Symposium explores Gendered Threads of Globalization
Who makes our clothing? How has the shift from artisanal production to “fast fashion” over the last 150 years devalued women’s textile labor in Asia? How are heritage textile/garment traditions across Asia being preserved and revived by laborers and the organizations that support them?
Hosted by Art History & Visual Studies professor Melia Belli Bose, Gendered Threads of Globalization: 20th century Textile Crossings in Asia Pacific (GToG) unites scholars, activists and artists from across North America, Asia and Europe for a 3-day symposium dedicated to these issues.
All GToG events are free and open to the public, include panels (Fri-Sat, March 10-12, in room A103 of UVic’s Fine Arts building), a screening of Cathy Stevulak’s award-winning documentary THREADS (5:30pm Friday, same location) and a textile-based performance by visual artist Monica Jahan Bose (12:30 Sunday, March 12 in the lobby of UVic’s David Lam Auditorium).
Can’t make it in person? Register for the livestream here.

A scene from Cathy Stevulak’s documentary THREADS
About GToG
Gendered Threads of Globalization: 20th c. Textile Crossings in Asia gathers specialists from a range of academic disciplines and artistic/artisanal practices to discuss intersections of gender, textiles/garments/fashion, labour and heritage across Asia (India, Pakistan, Bangladesh, Cambodia, the Philippines, Indonesia, Malaysia, China, Taiwan, Japan, and the diaspora) during the long 20th century (ie: late 19th century to present).
GToG participants will investigate topics like
- heritage textiles/garments—their demise and revival
- gendered labor in the fashion industry
- confluences of identity (regional, communal, ethnic, religious), domesticity and agency
- activist art that critiques the global garment industry
- the evolution, consumption, appropriation and display of heritage textiles/garments.
Expect plenty of stimulating conversation for Asian textiles enthusiasts!
Keynote address
Friday’s keynote speech features Ashoka Fellow Judy Frater on “Threads of Identity in Kutch 2022: Gender, Value, Creativity and the Marketplace” (4:20pm in Fine Arts 103). Judy Frater is steeped in the world of contemporary textiles of Kutch, India. Residing in Kutch for 30 years, she co-founded and operated Kala Raksha, a cooperative for women embroiderers, established the Kala Raksha Textile Museum, founded Kala Raksha Vidhyalaya. the first design school for traditional artisans, and reinvented the school as Somaiya Kala Vidya.

A scene from Monica Jahan Bose’s WRAPture
Live performance
Sunday will feature the work of Orion Visiting Artist Monica Jahan Bose, a Bangladeshi-American artist and activist whose work spans painting, film, photography, printmaking, performance, and interdisciplinary projects.
Her short film, WRAPture: A Public Art Project runs at 11:30am (Fine Arts building room 103), followed by a live textile-based performance in the lobby of the David Lam Auditorium (MacLaurin Building C-wing, room A144).
WRAPture follows a climate justice art project from Washington DC’s low-income Anacostia neighborhood to Barobaishdia—a remote Bangladeshi island on the frontlines of climate change—as Jahan Bose leads a dozen women farmers and over 200 Washingtonians to co-create 65 climate-themed saris, which wrap five Washington buildings. While they work on the saris, the participants recite poetry, sing, and dance, creating a trans-border community. The film includes rare footage and testimony of the impacts of climate change on coastal women farmers and the power of art to bring about change.