13, 2020, if you’re a Canadian performing artists interested in streaming 45 to 60-minute performances from home— including musicians, comedians, dancers, singers, theatre artists and ensembles of less than 10 people. Selected artists will receive $1,000 and their online performance will be broadcast on the NAC’s Facebook page. You can apply by email to the NAC at CanadaPerforms@nac-cna.ca with a description of your performance, when you wish to share and on what platform. 

Follow #CanadaPerforms or the NAC’s social media channels to find out what’s coming up—including the award-winning play Kamloopa by current Writing MFA candidate Kim Senklip Harvey on March 27 and a live reading of Theatre alum Meg Braem‘s play Flight Risk on March 29 (see below for details on both).

The Witness Blanket

While the original version of Visual Arts Audain Professor Carey Newman’s heartfelt and emotionally powerful installation The Witness Blanket is being restored at its new permanent home at the Canadian Museum of Human Rights in Winnipeg, a high-end reproduction is currently touring around Canada.

You can learn more about the creation and intention of The Witness Blanket via this short curated online narration with Newman and Alberta’s CKUA radio, done during the Blanket’s current appearance at Calgary’s Mount Royal university, where it is on view until April 30.

The tour is also scheduled to include stops at the Winnipeg Airport (June 1–Aug 31), the Simcoe County Museum in Minesing, Ontario (Sept 28-Nov 30) and Brantford’s Woodland Cultural Centre (Dec 21-Feb 26, 2021), with future appearances at Ontario’s Nipissing University in North Bay (2021), BC’s Fraser Fort-George Regional Museum (2022) and Whitehorse’s Kwanlin Dun Cultural Centre (2022).

Kamloopa on #CanadaPerforms

Have a laugh on the ride to Kamloopa—the largest powwow on the west coast—as you hang with the matriarchs of Kamloopa at 4pm PST Friday, March 27, as part of the new #CanadaPerforms partnership with the National Arts Centre and Facebook Live.

Written by current Writing MFA candidate Kim Senklip Harvey, this high-energy Indigenous matriarchal story follows two urban Indigenous sisters and a lawless trickster who face the world head-on as they battle to come to terms with what it means to honour who they are and where they come from.

As Harvey describes, “Kamloopa is not restricted to the four walls of theatre but instead invokes our ancestors to embody their true selves throughout the story. In developing matriarchal relationships and shared Indigenous values,Kamloopa explores the fearless love and passion of Indigenous women reconnecting with their homelands, ancestors and stories. This boundary-blurring adventure will remind you to always dance like the ancestors are watching.”

The March 27 livestream will feature excerpts from the play and a romping good chat with members from the creative team, the Fire Company: Kim Senklip Harvey, Yolanda Bonnell, Samantha Brown, Kaitlyn Yott and Emily Soussana. 

Nominated for eight Jessie Richardson Awards and four SATAwards, Kamloopa won the 2019 Jessie for Significant Artistic Achievement for Decolonizing Theatre Practices and Spaces, and was also the first Indigenous play in the award’s history to win Best Production. Kamloopa is also the recipient of the Sydney J Risk Prize, a SATAward and was published by Talonbooks.

Livestreaming recitals

While all year-end performances by the School of Music‘s large ensembles have been cancelled—including the UVic Orchestra, Wind Symphony, Chamber Singers, Sonic Lab, Don Wright Symphonic Winds and Vocal Jazz Ensemble—alongside final concerts by faculty and guests, there are still some graduating recitals scheduled to be livestreamed via Music’s website.    

Upcoming livestream recitals can be heard at 8pm Thursday, March 26 (BMus Jeanel Liang, violin) and at 3pm Friday, March 27 (BMus Todd Morgan, saxophone). 

While much of the world is just tuning into the idea of livestreaming, the School of Music has actually been doing it for years now as a way of connecting our performers with audiences who can’t always make the concerts. You can also listen to any previous livestreamed events for up to 30 days on Music’s dedicated Listen Live! site—including a number of recent degree recitals, faculty pianist Bruce Vogt‘s recent Steinway concert, the Emerging Steinway  Stars student concert, and our annual Thank You Concert, which features a range of students showcasing their talents.   

The Canadian Play Thing 

Celebrated playwright, Theatre alum and current Writing sessional Janet Munsil has put her years of experience as the former artistic director of the Victoria Fringe Festival to use by creating The Canadian Play Thing—a virtual theatre that seats 100 and offers live readings of new and under-performed Canadian plays online. 

Designed to fill the void of empty theatres, The Canadian Play Thing launched on March 22 with Dave Deveau’s Ladies and Gentlemen, Boys and Girls. The idea, writes Munsil, is to “celebrate the work of playwrights and to stay in touch with our theatre family . . . artists and audiences around the world welcome.”

Performed for free on Zoom Webinar, the “seating” is limited to 100 people and is offered on a first-come, first-served basis. Next up is local playwright David Elendune’s The Loved One, running at 7pm on Thursday, March 26. “Bring your drink, your crinkly wrappers, your cat, wear your pjs, leave your phone on . . . say hi to your friends and chat in the comment box,” says Munsil. 

Follow their Facebook page to keep up to date with what’s coming next. 

Meg Braem on #CanadaPerforms

Also happening this week, Governor General’s Award-nominated playwright and Phoenix Theatre alum Meg Braem is presenting a live reading of her play Flight Risk at 6pm PST Sunday, March 29, as part of the National Arts Centre’s #CanadaPerforms series.  

Flight Risk explores aging, grief and death through the unlikely friendship between Hank, a WWII tail gunner, and Sarah, a nursing student completing course requirements in his nursing home. Seemingly opposites, Hank and Sarah find common ground in navigating personal tragedies that have kept them isolated from the world. Told through humour and honesty, Flight Risk is the story of finding exactly who you need when you least expect it. 

Braem—currently the Lee Playwright in Residence at the University of Alberta and Artist-in-Residence at the Calgary Arts Academy—was featured in Phoenix’s Spotlight on Alumni back in 2009 with her play, The Josephine Knot.

Exploring artifacts

While you won’t be able to sit in on a class with him right now, you can still learn about the material research of Art History & Visual Studies chair Marcus Milwright via this short video exploring the history of a late 19th/early 20th century Syrian slipper (or clog). 

A world-renowned expert and author of a number of books, Milwright’s research focuses upon the archaeology of the Islamic period, the art and architecture of the Islamic Middle East, cross-cultural interaction in the Medieval and early Modern Mediterranean, the history of medicine, traditional craft practices, and the architecture and civil engineering of southern Greece during the Ottoman sultanate. 

This particular video was shot while he was in residence at the Shangri La Museum of Islamic Art, Culture & Design in Hawaii.