Get interactive with writing, music & art at Ideafest 2018

Whether you’re a regular part of the UVic community or simply a visitor to campus, Ideafest 2018 offers an ideal chance to explore the vast and diverse range of research and creative activity happening all around the Ring Road.

Rightfully described as being about “ideas that can change everything,” UVic’s week-long festival of research, art and innovation runs March 5-10 and features over 40 events on topics ranging from climate change and chamber music to Indigenous law, optimistic art, antibiotic resistance and so much more.

All events are free and open to the public — please join us at any or all of our signature Fine Arts events, and be sure to take time to explore the full schedule as well. You never know what your new favourite topic might be!

First up on the Fine Arts schedule is the annual reading night featuring Department of Writing MFA candidates. Hosted by award-winning playwright and Writing professor Kevin Kerr, All Lit Up: Creative Writing’s Bright Lights offers live readings and performances by the next generation of Canadian literati, including Levi Binnema (poetry), Sarah Hamill (nonfiction), Daniel Hogg (screenwriting), Elliott James (playwriting) and Kari Teicher (fiction).

Enjoy this lively (and licensed) literary cabaret from 7 to 8:30pm Monday, March 5, at the popular Copper Owl — one of downtown’s most unique and charming arts venues, (upstairs at Paul’s Motor Inn, 1900 Douglas). Doors open at 6:30, and this event always packs out so do arrive early. Note: no minors.

For over 50 years, UVic’s School of Music has had a long history of producing outstanding string students — helped along in no small measure by the Lafayette String Quartet, who have been artists-in-residence here since 1991. Now, you can discover the next generation of outstanding string talent with Cuarteto Chroma — Canada’s first graduate student string quartet. The event String Quartets at UVic: A Musical Continuum offers an interactive performance where Cuarteto Chroma will invite the audience to suggest how they should perform a particular piece — deciding things like tempo, vibrato and the balance between each instrument — which will allow the audience to hear the effects their choices have on the musical outcome.

Afterwards, Chroma will join the Lafayette String Quartet for an informal Q&A session, followed by a Lafayette-taught masterclass for UVic string students — that’s three opportunities to catch a glimpse of the intimate world of chamber music and explore the hidden facets of life in a string quartet.  A Musical Continuum runs 11am-2:30pm Tuesday, March 6, in room B037 and the Phillip T. Young Recital Hall, both in the School of Music’s MacLaurin Building B-Wing.

Performers will include the Lafayette String Quartet (Pamela Highbaugh Aloni, Ann Elliott-Goldschmid, Joanna Hood and Sharon Stanis) and Cuarteto Chroma (Felix Alanis, Manuel Cruz, Ilya Gotchev and Carlos Quijano), as well as undergraduate string students. Interactive performance runs 11am–12:15pm in the Phillip T. Young Recital Hall, while the Q&A session runs 12:30–1:20pm in B037, and the chamber music masterclass runs 1:30-2:20pm back in the Phillip T. Young Recital Hall, just next door to the classroom.

If Bobby McFerrin’s classic singalong ditty “Don’t Worry, Be Happy” isn’t quite cutting it for you these days, art may be the answer: in troubling times, optimism can feel like a scarce commodity, but for centuries people have found hope and joy in visual art. Art and Optimism in an Age of Worry offers a lively series of short presentations as Art History & Visual Studies faculty members and graduate students will explore how artists and their works have long offered new messages of hope, healing and empowerment. While showcasing a wide range of styles and movements, they will also collectively demonstrate how art can ignite optimism and agency in your own life.

Join host and AHVS professor Catherine Harding from 5-7pm on Tuesday, March 6, in room 167 of UVic’s Elliott Building (ELL), where she’ll be joined by fellow AHVS professors Erin Campbell and Carolyn Butler Palmer, plus grad students Holly Cecil, Gonzalo Gutierrez, Alexa Heenan, Ambreen Hussaini, and Katayoun Youssefi.

If you think Fine Arts is just about paintbrushes, sheet music and words on the page, get ready to enter the digital realm and discover a whole new world of creativity when you go Beyond the Digital Frontier: Exploring Digital and Interactive Media in the Arts. From virtual-reality filmmaking and innovations in digital art to interactive gaming, artifact handling, new theatre technology and fusions of music and computer science, find out how UVic’s Faculty of Fine Arts is a leader in 21st century creativity at this interactive, drop-in, self-guided exploration event.

Professors Kelly Richardson (Visual Arts), Kirk McNally (Music) and Victoria Wyatt (AHVS), plus technician Simon Farrow (Theatre) and both graduate and undergrad students will showcase recent innovations in the world of digital media from 5-6:30pm on Wednesday, March 7, throughout UVic’s Fine Arts Building.

And you’ve got the entire week of Ideafest to explore the Visual Arts exhibit Math Garden. Conceived of as an outdoor sculpture garden by Visual Arts instructor David Gifford, Math Garden is inspired by Mathematica, an exhibition of mathematical concepts by Charles and Ray Eames that debuted at the California Museum of Science and Industry in 1961. Wander between perspective projections and platonic solids created by both students in the ART 300 class and guest artists.

The self-guided exhibit will also include didactic panels de-bunking topics like the Golden Rectangle and explaining aspects of topology like minimal surfaces and the Möbius strip. See what happens when artists make mathematics their muse and reflect on the visual aspects of geometry, linear algebra and graph theory throughout the  Fine Arts Building courtyard.

While those are our signature events, Fine Arts students will also be participating in the likes of the annual Jamie Cassels Undergraduate Research Awards (JCURA) Fair from 11:30am-3pm on Wednesday, March 7, in UVic’s Student Union Building, as well as the new creative writing contest On the Verge: Student Voices, co-hosted by UVic’s Libraries and Equity & Human Rights, from 4:30-6pm on Thursday, March 8 in Libraries room 129. And will any of our short films about creative practice in Fine Arts make the final cut of the second annual Research Reels contest? To find out, you’ll have to drop by the screening event running from 5-6:30pm Tuesday, March 6, in the David Lam Auditorium, room A144 of the MacLaurin Building.

Exhibition reframes Innocence of 1960s artists

In 1963, National Film Board director Léonard Forest travelled from Montreal to the west coast to direct a documentary about artists and poets working in Vancouver and Victoria. Forest said he came here with “zero idea” of what he would find. He made the resulting 27-minute film, In Search of Innocence, with an innocent eye.

AHVS grad student & exhibit curator Nellie Lamb

Now, the latest Legacy Gallery exhibit, Innocence: West Coast Art and Artists Through a Visitor’s Eyes pairs the original NFB documentary with work by artists featured in the film — but guest curator Nellie Lamb also examines the notion of innocence as it pertains to the West Coast in the 1960s.

Lamb, a graduate student with the Art History & Visual Studies department, selected work by the likes of Jack Shadbolt, Margaret Peterson, Roy Kiyooka, bill bissett, Joy Long, Sing Lim, Jack Hardman, and former UVic Visual Arts professors Fred Douglas and Donald Jarvis for the exhibit.

Curious to learn more? Lamb will be giving a special curator’s talk and tour from 3-4:30pm Saturday, February 3.

Lamb says she first saw the NFB film back in 2013, when her mother gave her a copy for Christmas. “My dad, Fred Douglas, appears in it,” she explains. “He passed away when I was 12 so I’ve been getting to know him as an adult through documents like this, and through his friends, co-workers and students.”

Some of Fred Douglas’ original manuscript pages appear in the exhibit

Douglas was a noted Vancouver artist who eventually joined UVic’s Visual Arts department as a professor.

She calls it a “happy accident” that UVic’s impressive art collection holds pieces by some of the artists in the film; the exhibit also features some pieces on loan from UBC, SFU, and the AGGV. “That’s one of the fun things I’ve found about researching local artists, often their work is right here where we can see it up close.”

Lamb says she tried to select works that were created close to the time In Search of Innocence was shot. “Margaret Peterson’s ‘Horos, The Welcome Figure’ (1962) was actually in her solo exhibit at AGGV, which is shown in part in In Search of Innocence,” she explains. “ ’Horos’ also relates to the idea of the West Coast as a place that is — at least in some imaginations — ‘natural’ and ‘mystical.’”

A more innocent time?

Was there actually a sense of innocence among west coast artists of the 1960s? “I think Forest’s use of the term ‘innocence’ is much more nuanced and nebulous than what we typically use the word to mean,” Lamb explains.

“Part of my research is about teasing apart what he might have meant and I think what he meant has many facets, depending on which artist he was looking at. For example, Jack Shadbolt’s search for innocence was different from Al Neil’s. Forest features a diverse group in his film . . . [but] the artists in In Search of Innocence wouldn’t have called themselves innocent.”

Yet Lamb does acknowledge that “the west” has long been seen as a place of opportunity, and that “unrealized opportunity” itself is a type of innocence. Add that to the continued perception that the West Coast is distant from the art-world centers (Europe, New York, Montreal, Toronto), and that West Coast cities like LA and Vancouver are “culturally devoid” compared to their eastern equivalents.

“Of course, anyone involved in the arts communities out here knows that’s untrue,” insists Lamb. “But being removed from these major art centers, and choosing to remain physically and sometimes ideologically marginal, can be seen as an innocent choice or, a search for innocence.”

The researcher as audience & curtor

As an AHVS grad student, Lamb says her Legacy exhibit is just one part of a larger research project focusing on documentary film theory, building a history of Vancouver and the West Coast in the 1960s, and considering her own role as audience and curator.

“Sometimes seeing something we are familiar with through another’s eyes reminds us how incredible that thing is,” she explains. “I hope visitors leave the gallery with a feeling of wonder about the place that we live, and the artists who have worked here for thousands of years and continue to . . . . that’s the feeling in [both the film] and the artworks in this exhibition give me.”

“Innocence” at Legacy Gallery Downtown

Originally from Vancouver, Lamb chose UVic for both her undergraduate degree and her graduate work. “I’m from Vancouver and I had originally planned on moving back there after graduating with my BA . . . . [but] I’ve found that both the AHVS department and Victoria’s art community are overflowing with opportunities for students to put their research and related skills into practice.”

Despite the 55-year gap between the NFB documentary and now, when urban growth and development have radically changed both the physical and cultural landscape, Lamb feels some things do remain recognizable.

“I bounce back and forth between lamenting how much has changed — how much has been lost to development and rising cost of living — and then noticing how much is the same,” she says. “The land is still awe-inspiring, there are still diverse and interconnected communities of artists working in just as diverse media, and some of them are still searching for the same ineffable thing that Forest called innocence.”

Innocence: West Coast Art and Artists Through a Visitor’s Eyes runs to March 29 at UVic’s Legacy Downtown, 630 Yates (open Wed-Sat, 10-4pm).  

Fine Arts Wellness Day

Feeling tired? Got the sniffles? Worried about new classes? Start the semester off with a healthy sense of well-being at our Fine Arts Wellness Day! Running 11am – 2pm on Wednesday, January 17, in the lobby of the Fine Arts building, students can shuffle off their January blahs with a variety of special events.

Wellness is an important part of both a general approach to life and student mental health. Fine Arts students often find themselves under additional pressures not shared by other students across campus, given the demands of rehearsals, instrument practice, performance and the push to be creative on top of maintaining a regular class schedule and keeping grades up.

Add to that the unique physical demands that go with being a creative practitioner and you’ve got a lot of good reasons to stay healthy during your academic career.

With that in mind, Fine Arts Wellness Day will feature a number of free services and information essential to your sense of wellness, including

  • free chair massage
  • healthy snacks (including a DIY trail mix bar)
  • a hydration station (featuring both lemon and cucumber water)
  • information about good & simple nutrition
  • tips on stress-reduction and counseling services

And don’t miss the therapy pets at the nearby Pet Cafe (2:30 – 4pm at the nearby Interfaith Chapel), as well as free yoga from 4:30-5:30pm in Hodges 104 (Residence Hub), brought to you by UVic’s SHAPE (Student Health Ambassadors and Peer Educators).

Please join us for this fun and healthy event!

 

Top 10 Fine Arts stories of 2017 – part two

What else happened in Fine Arts in 2017? More than we can mention in one blog post, so here’s part two of our top-10 stories of the year.

International attention

Considering we’re based on an island at the edge of the continent, it’s surprising how much international attention UVic continues to get — and while there’s no arguing our extraordinary sense of place here in Victoria, credit must go to our exceptional faculty who always seem to be busy across the country and around the world.

Ajtony Csaba at the Hungarian Liszt Academy of Music (photo: Réka Érdi-Harmos)

School of Music professor Dániel Péter Biró and some Music students participated in UVic’s interdisciplinary field school “Narratives of Memory, Migration, and Xenophobia” this summer, which brought together scholars, students and artists from Canada and Europe to examine issues including the recent resurgence of nationalist and xenophobic movements in North America and Europe. Biró also had a number of compositions commissioned, premiered and performed in Europe this year, as well as in Brooklyn. Ajtony Csaba was honoured to perform a special Canada 150 concert for the Hungarian Ambassador in Ottawa this summer, as well as having the opportunity to lead the orchestra at the Hungarian Liszt Academy of Music this fall. Merrie Klazek presented a solo recital at the International Women’s Brass Conference in New Jersey in June, Joanna Hood was featured on German radio this fall, and Benjamin Butterfield appeared once again at the Amalfi Coast Music Arts and Music Festival, teaching and directing the opera Gianni Schicchi with some of his UVic voice students, past and present (including Kaden Forsberg, Margaret Lingas, Ai Horton and Nick Allen).

Visual Arts professor Kelly Richardson saw her art exhibited in solo and group exhibits in Scotland, England, France, China and the United States this year, while Paul Walde had two separate exhibits on view in Norway and Scotland, and Cedric Bomford had work in California, as well as an ongoing public art commission in Seattle. And sessional instructor Charles Campbell had work exhibited at both the Los Angeles’ Museum of Latin American Art and San Francisco’s Museum of the African Diaspora this year.

Finally, Theatre professor Patrick Du Wors was the only Canadian selected for the prestigious 2017 World Stage Design exhibition in Taiwan, and Art History & Visual Studies professor Marcus Milwright published a new book, Islamic Arts and Crafts: An Anthology  with Edinburgh University Press.

Indigenous action

Lindsay Delaronde supported by dancers during ACHoRd (Photo: Peruzzo)

Considering the City of Victoria declared 2017 a Year of Reconciliation, it was perhaps fitting that we saw a great deal of activity by Indigenous alumni, guest speakers and faculty — most notable of which was the announcement that Visual Arts MFA alumna Lindsay Delaronde would be Victoria’s first Indigenous Artist in Residence. “I hope to create artworks that reflect the values of this land, which are cultivated and nurtured by the Indigenous peoples of this territory,” she said at the time. “I see my role as a way to bring awareness to and acknowledge that reconciliation between Indigenous and non-Indigenous peoples is a process, one in which I can facilitate a collaborative approach for creating strong relationships to produce co-created art projects in Victoria.”

2017 also saw the completion of Rande Cook’s two-year term as the latest Audain Professor in Visual Arts — on top of his duties as chief of Vancouver Island’s ’Namgis Nation and his commitments as an in-demand contemporary artist with an international practice. “Two years in the position allowed me to really reach students,” says Cook. “I was able to delve into the role art plays in politics, and got them to dive deep within themselves. I pushed my students a lot and they seemed to appreciate that — the feedback at the end of the year said it was one of the more profound classes they had ever taken.”

The call is currently out for the next Audain Professor, with a January 31 application deadline.

Theatre professor Kirsten Sedeghi-Yetka continues her applied theatre work in the area of Indigenous language preservation, and Theatre also hosted acclaimed Indigenous playwright Marie Clement as a guest this fall. AHVS professor Carolyn Butler-Palmer‘s 2017 Legacy Gallery exhibit on early female Indigenous carver Ellen Neel was featured in this national Globe and Mail article, Legacy Gallery also hosted an exhibit by Visual Arts MFA alumna Marianne Nicholson focusing on the impact of smallpox on local first nations, and fellow Visual Arts MFA Hjalmer Wenstob had a high-profile longhouse installation on the lawn of the BC Legislature this summer as part of the OneWave Gathering.

High-profile Indigenous Writing alumni Richard Van Camp and Eden Robinson were in the news repeatedly this year, with Robinson being shortlisted for the Giller Prize and winning a prestigious Writers’ Trust Fellowship. And everyone in Writing and Fine Arts were saddened to hear of the passing of former Southam Lecturere, Richard Wagamese.

Daniel Laskarin with his new public art sculpture, now installed in Richmond

Art with impact

Visual Arts faculty had a busy year with a number of prominent exhibitions and projects. Paul Walde’s Tom Thomson Centennial Swim project received a great deal of local, provincial and national media attention this summer — with 10 different radio interviews and day-of coverage by the Toronto Star — as well as making UVic’s list of top news stories of 2017.

The spotlight was definitely on the recently retired Sandra Meigs — now professor emeritus — who was named a Fellow of the Royal Society of Canada in September, opened a solo exhibit at Winchester Galleries early in 2017 featuring work created after winning the Gershon Iskowitz Prize, and launched an impressive solo show at the Art Gallery of Ontario in October, in collaboration with Music’s Christopher Butterfield. Listen to this interview with Meigs on CBC Radio’s Q, in which Butterfield’s audio component is also discussed.

Daniel Laskarin debuted a new public art sculpture at the Cambie Fire Hall No. 3 / Richmond North Ambulance Station and had a local solo show at Deluge Gallery, while Robert Youds had no less than three solo exhibits this fall, with two in Victoria and one in Toronto. Cedric Bomford had his work on view in California, Quebec and Toronto’s Nuit Blanche this summer, and very busy new professor Kelly Richardson participated in 14 solo and group exhibitions across Canada and Europe — with more planned in 2018.

10 years of acclaimed journalists

The stage may have been crowded, but not as much as the audience!

For the past 10 years, Writing students have benefited by learning from veteran journalists and authors, thanks to the Harvey Stevenson Southam Lecturer in Journalism and Nonfiction. In November, Writing celebrated a decade of Southam Lecturers with a special “all-star” anniversary panel featuring six former Southams together for the first time, in a lively moderated discussion on “The Future of Journalism in the Age of #FakeNews”

“The idea for the panel was sparked by a perfect convergence,” says Writing chair David Leach. “A chance to mark the 10th anniversary of the Southam Lectureship, the opportunity to thank the Southam family for their generosity, and to respond to a sense of global urgency around the role of journalists as guardians of our democratic institutions — especially when the most powerful elected official on the planet keeps attacking the free press as #FakeNews.”

Leach acted as emcee and moderator for the event, which broke all previous Southam attendance records and saw close to 250 fill every seat, aisle, ledge and doorway. six returning Southams — Jody Paterson, Terry Glavin, JoAnn Roberts and Tom Hawthorn, plus departmental alumni Mark Leiren-Young and Vivian Smith — as well as recent Writing grad Quinn MacDonald, now the publisher/editor of the local urban agriculture magazine Concrete Garden.

“All were keen to talk about their experiences as guest lecturers and debate the future of journalism,” says Leach. “Taken together, it offers a broad range of ways to look at contemporary journalism.”

A strong year for new donors

Samantha Krzywonos (far right) marks the
98th birthday of longtime donor Tommy Mayne, with three Theatre student recipients of his scholarship, in 2016

Another way to measure a faculty’s health and success is through the strength of its donors. And while Fine Arts couldn’t boast of another monumental donation like the one we received in 2016 from Jefferey Rubinoff — who sadly passed away earlier this year — 2017 remained a healthy year for donors and donations. Fine Arts Development Officer Samantha Krzywonos reports that we attracted 103 first-gift donors this past year — as compared to 48 in 2016 — and received an overall 476 donations for a total of nearly $500,000 that will support students.

Donations of all sizes are essential not only for scholarships and awards, but also for the need for innovative technology, space modifications and equipment upgrades — all of which contribute to the success of Fine Arts students in all our departments. Donors can range from alumni and retired faculty to parents of students, corporate partners, arts patrons, current and former staff, and community members. Indeed, we currently have over 250 active donors and nearly $10 million in planned gift expectancies invested in Fine Arts students.

Krzywonos feels meeting with donors is the most rewarding aspect of her job. “It’s all about saying thank-you and sharing the impact of that support. If a student can focus on their studies and not have to take on extra work just to get by, that donor support can make a huge difference in their life.”

Top 10 Fine Arts stories of 2017 – part one

There’s no easier measure of just how creative the activity is here in the Faculty of Fine Arts than by looking back at what happened over the previous year. From classes and guest lecturers to concerts, exhibits, plays, readings, seminars and our core research and creative practice, it’s often hard to believe just how much happens in a given year. In fact, a recent tally of this year’s media coverage showed our faculty, students and alumni had been covered more than 250 times in 2017 — and those are just the stories we know about.

In no particular order, here’s part one of our annual wrap-up featuring some — but certainly not all — of the leading Fine Arts stories of the year.

50 years and counting

Christopher Butterfield, Susan Lewis & Jamie Cassels at the School of Music’s Gala Anniversary Concert in December

2017 saw the wrap-up of 50th anniversaries in both Theatre and Art History & Visual Studies, and the ongoing half-century celebrations in the School of Music. Theatre completed its celebrations with a trio of final events in the spring: their Human Library Project, the Tempest Orion Project, and the public mounting of A Queer Trial, a brand new play by professor Jennifer Wise, in downtown’s Bastion Square. “The people who started our department were fearless in their vision and commitment,” Theatre chair Allana Lindgren said at the time. “They transformed one of the old military huts on campus into a stage and that ‘can do’ attitude has never left.”

AVHS finished their golden anniversary year with a public panel on “Why Art Matters in Dangerous Times” and their extensive Learning Through Looking exhibit at the Legacy Maltwood Gallery. “We were pioneers in the field when we were founded 50 years ago — not just in Canada but across North America,” noted department chair Erin Campbell of what was then the History in Art program. “At the time, art history was very Western-focused but we were one of the few institutions willing to look at Asian and Indigenous art. And we are still one of the largest world art history departments in Canada.”

While the School of Music just wrapped up its own 50th gala and reunion weekend earlier in December, they’ve still got their New Music & Digital Music Festival coming up from February 2-4. Music director Christopher Butterfield feels it’s their unique connection between faculty, students, alumni and the community that sets the School of Music apart. “We’re never going to be the place for everybody, but the people who do come here soon realize we’re punching way above our weight,” he says.

With three anniversaries down and two to go — including the Faculty’s own 50th in 2019 — it’s not hard to see the impact Fine Arts has had on the evolution of UVic itself, which is currently only 54 years old.

Award-winning achievements

Zhao Si presents Tim Lilburn with the Homer Medal

It’s been another year of outstanding achievement for our faculty, with a number of notable recognitions. Department of Writing professor and acclaimed poet Tim Lilburn was the first Canadian to win the prestigious international Homer Prize, while School of Music professor Dániel Péter Biró earned a coveted Guggenheim Fellowship, and Visual Arts professor emeritus Sandra Meigs became a Fellow of the Royal Society,

Internally, AHVS professor Victoria Wyatt won the Fine Arts award for Excellence in Teaching, while School of Music professor Suzanne Snizek‘s research into the forgotten works of suppressed composers earned her a place among the 10 recipients of UVic’s inaugural REACH Award, alumna Althea Thauberger was honoured as the faculty’s 2017 Distinguished Alumni, and POV Maestro Timothy Vernon being named an Honorary Doctor of Music at spring convocation.

Grad student successes

Fine Arts saw exceptional success in 2017 when it comes to the research and creative activities of our current doctoral and graduate students. Art History & Visual Studies had three successful SSHRC doctoral recipients — international students Atri Hatef and Hamed Yeganehfarzand (Iran) and Zahra Kazani (Pakistan) — which, considering only 20 were awarded to UVic as a whole, makes AHVS responsible for a remarkable 15 percent across campus in this category. Kazani also holds a CSRS Fellowship, as well as the Sheila & John Hackett Research Travel Award and a top-up to assist with international research at the Warburg Institute and the Wellcome Collection and Library, both in London.

Applied theatre PhD candidate Taiwo Afolabi

Also notable are two outstanding international PhD candidates in Theatre: national Vanier Scholar recipient Dennis Gupta, who also received the Ada Slaight Drama in Education Award, and Queen Elizabeth Scholar Taiwo Afolabi, a Crossing Borders Scholar with UVic’s Centre for Asia-Pacic Initiatives and a graduate fellow with the Centre for Global Studies.

Additionally, we’ve had great success when it comes to Canada Graduate Scholarships – Master’s Awards, with three CGS M’s in AHVS, two in Writing, and one each in Visual Arts and the School of Music. With seven out of 36 awards on campus, Fine Arts earned an impressive 19.5 percent of UVic’s allocations. Two other high-achieving graduate students include AHVS’s Su Yen Chong, another CAPI Crossing Borders Queen Elizabeth Scholar, and Elsie-May Mountford, the Ian H. Stewart Graduate Student Fellow with UVic’s Centre for Studies in Religion and Society.

Amazing alumni

Composer & celebrated Music alumnus Rodney Sharman (photo: Bell Ancell)

It’s also worth noting that 2017 has been a remarkable year for alumni achievement. In November, School of Music alumnus Rodney Sharman received the Canada Council’s $50,000 Walter Carsen Prize for Excellence in the Performing Arts, while composer Tobin Stokes saw one of his compositions performed for Queen Elizabeth II as part of the Canada 150 celebrations in London this summer, sung by alumna soprano Eve Daniell. Several School of Music alumni are featured in the 10-CD Canadian Composers Series on the UK’s Another Timbre record label — including the likes of Cassandra Miller, Alex Jang and Lance Austin Olsen — which also comes with an accompanying book. And Musicworks magazine has a feature on Victoria composers — including current concert manager Kristy Farkas — which comes with an accompanying CD.

Writing alumni have also been receiving a good deal of attention this fall, with Eden Robinson winning the $50,000 Writers’ Trust Fellowship, Yasuko Thanh winning the Victoria Book Prize, Connor Gaston and Karolinka Zuzalek both winning Leo Awards for their latest film projects, Shanna Baker winning the photojournalism category in the Canadian Online Publishing Awards for this Hakai magazine piece, Theatre alumna-turned-author Carleigh Baker winning the Vancouver Book Award, and Writing professor and alumna Joan MacLeod’s 1987 play Toronto, Mississippi being named one of Canada’s 14 essential plays.

In the nominations department, both Deborah Willis and Eden Robinson received Giller Prize nominations, Ashley Little and Steven Price were nominated for the €100,000 International Dublin Literary Award, Carleigh Baker was nominated for the Writers’ Trust Fiction Prize and Writing chair David Leach — himself a departmental alum — was nominated for the Vine Award for Canadian Jewish Literature.

Xiao Xue with her award-winning walking camper

Visual Arts saw MFA alumna Lindsay Delaronde named the City of Victoria’s inaugural Indigenous Artist in Residence, while two 2017 alumni won two categories in the national BMO 1st Art! Invitational Student Art Competition: national prize winner Xiao Xue, and BC provincial prize winner James Fermor. But while graduate students may be taking centrestage, And two very recent alumni were nominated for the Lind Prize in photography: Brandon Poole (for the second time) and Laura Gildner.

In Theatre, alumnus Chris Wilson has joined the cast of CBC TV’s legendary Air Farce comedy troupe, Meg Braem was recently announced as the newest Lee Playwright in Residence at the University of Alberta Department of Drama, Amiel Gladstone continues to reap accolades with the award-winning musical Onegin, which he co-created and directed, and continues to tour across Canada (including a recent Belfry Theatre production starring Meg Roe), and former CBC TV Being Erica star Erin Karpluk continues to pop up on such TV shows as Masters of Sex, Criminal Minds and the continuing A Fixer Upper Mystery.

The Mercer Report

Rick Mercer sings the headlines

And there’s nothing like a bit of celebrity to wrap up part one of this post: the School of Music (and UVic as a whole) was thrilled when legendary CBC TV host Rick Mercer came to campus in October to film a segment for the final season of The Rick Mercer Report — including a live, on-camera singing lesson with voice professor Benjamin Butterfield and student Taylor Fawcett. A highlight was hearing Mercer sing the day’s Globe & Mail headlines!  “I always thought I couldn’t sing but [Butterfield] convinced me that I, maybe, potentially, might be able to in the future. So I’ll be back doing my degree in opera,” quipped Mercer in this Martlet interview with Writing student Cormac O’Brien.

That’s part one—be sure to check back for part two of our top-10 stories of 2017.

Try your luck with this Art History Christmas quiz!

Like art? What about quizzes? How about art quizzes with a word-play twist? If you answered yes to any of these, then you’re in for a real treat: the return of the Art History Christmas Quiz!

Designed by Art History & Visual Studies professor Marcus Milwright, the Art History Christmas Quiz was first mounted back in 2013. Like so many of us, the idea of spending the holidays doing a challenging quiz comes naturally to Milwright.

“Our family was always keen on quizzes, from crosswords to tests of general knowledge,” he says. “There used to be a quiz in a newspaper that asked readers to identify a painting from a little section. This provided the inspiration for the AHVS Christmas Quiz, although I wanted to add some new elements.”

On each of the eight slides in the quiz, you’ll see a composite picture. Identify each image, then follow the instructions to find certain letters drawn from the name of the artist, the subject, the name of the object, and so on. (For example, take the “g” from Van Gogh and add it to the “v” from da Vinci to reconstruct a series of words.) Click here for full contest rules and details.

“It was fun to assemble faces from different paintings, drawings, photographs, and sculptures, but the challenge was to make the words and names from them,” says Milwright. “There should be some teasing images mixed in with some familiar ones.”

To take part in the quiz, write the completed words (or as many as you have been able to complete) on a postcard with your name and contact email. Hand this postcard into the main office of the Art History & Visual Studies department — that’s room 151 of the Fine Arts building — by January 5, 2018. Or if you’re on campus, you can send it by interoffice mail, or go really old-school and mail it in: AHVS Christmas Quiz, PO Box 1700, University of Victoria, Victoria, B.C., V8W 2Y2.

Looking for some visual assistance for the quiz? If you’re an AHVS student, you can access our DIDO image database; if you’re outside the faculty, try one of the public access sites like ARTstor, the Metropolitan Museum of Art or the website for London’s National Gallery.

This quiz is open to all UVic students, and you may compete as teams (but only one postcard submission per team). There will be a main prize and two also for runners up. The winners will be announced on January 12. Remember, partial submissions will be accepted.

And while the top three winners of the original AHVS Christmas Quiz were all AHVS students, don’t let that dissuade you from playing along. “It was really funny and exciting,” said winner Atri Hatef at the time.

“I had some answers right away within each question, but often had to really search for the complete answer,” said previous winner Terry Rodgers.

Good luck!

Congratulations to Hamed, Kirsten & Atri!

Update on the winners!

Congratulations go out to the two winning teams of the 2017 AHVS Christmas Quiz: Atri Hatef & Hamed Yeganehfarzand, and India Cornell & Kirsten Matulewicz (not pictured).

Not surprisingly, all are AHVS students—Hatef and Yeganehfarzand are PhD candidates, while Matulewicz and Cornell are Masters students. Both teams worked together to get the correct answers to as many questions as possible, and came closest to completing the entire quiz. In addition to gift certificates for a local bookstore, they also received some art-based Canadiana: a puzzle and a calendar!