Visual arts grad Dieu Anh Hoang has designs on life

If you ask international student Dieu Anh Hoang what aspect of her undergraduate degree had the biggest impact on her, she’ll tell you it wasn’t the pandemic, it wasn’t her co-op terms and it wasn’t even earning her BFA in Visual Arts with honours: it was actually a teacher’s advice about living with fear.

“At the start of my second-year sculpture class, my professor told me, ‘If you’re not scared, you’re not in the right place’—and that stuck with me,” she says. “It changed my attitude completely: I was scared of that professor and wanted to drop the class, but I realized it was good for me to accept the challenge and step out of my comfort zone. Now, I just tell myself ‘I can do this’ and I don’t think there’s anything I wouldn’t be able to do.”

Learning by doing

That “no-fear” attitude perfectly sums up Hoang on the cusp of graduating: in addition to her academic and artistic accomplishments, her workstudy positions with the Faculty of Fine Arts and her leadership as chair of the Visual Arts Student Association, she also stepped up as the architectural lead for UVic’s Seismic Design Team and as a Community + Engage Leader, representing both the faculty and her department.

“I like to put myself in a working environment and take charge of whatever I can,” says Hoang on a Zoom call from her family home in Hanoi, Vietnam. “That’s how I learn: leadership skills, communication skills, managing skills . . . I actually put my studies at the bottom of my priority list, as it was always the least of what I was doing.”

Hoang wasn’t even phased by the pandemic. “I was really lucky,” she admits. “I did my co-op terms online working with UVic’s Learning and Teaching Support and Innovation, and my classes were among the few held in-person during the pandemic. And my family managed okay in Vietnam, too, so I didn’t have to worry about that. It was actually pretty good for me!”

Hoang shows her work to CHEK TV

Behind the scenes

Describing herself as a visual designer (“I like to solve problems within any existing design to make it better and more accessible for everyone”), it was an interest in art and architecture that drew her to UVic after completing the International Baccalaureate Diploma in Abbotsfordbut it was her online abilities that probably had the biggest impact on campus life: her three co-op terms with LTSI saw her managing the transition from CourseSpaces to Brightspace.

“I was there the entire time migrating the platforms during the pandemic, facilitating the Zoom workshops for faculty and students,” she says. As well as organizing training sessions, she also created helpful infographics and content for the campus community. “It was great problem-solving!”

Skills beyond degree

As for her art practice, Hoang has a clear preference towards geometric and design imagery—whether that’s an exploded cube-based wall sculpture or culture-jamming a bag of groceries as a commentary on consumerism and food fads. (“Do people actually read the labels on what they’re eating?”)

Looking into the future, she can see herself working at a design agency in Seattle’s tech hub (“It’s very fast-paced and competitive there—I like that environment”) and possibly earning a Master’s in computer science.

In addition to having learned the positive side of fear itself, Hoang feels one of her biggest degree takeaways is her enhanced people skills. “Knowing how to work with people, learning how to focus on their strengths rather than their weaknesses . . . those are skills I can apply anywhere.”

South Asian Art History Student Symposium

Interested in exploring the fascinating history of South Asian art? Don’t miss the South Asian Art History Student Symposium, hosted by our Department of Art History & Visual Studies.

Join leading and emerging historians of South Asian art history as they present research on diverse topics from Sri Lanka, India, Pakistan, Nepal and Bangladesh running from the ancient to contemporary eras.

This free hybrid event runs from 10am to 5:30pm on Saturday, June 4 in room 103 of the Fine Arts building, but can also be viewed online via Zoom.

Keynote speaker Rebecca Brown

Schedule of events:

  • Welcome coffee: 9:30am
  • Plenary talk with Dr Dulma Karunarathna: 10:20am
  • Keynote/Orion talk with Dr Rebecca Brown on “Modern Ecologies: KCS Paniker’s Painted Gardens”: 1:00pm

All are welcome to attend!

Thanks to our partners for this event, including UVic’s Faculty of Fine Arts, the Centre for Asia-Pacific Initiatives and the Centre for Global Studies.

Creative Futures: Documenting the Climate Crisis

Creative Futures:
Dean’s Speaker Series

“Documenting the
Climate Crisis”

With Sean Holman, Colin Malloy & Paul Walde

Moderated by Dennine Dudley

12:30pm (PST) Thursday, May 26, 2022

Online webinar 

Free & open to the public via Zoom

Register here

Presented by UVic’s Faculty of Fine Arts

The climate crisis is one of the most urgent problems of our time, and the arts can play a vital role in helping people better understand its impact. This moderated panel discussion will explore current work aimed at documenting the impact of the climate crisis, and how Fine Arts artists, scholars and researchers are responding with innovative and compelling ideas. Audience Q&A to follow.

This session features moderator Dennine Dudley (instructor, “Environmental Art”, Art History & Visual Studies), 2022 Ocean Networks Canada artist-in-residence Colin Malloy (PhD candidate, School of Music), Crookes Professor in Environmental & Climate Journalism Sean Holman (Writing), sound & visual artist Paul Walde (professor, Visual Arts). 

“The arts have a central role to play in motivating the average citizen to not only care about the climate crisis but also take action,” says Fine Arts Dean Allana Lindgren. “Sustainability and climate change touch people in an emotional way, so action in this area by us has potential to spur action that, say, scientific reports will not. We have no shortage of faculty members who are doing fascinating work when it comes to sustainability, the environment and the climate crisis.”

About Creative Futures

This continuing Dean’s Speaker Series was established in 2021 by Dean Allana Lindgren to showcase the scholarly and artistic efforts of professors, instructors and graduate students in the Faculty of Fine Arts. Each year we will present two sessions (fall & spring) exploring a central theme showing how Fine Arts has a demonstrative impact on the most pressing social issues of our time. Our Fall 2021 session on Sustainability & the Arts featured Theatre professor Conrad Alexandrowicz (author of Theatre Pedagogy in the Era of Climate Crisis), Writing professor Kathryn Mockler (Watch Your Head: Writers & Artists Respond to the Climate Crisis) and moderator & Writing professor Shane Book. Watch a recording of it here

Free and open to the public  |  Seating is limited (500 Zoom connections) |  Visit our online events calendar at

Annual BFA exhibit returns to in-person format

Given the shifting nature of life on campus recently, it’s hard to think of a better title for this year’s Visual Arts BFA exhibit than Subject to Change. Featuring the work of 32 graduating artists whose academic experience has been very much that since 2020, there’s definitely a heightened sense of excitement for this year’s show, running April 15 to 24 in the visual arts building.

“This is the first exhibit open to the public since our 2019 edition,” notes Visual Arts chair and exhibit supervisor Cedric Bomford. “It’s fair to say the occasion is one we are anticipating with a strange mix of excitement and anxiety. This feeling also flows through the pieces the students have worked so hard to create over the past year of on-again/off-again access and restrictions.”

The exhibit kicks off with a gala opening night celebration, starting at 7pm Thursday, April 14.


Finding the positive in a pandemic

While the Faculty of Fine Arts was able to offer the highest number of in-person/on-campus classes during the pandemic, graduating Visual Arts student Joshua Wallace managed to put a positive spin on his online classes. “I feel like I was able to work more, as I didn’t have to run across campus to other classes,” he says.

Wallace also cleverly put his CERB money to work by investing in supplementary online painting classes, which allowed him to greatly expand his creative practice. “I’d be at home studying like crazy, then come to the studio and apply what I learned. My work changed a lot because of that.”

Originally from Vernon BC, Wallace came into the visual arts program with a focus on figurative and landscape painting in acrylic, but now primarily doing portraiture in oils. He’s also been working as a gallery assistant at downtown’s Madrona Gallery for the past three years; owned by fine arts alumnus Michael Warren, Madrona focuses on contemporary and history Canadian art—an ideal job for an emerging artist. His immediate plans after graduation? “Keep exploring, keep trying new things,” he says.

Visual Arts student Joshua Wallace

Tour the exhibit online

One advantage of having both the 2020 and 2021 BFA shows only viewable online was an increased familiarity with creating digital exhibitions—a skill the BFA show student organizers have once again put to use, as Subject to Change will also be made available again as a walk-through 3D Matterpoint tour.

A diversity of artistic practices—ranging from painting and sculpture to photography, installations and video—will be on view in both the exhibition and accompanying artist book.

“We’re very excited to be hosting the public back into our building for this, the most important art event of the year on campus,” says Bomford.

Subject to Change runs 9am-6pm daily April 15-24 throughout UVic’s Visual Arts building

Call for nominations: student community impact award

Are you a current or graduating UVic Fine Arts undergraduate who’s been involved with some community-engaged creative activity in Greater Victoria between Jan 1/21 & May 31/22? If so, you could qualify for $1,000 via our Community Impact Award!

The annual Fine Arts Student Community Impact Award will be awarded in Fall 2022 to undergraduate students who have demonstrated an outstanding effort in a community-engaged creative activity in Greater Victoria. Student recipients are eligible to receive funding of $1,000 or more.

Read about the inaugural 2021 winners here.

2021 winners (from left): Kyla Fradette (Music), Alison Roberts (Theatre) and Dani Neira (AHVS)

Eligibility criteria

Entering, graduating, transferring, or continuing undergraduate students of UVic’s Faculty of Fine Arts are eligible for the award at this time. Activity must have occurred between January 1, 2021 and May 31, 2022.

For the purpose of this award, “community-engaged creative activity” may include (but is not limited to) any exhibit, performance, workshop, literary, curatorial, educational, digital, production and/or administrative role within the regional boundaries of Greater Victoria (Sidney to Sooke).

Submission deadline

A completed submission package—including the submission form and all supporting materials—must be received by 5:00pm Tuesday, May 31, 2022.

Submissions and relevant support material must be uploaded here.


The following elements will be required in order to submit your award application.

  1. A description of the community-engaged creative activity (maximum 500 words), including a title page with applicants contact information.
  2. A letter from an individual or organization demonstrating how the student was involved in the community-engaged creative activity (maximum 300 words).
  3. Two letters of endorsement of the project (maximum two pages and from different people than #1. The letters must be written by people who are not related to the nominee).
  4. A resume, CV or portfolio encapsulating the student’s work.

Selection criteria

Nominations will be evaluated on the quality of experience, recognition and dedication to creative practice including contributions to, engagement with, and impact on the local arts community.

  • Nominations can be made by any individual or organization in Greater Victoria.
  • Students can nominate themselves for the award.
  • Neither the nominator nor the letters of endorsement can be from a relative of the nominee.
  • Students are only able to receive the award once, but can submit multiple nominations.
  • All nominations will be screened for basic eligibility. If a nomination is incomplete or deemed ineligible, it will not be advanced to the jury.

Selection process

The Fine Arts Student Community Impact Award recipients will be chosen by a jury representing the five disciplines of Fine Arts convened annually by the Dean of the UVic Faculty of Fine Arts, based on the criteria for the award.

The fine print

Approval of the recipient will be made by the Senate Committee on Awards upon the recommendation of the Dean of the Faculty of Fine Arts. The Award will be presented annually as part of the annual Greater Victoria Regional Arts Awards (or another suitable event) as determined by the Dean of the Faculty of Fine Arts and the Dean’s External Advisory Committee.


Contact us at

Visiting Artist: Jaimie Isaac

“The Eighth and Final Fire” (2021), public art installation by Jaimie Isaac (Winnipeg)

Our final Visiting Artist of the academic year is the Art Gallery of Greater Victoria’s new chief curator, Jaimie Isaac, an interdisciplinary artist and mixed-heritage member of the Sagkeeng First Nation in Treaty 1 Territory who is dedicated to decolonizing art and cultural institutions.

Join us from 7:30-9:20pm Wed, April 6 in room A162 of UVic’s Visual Arts building, or online.

Isaac is dedicated to making space for womxn, BIPOC, LGBTQ2S+ voices and decolonizing art and cultural institutions. She served as the Indigenous and Contemporary Arts at the Winnipeg Art Gallery for more than 6 years and has been in leadership positions in arts and cultural organizations as well as many independent projects. Isaac holds a degree in Art History From University of Winnipeg and a Masters of Arts from the University of British Columbia, with the thesis focus on Decolonizing Curatorial Practice.

Exhibitions curated at the Winnipeg Art Gallery include the likes of “Nahdohbii: To Draw Water” (an international curatorial collaboration triennial and symposium), “Born In Power”, “Behind Closed Doors”, “Insurgence Resurgence” (co-curated), “Vernon Ah Kee: cantchant”, “Boarder X”(national tour), “We Are On Treaty Land” and “Quiyuktchigaewin; Making Good”. During her tenure, Isaac managed touring shows and initiated many dynamic and sustained partnerships and programming.

Artistically, Isaac co-founded The Ephemerals Collective, which was long-listed for the 2017 and 2019 Sobey Art Award. Collectively and independently, she has exhibited and presented work internationally. Jaimie collaborated with an artistic team on a public sculpture at the Forks called “Nimama at South Point Path: Niizhoziibean” and collaborated on a public art project, “Cyclical Motion: Indigenous Art & Placemaking” and a solo public art work, “8th and Final Fire at the Forks” (Winnipeg, 2021).

With published work, Jaimie has contributed articles and features for Art + Wonder, C Magazine, Bordercrossings and essays for exhibition catalogues; Nahdohbii; To Draw Water, Insurgence Resurgence, Boarder X, Close Encounters: The Next 500 Years, and unsacred. Isaac has contributed in collections of writing within The Land We Are Now: Writers and Artists Unsettle the Politics of Reconciliation, West Coast Line 74 and Public 54: Indigenous Art: New Media and the Digital Journal and contributed in forthcoming publications.

In community, Jaimie was co-faculty for the Wood Land School at Plug In Summer Institute in 2016.  She is the Advisory Committee for the Manitoba Museum and is on the board of directors for Bordercrossings Magazine and Trustee for the Sobey Art Foundation. Jaimie is an honouree for Leaders of Tomorrow from the Manitoba Museum 50th Tribute Awards 2020, CBC Future 40 Finalist and the Canadian Museums Association recipient for an outstanding achievement award in exhibitions category with the Boarder X exhibition, 2021