Orion Series presents Visiting Artist Curtis Santiago

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Curtis Santiago

Multidisciplinary artist, musician

7:30 – 9:00 pm (PST) Wednesday, March 24 2021

 

Free & open to the public via Zoom

Presented by UVic’s Department of Visual Arts
For more information on this lecture please email: visualarts@uvic.ca 

A multidisciplinary approach 

Curtis Talwst Santiago (b. 1979, Edmonton, Alberta) studied as an apprentice of Lawrence Paul Yuxweluptun. Santiago has exhibited internationally at venues such as The Drawing Center, New York, NY; The FLAG Art Foundation, New York, NY; The New Museum, New York, NY; The Eli and Edythe Broad Museum at Michigan State University, East Lansing, MI; the Institute of Contemporary Art at Virginia Commonwealth University, Richmond, VA; the University of Saskatchewan, Saskatchewan, Canada; The Pérez Art Museum Miami, Miami, FL; Art Gallery of Ontario, Toronto, Canada; Art Gallery of Alberta, Edmonton, Canada, The Rooms, St. John’s, Newfoundland, Canada and the SCAD Museum of Art, Savannah, GA; among others.

Listen to this November 2020 interview on CBC Radio’s Q, or get a taste of his work in this short trailer from the CBC TV series In The Making.  

 

The artist was included in the inaugural 2019 Toronto Biennial of Art in Toronto, Canada, the SITE Santa Fe SITELines.2018 Biennial, Casa Tomada, in Santa Fe, NM, and was featured in the 2018 Biennale de Dakar in Dakar, Senegal. He is currently an active board member on the Board of Directors for the Drawing Center in New York and has been invited to be an artist in residence this September 2021 at Black Rock Senegal.

His work is in the permanent collection of the Studio Museum in Harlem, New York, NY. Santiago considers himself decentralized and is currently living and working in Munich, Germany.

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Seating is limited (500 Zoom connections) |  Visit our online events calendar at www.uvic.ca/events

Orion Series presents scholar Heather Igloliorte

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Heather Igloliorte

Research Chair, Circumpolar Indigenous Arts

7:30 – 9:00 pm (PST) Wednesday, March 10 2021

 

Free & open to the public via Zoom

Presented by UVic’s Department of Visual Arts
For more information on this lecture please email: visualarts@uvic.ca 

Advancing Indigenous knowledge 

Dr. Heather Igloliorte (Inuk, Nunatsiavut) holds the Tier 1 University Research Chair in Circumpolar Indigenous Arts and is an associate professor in the Department of Art History at Concordia. She also serves as the special advisor to the provost on advancing Indigenous knowledges, and in this role contributes to the efforts of the university’s Indigenous Directions Leadership Group. Her teaching and research interests center on Inuit and other Native North American visual and material culture, circumpolar art studies, performance and media art, the global exhibition of Indigenous arts and culture, and issues of colonization, sovereignty, resistance and resurgence. 

Indigenous futures

Heather is the principal investigator of the $2.5M, seven-year SSHRC Partnership Grant “Inuit Futures in Arts Leadership: The Pilimmaksarniq/ Pijariuqsarniq Project” (2018-2025), ​which aims to empower circumpolar Indigenous peoples to become leaders in the arts through training and mentorship. With Professor Jason Edward Lewis, Heather also Co-Directs the Indigenous Futures Cluster (IIF) in the Milieux Institute for Arts, Culture and Technology. Through Milieux, Igloliorte works with collaborators and students to explore how Indigenous people are imagining the future of their families and communities. 

Heather has been a curator for 14 years, ​and currently has three exhibitions touring nationally and internationally; she is also the lead guest curator of the inaugural exhibition of INUA, the new Inuit Art Centre at the Winnipeg Art Gallery. Heather publishes frequently: she has co-edited special issues of journals PUBLIC 54: Indigenous Art: New Media and the Digital (2016) and RACAR: Continuities Between Eras: Indigenous Arts (2017), and her essay “Curating Inuit Qaujimajatuqangit: Inuit Knowledge in the Qallunaat Art Museum,” ​was awarded the 2017 Distinguished Article of the Year from Art Journal

Igloliorte currently serves as the Co-Chair of the Indigenous Circle for the Winnipeg Art Gallery, working on the development of the new national Inuit Art Centre; is the President of the Board of Directors of the Inuit Art Foundation; and serves on the Board of Directors for North America’s largest Indigenous art historical association, the Native North American Art Studies Association, the Faculty Council of the Otsego Institute for Native American Art History at the Fenimore Art Museum in Cooperstown, New York, and the Nunavut Film Development Corporation, among others. Heather has previsously  served as an executive member of the board of directors for the Aboriginal Curatorial Collective and as the president of Ottawa’s artist-run-centre Gallery 101, in addition to other advisories, juries and councils. 

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Seating is limited (500 Zoom connections) |  Visit our online events calendar at www.uvic.ca/events

Zoom into our spring Fine Arts open house on March 9

Already enrolled in UVic’s Faculty of Fine Arts for the 2021/22 academic year? Still thinking about it? Either way, bring your questions to our free Fine Arts online open house, running 6-7pm Tuesday, March 9 via Zoom.

Register for the open house here. Registration closes two hours before the event.

School of Music student Lea Fetterman in February 2021 (photo: Dani Neira)

Your future in the arts

At the March 9 open house, you can talk frankly with faculty members from each of our departments, as well as co-op & career and our student advisor, to learn how our programs can help you achieve your creative future. 

From Art History & Visual Studies to Theatre, Visual Arts, Writing and our School of Music, we offer BC’s only dedicated fine arts faculty—which means you’ll be creating and learning in a like-minded community!

Whatever your creative path, UVic’s Fine Arts faculty offers a dynamic community where curiosity, experimentation and exploration are the cornerstones of the learning environment.

Our focus on dynamic, hands-on learning—anchored by state-of-the-art, purpose-built facilities—offers an extraordinary environment for artistic expression and the integration of research and education.

Fine Arts will help you develop the critical thinking and communications skills necessary to navigate and succeed in our rapidly changing and increasingly interconnected society. With us, you’ll make ideas come to life, develop and hone your abilities, all while collaborating with peers from various disciplines. 

Visual Arts student Rudra Manani’s “Get Your Om On” (2020, digital photograph)

Everything connects

As part of our open house, you can also sit in on the sample Zoom lecture “Everything connects: ways of thinking, the Internet and addressing climate change” presented by Art History & Visual Studies professor Victoria Wyatt from 6-7pm Thursday, March 11. An award-winning teacher, Wyatt will discuss how we can’t solve today’s complex problems—such as climate change—using the same way of thinking that allowed them to develop.

Instead, the global challenges we face require us to consider invisible interconnections and complicated relationships, and to understand how everything connects. As an interactive information web, the Internet encourages us to explore the relationships between ideas and to actively engage in navigating those connections.

Discover how the Internet may help our society shift to an “ecosystems” way of thinking emphasizing relationships and interconnections—and how vital this approach is when it comes to addressing the problems the world faces today. You’ll also explore the surprising ways that Fine Arts courses will help you use this type of thinking to benefit yourself, your career and your communities. 

This event will be held on Zoom. Registration closes two hours in advance.

AHVS professor Victoria Wyatt

Victoria Wyatt (UVic Photo Services)

In Memoriam: Dr. Anthony Welch

It is with great sadness we mark the passing of Dr. Anthony Welch, noted art historian, scholar and academic leader. Dr. Welch had a long and distinguished career at the University of Victoria, beginning in 1971 as a lecturer with the Department of History in Art (now Art History & Visual Studies) and progressing to full professor in 1980. Dr. Welch also served as Associate Dean (1982-1985) before becoming the longest-serving Dean of the Faculty of Fine Arts for a remarkable 13 years (1985-1998).

Accomplished dean

As author Ian MacPherson noted in his history of UVic, Reaching Outward and Upward, “Under the leadership of the Dean of Fine Arts, Anthony Welch, the faculty enjoyed remarkable success. Each of its schools — Visual Arts, Theatre, Music, Writing and History in Art — flourished; each possessed faculty members with international accomplishments and excellent reputations as teachers.”

Indeed, a number of professors who came to be synonymous with UVic were added under Dr. Welch’s leadership, including Canadian arts icon Mavor Moore, conductor János Sándor, poet Lorna Crozier and the Lafayette String Quartet.

“Tony’s contribution to the university, the faculty and the department was a major one,” recalls professor emeritus Martin Segger, a longtime colleague and close friend who first met Dr. Welch in 1971 when they were both young academics. “Tony was a serious and dedicated scholar but he loved teaching. His passion for the arts of Islam was infectious.”

Remarkable scholar

Among his many accomplishments as Dean, Dr. Welch established the Orion Artists-in-Residence in Asia program, pioneered the establishment of what would become the Studios for Integrated Media as well as interdisciplinary programs in film studies and cultural resource management, and helmed the expansion of the Fine Arts complex with the construction of both the Visual Arts and Fine Arts buildings. He later worked as the first executive director of the Office of International Affairs, was on the board of directors for UVic’s Innovation and Development Corporation, and was Vice President of the board of the McPherson Foundation.

Dr. Welch was a remarkable scholar, who was equally at home studying architecture, epigraphy and the arts of the Islamic book. His areas of specialism encompassed Iranian painting, Mughal painting in India, Islamic calligraphy and Sultanate architecture in medieval India. He was the author of several books, including Shah ‘Abbas and the Arts of Isfahan, Artists for the Shah: Late Sixteenth Century Painting at the Imperial Court of Iran and, with Stuart Carey Welch, Arts of the Islamic Book: The Collection of Prince Sadruddin Aga Khan. He was also a visiting professor at the universities of Minnesota, Washington and Chicago.

Committed to teaching

Throughout his career he remained committed to teaching, particularly enjoying the supervision of graduate students—many of whom went on to have successful careers as teachers or curators of Islamic art in North America, Europe, and Asia.

“Tony took his student papers very seriously and spent hours reviewing them and in the individual conversations that resulted,” recalls Segger. “He earned the admiration and respect of several generations of students whom he mentored through both undergraduate and graduate studies.”

Dr. Welch’s generosity, kindness and gentle humour will be deeply missed by all of those who worked with him during his long and illustrious career.

Tony Welch with AHVS graduate student Fahime Ghorbani in 2015

Orion Series presents art historian Ruba Kana’an

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Ruba Kana’an

Assistant Professor of Islamic Art & Architecture

“What can Islamic Law teach us
about Islamic art and architecture
?”

Q&A facilitated by AHVS PhD candidate Zahra Kazani

4:00 – 5:30 pm (PST)
Thursday, February 25, 2021 

 

Free & open to the public via Zoom

Presented by UVic’s Department of Art History & Visual Studies

Co-sponsored by UVic’s Faculty of Law and the Middle East & Islamic Studies Consortium of BC

For more information on this lecture please email: arthistory@uvic.ca 

 

Exploring the intersections between art, artists, art production & law

A noted historian of Islamic art, Dr. Ruba Kana’an is an assistant professor of Islamic art and architecture at the University of Toronto Mississauga and was the 2018-2019 Barakat Senior Fellow in Islamic Art, University of Oxford.

Dr. Kana’an’s primary research focuses on the Intersections between art, artists, art production and law in historical and contemporary contexts. She uses archival, textual and field-based research in her work, and has conducted research in Jordan, Palestine, Turkey, Yemen, Oman, East Africa, Egypt and Syria. In theoretical terms, her research engages with Bruno Latour’s object-networks and Henri Lefebvre’s production of space, among other frameworks. Her publications address questions about the formation and meanings of mosque architecture, metalwork and civic space in pre-modern Muslim societies.

Spanning worlds

Dr. Kana’an’s professional experience spans the worlds of academia, architectural practice, museums and community-based art education. Before joining the Department of Visual Studies at UTM, she taught various aspects of Islamic art and architecture at the graduate and undergraduate levels in both the UK and Canada. In 2007, she pioneered the online teaching of Islamic art at Oxford University by developing and teaching Oxford’s first accredited online course in Islamic Art and Architecture.

Between 2011 and 2017, she worked at the Aga Khan Museum in Toronto, was a founding member of the AKM’s leadership team and worked closely with the museum’s Islamic art collection in the areas of museum management, research, education for all levels of learners, scholarly programs, publications and community engagement and programming.

“I am passionate about teaching and learning,” she says, “and believe that the arts provides students opportunities to explore many different world views and think critically about contemporary and historical questions concerning the diverse and changing contexts in which art is produced, consumed and imagined.”

 

Blacas ewer, made in Mosul in 1232. Brass inlaid with silver. British Museum: 1866, 1229.61

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Seating is limited (500 Zoom connections) |  Visit our online events calendar at www.uvic.ca/events

Reading Break student wellness message

With the Winter 2021 Reading Break now upon us, the faculty and staff of Fine Arts offer this short message as a way to remind our students to pause, breathe and consider their own sense of wellness in a very stressful year. As School of Music professor Adam Con tells us all, “happy body, happy mind—happy mind, happy spirit”.

Students, please take some time to rest and recover this Reading Break.