Always an exciting part of each semester, the long-running Visiting Artist program in the Department of Visual Arts has announced their fall lineup. Organized by Visual Arts instructor Doug Jarvis and MFA candidate Dani Proteau, all these illustrated talks take place at 7:30pm in room A150 of the Visual Arts Building — and all are free and open to the public. Come join us in exploring the wider visual arts world!
Wolfgang Weileder is an artist whose practice is primarily concerned with the examination and critical deconstruction of architecture, public spaces and the interactions we have with the urban environment. His works are investigations into the relationship between time and space, the interface between permanence and transience, and how these can be explored to question our understanding of the landscape, both built and natural. His work engages with the world through large-scale, temporary site-specific installation and sculpture; temporal recordings of spaces and environments through photography; film, performance and sound installation.
Daniel Kohn & Heather Spence
Daniel Kohn and Heather Spence first met at the NAKFI Discovering the Deep Blue Sea conference in 2016 and began to form collaborative projects around the intersection of art and ocean science and the concept of Ocean Memory. Their previous work in interdisciplinary collaborations as well as background in fine arts (Daniel) and music, marine bioacoustics and neuroscience (Heather) have brought them to think of artmaking and research as simultaneously collective and personal pursuits.
They come to Victoria to explore collaboration with Ocean Networks Canada, to use ONCs audio archive and live data capabilities, and with a wish to connect to local efforts and projects seeking to remap the way in which we think of – and engage with – the ocean.
Cindy Baker is an interdisciplinary and performance artist whose work is informed by a fierce commitment to community engagement and critical social inquiry. Drawing from queer theory, gender culture, fat activism and art theory, Baker’s research-based practice moves fluently between the arts, humanities, and social sciences. Baker considers context her primary medium, and works with diverse materials and techniques from the low-craft (such as latch-hooking) to digital fabrication and perfor-mance, emphasizing the theoretical, conceptual and ephemeral aspects of her work. Cindy Baker completed her MFA at the University of Leth-bridge in 2014, and she lives and works between Lethbridge, AB, Canada and Edmonton, AB, Canada.
Rachelle Sawatsky is an artist and a writer based in Los Angeles and Vancouver. Her solo and collaborative work encompasses painting, writing, ceramics, drawing and movement. Recent solo exhibitions include China Art Objects, Artist Curated Projects, Harmony Murphy Gallery in Los Angeles and at the Material Art Fair in Mexico City. Her work has also been included in group exhibitions at the Tate St. Ives, the Vancouver Art Gallery, and Galerie Mezzanin in Vienna as part of the Curated By Biennale. She is a Lecturer at the University of California, Riverside.
John Eisler completed his MFA at the University of Guelph (2018). He received his BFA from the Alberta College of Art and Design in 1997, with a concentration in painting. He has had a number of solo exhibition at Paul Kuhn Fine Arts (Calgary) and Diaz Contemporary (Toronto), including : Fountain (2013) and Observatory (2013). Recent group exhibitions include : More Than Two (Let it Make Itself) at the Power Plant (Toronto) ; 60 Painters at Humber Arts and Media Studios (Toron-to) ; softcare Hard Edge at East and Peggy Phelps Galleries in Clare-mont, CA and the Art Gallery of Calgary ; 2×2 at the Keyano Art Gallery in Fort McMurray in Alberta. His works are held in collections of the Alberta Foundation for the Arts, the Macdonald Stewart Art Center, TD Bank Group, as well as numerous private collections.
A still from Farheen HaQ’s “Endless Tether”
Farheen HaQ is a South Asian Muslim Canadian artist who has been living on unceded Lekwungen territory (Victoria, BC) for 20 years. She was born and raised in Haudenosanee territory (Niagara region, Ontario) amongst a tight-knit Muslim community. Her multidisciplinary practice which often employs video, installation and performance is informed by interiority, relationality, embodiment, ritual and spiritual practice. Farheen has exhibited her work in galleries and festivals throughout Canada and internationally including New York, Paris, Lahore, Medellin, Buenos Aires, and Hungary. She received her MFA from York University (2005). In 2014 she was nominated for Canada’s Sobey Art Award.
The creative practice of Department of Visual Arts students and alumni are in the spotlight in a series of street-level artistic initiatives around Victoria right now — a number of which are sponsored by the City of Victoria itself. Hop on your bike or plan a walking tour to catch some of this inspiringly creative work in action.
Integrate Arts Festival
Looking to expand your local artistic boundaries? Don’t miss the 12th annual Integrate Arts Festival, running August 24-26 at various venues around the city—all for free! Visit their site to download the venue map, and be sure to check out the timed events happening over the weekend.
Last year, the Integrate Arts Festival (formerly known as “Off the Grid Arts Festival”) saw over 2,000 people attend art spaces across the city. This year it kicks off with and Opening Reception on Aug 24, where you can catch the first glimpse of the work by their featured artists. Download the Integrate Arts Festival map, which will guide you to a variety of exhibitions and events at 24 different participating galleries, publicly accessible studios, and various sites throughout the city. You can also access the map using the Integrate brochure (found at participating locations), and participants are encouraged to walk or bike to each site.
As always, plenty of Fine Arts students and alumni are involved in the fest, including the likes of Visual Arts students Christian McGinty, Lana Nyuli, Shae Anthony and Mona Hedayati; alumni Taryn Walker, Sadie Nielson, Evan Locke, Eriq Wong and the folks at Theatre SKAM; plus instructor Peter Sandmark at the FLUX media gallery.
Also involved behind the scenes on Integrate’s board to make this all happen are a mix of Visual Arts and Art History & Visual Studies alumni Brin O’Hare, Stephanie Eisenbraun, Libby Oliver, Selina Pieczonka, Olivia Prior, Regan Shrumm, Anna Shkuratoff, and current student Amy Smith. And UVic’s own Legacy Gallery is once again a venue for this event.
See Integrate’s Facebook page for current information.
One of the participating events this weekend is the City of Victoria’s Concrete Canvas project, which features 16 local, national and international artists painting the same number of murals on the walls of 13 sites around Victoria’s Rock Bay neighbourhood—including Visual Arts MFA grad Kerri Flannigan. Watch as a neighbourhood is transformed into an outdoor gallery for street art and creative expression; work will be continuing through August 27.
Concrete Canvas provides a platform for Victoria’s vibrant art scene to contribute to the city’s cultural legacy for years to come. The City of Victoria is collaborating with community members to build social capital, develop a sense of community pride of space, represent diversity, and empower people to make change in their city—and putting their money where their vision is: each participating artist will be paid a fee ranging from $1,250 to $4,000, with an overall budget of $150,000, funded by the City’s Public Art Reserve Fund.
Don’t miss the Concrete Canvas launch party, running 2-11:30pm Saturday, August 25. Hosted by the Victoria Beer Week Society, the free event will include a mural workshop, live music curated by Holy Smokes Music, a food and beverage area for all ages, and walking tours of completed and in-progress murals (3-6pm), an artist panel talk (5pm), and a six different bands (from 6pm), all happening in the Hoyne and Driftwood Breweries parking lot, 450 Hillside Avenue.
“The Commons” by Libby Oliver
And while you’re traveling around the city, keep your eyes open for the Commute: Bus Shelter Art Exhibition, which features work by five different emerging artists — including Visual Arts alumni Libby Oliver and Kerri Flannigan. Oliver’s work “The Commons” can be seen at Yates & Ormond streets, while Flannigan’s “Feeling Measurements – Fathom 09 (Megan)” is on Yates between Camosun & Fernwood Road.
Watch for more work by Visual Arts students and alumni coming up in future rounds of the Commute project, including current student Austin Willis—who was recently selected as the sixth artist to install work in the city’s Commercial Alley Art Gallery, found in the alley between the 500-block of Yates and Bastion Square. His four-panel pieces use bright colours, bold lines, and shapes to create fun, yet intense energy, and will be on display for a year.
“As an emerging artist I have a great interest in public art and creating work that beautifies spaces,” says Willis. Stay tuned for details about an artist’s talk, coming up in September.
Never underestimate the impact a donation can have for students. For many, both undergraduate and graduate, it can make all the difference in their academic career.
“As a student from a rural town and a lower income family, this scholarship will go a long way in making it possible for me to focus on my studies in the coming academic year,” says Lauren, a third-year Theatre student.
For some, it provides opportunities previously undreamt of — “I didn’t think I’d ever have the opportunity to go to university, and the generosity of your gift has already made such a lasting impact on my studies,” says Laura, a third-year Visual Arts student — while for others, it offers the chance to realize their dreams: “My dream to teach music would be much more difficult without the generosity of you and your family,” writes John, a fourth-year student in the School of Music, in a donor thank-you letter.
The Faculty of Fine Arts distributes over $1.5 million annually from more than 200 separate student awards, benefiting students in all five of our departments. Each year, we’re proud to not only distribute funds from previously created or endowed awards, but also to facilitate the creation of new awards — in fact, 2016/17 saw six new awards created.
Here are just a few of them:
Writing professor Maureen Bradley in the active-learning classroom
Technology expands the horizons of literature
A lifelong love of literature, theatre and education has been fused with digital technology, thanks to a $25,000 donation by Dr. Robert Aitken in memory of his mother. Mary Aitken was a well-loved teacher at both Mt. Douglas and Esquimalt Secondary schools who strongly believed in fostering creativity and keeping up with the latest technology. Now, the Mary Aitken Legacy Scholarship will support students in our new Digital & Interactive Media in the Arts minor, enabling future generations of writers to get their start.
New art therapy scholarship established
There’s no doubt art can make you feel better, and now the Centre for Human Science Research and Its Relation to Human Science Association (formerly the British Columbia School of Art Therapy) has donated $32,000 to establish a new award. The Kathleen G. Collis Art Therapy Scholarship will support Fine Arts students with an interest in phenomenological approaches or other forms of community engaged creative activity that contributes to the field of art therapy and the therapeutic use of the arts.
Dean Susan Lewis (left) with Anna & Eunice Lowe
Fundraiser grows Legacy Scholarship
The Faculty of Fine Arts co-hosted an elegant fundraising dinner at the Union Club in June, in support of the Stephen and Eunice Lowe Legacy Scholarship. A silent auction of over 80 items of art and sculpture from Eunice Lowe’s private collection raised over $18,000 for the scholarship, which is awarded to an undergraduate in either Art History & Visual Studies or Visual Arts. Widow of the late celebrated artist, Stephen Lowe, Eunice has tirelessly and graciously sought ways to support our students with her generosity of time and financial support and as an arts ambassador for our community.
New Music award commemorates CFUV host
For over 30 years, Eric LeBlanc’s blues show Let the Good Times Roll appeared weekly on UVic’s CFUV radio. While he spent 25 years as the Dominion Astrophysical Observatory’s librarian, Eric was also a self-taught blues scholar: his collection of thousands of recordings was donated to CFUV after his death in 2015, and over 300 music-related books were donated to the McPherson Library. Now, friends and family have created the Eric LeBlanc Memorial Scholarship for School of Music students with a passion for jazz and blues.
Making the most of a century
Samantha Krzywonos (far right) marks the
98th birthday of longtime donor Tommy Mayne in 2016, with three Theatre student recipients of his scholarship
When noted teacher, philanthropist and lifelong theatre devotee Tommy Mayne passed away in April at the remarkable age of 99, he had already begun to see the impact of his legacy: the Thomas and Elizabeth Mayne Bursary in Theatre, established in 2010, has benefited a number of students, many of which Tommy was able to meet. “I was filled with admiration at his generosity,” said Theatre professor Brian Richmond on his passing. “The city—and the arts community—has lost a wonderful man.”
New awards this year
Indeed, the impact of these kind of gifts lingers long after students graduate. “This award comes at a crucial moment in my studies,” noted one Masters candidate in Theatre. ”Simply put, I don’t know how I would be able to graduate [without it].”
We are grateful to these and our other donors who expanded the range and breadth of awards available to our students by establishing new awards this past academic year:
Sarah Blackstone Endowed Scholarship in Theatre
Dave Ian Dunnet Music Education Scholarship
Eugene Dowling Scholarship Fund in Music
Roger J. Bishop Writing Prize
As Miriam, a second-year Writing student, puts it, “This award has lit me with the confidence I need to take risks and trust my voice and my visions.” It’s hard to not feel good about making this kind of a difference in a student’s life.
To learn more about our giving initiatives, please contact Fine Arts Development Officer Samantha Krzywonos at 250-721-6305 or email@example.com.
Ever taken a course where you study — and play — video games? Or watch Pixar movies? What about the acting experience, public speaking, humour writing, art forgery, or the cultural impact of film music or the history of fashion & body modification?
From the cultural impact of Star Wars to the inside track on making it as a young adult writer, it’s tough to beat Fine Arts when it comes to cool electives. With over 100 electives open to all students on campus, we’ve got something that will boost your creative and critical thinking skills regardless of your faculty or major.
Each of our five departments offers an exciting range of electives designed to broaden your creative experience. From Music and Writing to Theatre, Visual Arts and Art History & Visual Studies, most of our courses are designed as hands-on experiential learning opportunities — like Vikes Band, where you play live game-day music, Magazine Production, where you conceive of and create your own magazine, or Photography & Video Art, where you put your skills to use behind the camera.
Other courses take a broad approach to cultural studies — like the Asian Identity in Popular Culture or Indigenous Peoples & Music — and look at shifts in society and artistic practice and production over hundreds of years.
Whatever your interest or program, Fine Arts has an elective that will enhance your degree — and your life.
When Kwagiulth and Coast Salish artist Carey Newman’s Witness Blanket was unveiled at the University of Victoria in 2014, it was clear the large-scale installation would quickly become a national monument and spark reflection and conversation about residential schools, settler-Indigenous relations and reconciliation. Now, Newman will continue the conversation as the sixth Audain Professor of Contemporary Art Practice of the Pacific Northwest with UVic’s Department of Visual Arts.
Kwagiulth and Coast Salish artist Carey Newman installs the Witness Blanket at UVic ahead of its unveiling in 2014 at a global conference hosted by the university. Photo: Suzanne Ahearne
“This is breaking new ground for me,” says Newman. “I’m looking forward to having the opportunity to convert the experience of mentorship into a more formal educational setting.”
UVic promotes teaching that reflects the aspirations and calls to action of the Truth and Reconciliation Commission, including addressing issues most relevant to Indigenous people and working with Indigenous communities and organizations to understand, preserve and celebrate traditions, knowledge and cultures.
A former UVic School of Music student, Newman will be the first Audain professor to hold a new three-year position with the department. He will also play a role in the award-winning ACE program with UVic’s Gustavson School of Business, which supports the entrepreneurial practices of Indigenous artists.
“As a master carver, Carey Newman has extensive knowledge of traditions and teachings, as well as a keen interest in contemporary design and digital processes,” says visual arts chair Paul Walde. “Not only is he an extremely well-established artist, but he has strong connections in different mediums and disciplines, both nationally and internationally. With him in the department, we know we would all learn a lot—faculty and students alike—and we look forward to how we can be enriched by that dialogue.”
The artist in his studio in 2013/14, working on one of the cedar panels for the Witness Blanket. Photo: Media One.
The master carver for the Cowichan 2008 Spirit Pole, Newman had another piece, “Dancing Wind,” featured at the 2010 Olympic Games. For over 20 years, he owned Sooke’s recently closed Blue Raven Gallery. He is also an accomplished pianist and singer who has performed at the National Aboriginal Achievement Awards and with Pacific Opera Victoria, where he is currently a board member.
Best known for his 12-metre-long Witness Blanket—created and assembled from 600 objects and artifacts including pieces of residential schools, an old drum and a shoe—Newman spent four years travelling across Canada with the installation that evokes the atrocities of Indian residential schools and a national journey toward reconciliation. Newman is excited to bring ideas of reconciliation into his classes at UVic.
“I’m interested in looking at how artists can take on the issue of reconciliation through their own relationship with Canada,” he says. “That way, it’s not limiting it to Indigenous people but is encouraging anyone, even international students, to relate to it.”
Established by a $2-million gift from philanthropist and UVic alumnus Michael Audain in 2010, the position has brought distinguished practicing artists Rande Cook, Nicholas Galanin, Michael Nicol Yahgulanaas, Jackson 2Bears, and Governor General’s Award-winner Rebecca Belmore to teach in the visual arts department.
This May, UVic’s second annual REACH Awards celebrated UVic artists, scholars and scientists for their extraordinary contributions in research, creative practice and teaching—whether from a field school in Cuba or a performance atop a glacier in BC’s interior.
That’s where this year’s Award for Excellence in Artistic Expression comes in: the 2018 recipient is Visual Arts chair Paul Walde, whose Requiem for a Glacier performance and subsequent gallery installations have earned him international attention.
“This year’s REACH Award recipients again demonstrate the strong link between research and learning,” says UVic President Jamie Cassels. “They share and advance knowledge and wisdom in a range of areas. UVic is privileged to be home to such a talented and dedicated array of people.”
While the history of Canadian art has been built on our relationship with landscape and the environment, Paul Walde has fused that artistic legacy with decidedly 21st century concerns and practices by exploring unexpected interconnections between landscape, identity and technology.
“Both the Visual Arts department and Faculty of Fine Arts are tremendously privileged to have such an important artist and educator shaping our program,” says Dean Susan Lewis. “Paul Walde’s art draws attention to the important landscape that makes up our province and nation.”
Since joining UVic in 2012, Walde has enhanced the student experience while expanding his reputation as one of Canada’s leading extended media artists. 2014’s Requiem for a Glacier saw him take a 50-piece orchestra and chorus to the top of BC’s threatened Jumbo Glacier (Qat’Muk) and, while the performance earned international headlines at the time, the subsequent gallery installation continues to impact viewers across Canada and Europe—notably this spring’s exhibition in Paris.
“We want[ed] to call attention to this project and recognize its significance as an artwork that advocated for environmental awareness,” says nominator and Visual Arts colleague Jennifer Stillwell. “Paul’s extensive and thoughtful career has made a large impact on the landscape of Canadian visual art. His distinguished achievements and the social impact of his work are worthy of celebration and recognition, both within our institution and beyond.”
The awards were presented at a special on-campus evening ceremony on May 24.
School of Music professor Suzanne Snizek was the 2017 winner of the REACH Award for Excellence in Artistic Expression.