Top 10 Fine Arts stories of 2024

There’s no better time than the start of a new year for a moment of reflection on the previous year’s accomplishments. With that in mind, we’re happy to present the Fine Arts Top 10 of 2024: an inspiring series of story highlights about our students, faculty and alumni!   

Attendance at Fine Arts events cracks 20,000

It was a banner year for public participation in the Faculty of Fine Arts, with more than 20,000 people attending over 300 scheduled events. Thanks to our wide variety of cultural and scholarly offerings — including concerts, plays, recitals, exhibits, readings, poster fairs, film screenings, visiting artist talks and other special events — Fine Arts remains UVic’s largest and most consistent academic unit for public engagement.

Fine Arts is also an essential and vital cultural partner on campus and in the community, with a direct and lasting impact on the region’s quality of life. Victoria’s arts and culture sector employs over 10,000 people across the CRD and generates about $800 million GDP activity annually (2021 CRD study) — a core part of the $1.8 billion in added income UVic contributes to Greater Victoria.

The annual Visual Arts BFA show attracted over 1,000 people

A busy year for the Climate Disaster Project 

It was an incredible year for the Climate Disaster Project (CDP). Based out of our Writing department and led by Sean Holman, the Wayne Crookes Professor of Environmental and Climate Journalism, the CDP not only mounted September’s world premiere of Eyes of the Beast:Climate Disaster Survivor Stories — the first full-length documentary theatre production based upon on-the-ground climate disaster reporting — but also collaborated with UK media outlet The Guardian in November to publish a series of COP29. And in April, the CDP was named the winner of a Special Recognition Citation for exceptional journalism that doesn’t fit traditional categories at the National Newspaper Awards — Canada’s top journalism awards — and was also nominated for awards with the Canadian Association of Journalists and the Canadian Journalism Foundation. The CDP also started a new partnership with Brazil’s newspaper and presented a two-day workshop as part of the Legacy Gallery’s summer exhibit, Fire Season, on top of its regular work collecting and sharing climate-survivor testimonies by students and instructors in 13 post-secondary institutions worldwide.  

“We are entering a new era of disaster, where our seasons will become increasingly defined by the traumatic events they bring, and we need to learn how journalism can help us survive those traumas together,” says Holman, who founded the CDP in 2021. “We are so honoured the National Newspaper Awards have recognized our efforts to empower disaster-affected communities inside and outside Canada.” 

Holman at the NNAs

Student Community Impact Awards tops $13,000

The annual Fine Arts Student Community Impact Awards recognize individual achievements or outstanding efforts made by full-time Fine Arts undergraduate students beyond their traditional studies — and 2024 saw us surpass $13,000 presented to 11 students since 2021. These juried, donor-funded awards were once again presented at the Greater Victoria Regional Arts Awards in November.

This year’s recipients included Rebecca Fux (Visual Arts), Thomas Moore (Theatre) and Claire Jorgensen (Visual Arts), each of whom receives $1,000 for their individual projects. Rebecca received the award for her work mounting two exhibits of new paintings at separate local artist-run centres during her final year of studies: You Can Cry In Front of Me at Xchanges Gallery, addressing aspects of grieving and healing for young women after sexual assault, and The Weather Inside at the Fifty-Fifty Arts Collective. Thomas was recognized for his work directing and producing three shows with Timetheft Theatre Society — Of Theseus at the Victoria One Act Play Festival, the independently produced Horse Girl, and Carpet at the 2023 Fringe Festival — all of which provided opportunities for young queer and neurodivergent artists. And Claire received her award for winning a competitive commission to create a new large-scale mural embodying themes of diversity, community and wellness for UVic’s Island Medical Program — titled “A Dream of Vitality” — which she then painted live over the course of a month in the lobby of the Medical Sciences building. 

Jorgensen working on her mural

Kathryn Mockler wins Victoria Book Prize

Ww were thrilled in October when Writing professor Kathryn Mockler was named the winner of the City of Victoria Butler Book Prize for her new story collection Anecdote. Originally announced as a finalist alongside recently retired Writing professor Tim Lilburn (Numinous Seditions: Interiority and Climate Change) plus Writing alumni Ali Blythe (Stedfast) and Arleen Paré (Absence of Wings), as well as local poet Shō Yamagushiku (Shima), the prize came the same month as she was revealed to be one of three jurors for the 2024 Governor General’s Literary Award for Poetry.

In her acceptance speech, Mockler noted that she was “humbled to be in the company of these finalists and their beautiful books” and then went on to donate the $5,000 prize to three local charities. “No matter how solitary the act of writing can feel, a writer is always addressing a collective, shared world — describing, analyzing, critiquing, redefining and expanding it,” she noted in her acceptance speech. “Writers cannot ignore the world that shapes their words nor the world that receives them.” 

Carey Newman named Royal Society Fellow

In September, artist and scholar Hayalthkin’geme Carey Newman was named a Fellow of the Royal Society of Canada. UVic’s Impact Chair in Indigenous Art Practices and a professor with both our departments of Visual Arts and Art History & Visual Studies, Newman has a regional, national and international impact by combining art and Kwakwaka’wakw knowledges to address Indigenous and environmental injustice. His projects — like The Witness Blanket and Seedling — transform conversations around reconciliation and decolonization across social, institutional and political paradigms, driving innovation and collaboration that challenge status quo approaches to research in the arts, climate, leadership, transsystemic law, collections management, conservation, technology and more. 

“Transformative change involves reaching hearts and minds. So, when I make artwork about specific issues, rather than telling people what to think or how to feel, I want them to engage with it on their own terms and take ownership of their thoughts and realizations,” explains Newman. “When something becomes personal it becomes important, and once it is important we are more willing to change our ways. Art has this power.”

So many guests! 

We had an incredible lineup of over guest artists this year who took time to share their knowledge and experience with our students and the community through masterclasses and public talks. Our popular Orion Series welcomed award-winning filmmaker Atom Egoyan, Grammy-winning soprano Barbara Hannigan and pianist Bertrand Chamayou, authors Carleigh Baker and Zehra Naqvi, artist Crystal Mowry, scholar Anna Dymond, art historian Alice Ming Wai Jim, screenwriter Michael MacLennan, theatre artists Randi Edmundson and Shizuka Kai, documentarian Ali Kazimi plus musicians Sandeep Bhagwati, Jude Brereton, Corey Hamm, Faustino Diaz, Jonathon Adams, Chloe Kim and Tom Foster. 

Our busy Visiting Artist series welcomed the likes of Jessica Stockholder, Kemi Craig, Justin Seiji Waddell, Debra Yepa-Pappan, Gootlh Ts’milix Mike Dangeli & Sm Łoodm Nüüs Mique’l Dangeli, Sonja Ahlers, Wayne Baerwaldt, Skawennati, Tina Rivers Ryan, Robert Burke and Julia Eden Hardenberg. Acclaimed author John Vaillant was our 2024 Southam Lecturer in Writing, while Gord Hill was this year’s Lehan Lecturer in Arts & Activism, and Joseph Kakwinokansum and Jónína Kirton were the guests for 2024’s sxʷiʔe ̕m “To Tell A Story” Indigenous Writers & Storytellers Series.

Various other guests included renowned pianist Minsoo Sohn (courtesy of the Martha Cooke Fund) while the Belfry Series saw Christine Quintana and Tobin Stokes speak to Theatre students.  

Award-winning filmmaker Atom Egoyan

This year’s Indigenous Writers series

Honorary Doctorates

Fine Arts was thrilled to see two Honorary Doctorates presented at UVic’s Fall Convocation ceremonies in November: En’owkin Centre co-founder Jeannette Armstrong (above left) was awarded an Honorary Doctor of Letters (DLitt) while Puente Theatre founder Lina de Guevara received an Honorary Doctor of Fine Arts (DFA). As an influential advocate for Indigenous peoples’ rights, Armstrong has been a force of change and wide-scale community impact through her artistic, research and educational vision; as a writer, director, educator and actor, de Guevara has left an enduring legacy on our national theatre landscape through her active support of immigrant and refugee communities.

Armstrong (left) & de Guevara 

New faculty members

Even in times of fiscal restraint, it’s important to keep our faculty cutting-edge, so we were excited to welcome a new group of professors this year. Critically acclaimed Canadian opera singer, national CBC Radio Saturday Afternoon at the Opera host and School of Music Distinguished Alumni Award recipient Marion Newman returned to campus this year as an assistant professor in Music; Vancouver author and poet Wayde Compton joined the Writing department as an associate professor; Ts’msyen Nation dancer, choreographer, Sm’algya̱x language learner/teacher and curator Sm Łoodm ‘Nüüsm Mique’l Dangeli is now an assistant professor of Indigenous Arts with our Department of Art History & Visual Studies; and assistant research professor in composition and music technology Lauren McCall is our newest hire, starting in January 2025 at our School of Music.  

Marion Newman

Alumni achievements

Back in March, UVic announced the recipients of the 2024 Distinguished Alumni Awards and Fine Arts was once again proud to see three of our outstanding graduates included among the 18 recipients being recognized across the three categories: Presidents’ Alumni Award recipient Carrie Tennant (Music), Emerging Alumni Award recipient Dennis Gupa (Theatre) and Indigenous Community Alumni Award recipient Ivy Martin (AHVS/CRM). “This diverse group of graduates contribute their skills, passions and leadership to many different fields, including the arts, education, law, science, engineering and business,” says UVic President Kevin Hall. “Advocacy, community building and climate action are common threads woven through their work. In that sense, they shine a light on the values and priorities that define and unite us at UVic.” Read about their individual accomplishments on the alumni awards webpage

In other outstanding alumni news, viral internet comedy sensation Laura Ramoso (Theatre) mounted a global tour which included appearances at LA’s Netflix is a Joke festival, an appearance on CBC Radio’s Q and a sold-out performance at Victoria’s 1,400-seat Royal Theatre; 2024 graduate Sie Douglas-Fish (Visual Arts) made news by getting hired straight out of the program by Montreal-based Acrylic Robotics and saw their art featured on CBC TV’s national Dragon’s Den show; actor and playwright Medina Hahn (Theatre) filmed a movie version and recorded an interactive audio book of her Governor General’s Award shortlisted play Inheritance: A Pick-the-Path Experience; poet Cara-Lyn Morgan (Writing) published her latest collection Building a Nest from the Bones of My People, which explores her Indigenous (Métis) and immigrant (Trinidadian) roots; and CBC “30 Under 30” award-winning violinist Chloe Kim (School of Music) returned to campus as an Orion Lecturer.     

Martin (left), Tennant & Gupa

Fantastic philanthropy

We’ve saved the best news for last: despite being hit with the same budget cuts that have impacted UVic as a whole, we are thrilled to announced that we have raised over $4.8 million for the Faculty of Fine Arts this year—exceeding our 24/25 academic goal by nearly $1 million  . . . and with three months left in the fiscal year! Congratulations go out to hard-working Fine Arts Development Officer Samantha Krzywonos for her dedication and passion in working with our donors to ensure that our students have the best possible experience during their studies here.

The arts have always been and continue to be intimately linked to philanthropy—think of folks like Peggy Guggenheim, Alice Massey or Gertrude Vanderbilt—so it’s no exaggeration to say that we couldn’t do this without our generous donors. Whether it’s individual donations that fund projects like the Bruce More Chamber Singers Legacy Fund, the Student Community Impact Awards or the sxʷiʔe ̕m “To Tell A Story” Indigenous Writers & Storytellers Series, family memorials that create opportunities like the Lehan Family Activism & the Arts Lecture Series, or estate gifts that create exciting inititatives like the Martha Cooke Fund, our donors are an integral part of the Fine Arts  experience.

Finally, we would be remiss to not acknowledge the more generous philanthropic donations that have led to named professorships like the Jeffrey Rubinoff Nexus for Art as a Source of Knowledge fund, the Wayne Crookes Professorship in Environmental and Climate Journalism, the Audain Professorship in Contemporary Art Practice of the Pacific Northwest, the Harvey Stevenson Southam Lecture Fund in Journalism & Non-Fiction and the Williams Legacy Chair in Modern & Contemporary Arts of the Pacific Northwest. These foundational gifts create positions for key faculty members to share their specific knowledge and experience with our students, the community and the world.

Thank you all!

Fine Arts development officer Samantha Krzywonos

Call for grad student proposals: ONC ArtScience Fellowship Program

Call for grad student proposals: ONC ArtScience Fellowship Program

UVic’s Faculty of Fine Arts and Ocean Networks Canada (ONC) are calling for graduate student applications for the paid 2025 ONC ArtsScience Fellowship program.

Note: the application period closes on December 23, 2024

The ArtScience Fellowship strengthens connections between art and science that broaden and cross-fertilize perspectives and critical discourse on today’s major issues, such as environment, technology, oceans, cultural and biodiversity, and healthy communities. This program is open to all current Fine Arts graduate students who have completed most of their course requirements with practice in any visual, written, musical or performance media, or art historical research. Co-led and sponsored by Fine Arts and ONC, the Artist-in-Residence program receives additional financial support from UVic’s Faculty of Science to a maximum of $14,000.  

About the ArtScience Fellowship

The ArtScience Fellowship (previously known as the ONC Artist-in-Residence program) will ignite cross-disciplinary exchanges, interacting with Fine Arts faculty members and scientists & staff at ONC, as well as with other individuals using ONC’s world-leading ocean facilities. This program is inspired by the ArtScience Manifesto of 2011, and numerous references to this concept in the literature. The Fellow will learn from and engage with the current research, connecting it to their own practice, and to wider societal and cultural aspects, creating work for public presentation at the end of the residency. The Artist will also be invited to contribute as a lead or co-author in scientific conference proceedings and/or journal articles.

The selected Fellow will actively engage with researchers on a variety of ocean science themes that may include:

  • Deep Sea Ecology
  • Seabed-Ocean Exchanges
  • Coastal Ocean Processes
  • Marine Natural Hazards
  • The Ocean Soundscape
  • Arctic Ocean Observing
  • Ocean Big Data

The ONC ArtScience Fellowship program is established to:

  • explore the potential of the arts or alternative cultural practices in the area of the visions, challenges, philosophical, aesthetic, and ethical aspects of the ocean and the impacts humans have on it;
  • add a complementary artistic and creative perspective to ocean science, the societal ramifications of its exploitation, and its cultural aspects;
  • create opportunities for potential new research questions, experimental approaches and knowledge synthesis resulting from interaction between the arts and science; and
  • help envision and communicate the potential long-term impact of ocean changes on humanity. 

2024 resident reflects on their experience

School of Music graduate student Megan Harton held the position in 2024, using their background in music technology to explore the concept of “solastalgia” — emotional distress caused by the disruption of familiar landscapes due to environmental change — through both an installation exhibit and a public talk. By integrating scientific data from ONC’s observatories with different artistic mediums (including video, soundscapes, experimental photography and nostalgic retro iconography), Harton invited visitors to reflect on the impact of climate change, memory and place.

Harton describe their time with ONC as “really positive and enriching . . . it was unlike anything I’ve done before. I’ve done ecologically-themed art, but getting to collaborate with so many people was new — and also people that are industry experts in ocean science, which was very different from who I’ve worked with before.”

In addition to their installation exhibition, Harton had the opportunity to attend two different conferences and present their work at the annual American Geophysical Union (AGU) meeting in Washington DC in December 2024. “It’s really been interesting to start to network and make my work known in all these different avenues,” they said. 

Learn more about previous ONC artistic residents Neil Griffin (Writing, 2023), Colin Malloy (School of Music, 2022), Dennis Gupa (Theatre, 2021) and Colton Hash (Visual Arts, 2019).

Advice for future applicants 

Harton’s advice for future applicants includes taking a flexible approach to submitted proposals and entering into the spirit of collaboration.

“The first bit of time, you’re just absorbing so much information about what they’re doing [at ONC], meeting people and making as many connections as you can,” they reflect. “Having a spirit of collaboration and trying to distill ONC’s knowledge through an artistic lens could open up different possibilities that [future applicants] wouldn’t be able to achieve by themselves.” 

“And my original proposal did shift around over the course of four months — there were things that sparked my interest that just didn’t end up making it into the installation — but it wasn’t like I was working from a blueprint to achieve my results.” 

Previous Fine Arts grad students Neil Griffin & Megan Harton at their public talk (above) + Harton’s installation exhibit(below)

Financial provision for the Artist

The residency period can start anytime between 1 February 2025 and 31 October 2025 and last for up to four months. A cost-of-living stipend of $3,500/month will be paid to the selected Fellow, with limited additional funds to support production or materials.

At the conclusion of the residency, the Fellow will plan and deliver a public exhibit and/or event sharing the fruits of the fellowship, which will be promoted by ONC and the Faculty of Fine Arts.

Proposal Submission

Interested applicants are to email ONC at dwowens@oceannetworks.ca with the subject line “Ocean ArtScience Fellowship,” and attach:

  1. the artist’s CV
  2. a concise portfolio of previous relevant artistic work;
  3. a letter of motivation outlining the project proposal for the Fellowship, and
  4. a 500-word project proposal with a separate project-costs budget.

The application period closes on December 23, 2024. Applications will be reviewed by representatives of Fine Arts and Ocean Networks Canada. Artists may be contacted for an interview or to supply further information before a decision is made.

Public Exhibit or Event

At the conclusion of the Fellowship, the Fellow will host a public exhibit or event within a specified budget agreed to during the residency and depending on the type of project to be exhibited. Assistance for marketing and/or ticketing could be made available from other UVic departments (Visual Arts, Theatre, etc.).

About Ocean Networks Canada

Established in 2007 as a strategic initiative of the University of Victoria, ONC operates world-leading ocean observatories for the advancement of science and the benefit of Canada. The observatories collect data on physical, chemical, biological, and geological aspects of the ocean over long time periods, supporting research on complex Earth processes in ways not previously possible. The observatories provide unique scientific and technical capabilities that permit researchers to operate instruments remotely and receive data at their home laboratories anywhere on the globe, in real time. The facilities extend and complement other research platforms and programs, whether currently operating or planned for future deployment. 

The ArtScience Fellowship was initiated by ONC’s late Chief Scientist Kim Juniper, whose leadership and transdisciplinary approaches continue to inspire many in the ArtScience space.

About the Faculty of Fine Arts

With experiential learning at its core, the Faculty of Fine Arts provides the finest training and learning environment for artists, professionals, and students. Through its departments of Art History and Visual Studies, Theatre, Visual Arts, Writing and School of Music, the Faculty of Fine Arts aspires to lead in arts-based research and creative activity and education in local, national, and global contexts by integrating and advancing creation and scholarship in the arts in a dynamic learning environment. As British Columbia’s only Faculty exclusively dedicated to the arts, UVic’s Faculty of Fine Arts is an extraordinary platform that supports new discoveries, interdisciplinary and diverse contributions to creativity, and the cultural experiences of the students and communities UVic serves.

With thanks also to the Faculty of Science for their support.

Explore UVic on Nov 30

Considering a future as a student in UVic’s Faculty of Fine Arts? Join us on Saturday, Nov 30, as we open our doors as part of Explore UVic—UVic’s free, all-day open house. We’ve created a fun-filled day of student panels, sample lectures, presentations, tours and more. Check out the schedule of events, plan ahead and make the most of your visit! (Free parking too!)

This is your chance to discover what it’s like to be part of BC’s only stand-alone fine arts faculty, which means you’ll be learning as part of a dedicated arts-specific community. On Saturday, we’ll be hosting an open house (10am-3pm in the lobby of the Fine Arts building) with representatives from our departments of Art History & Visual Studies, Theatre, Visual Arts, Writing and the School of Music who can answer your program questions.

We’ll also be offering behind-the-scenes tours of our facilities at these times and locations:

  • Art History & Visual Studies: 11:15, 11:45, 12:15, 12:45, 1:15, 1:45, 2:15 & 2:45 (meet in the Fine Arts building lobby)
  • Fine Arts/Writing: 11am-3pm, with live student readings at 11:30, 12:30 & 1:30 + a loop of student films (meet in the Fine Arts building lobby)
  • School of Music: 11:30, 12:30 & 1:30 with a special info session & audition demo at 12 & 1pm (meet in Music’s upstairs lobby, MacLaurin B-Wing)
  • Theatre: 11:00, 12:00, 1:00 & 2:00  (meet in the Phoenix Building lobby)
  • Visual Arts: 10:30, 11:30, 12:30, 1:30 & 2:30 (meet in the Visual Arts building lobby)

You can also catch a sample lecture looking at how your brain responds to art & creativity with Art History & Visual Studies  professor Catherine Harding from 1:45-2:30pm in Sngequ House room 131. Find out how your brain reacts to paintings, music, poetry and performances: is your response to beautiful things different from your response to ugly ones?

Dr. Harding will share the latest research on how art and experiences in theatres, concerts and galleries can change the way you think and feel. You will learn how new technology in images, sounds and spaces affects your mind, body and emotions. By understanding how your brain connects with creativity, you can discover new ideas and tackle challenges. This can help you see exciting links between different things in the world around you.

Register in advance now for Explore UVic — or just drop by on Saturday: we’d love to meet you! 

Orion Series presents Atom Egoyan

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Atom Egoyan

Writer, Director, Producer

In Conversation with Atom Egoyan (Q & A)

Moderator: Mitch Parry, AHVS film studies professor
7pm Wednesday, October 9

 

UVic’s Sngequ House, Room 133
(by the SUB, near parking lot 5 off Sinclair Road)

Free & open to all • Evening parking rates in effect

 

Presented by UVic’s Department of Art History & Visual Studies with the participation of the Department of Writing

For more information, please email  arthistory@uvic.ca

About Atom Egoyan

Atom Egoyan is one of the most celebrated contemporary filmmakers on the international scene. His body of work — which includes theatre, music, and art installations — delves into issues of memory, displacement, and the impact of technology and media on modern life.

Egoyan has won numerous prizes at international film festivals including the Grand Prix and International Critics Awards from the Cannes Film Festival, two Academy Award nominations and numerous other honours. His films have won 25 Genies — including three Best Film Awards — and a prize for Best International Film Adaptation from the Frankfurt Book Fair. Egoyan’s films have been presented in numerous retrospectives across the world, including a complete career overview at the Pompidou Centre in Paris, followed by similar events at the Filmoteca Espagnol in Madrid, the Museum of The Moving Image in New York, and the Royal Cinematek in Brussels.

Some of his many films include Seven Veils, The Sweet Hereafter and Chloe.

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca

Visiting Artist: Jessica Stockholder

Our ongoing Visiting Artist series continues with Chicago-based artist & UVic alumna Jessica Stockholder, who will present a free illustrated public talk at 7:30pm Wed, Oct 2, in room A162 of UVic’s Visual Arts building.

Born in Seattle, Jessica Stockholder has exhibited widely in museums and galleries internationally. She graduated from UVic’s Visual Art department (BFA 1982) before receiving her MA from Yale (’85) and is currently chair of the University of Chicago’s Department of Visual Art. Her sprawling constructions have played a crucial role in expanding the dialogue between sculpture and painting.

Stockholder merges seemingly disparate, everyday objects, such as lampposts, car parts, hoses, containers, extension cords, lumber, car parts, carpets and furniture. Drawing attention to these ordinary materials, she engages the sensuality and pleasure evoked by colour and formal order in an effort to call attention to the edges of understanding.

Her use of colour is also pivotal as she orchestrates an intersection of pictorial and physical space as she probes how meaning derives from physicality. Stockholder maps out a constructed world informed by numerous artistic traditions, including abstract expressionism, color field painting, installation art, and minimalism.

 

UVic retires 215+ memorial banners, raises Survivor Flag

On May 27, 2021, Canada watched in horror as news spread about the confirmation of more than 215 unmarked graves on the site of the former Kamloops Indian Residential School, located on the lands of the Tk̓emlúps te Secwépemc First Nation. This discovery was a painful reminder of the ongoing history of colonial violence inflicted by Canadian educational institutions—institutions that have long been complicit in their harm towards Indigenous peoples.

Closer to home, at UVic, the response across the campus community was an overwhelming: What can we do? How can we support Indigenous students, staff and faculty, as well as Elders, knowledge keepers and others from our community? How do we recognize the children who never came home and the Survivors who continue to be impacted by their past experiences at residential schools?

Very quickly, the campus came together to create an action plan, including lowering the university flags, lighting a Sacred Fire and installing memorial banners on light standards across the UVic campus designed by UVic Impact Chair in Indigenous Art Practices and Fine Arts professor, Kwakwaka’wakw/Coast Salish artist Hayalthkin’geme, Carey Newman. The artwork, titled “Hearts and Hands”, was a design to honour the children who never returned home from the residential schools.

“Universities aren’t often known for their nimbleness; however, UVic’s response to this discovery was an example of what’s possible when everyone is pulling in the same direction. Frankly, the response was refreshing,” says Newman.

Moving from initial response to committed action

After flying for more than three years, the 215+ banners began showing signs of wear and tear, and it was time to consider replacements or to look for space for a permanent recognition on campus. During the 2023 Orange Shirt Day ceremony, Survivor and Elder Klith-wii-taa, Dr. Barney Williams, gifted President and Vice-Chancellor Kevin Hall with a Survivors’ Flag, which will now have a permanent home outside the Mearns-McPherson Library and adjacent to the area where previous National Truth and Reconciliation and Orange Shirt Day ceremonies were held.

The flag will permanently honour the strength, courage and perseverance of Survivors who fought with determination to carry on their cultures, traditions and languages and knowledge systems for generations to come. Now, the 215+ banners will come down to make room for the installation of new Indigenous artwork by internationally renowned Lək̓ʷəŋən master carver and artist Dr. Butch Dick.

“The 215+ banners were never intended to be a long-term visual acknowledgement of truth and reconciliation,” says Newman. “They were part of an immediate and collective reaction to a moment in our history. With the raising of the Survivors’ Flag on campus, the work of the banners has concluded, and I like to think that they held space until this more permanent response could be found.”

Read the full UVic News story here