$1500 student mural call

All current UVic Visual Arts students are invited to submit a proposal by March 26 for a new $1,500 mural project in the lobby of UVic’s Island Medical Program. This uplifting & welcoming mural should reflect any of the following themes: health & wellness, happiness, pursuit/enjoyment of good health, Indigenous health & wellness (etc).

What to submit

Student artists or teams should submit a proposed design in a 2D medium (including, but not limited, to painting, prints, photography or drawing) plus a short proposal outlining how their design would be suitable for this project. The selected student(s) will then design & create the mural on the designated stand-alone wall in the IMP lobby.

The mural will be located on a 14 x 6 foot standalone wall, which will have the current plaques removed & will be prepared prior to project start date. An honourarium of $1,500 will be paid to the artist(s) once the project is completed (or split evenly between a team), with up to $500 in additional material fees.

About materials

Art must not have any sharp or harmful elements, and all paint and adhesives must be water based (no spray paint or spray adhesives).  All materials proposed to be used must be described in full in your proposal. The curved wall must be able to support the art without triggering structural design concerns.

Deadlines

Deadline for concept submissions is March 26 and the mural must be completed sometime between April 22 and May 30. The artist(s) must be currently enrolled in UVic’s Visual Arts department. Artist(s) will be chosen by a selection committee. This project is part of the new Fine Arts creative partnership with IMP that is also seeing an AHVS grad student curating a new collection of art for their lobby.

Please visit UVic’s IMP building (between MacLaurin A-wing & Cunningham building) prior to submission to get a sense of the wall & surrounding environment.

For more info or to submit a proposal to finecomm@uvic.ca

Equity Review results

During the 2022-2023 academic year, the Faculty of Fine Arts engaged in an Equity Review in order to provide an opportunity for faculty, staff, instructors and students to share their personal experiences with equity, diversity, inclusion and anti-oppression in Fine Arts.

The survey was distributed to approximately 1,500 current Fine Arts members and we received 241 responses (16%).

The results revealed that respondents appreciate the inclusive content in our courses, that equity-centred pedagogy is beginning to define the work we do, and that increased diversity among our faculty, staff and instructors has been well received.

However, some survey respondents indicated behaviours and systemic barriers that continue to impede our progress, including elements of discrimination, harassment and/or oppression. As a result, we will be focusing on growing our inclusive culture, increasing representation and learning opportunities, streamlining our complaint process and continuing our outreach with the Fine Arts community.

You can view the full results here:

Fine Arts is committed to doing the important work to advance our shared responsibility in making social justice the foundation of our community; our progress in these areas will be shared at a later date. Please reach out to us if you have any thoughts or suggestions about the Equity Survey Results that you wish to share.

Fine Arts in the news: media roundup

When it comes to announcements, publications and media appearances, there’s never really a slow time for Fine Arts faculty, alumni and students — and the past couple of months have been no exception. Here’s a quick roundup of who’s been speaking with the media lately.

 

Art History & Visual Studies

In this December article for Forbes magazine, professor Catherine Harding comments on the use of AI in identifying another artist involved in a 16th century painting by Raphael. “It is wonderful if we can use AI in this way,” Harding said. “It won’t be irrefutable. It will depend entirely on the expertise of the people doing the programming, but if they can write the right kind of algorithm, it will be very useful.”

As part of the new Jeffrey Rubinoff Nexus for Art as a Source of Knowledge, professor Allan Antliff has been selected as the inaugural Rubinoff Legacy Professor. This named professorship is just one facet of $230,000 in new funding from the Rubinoff Foundation, which also includes 15 annual graduate student scholarships and the expansion of experiential learning initiatives at Hornby Island’s Jeffrey Rubinoff Sculpture Park. Read more in this announcement.

Professor Carolyn Butler Palmer and Visual Arts professor emeritus Lynda Gammon were interviewed on this Jan 6 segment of CBC Radio’s North By Northwest in support of Gammon’s Latent exhibit at Legacy downtown, which is curated by Butler Palmer. There is also an accompanying short visual story with pictures in this issue of the NXNW newsletter.

Adjunct professor Martin Segger recently wrote this fantastic Times Colonist piece about the history of not only Centennial Square but the overall planned design of Victoria’s downtown district.

Adjunct professor Grace Wong Sneddon co-curated the recent exhibit The Magic of Tony Eng (with local historian John Adams) for the Chinese Canadian Museum in Fan Tan Alley. A goal for this museum is to recognize Victoria’s Chinese Canadians and, as such, Eng is an ideal subject: a vibrant and active member of the city, many remember him as a charismatic stage magician, teacher and mentor to generations of local magicians. In other news, Wong Sneddon recently co-authored two chapters in a new book, Diversity Leadership in Education: Embedding Practices of Social Justice (2024, edited by UVic’s Catherine McGregor & Shailoo Bedi): “Unpacking the Equity Myth: Diversity & Leadership Deficit” (with Reeta Chowdhari Tremblay) and “Race and Gender: Chinese Canadian Women and Leadership” (with Lokpriy Shrma & Tremblay).

Alum India Young is cited in this Vancouver Sun article about a career retrospective exhibit by Nuu-chah-nulth artist George Clutes at Vancouver’s Bill Reid Gallery; the exhibit was created by Young plus UVic’s Andrea Walsh and Jennifer Robinson.

School of Music

Marking their official retirement from performing, the “trailblazing” Lafayette String Quartet were recently profiled in this feature article from Strings Magazine. “I hope we’ve instilled a deep love of chamber music in our audiences and students,” said Ann Elliott-Goldschmid. Our students benefited enormously from observing four musicians who respect each other and worked together, unified, in overseeing their studies and musical growth.”

Ahead of his final concert featuring live piano accompaniment to a silent film, professor Bruce Vogt was interviewed by CBC Radio’s All Points West (not archived) and in this Times Colonist story. “I’m certainly not retiring from playing,” said Vogt. “I just won’t be teaching any more. I’ll still be around, until I hear the chimes at midnight.”

January’s masterclass with guest mezzo-soprano Allyson McHardy got a shout-out in this Times Colonist roundup.

Professor Benjamin Butterfield plus alumni Isaiah Bell and Timothy Carter all appeared on this segment of CBC Radio’s On The Island talking about their recent concert, Banned from the Concert Hall. Butterfield was also interviewed for this Times Colonist story about the same event. “I’m not sure everyone goes around talking about their arse all day in Baroque circles,” Butterfield said with a laugh. “But this type of thing has been around a long time.”

As the new leader of the annual TubaChristmas fundraiser, instructor Scott MacInnes was featured in this December Times Colonist article. “It’s awesome that such a lowly instrument can provide so much happiness,” said MacInnes, who will be conducting the festive ensemble for the first time.

Arbutus Middle School’s music program was recently announced as the winners—again—of CBC’s annual national Music Class Challenge. While not named in the article, Arbutus’s music program is led by alumni Jennifer Hill & sessional Michael Mazza.

Theatre

As co-author, professor Yasmine Kandil was recently announced as one of the winners of 2023’s Wayman Mullins Award for Best Journal Article, as awarded by the Society for Police and Criminal Psychology Board of Directors. This award is given for the best scientific article as published in the Journal of Police and Criminal Psychology. Kandil, along with co-authors Jennifer A. A. Lavoie & Natalie Alvarez, picked up the award for their article “Developing Community Co-designed Scenario-Based Training for Police Mental Health Crisis Response: A Relational Policing Approach to De-escalation”.

Alum Jena Mailloux (MA Interdisciplinary Studies: Applied Theatre/Curriculum & Instruction) recently published the article “Elevating Critical Pedagogy Through Dramatic Principles: A Comparative Framework Analysis of Anti-Bullying Drama Education and Theatre Research Initiatives” in the Drama Australia Journal.

Alum Alynne Sinnema (MA Applied Theatre) was recently awarded the Canadian Association for Theatre Research Robert G. Lawrence Scholarship for her for the project “Coming to her Senses: Women’s Sexual Empowerment Through Applied Theatre”, which the adjudicating committee found “inventive and insightful in the ways it aims to combine applied theatre, specifically physical theatre, and feminist theory as a way to support women’s voices, embodied and scholarly considerations of women’s pleasure and sexual agency, and mental health.”

Alum Narges Montakhabi was awarded the Canadian Association for Theatre Research (CATR) Heather McCallum Scholarship for her project “Politics and Poethics of Precarity in Contemporary Middle Eastern Canadian Theatre.” Describing her project as “ambitious”, the committee found her work “amplified the voices of less-heard and younger generations of underrepresented Middle Eastern Canadian playwrights, focusing on contemporary (mostly 21st century) plays and playwrights from Iran, Syria, Palestine, Lebanon, Afghanistan, and Iraq.”

Visual Arts

Recent MFA alum Maryam (whose last name is not being used in the media due to safety concerns) was quoted in this Times Colonist story about her work in the latest Victoria Arts Council exhibit, You Are Welcome. “I’m still very impressed,” she said of the protests in Iran, where most of her friends and family reside. “The metal [in my piece] represents the strength and power of the women in my country when they were killed and shot in the streets.”

While the late-’90s children’s TV show Nanalan is currently going viral on TikTok, none of the coverage mentions the fact that professor Kelly Richardson worked on the show in between her BFA and MFA degrees. She worked on 71 episodes, making the set & greenery but also puppeteering; this allowed her to buy her first computer which entirely changed her art practice. “I’ve never really stopped making plants and animating bugs in my work,” she says. You can see some behind-the-scene photos Kelly has posted on her Instagram feed.

UVic Impact Chair Carey Newman was involved in the first fully bilingual colloquium of the New Uses of Collections in Art Museums Partnership  at the National Gallery of Canada in December. The conference outlined some of the innovative practices changing the standards and practices of art acquisition. This colloquium was jointly produced by the National Gallery of Canada (NGC) and the Université du Québec en Outaouais (UQO) as part of the CIÉCO Research and Inquiry Group’s Partnership New Uses of Collections in Art Museums.

In other news Carey Newman news, this Vancouver Sun article notes that the traveling exhibition of his Witness Blanket will be on display in the West Vancouver public library from Jan 26-March 8. This touring version is a detailed photographic replica of the original 13-panel sculptural installation, which is now permanently housed in Winnipeg’s Canadian Museum for Human Rights. Following this stop, the current 17-city tour next comes to the Saanich School Division (March 25–May 10) before moving on to Nelson and Nova Scotia, with more dates booking into 2025.  

Work by current MFA candidate Eeman Masood was featured in Frozen Forest, the recent curated exhibition at Abu Dhabi Art, and will also be displayed at the India Art Fair exhibition in New Dehli via her gallery representative Galerie ISA, from Feb 1- 4. 

 

Writing

Recent Writing grad and Climate Disaster Project managing editor Aldyn Chwelos was recently featured on this story for CBC Radio’s All Points West, speaking about their work documenting testimonials from survivors of severe wildfires and floods—some of which are getting a reprint in the December/January issue of Readers Digest. Chwelos was also featured in a separate interview with CBC Kelowna’s Radio West (not archived).

Teaching professor Marita Dachsel’s new essay collection Sharp Notions: Essays from the Stitching Life was mentioned in the Globe and Mail’s book gift guide for “The Mindful Maven” this year. “As the editors [Marita Dachsel and Nancy Lee] point out, in the 21st century we don’t need to knit, embroider, weave, bead, make lace or spin yarn. But what these essays by crafters get at, instead, is the nourishment found in the meditative (rather than productive) solace of fibre-arts handiwork.” Dachsel was also interviewed for this Vancouver Sun article exploring two new books with Vancouver Island fibre connections. Sharp Notions was also recently positively reviewed for The British Columbia Review, and it was included inAll Lit Up’s “Refresh Your Shelf: New Non-Fiction” list, which included five notable nonfiction reads for 2024.

Professor David Leach spoke with residents at two Isralei kibbutzim for this story for Jewish Renaissance Magazine. “In 2010, I completed a circuit around Israel to research a book about the founding ideals, hundred-year history and slow decline of the kibbutz movement,” writes Leach. “These 270 or so rural communes, dreamed into reality by young Jewish pioneers as a fusion of socialism and Zionism, had marked the borders of the future state and shaped many of its leaders and artists.”

Crookes Professor Sean Holman announced in December that Rappler — the Philippines’ leading digital media company — has published five students stories as part of the Climate Disaster Project Philippines, appearing just in time for COP28. As part of the CDP’s international outreach, UVic’s Division of Continuing Studies provides certificates to the Philippines students for their work in trauma-informed environmental journalism. All five harrowing stories can be read here, here, here, here and here.

MFA Sam Shelstad’s novel The Cobra and The Key was recently included on CBC Book’s list of “30 books to read this winter”. Things are getting meta with this new satirical novel, which is centred on the life of a writer (also named Sam Shelstad) who is busy working on a book about his failed relationship, while he awaits word from a publisher about the manuscript he’s sure will make him a star—a how-to book for aspiring fiction writers detailing the finer points of the craft.

MFA alum Kyeren Regehr has been named the new director of Victoria’s venerable Planet Earth Poetry Reading Series—which, at 28 years, is surely the city’s longest-running continuous literary series. PEP runs weekly, 7-9pm Fridays at Russell Books on Fort Street.

Fine Arts

UVic’s Fine Arts + Grants & Awards Librarian Christine Walde recently presented her book-themed art exhibit Salvage at the Bruce Hutchinson public library branch, in conjunction withthe Victoria Arts Council. Salvage is a collection of driftwood books salvaged from the beaches of Vancouver Island and the Cascadia bioregion of the Pacific Northwest over a ten-year period.

Did you know Fine Arts Dean Allana Lindgren hosts the pre-show talks for the DanceVictoria series? A dance historian herself, Lindgren speaks ahead of each show in the performance series.

Finally, the winners of our 2023 Student Community Impact Awards were mentioned in Monday Magazine’s coverage of the Greater Victoria Regional Arts Awards.

Allan Antliff named inaugural Rubinoff Legacy Professor

The Faculty of Fine Arts has developed a strong relationship with the Jeffrey Rubinoff Foundation since 2016 when the late BC sculptor created the Jeffrey Rubinoff Scholar in Art as a Source of Knowledge Endowment at UVic in 2016.

Today, that relationship is being strengthened further by the Jeffrey Rubinoff Nexus for Art as a Source of Knowledge — this includes $230,000 in new funding which creates a named professorship, a robust set of graduate student scholarships, and the expansion of experiential learning initiatives at the Jeffrey Rubinoff Sculpture Park (JRSP) on Hornby Island.

Rubinoff understood art to be a source of knowledge because of its capacity to influence the viewer’s perspective by means of original perceptions. Indeed, Fine Arts students who have spent time at the JRSP since 2017 have expressed profound appreciation for their experiences  and their perspectives and ideas have grown.

The Jeffrey Rubinoff Sculpture Park on Hornby Island

New professorship rooted in engagement

Art History & Visual Studies (AHVS) professor Allan Antliff has been selected as the inaugural Rubinoff Legacy Professor in Art as a Source of Knowledge. Antliff brings to the position not only a personal history with Rubinoff and an interest in the Modernist ideas expressed in his sculptures, but also a deep history of engagement with the JRSP’s annual Company of Ideas forum — an international gathering of scholars, artists and thinkers which has been exploring key issues in art and knowledge since it was established in 2008.

AHVS has been involved with the Company of Ideas since 2016 in a variety of ways, including a four-year PhD graduate fellowship, travel awards for AHVS grad students, and smaller fellowships for outstanding AHVS grad students in need — all of which was initiated by Antliff and quickly brought to realization by former Fine Arts Dean Susan Lewis and UVic’s Development Office.

“I first met Jeffrey in summer 2015 and we quickly forged a personal friendship based on shared intellectual interests and ethical concerns related to the arts,” recalls Antliff. “Since then, I’ve been organizing annual graduate student participation in the Company of Ideas with the invaluable help of JRSP curator Karun Koernig and Company of Ideas Director and Cambridge University art historian James Fox . . . . Our students derive great benefit from these forums: they are ‘idea generators’ and a chance to meet scholars of note in a congenial atmosphere unlike any other.”

An unparalleled opportunity for students 

AHVS PhD candidate Munazzah Akhtar attended the Company of Ideas forum in 2016 and found the experience invaluable. “The forum offered an unparalleled opportunity for students to learn from and engage with artists, writers, curators and academics from distinguished universities,” she says. “These are fantastic occasions for students to network with renowned scholars, which could certainly be beneficial for their future endeavors.”

The Rubinoff Foundation itself is excited by Antliff’s appointment. In response to the news, the Board of Directors have affirmed that “Jeffrey had the opportunity to exchange ideas with Dr. Antliff on many occasions, and he would be pleased to know that Allan was named as the first Jeffrey Rubinoff Legacy Professor. The Jeffrey Rubinoff Foundation is honoured to continue Jeffrey’s legacy through support for the University of Victoria that contributes to innovative scholarship, connecting art and knowledge.”

Expanded scholarship opportunities

A significant part of the Nexus for Art as a Source of Knowledge is $100,000 in annual funding for a set of new graduate scholarships to be shared by each of our five Fine Arts units — plans for which Antliff and Rubinoff discussed back in 2016.

“The scope of Jeffrey’s critical interests encompassed the entirety of the arts, and it is appropriate that these awards be divided equally amongst our five departments,” says Antliff. “The scholarships reflect Jeffrey’s spirit of generosity and commitment to learning, which the Foundation board shares — and, of course, they are testimony to how important he felt artistic endeavours are for advancing knowledge, both culturally and politically.”

Antliff (centre) at 2023’s Company of Ideas

Fifteen graduate students in AHVS, Theatre, Writing, Visual Arts and the School of Music will benefit from this new funding during the 2023/24, providing them with the opportunity to both visit the JSRP and further their own academic and creative work.

“These scholarships will give students time to contemplate and develop their research free of economic pressures,” notes Antliff. “This is an extraordinary gift — the gift of creative freedom.”

The late Jeffrey Rubinoff with one of his sculptures at the JRSP

New experiential learning opportunities

Perhaps the most remarkable aspect of Rubinoff’s legacy is his 200-acre sculpture park on Hornby Island, where he lived and worked for over four decades. Home to over 100 of Rubinoff’s steel sculptures — which range from human to monumental scale — the JSRP not only hosts the annual Company of Ideas forum but has also welcomed several Fine Arts field schools since 2017.

With the new Nexus funding, experiential learning opportunities on site will be further enhanced with an annual budget of $75,000.

In his new role as the Rubinoff Legacy Professor, Antliff — who has previously taught a course at the JRSP exploring the intersection of Rubinoff’s views with those of select artists and art critics — is developing a new AHVS seminar, “Sculpting Modernism”. This will offer students three days at the sculpture park to engage with Rubinoff’s artwork firsthand, with accommodation and expenses funded by the Nexus.

“My intent is to transform May into the ‘Faculty of Fine Arts Month’ at the JRSP, with different departments bringing groups of students to the park every week for short residencies,” says Antliff. “To this end, I have invited faculty in other departments to develop their own seminars incorporating the JRSP and offered to underwrite related costs drawing on my Legacy Chair funding. Additionally, I’ll be visiting Hornby Island to consult Jeffrey Rubinoff’s archive and library: this research will enhance my ongoing engagement with his ideas.”

Plans are also underway for the first of a series of related biannual conferences, tentatively scheduled for fall 2024 or winter 2025. “I have a series of topics in mind, which will be themed to my department’s research areas and incorporate issues that concerned Jeffrey Rubinoff,” explains Antliff. “For example, I am in conversation with Shabbir Hussain Mustafa, Senior Curator at National Gallery of Singapore and the Singapore Art Museum,about collaboratively organizing a UVic-based conference devoted to art historian and anti-colonial activist Ananda Coomaraswamy.”

Inspired by a previous conference Mustafa organized at the Dhaka Art Summit in 2018 (where Antliff gave a talk on Coomaraswamy’s impact on US modernism during the WWI period), this conference might also involve UVic’s Centre for Asia-Pacific Initiatives.

“Ideally, I imagine these conferences serving as a catalyst for enhancing the faculty’s impact in the University of Victoria and beyond,” says Antliff. “The conferences will also draw attention to the JRSP and Rubinoff’s legacy as a critical thinker and artist. Finally, they will be a catalyst of learning for faculty, students and the general public.”

Fine Arts students during
previous JRSP field schools

Building the future

As someone who knew him personally, Antliff thinks Rubinoff would have been excited by the renewal of this important relationship with both UVic and the Faculty of Fine Arts.

“Before he passed, Jeffrey gave me a copy of a critical anthology edited by James Fox, The Art of Jeffrey Rubinoff (2016), with this dedication – ‘Allan: Builder of the Future.’ I think that speaks volumes regarding his faith in my commitment to furthering the synergy between the JRSP and Fine Arts,” concludes Antliff.

He adds, “Jeffrey spoke of his initial [2016] endowment to AHVS as the ‘institutional mainstay of the unfolding, permanent educational program at the Jeffrey Rubinoff Sculpture Park, which will continue to explore the future of art as a source of knowledge.’ When he characterized art as ‘a source of knowledge,’ he had the interface of art and society in mind, which dovetails wonderfully well with the values propelling research and teaching in the Faculty of Fine Arts.”

Linda Catlin Smith named Honorary Degree recipient

Honorary degrees have been awarded at UVic since its inaugural convocation in 1964. An honorary degree is the highest honour the university can bestow for distinguished achievement in scholarship, research, teaching, the creative arts and public service.

As part of the Fall convocation ceremony on November 14, we were thrilled to confer upon School of Music double alumna Linda Catlin Smith with an Honorary Doctor of Music (DMus).

Forging a career in music

Linda Catlin Smith’s music has been performed by Canada’s major orchestras and featured in concert series and festivals across North America and around the world. Born in New York City, Linda received her bachelor’s and master’s degrees from UVic, before moving to Toronto. Since then, she has forged a career like her music: quiet and persistent, unassuming and steady, with an absolute certainty of purpose.

On the surface, her music is deceptively simple; look closer, and it reveals a mastery of harmony and orchestration that puts her in the highest ranks of composers. In the classical music world, where works by (male) composers from the past dominate orchestral concerts, Linda’s is often the only contemporary voice. Over more than 40 years, she has developed a singular vision, creating real beauty in a world that profoundly needs it.

A sensitive teacher and mentor, Linda has also been an inspiration and a model for a generation of young composers, performers and ensembles, many of whom have become important artists in their own right. She will continue to be revered by future generations in Canada and beyond.

Call for 2024 grad student ONC artistic residency

2021 ONC AIR Dennis Gupa

Are you a Fine Arts graduate student interested in oceans and looking for a paid artistic residency in 2024? Are you excited by the idea of exploring the potential for the arts or alternative cultural practices to highlight the visions, challenges, philosophical, aesthetic or ethical aspects of oceans and the impacts humans have on it?

If so, then the Fine Arts/Ocean Networks Canada Artist-in-Residence program may be the perfect fit for you!

Who can apply?

Open to current grad students (working in any discipline) who have completed most of their course requirements in any Fine Arts unit (including Art History & Visual Studies, Theatre, Visual Arts, Writing and the School of Music), the Artist-in-Residence program is currently seeking proposals for 2024. The application period closes on December 22, 2023.

UVic’s Faculty of Fine Arts and Ocean Networks Canada (ONC) co-lead and sponsor the Artist-in-Residence program, with additional financial support provided by the Faculty of Science and UVic’s Office of Research Services provide  to the program.

When does it run?

The residency period can start anytime between Feb 1 and August 31, 2024, and last for up to four months. A cost-of-living stipend of CAD$2,000/month will be paid to the selected Artist, with limited additional funds to support production or materials. At the conclusion of the residency, a public event featuring the resulting art will be presented, displayed or performed, and will be promoted by ONC and the Faculty of Fine Arts. This event will work within a specified budget agreed to during the residency, and depending on the type of project to be exhibited. Assistance for marketing and/or ticketing could be made available from other UVic departments.

Who else has done it?

Our 2023 AIR is Neil Griffin (Writing), who fused the creative with the scientific in a series of lyric essays titled Whale Fall, exploring the ecological stages of whale decomposition from its last breath to its incorporation into the deep-sea ecoscape.

Find out more here about our previous AIRs, including Colin Malloy (School of Music), Dennis Gupa (Theatre) and Colton Hash (Visual Arts).

What’s it about?

The ONC AIR program strengthens connections between art and science that broaden and cross-fertilize perspectives and critical discourse on today’s major issues, such as environment, technology, oceans, cultural and biodiversity, and healthy communities.

The Artist-in-Residence will ignite cross-disciplinary exchanges, interacting with Fine Arts faculty members and scientists & staff at ONC, as well as with other individuals using ONC’s ocean observing facilities and data portal. The Artist will learn from and engage with the current research, connecting it to the Artist’s own practice, and to wider societal and cultural aspects, creating work for public presentation at the end of the residency. The Artist will also be invited to contribute as a lead or co-author in scientific conference proceedings and/or journal articles.

Possible themes:

The selected Artist will actively engage with researchers on a variety of ocean science themes that may include:

  1. Natural hazards
  2. Ocean soundscapes
  3. Indigenous perspectives
  4. Arctic observing
  5. Community-engaged ocean monitoring
  6. Advancing deep ocean observing
  7. Hot and cold vent dynamics
  8. Coastal ocean
  9. Ocean data science 

How to apply

Proposal Submission Interested applicants are to email ONC (dwowens@oceannetworks.ca) with the subject line “Ocean Artist-in-Residence Program,” and attach:
  1. the artist’s CV
  2. a concise portfolio of previous relevant artistic work;
  3. a letter of motivation outlining the artist’s project proposal for the residency, and
  4. a 500-word project proposal with a separate project-costs budget
Applications will be reviewed by representatives of Fine Arts and Ocean Networks Canada. Artists may be contacted for an interview or to supply further information before a decision is made.

About the program

The ONC Artist-in-Residence program is established to:
  • explore the potential of the arts or alternative cultural practices in the area of the visions, challenges, philosophical, aesthetic, and ethical aspects of the ocean and the impacts humans have on it;
  • add a complementary artistic and creative perspective to ocean science, the societal ramifications of its exploitation, and its cultural aspects;
  • create opportunities for potential new research questions, experimental approaches and knowledge synthesis resulting from interaction between the arts and science; and
  • help envision and communicate the potential long-term impact of ocean changes on humanity.