100 Years of Broadway takes centre stage

For their second mainstage show of the 2023/24 season, UVic’s Phoenix Theatre offers an epic journey through the most iconic and beloved musicals of our time as 100 Years of Broadway dances into the spotlight. Whether you’re a seasoned theatregoer or new to the magic of the stage, 100 Years of Broadway promises an experience that will leave you with a song in your heart.

Created by noted arranger and composer Mac Huff, this revue seamlessly weaves together medleys and full-song performances, capturing the essence of each era and showcasing the evolution of musical theatre — so expect delightful nuggets of history and fun facts to spice up this musical adventure.

Light the lights

It all begins in the early 20th century at the historic hotspot Tin Pan Alley, the epicentre of American musical genius. Imagine a bustling hive where songwriters, composers and publishers wove the very fabric of popular music with unforgettable music and timeless melodies by the likes of Irving Berlin, George and Ira Gershwin, Oscar Hammerstein II, Jerome Kern, Cole Porter and Richard Rodgers — timeless creators who etched their names into the musical legacy that gave rise to today’s Broadway productions.

From there, you’ll be transported to the golden era of the ’50s and ’60s with iconic scores from Cabaret, Guys and Dolls, Hello Dolly! and Oliver. Then it’s a quick fast-forward through the groundbreaking ’70s and ’80s and the works of modern titans Andrew Lloyd Webber (Phantom of The Opera, Jesus Christ Superstar, CATS) and Stephen Sondheim (A Little Night Music, Sweeney Todd, Company). After that, we shift into the contemporary, with the likes of Wicked, Something Rotten, Waitress, Come From Away, Rent and The Last Five Years, among many others. 100 Years of Broadway celebrates the past, present and lasting joy that only Broadway can deliver.

A night of nights

It’s all directed by guest director and Phoenix alum Pia Wyatt, who received her master’s degree in directing from UVic in 1994. A professional educator, director and choreographer who has worked throughout the country and internationally, she now shares her talents as a professor of theatre and dance, and head of directing and performance at Louisiana’s Northwestern State University.

“I look forward to breathing new life into each theatrical production, helping create a masterpiece that entices the hearts and minds of the audience,” says Wyatt. “Theatre and dance provide freedom of expression and the power to communicate, to educate and to entertain — this outreach is what makes it exciting for me to create theatre.”

Indeed, Wyatt’s students and graduates are currently performing on Broadway, cruise lines, regional theatres and amusement parks worldwide. Under her direction and featuring an all-student design team, 100 Years of Broadway speaks to the legacy of the Phoenix theatre program — which continues to nurture top talent who contribute to the cultural landscape at home and abroad.

Alumni director Pia Wyatt

Building the student-designed set for 100 Years of Broadway

On with the show

The stage is set and the legacy of more than a century of beautiful music awaits you with 100 Years of Broadway. Inspiring, entertaining and uniquely able to connect people across generations, 100 Years of Broadway offers a night that will leave you singing and dancing long after the curtain falls.

Don’t miss this unforgettable evening as we celebrate Broadway’s extraordinary legacy! Book your tickets now, as they are already going fast!

100 Years of Broadway runs February 14-17 & 20-24, with 2pm matinees on Feb 17 & 24. Tickets are $11-$32, by phone at 250-721-8000 or in-person at the Phoenix Theatre box office.

There will also be a public pre-show lecture with Department of Theatre chair and Broadway historian Tony Vickery at 7pm Friday, February 16.

 

Fine Arts in the news: media roundup

When it comes to announcements, publications and media appearances, there’s never really a slow time for Fine Arts faculty, alumni and students — and the past couple of months have been no exception. Here’s a quick roundup of who’s been speaking with the media lately.

 

Art History & Visual Studies

In this December article for Forbes magazine, professor Catherine Harding comments on the use of AI in identifying another artist involved in a 16th century painting by Raphael. “It is wonderful if we can use AI in this way,” Harding said. “It won’t be irrefutable. It will depend entirely on the expertise of the people doing the programming, but if they can write the right kind of algorithm, it will be very useful.”

As part of the new Jeffrey Rubinoff Nexus for Art as a Source of Knowledge, professor Allan Antliff has been selected as the inaugural Rubinoff Legacy Professor. This named professorship is just one facet of $230,000 in new funding from the Rubinoff Foundation, which also includes 15 annual graduate student scholarships and the expansion of experiential learning initiatives at Hornby Island’s Jeffrey Rubinoff Sculpture Park. Read more in this announcement.

Professor Carolyn Butler Palmer and Visual Arts professor emeritus Lynda Gammon were interviewed on this Jan 6 segment of CBC Radio’s North By Northwest in support of Gammon’s Latent exhibit at Legacy downtown, which is curated by Butler Palmer. There is also an accompanying short visual story with pictures in this issue of the NXNW newsletter.

Adjunct professor Martin Segger recently wrote this fantastic Times Colonist piece about the history of not only Centennial Square but the overall planned design of Victoria’s downtown district.

Adjunct professor Grace Wong Sneddon co-curated the recent exhibit The Magic of Tony Eng (with local historian John Adams) for the Chinese Canadian Museum in Fan Tan Alley. A goal for this museum is to recognize Victoria’s Chinese Canadians and, as such, Eng is an ideal subject: a vibrant and active member of the city, many remember him as a charismatic stage magician, teacher and mentor to generations of local magicians. In other news, Wong Sneddon recently co-authored two chapters in a new book, Diversity Leadership in Education: Embedding Practices of Social Justice (2024, edited by UVic’s Catherine McGregor & Shailoo Bedi): “Unpacking the Equity Myth: Diversity & Leadership Deficit” (with Reeta Chowdhari Tremblay) and “Race and Gender: Chinese Canadian Women and Leadership” (with Lokpriy Shrma & Tremblay).

Alum India Young is cited in this Vancouver Sun article about a career retrospective exhibit by Nuu-chah-nulth artist George Clutes at Vancouver’s Bill Reid Gallery; the exhibit was created by Young plus UVic’s Andrea Walsh and Jennifer Robinson.

School of Music

Marking their official retirement from performing, the “trailblazing” Lafayette String Quartet were recently profiled in this feature article from Strings Magazine. “I hope we’ve instilled a deep love of chamber music in our audiences and students,” said Ann Elliott-Goldschmid. Our students benefited enormously from observing four musicians who respect each other and worked together, unified, in overseeing their studies and musical growth.”

Ahead of his final concert featuring live piano accompaniment to a silent film, professor Bruce Vogt was interviewed by CBC Radio’s All Points West (not archived) and in this Times Colonist story. “I’m certainly not retiring from playing,” said Vogt. “I just won’t be teaching any more. I’ll still be around, until I hear the chimes at midnight.”

January’s masterclass with guest mezzo-soprano Allyson McHardy got a shout-out in this Times Colonist roundup.

Professor Benjamin Butterfield plus alumni Isaiah Bell and Timothy Carter all appeared on this segment of CBC Radio’s On The Island talking about their recent concert, Banned from the Concert Hall. Butterfield was also interviewed for this Times Colonist story about the same event. “I’m not sure everyone goes around talking about their arse all day in Baroque circles,” Butterfield said with a laugh. “But this type of thing has been around a long time.”

As the new leader of the annual TubaChristmas fundraiser, instructor Scott MacInnes was featured in this December Times Colonist article. “It’s awesome that such a lowly instrument can provide so much happiness,” said MacInnes, who will be conducting the festive ensemble for the first time.

Arbutus Middle School’s music program was recently announced as the winners—again—of CBC’s annual national Music Class Challenge. While not named in the article, Arbutus’s music program is led by alumni Jennifer Hill & sessional Michael Mazza.

Theatre

As co-author, professor Yasmine Kandil was recently announced as one of the winners of 2023’s Wayman Mullins Award for Best Journal Article, as awarded by the Society for Police and Criminal Psychology Board of Directors. This award is given for the best scientific article as published in the Journal of Police and Criminal Psychology. Kandil, along with co-authors Jennifer A. A. Lavoie & Natalie Alvarez, picked up the award for their article “Developing Community Co-designed Scenario-Based Training for Police Mental Health Crisis Response: A Relational Policing Approach to De-escalation”.

Alum Jena Mailloux (MA Interdisciplinary Studies: Applied Theatre/Curriculum & Instruction) recently published the article “Elevating Critical Pedagogy Through Dramatic Principles: A Comparative Framework Analysis of Anti-Bullying Drama Education and Theatre Research Initiatives” in the Drama Australia Journal.

Alum Alynne Sinnema (MA Applied Theatre) was recently awarded the Canadian Association for Theatre Research Robert G. Lawrence Scholarship for her for the project “Coming to her Senses: Women’s Sexual Empowerment Through Applied Theatre”, which the adjudicating committee found “inventive and insightful in the ways it aims to combine applied theatre, specifically physical theatre, and feminist theory as a way to support women’s voices, embodied and scholarly considerations of women’s pleasure and sexual agency, and mental health.”

Alum Narges Montakhabi was awarded the Canadian Association for Theatre Research (CATR) Heather McCallum Scholarship for her project “Politics and Poethics of Precarity in Contemporary Middle Eastern Canadian Theatre.” Describing her project as “ambitious”, the committee found her work “amplified the voices of less-heard and younger generations of underrepresented Middle Eastern Canadian playwrights, focusing on contemporary (mostly 21st century) plays and playwrights from Iran, Syria, Palestine, Lebanon, Afghanistan, and Iraq.”

Visual Arts

Recent MFA alum Maryam (whose last name is not being used in the media due to safety concerns) was quoted in this Times Colonist story about her work in the latest Victoria Arts Council exhibit, You Are Welcome. “I’m still very impressed,” she said of the protests in Iran, where most of her friends and family reside. “The metal [in my piece] represents the strength and power of the women in my country when they were killed and shot in the streets.”

While the late-’90s children’s TV show Nanalan is currently going viral on TikTok, none of the coverage mentions the fact that professor Kelly Richardson worked on the show in between her BFA and MFA degrees. She worked on 71 episodes, making the set & greenery but also puppeteering; this allowed her to buy her first computer which entirely changed her art practice. “I’ve never really stopped making plants and animating bugs in my work,” she says. You can see some behind-the-scene photos Kelly has posted on her Instagram feed.

UVic Impact Chair Carey Newman was involved in the first fully bilingual colloquium of the New Uses of Collections in Art Museums Partnership  at the National Gallery of Canada in December. The conference outlined some of the innovative practices changing the standards and practices of art acquisition. This colloquium was jointly produced by the National Gallery of Canada (NGC) and the Université du Québec en Outaouais (UQO) as part of the CIÉCO Research and Inquiry Group’s Partnership New Uses of Collections in Art Museums.

In other news Carey Newman news, this Vancouver Sun article notes that the traveling exhibition of his Witness Blanket will be on display in the West Vancouver public library from Jan 26-March 8. This touring version is a detailed photographic replica of the original 13-panel sculptural installation, which is now permanently housed in Winnipeg’s Canadian Museum for Human Rights. Following this stop, the current 17-city tour next comes to the Saanich School Division (March 25–May 10) before moving on to Nelson and Nova Scotia, with more dates booking into 2025.  

Work by current MFA candidate Eeman Masood was featured in Frozen Forest, the recent curated exhibition at Abu Dhabi Art, and will also be displayed at the India Art Fair exhibition in New Dehli via her gallery representative Galerie ISA, from Feb 1- 4. 

 

Writing

Recent Writing grad and Climate Disaster Project managing editor Aldyn Chwelos was recently featured on this story for CBC Radio’s All Points West, speaking about their work documenting testimonials from survivors of severe wildfires and floods—some of which are getting a reprint in the December/January issue of Readers Digest. Chwelos was also featured in a separate interview with CBC Kelowna’s Radio West (not archived).

Teaching professor Marita Dachsel’s new essay collection Sharp Notions: Essays from the Stitching Life was mentioned in the Globe and Mail’s book gift guide for “The Mindful Maven” this year. “As the editors [Marita Dachsel and Nancy Lee] point out, in the 21st century we don’t need to knit, embroider, weave, bead, make lace or spin yarn. But what these essays by crafters get at, instead, is the nourishment found in the meditative (rather than productive) solace of fibre-arts handiwork.” Dachsel was also interviewed for this Vancouver Sun article exploring two new books with Vancouver Island fibre connections. Sharp Notions was also recently positively reviewed for The British Columbia Review, and it was included inAll Lit Up’s “Refresh Your Shelf: New Non-Fiction” list, which included five notable nonfiction reads for 2024.

Professor David Leach spoke with residents at two Isralei kibbutzim for this story for Jewish Renaissance Magazine. “In 2010, I completed a circuit around Israel to research a book about the founding ideals, hundred-year history and slow decline of the kibbutz movement,” writes Leach. “These 270 or so rural communes, dreamed into reality by young Jewish pioneers as a fusion of socialism and Zionism, had marked the borders of the future state and shaped many of its leaders and artists.”

Crookes Professor Sean Holman announced in December that Rappler — the Philippines’ leading digital media company — has published five students stories as part of the Climate Disaster Project Philippines, appearing just in time for COP28. As part of the CDP’s international outreach, UVic’s Division of Continuing Studies provides certificates to the Philippines students for their work in trauma-informed environmental journalism. All five harrowing stories can be read here, here, here, here and here.

MFA Sam Shelstad’s novel The Cobra and The Key was recently included on CBC Book’s list of “30 books to read this winter”. Things are getting meta with this new satirical novel, which is centred on the life of a writer (also named Sam Shelstad) who is busy working on a book about his failed relationship, while he awaits word from a publisher about the manuscript he’s sure will make him a star—a how-to book for aspiring fiction writers detailing the finer points of the craft.

MFA alum Kyeren Regehr has been named the new director of Victoria’s venerable Planet Earth Poetry Reading Series—which, at 28 years, is surely the city’s longest-running continuous literary series. PEP runs weekly, 7-9pm Fridays at Russell Books on Fort Street.

Fine Arts

UVic’s Fine Arts + Grants & Awards Librarian Christine Walde recently presented her book-themed art exhibit Salvage at the Bruce Hutchinson public library branch, in conjunction withthe Victoria Arts Council. Salvage is a collection of driftwood books salvaged from the beaches of Vancouver Island and the Cascadia bioregion of the Pacific Northwest over a ten-year period.

Did you know Fine Arts Dean Allana Lindgren hosts the pre-show talks for the DanceVictoria series? A dance historian herself, Lindgren speaks ahead of each show in the performance series.

Finally, the winners of our 2023 Student Community Impact Awards were mentioned in Monday Magazine’s coverage of the Greater Victoria Regional Arts Awards.

Dracula bites into 2024

Take a bite out of 2024 with a staged public reading of Dracula: A Trilogy of Terror. Split into three separate performances (January 3, 5 & 7), this original seven-part adaptation of Bram Stoker’s classic novel is being adapted and directed by Theatre professor Brian Richmond and is produced in association with the Department of Theatre and Bounce Performance Works. All three readings take place at UVic’s Chief Dan George Theatre in the Phoenix building. Tickets are $10 each night or $25 for all three.

Among the cast are a number of Theatre and UVic alumni, including Victor Dolhai, Paul Fauteaux, Kholby Wardell, Amanda Lisman, sessional Christopher Mackie and former student Jacob Richmond, as well as current students Grace Fouracre and Brigit Stewart, with recent Writing sessional Rachel Ditor as dramaturge.

“We are thrilled to be a part of the development of this exciting new project,” says Bounce Performance Work artistic director, alumni & sessional instructor Treena Stubel. “We see this as a continuation of Bounce’s commitment to the evolution of new work in our community.”

Both an homage to and an updating of a novel considered one of the pillars of gothic horror, Richmond’s story-theatre approach utilizes nine of Canada’s most accomplished actors to portray the hundreds of characters and speak the thrilling prose contained in the original. In this “reader’s theatre” approach, audiences will have the opportunity to hear an epic play that is conceived to ultimately receive a highly physical and wildly imaginative staging.

“Wolves howl, shadows lurk, whips crack, bats fly, men and women scale walls upside down, and blood—lots of it—will flow” says Richmond. “My ambition is to unleash what I believe was Stoker’s ultimate goal, which was foretelling the birth of a new age in which women would realize their fate by stepping into societies central roles.”

Brian Richmond

Movement One: Invasion (7pm Wednesday, Jan 3)

In the first two parts, we are introduced to the apparently carefree life of Lucy Westenra and Mina Harker as they embark on their exploration of the Victorian age’s concept of the “New Woman”. Little do they know that Mina’s fiancé and solicitor Jonathan Harker has unearthed an ancient and a ruthless enemy whose blood-thirsty animus threatens to destroy all that they hold dear.

Movement Two: Exhumation (7pm Friday, Jan 5)

The next two episodes are centered on Count Dracula’s conquest of first the body and then the soul of his first victim since his invasion of Britain: Lucy Westenra. Galvanizing the efforts of the three men who love her, plus the arcane knowledge of the Dutch metaphysician and scientist Dr. Abraham Van Helsing, the movement ends in a bloody rite that raises the question of who is more barbarous: the invaded or the invader?

Movement Three: Annihilation (2pm Sunday, Jan 7)

The final three episodes witness first the persecution and then the emergence of Mina Harker as the new century’s woman warrior. Pulling us through a multi-country pursuit and attempt to permanently eradicate the heart of evil, the adaptation reaches its climax with a battle won but a war that never ends.

’Tis the season for choral celebration

Downtown’s Christ Church Cathedral was filled beyond capacity for the School of Music‘s annual winter choral concert on December 2. But you can still experience the harmonious sound of 150+ voices resonating in the cathedral’s beautiful acoustics in this video of the event, which featured the combined talents of UVic’s Chorus, Chamber Singers, Vocal Ensemble and Vocal Jazz Ensemblem plus organist
Mark McDonald.

2023 Student Impact Award winners

For the third year in a row, Fine Arts honoured the winners of our annual Student Community Impact Awards as part of the Greater Victoria Regional Arts Awards. Held on November 24 at Victoria City Hall, Fine Arts Dean Allana Lindgren presented three separate awards of $1,000 each to Heidi Goetz and Nathan Malzon (both School of Music students), and recent Visual Arts grad Laveen Gammie.

Including our 2023 winners, Fine Arts has now given over $10,000 to eight different students over the last three years — all thanks to the generosity of our donors.

Created in 2021 by the Dean’s External Advisory Committee, the Student Community Impact Awards recognize individual achievements or outstanding efforts made by full-time Fine Arts undergraduate students for a local arts organization.

Next-generation learning

Heidi Goetz (seen here with Fine Arts alum Matthew Payne) won her work as the coordinator of Music Discoveries, the School of Music’s annual weekend music camp — which, in January 2023, welcomed over 100 SD61 middle-school students and involved more than 40 volunteers in the two-day event.

As Music professor Steven J. Capaldo pointed out in his support letter, “Heidi demonstrated genuine dedication and commitment to providing strong service to the music education community, as well as her desire to improve the lives of the students with whom she connects.”

Music technology in action

Nathan Malzon won for being an enthusiastic part of creating the permanent live-streaming system for downtown’s Christ Church Cathedral; this has become an essential method for broadcasting both their regular worship services and substantial music performances.

As Christ Church’s Reverend Canon Jeannine Friesen says, “Nathan has devoted hundreds of hours to this work . . . thanks to him, we can bring sacred and secular music to thousands of people, not only in Victoria, but around the world.”

Engaging the public

Laveen Gammie picked up her award for her unflagging work in taking an unwanted room in downtown’s vibrant Rockslide Studio and turning it into the vibrant Vault Gallery. Currently pursuing her MFA at the University of Chicag, Laveen wasn’t able to attend the ceremony.

As Rockslide’s chair Logan Ford says, “Laveen worked tirelessly — and fully voluntarily — to develop and lead this innovative space for over a year. The Vault has made a remarkable impact on the local creative scene and has shown that Laveen has a genuine passion for the arts and dedication to her community.”

A legacy of achievement

While the GVRAAs recognize a variety of early- and mid-career achievements, we consider our own Student Community Impact Awards as more of a pre-career category, as all our recipients are definitely talents to watch.

For over 50 years, Fine Arts has been the city’s incubator for artists, technicians, curators, scholars, volunteers, arts administrators, board members, and appreciative audience members.

Indeed, a great many of our alumni can be found on the list of previous GVRAA winners: Matthew Payne, Lindsay Delaronde, Mercedes Batiz Benet, Andrew Barrett, Rebekkah Johnson, Colton Hash, Sarah Jim, Chelsea Kutyn
. . . all have emerged from Fine Arts to become key players in Victoria’s arts scene.

Finally, we were excited to see Theatre alum Andrew Barrett‘s performance company Impulse Theatre win the $15,000 JAYMAC Outstanding Production Award this year for their recent performance, The Soft Spaces.

Congratulations to all! 

Giving Tuesday in Fine Arts: Climate Disaster Project

November 28 is Giving Tuesday, a day when the entire UVic community will unite around a common cause — supporting the students and programs that make this university the very special place it is.

This year, UVic’s Faculty of Fine Arts is raising funds to help create the world’s largest living library of climate disaster experiences, which will help connect climate disaster survivors around the word, and spark urgent action on climate change.

We hope you’ll join together with our entire Fine Arts community and make a donation to the Climate Disaster Project. Your gift will support UVic journalism students in their field work and interviews as they collect these climate disaster stories for an anthology that will be published in Fall 2025 by Purich Books (UBC Press). 

Climate disaster survivors Patsy Gessey & Owen Collins look towards Lytton, where they lost their home
during the 2021 Lytton Creek Fire. The next year, they faced fires again. (CDP/Jen Osborne)

 

Hope through community

Climate disasters — like forest fires, floods and extreme drought — are becoming more and more common. In the coming decades, these disasters could divide us, as walls are built around the world to protect those with the most and keep out those with the least.

But these disasters could also unite us if we see the commonalities in one another’s experiences.

With your support, the Climate Disaster Project, which is based in UVic’s Department of Writing, is creating a massive archive of eyewitness climate disaster accounts. The Climate Disaster Project trains students to work on the frontlines of climate change — a skill that will only become more necessary as time goes on.

To date, 194 students have been trained in trauma-informed interviewing skills, and students have interviewed 128 survivors of climate disasters about their experience. The Climate Disaster Project has already published 44 testimonies in The Tyee, the Fraser Valley Current, Asparagus and Megaphone magazines, partnered with APTN Investigates and the Royal BC Museum’s Community Gallery, had two students interviewed on CBC Radio’s national climate-change show What On Earth, and is about to be featured in the December/January issue of Reader’s Digest — Canada’s most-read magazine.

Donor created, donor supported

The Climate Disaster Project’s work covering the humanitarian crisis of climate change was founded in 2021 thanks to a generous donation from philanthropist and businessman Wayne Crookes. Our work is inspired by his deep concern for preserving our planet.

Your gift today will help create the world’s largest living library of climate disaster experiences, and will support UVic journalism students in their field work and interviews.

We hope you’ll consider joining the Giving Tuesday movement with a gift to the Climate Disaster Project.