2025: Year in Review

It’s hard to believe 2025 is already over: some years crawl like watching paint dry on a canvas, while others speed by at the rate of a can’t-put-it-down bestseller. Given that the 2000s will likely come to be known as the century when attention spans reduced faster than polar icecaps, we’re pleased to offer this quick recap of the year that just was.

New faculty

We’re always excited to welcome fresh talent to our faculty . . . especially in times of fiscal restraint. This year saw Lauren McCall join our School of Music as a professor in composition and music technology in January, while artist-researcher and Tier II Canada Research Chair (CRC) in Emergent Digital Art Practices Joel Ong joined our Visual Arts department in July. And just on the horizon but already announced is the news that Sarah Belle Reid will join Music as a professor in technology starting in January 2026.

While not new faculty, two professors taking on new roles this year were Writing’s Danielle Geller, who is our new Associate Dean Indigenous, and Music’s Kirk McNally, who steps up to the role of Associate Dean Creative Activity, Research and Administration.

Lauren McCall

Student activity

Whether it’s grad student activity like the annual Audain Foundation Travel Awards or the Ocean Networks Canada ArtScience Fellowship, or undergrad achievements in the annual Community Impact Awards, we’re always proud of our student achievements.

Visual Arts MFA candidate Edith Skeard was named one of just five BC graduate students to receive a $7,500 Travel Award from the Audain Foundation in September, which she’ll use for a month-long Sound Lab residency in Struer / Copenhagen for an exploration of sound art within a sculptural context. Meanwhile, another Visual Arts MFA — Parvin Hasani — spent her summer as the ONC ArtScience Fellow researching the extreme ecosystems of deep-sea hydrothermal vents in order to create her own conceptual sculptural pieces, which she debuted in the September exhibit Tides of Memory.

Parvin engaging with visitor at her ONC exhibit

July saw UVic Chamber Singers director Adam Con and 21 singers  head to the acclaimed Sicily Music Festival & Competition, where School of Music professors Benjamin Butterfield and Anne Grimm were both part of the festival’s international teaching faculty; other Music students also attended as solo artists, offering good student representation.

Also in Music, this year’s Concerto Competition celebrated exceptional student musicians whose talents span genres, generations, and geographies. The competition finals were held in April 2025 and performances by winners Tamsyn Klazek-Schryer, Olivia Pryce-Digby and Ethan Page are rolling out during our 2025-26 concert season.

This year’s juried Community Impact Awards saw Music’s Sophie Hillstrom and Theatre’s Sage Easton-Levy each win $1,000 for their work with the Early Music Society of the Islands and Sooke Youth Theatre, respectively. Since 2021, we’ve awarded over $15,000 to 13 students from across Fine Arts for projects ranging from murals, theatre productions, music performances, art shows, curatorial projects and more, all within Greater Victoria’s regional boundaries.

November saw three Writing students — Raamin Hamid, Fernanda Solorza and Ashley Ciambrelli — run a series of climate survivor testimonials in the UK’s Guardian media outlet as part of a Climate Disaster Project partnership, hooked to the COP30 UN Climate Change Conference in Brazil. That same month also saw 95 students collaborate on the presentation of 18 commissioned five-minute plays performed as part of the International Climate Change Theatre Action project.

And it was exciting to see AHVS PhD candidate Amy Anderson’s recent Rocky Horror Picture Show story on The Conversation Canada — one of the top-three most-read stories by UVic authors this fall!

New research lab

February saw the launch of the new Taqsiqtuut Research-Creation Lab in our Visual Arts department. Led by Visual Arts professor Heather Igloliorte — who is also UVic’s only Canada Excellence Research Chair — Taqsiqtuut has had a busy year of programming, bringing artists, researchers, curators and creators from around the international circumpolar region in to connect with faculty and students alike.

“I have a large network of colleagues and artists I’ve been working with for a long time, partners who are working and thinking across Indigenous cultures and learning from each other in order to move towards this place of transformation and decolonization,” says Igloliorte.

It was a full house at the Taqsiqtuut opening

New artistic residency

This year we welcomed Candian artist Siobhan Humston as the inaugural UVic Rubinoff artist-in-residence. Selected from a field of 50+ applicants, Humston spent six weeks developing new work at the Jeffrey Rubinoff Sculpture Park on Hornby Island as part of this paid residency; she also mounted a public exhibition here at UVic in October.

“It’s always hard to imagine what may come from working in a new place,” says Humston, who has held a number of international residencies. “As an artist, the JRSP presents a surprise physicality to me — even though my resulting work may not be large, I feel like it has taken a lot of energy and space to produce, which reflects on the expansive nature of the park itself.”

Visitors at Siobhan Humston’s UVic opening

Visiting artists

There’s been no shortage of high-profile visits this year, ranging from Canada Council for the Arts CEO Michelle Chawla to visiting professors like Andreas Linsbauer, Philippe Pasquier and  representatives from the Chilean Embassy. “We’re not doing this alone: we’re part of a dynamic arts ecosystem . . . and universities are an important part of this world,” said Chawla. “We need to tell the story of what the arts bring to our communities and why that matters.”

Our long-running Orion series and Living Artists, Living Art visiting artist program welcomed the likes of artists Deanna Bowen, Don Kwan, Meryl McMaster, Lan “Florence” Yee, poet Karen Solie, author Saeed Teebi, conservator Helene Tulo, scholar Mary Storm, artist Jerry Ropson, our own Visual Arts professor Beth Stuart, artist Marlene Yuen, celebrated theatre alumni Sara Topham and Pablo Felices-Luna and many others. Meanwhile, d’bi.young anitafrika was the third presenter in our annual donor-funded Lehan Family Activism & the Arts Series in February, and veteran journalist Stephen Maher was our latest Harvey Southam lecturer in October. Click on the links above to watch their public talks.

Michelle Chawla (right) in conversation with Visual Arts chair Megan Dickie

We were also pleased to honour noted local artist, art historian, author and arts writer Robert Amos as the recipient of an Honorary Doctor of Fine Arts during our Fall Convocation ceremony. Amos has dedicated most of the past four decades to documenting — both journalistically and visually — Victoria’s visual arts scene. As Dr. Cedric Littlewood, Associate Dean of Graduate Studies, noted in his introduction, “By bringing people, buildings and neighbourhoods to life, Robert’s contributions to BC’s art history is the very fabric of Victoria’s history.”

Faculty research & creative activity

Faculty research and creative practice is always in the spotlight, and this year was no exception. Music professor Steven Capaldo’s brand-new piece specially composed the closing ceremonies of the Invictus Games in February. Performed live by the Royal Canadian Navy’s Naden Band and broadcast to viewers around the world, his “Invictus Fanfare” had its world premiere as the accompaniment to the sight of over 550 wounded warriors walking and wheeling into Vancouver’s Rogers Arena.

Speaking of Vancouver, Theatre professor Carmen Alatorre picked up her latest Jessie Richardson Award for Outstanding Costume Design for her work on Two Gentleman of Verona for Bard on the Beach.

After months of planning, rehearsals and preparation, September saw the launch of the Indigenous theatre festival Staging Our Voices. Presented by Theatre professor Kirsten Sadeghi-Yekta, the SSHRC-funded and artist-led festival supported the efforts of artists working to invigorate Indigenous languages through the medium of theatre. “We realized that a lot of Indigenous Artists feel isolated, specifically artists that are working with the language, and they would love to find ways to gather, to share food, to share stories and be in one space together,” says Sadeghi-Yekta.

Also in Theatre, professor Sasha Kovacs received a SSHRC Insight Development Grant for her Performance in the Pacific Northwest project, co-led by the University of Lethbridge’s Heather Davis-Fisch with contributions from project researchers Matthew Tomkinson, Laurel Green and Lee Cookson. This is in addition to her role as co-director of Gatherings: Archival and Oral Histories of Performance, a seven-year, $2.5 million SSHRC Partnership Grant she was awarded last year.

Music professor Kirk McNally, Visual Arts professor Kelly Richardson and Writing professor David Leach were all recipients of UVic’s annual REACH Awards, recognizing outstanding achievement by UVic teachers and researchers who are leading the way in dynamic learning and making a vital impact on campus, in the classroom and beyond.

Sean Holman — the Wayne Crookes Professor in Environmental & Climate Journalism with the Department of Writing — was announced in July as the leader of a new six-year, $2.5-million SSHRC partnership grant. From Catastrophe to Community: A People’s History of Climate Changewill train 500 post-secondary students and professional journalists to document the experience of 1,000 survivors around the world and share their wisdom. Holman was also honoured not only with the 2025 Bill Good Award at the annual Webster Awards for BC journalism in November, but his 2024 Climate Disaster Project verbatim theatre production Eyes of the Beast also just earned a Silver Award in the “Sustainability, Environment & Climate” Special Projects Awareness category of the Anthem Awards (presented by the International Academy of Digital Arts and Sciences) in November.

Alumni acclaim

UVic’s 2025 Distinguished Alumni Awards were announced in March, and Fine Arts was thrilled to see four of our outstanding graduates being honoured across the categories: Presidents’ Alumni Award winners Cassandra Miller (School of Music) and Tania Willard (Visual Arts), Emerging Alumni Award winner Chari Arespacochaga (Theatre), and Indigenous Community Alumni Award winner Crystal Clark (Visual Arts).

It was a double-win for Tania Willard, however, when she was also announced as the recipient of the $100,000 Sobey Art Award in November. And our very recent Orion Lecturer — poet and UVic alumna Karen Solie — won the Governor General’s Literary Award for Poetry for her latest collection Wellwater just days after her visit to campus. Kudos also go out to just-graduated Writing MFA Adrienne Wong, who was shortlisted for the $100,000 Siminovitch Prize in theatre.

Tania Willard

Locally, two Writing MFA alumni were in the headlines this fall: Kyeren Regher was named the latest City of Victoria Poet Laureate — the third Writing alum to hold that position — and Melanie Siebert won the inaugural DC Reid Poetry Prize at the City of Victoria book awards.

Uplifting Indigenous voices on Giving Tuesday

Giving Tuesday is coming up fast on December 2! We encourage you to join UVic’s campus community and grads from around the world by pitching in to support student success, health, well-being and the programs that help make UVic the special place it is.

This year, the Faculty of Fine Arts is raising funds to honour and celebrate Indigenous voices through the sxʷiʔe ̕m “To Tell A Story” Indigenous Writers & Storytellers Series.

About the series

Created by acclaimed Métis poet and Department of Writing professor Gregory Scofield in 2023, this annual series is an inspiring way of uplifting Indigenous literary achievements and engaging with our local community of writers and readers. To date, the sxʷiʔe ̕m series has featured a mix of Writing alumni (Syilx Okanagan multidisciplinary author Jeannette Armstrong, award-winning WSÁNEC poet Philip Kevin Paul) and guests (Icelandic/Red River Métis poet Jónína Kirton and Cree author Joseph Kakwinokansum).

“My goal is to honour the nations on whose territory we live, and to celebrate and honour the writers and storytellers in our communities,” says Scofield.

Join us in uplifting Indigenous voices with this important series on Giving Tuesday!

UVic actually has 25 causes to choose from, ranging from the food bank to experiential learning and emergency bursaries — but know that whichever fund you choose to support will have a lasting impact on campus and beyond. Every single dollar counts!

Writing students engage with COP30 climate summit

The COP30 UN Climate Change Conference may be convening in Brazil this month but that doesn’t stop our students from getting involved. A series of climate survivor testimonials taken by Department of Writing students Ashley Ciambrelli, Raamin Hamid and Fernanda Solorza are running in the UK’s Guardian media outlet this month as part of a partnership with the Climate Disaster Project.

“This is an unprecedented career-defining opportunity for undergraduate students to have their classroom research reach a global audience with one of the most prestigious news media outlets in the world,” says CDP founder Sean Holman. “We’re training students to work on the frontlines of climate change — which is changing from a future threat to a lived experience. And this ongoing partnership with The Guardian represents the importance of those skills.”

Writing student Raamin Hamid (photo: Gouchen Wang)

Learning from traumatic experiences

Raamin Hamid captured Ruchira Gupta’s harrowing account of surviving a devastating 2005 flood in India and Ryan Kirkham’s experience with the 2023 Maui fires. Fernanda Solorza spoke with Peruvian mountain guide Saúl Luciano Lliuya about his landmark lawsuit against German energy firm RWE and its role in increasing glacial melt. And Ashley Ciambrelli connected with Jaguar Identification Project founder Abbie Martin about the impact of fires in Brazil’s Pantanal region in 2020, which killed at least 17 million animals and burned 27% of the vegetation cover. Find out what this opportunity meant to our students in this blog story about their experiences.

“Until [I got involved with] the Climate Disaster Project, I never realized that the majority of our planet’s population has experienced a climate disaster — whether they know it or not,” says Hamid, who was moved by Gupta’s experience with the flood that killed over 900 people. “The effects of a climate disaster can vary on a very long scale, and it is important to bring those effects to light to cultivate community and encourage action.”

As an international student from Mexico, Solorza’s account of Lliuya’s lawsuit was especially meaningful. “I was determined to write his story with care, and the more I wrote, the more I could see the struggles of my own people and country through him,” she says. “I hope that readers will engage with Saúl’s testimony and reflect on whose voices are often left out of global climate conversations, even when they bear the heaviest consequences of the crisis.”

Ciambrelli feels that this experience has changed how she sees the world. “Hearing these stories firsthand helped me learn that numbers only tell part of the story, and that hearing human experiences makes it real,” she says. “We are all vulnerable to the effects of the climate crisis. After conducting these interviews, I realize we all play a part in these events, and each of us has something to contribute to make a difference.”

 

Writing student Ashley Ciambrelli  (photo: Chad Hipolito)

A new kind of journalism

Ciambrelli feels the trauma-informed perspective of the Climate Disaster Project had a real impact on her writing. “Part of our process was re-learning how to use empathy to connect with our storytellers,” she explains. “It sounds simple, but being able to trust and support each other throughout such a vulnerable storytelling process was crucial to this project’s success. Practising empathy is a lesson I will carry forward in both my writing and my life.”

Similarly, Solorza says her CDP training will impact her work going forward. “I’ve learned the importance of holding people’s stories gently. Stories are people, and people are stories. By getting to know someone, asking questions and listening, they share a vulnerable part of themselves that must be held with care. The CDP taught me that gentleness in storytelling is collaboration, not extraction. I’ll carry that forward into all my future writing.”

Hamid also realizes how unique the CDP training is when it comes to treating people’s personal stories with the utmost care and empathy. “In my future writing, I will never compromise on the amount of care which the CDP has taught me to handle my stories with.”

Writing student Fernanda Solorza (photo: Chad Hipolito)

A rare opportunity for students

All agree that having their work published by such an internationally respected media outlet is a rare opportunity. “The Guardian is a source I’ve always respected and admired as a young journalist, so being featured by them is an honour,” says Ciambrelli. “It inspires me as a writer to see what else I can accomplish when I set my mind to it. I hope this also inspires other young writers to take chances.”

Solorza describes this as “both an honour and responsibility . . . . I hope readers will reflect on those whose voices are often left out of global climate conversations, even when they bear the heaviest consequences of the crisis.” And Hamid says the whole opportunity has been extremely rewarding. “It doesn’t feel real! I never thought that I would get such a prestigious opportunity.”

For Holman, the ongoing partnership with The Guardian is an essential part of the Climate Disaster Project’s work.

“People who have lived through climate disaster today have the knowledge needed to help us survive a warmer tomorrow — but too often their knowledge isn’t shared and their experiences are forgotten,” he says. “That’s why the kind of work our students is doing with The Guardian is so important.”

Robert Amos receives Honorary DFA

An artist, art historian, author and arts writer, Robert Amos has dedicated most of the past four decades to documenting — both journalistically and visually — Victoria’s visual arts scene, whether with the Art Gallery of Greater Victoria, the Times Colonist newspaper or in his own many books. But he has also spent over 15 years working with the Artist Archives in UVic’s Special Collections, making him an ideal choice to receive an Honorary Doctor of Fine Arts during the Fall Convocation ceremony. As Dr. Cedric Littlewood, Associate Dean of Graduate Studies, noted in his introduction, “By bringing people, buildings and neighbourhoods to life, Robert’s contributions to BC’s art history is the very fabric of Victoria’s history.”

“Art history isn’t all about the distant past: in fact, art history is all around us. If we reflect on and understand the times we live in, we may come to understand ourselves a bit better,” said  Amos during his 10-minute talk. “I’m passionate about sharing stories with students, art lovers and the general public and while the internet provides instantaneous global reach to any information we may want to look up, unless we who live and work here create and tell our own local stories, and find a way to preserve and safeguard those for the future, there won’t be anything there for anyone to look up and access.”

Amos noted how UVic students are surrounded by art, mentioning the Salish banners, sculptural panels, ceremonial furniture and pieces from the University Art Collection displayed across campus. “Art really is part of our life here on campus and it’s more than just decoration,” he said. “Art is a form of communication . . . and if you find a way to communicate the reality of your own time and place, history will be interested in what you have to say.”

Watch Robert’s convocation address here

Writing professor wins Bill Good Award

Congratulations go out to UVic Writing professor Sean Holman on winning the Bill Good Award at the 2025 Webster Awards on Nov 3!

The Bill Good Award is presented to a BC individual or organization that makes a significant contribution to journalism in the province, or addresses a community’s needs & benefits via journalism — and, as the Wayne Crooks Professor in Environmental & Climate Journalism and founder of the Climate Disaster Project, Holman certainly qualifies on many fronts.

An award-winning investigative journalist before joining UVic’s teaching faculty (and also a UVic Alumni as well), Holman’s words to the awards audience were appropriately insightful.

“We are becoming a fact-resistant society, where experience is more important than the evidence, where what we believe is more important than what is real — and that means it’s a troubling time to be a journalist,” he said.

“We are activists for the truth at a time when the truth is hard to find, and even harder to tell. I’m so honoured to be part of that community.”

Holman keeps fighting the good fight as he trains the next generation of journalists in the Climate Disaster Project, teaching his students to use a trauma-informed approach and building a model of cooperation that can be replicated in newsrooms as they shrink.

Read the full award citation here

Call for grad student proposals: 2026 ONC ArtScience Fellowship Program

UVic’s Faculty of Fine Arts and Ocean Networks Canada (ONC) are now calling for graduate student applications for the paid 2026 ONC ArtScience Fellowship program. The application period closes on December 23, 2025.

The ArtScience Fellowship strengthens connections between art and science that broaden and cross-fertilize perspectives and critical discourse on today’s major issues, such as environment, technology, oceans, cultural and biodiversity, and healthy communities.

This program is open to all current Fine Arts graduate students who have completed most of their course requirements with practice in any visual, written, musical or performance media, or art historical research. Co-led and sponsored by Fine Arts and ONC, the Artist-in-Residence program receives additional financial support from UVic’s Faculty of Science.

Our most recent ArtScience Fellow was Visual Arts graduate student Parvin Hasani. As the sixth Fine Arts graduate student to hold this position, she proposed exploring the extreme ecosystems of deep-sea hydrothermal vents via her sculptural practice. The result was the September 2025 exhibit and artist’s talk, Tides of Memory

 

“Scientific data gave me the language of [vent] formation and collapse, but art practice allowed me to interpret the knowledge,” she explains in this video about her fellowship activities.

Learn more about previous ONC artistic residents, Megan Harton (Music, 2024), Neil Griffin (Writing, 2023), Colin Malloy (School of Music, 2022), Dennis Gupa (Theatre, 2021) and Colton Hash (Visual Arts, 2019).

About the ArtScience Fellowship

The ArtScience Fellowship (previously known as the ONC Artist-in-Residence program) will ignite cross-disciplinary exchanges, interacting with Fine Arts faculty members and scientists & staff at ONC, as well as with other individuals using ONC’s world-leading ocean facilities. This program is inspired by the ArtScience Manifesto of 2011, and numerous references to this concept in the literature. The Fellow will learn from and engage with the current research, connecting it to their own practice, and to wider societal and cultural aspects, creating work for public presentation at the end of the residency. The Artist will also be invited to contribute as a lead or co-author in scientific conference proceedings and/or journal articles.

 
The selected Artist will actively engage with researchers on a variety of ocean science themes that may include:
  • Deep Sea Ecology
  • Seabed-Ocean Exchanges
  • Coastal Ocean Processes
  • Marine Natural Hazards
  • The Ocean Soundscape
  • Arctic Ocean Observing
  • Ocean Big Data.
 
The ONC Artist-in-Residence program is established to:
  • explore the potential of the arts or alternative cultural practices in the area of the visions, challenges, philosophical, aesthetic, and ethical aspects of the ocean and the impacts humans have on it;
  • add a complementary artistic and creative perspective to ocean science, the societal ramifications of its exploitation, and its cultural aspects;
  • create opportunities for potential new research questions, experimental approaches and knowledge synthesis resulting from interaction between the arts and science; and
  • help envision and communicate the potential long-term impact of ocean changes on humanity.

Proposal Submission

Interested applicants are to email ONC’s Dwight Owens at dwowens@oceannetworks.ca with the subject line “Ocean ArtScience Fellowship,” and attach:
  1. the artist’s CV
  2. a concise portfolio of previous relevant artistic work;
  3. a letter of motivation explaining your interest in the program and its alignment with your past experiences and future career goals; and
  4. a 500-word project proposal with a separate project-costs budget.
The application period closes on December 23, 2025. Applications will be reviewed by representatives of Fine Arts and Ocean Networks Canada. Artists may be contacted for an interview or to supply further information before a decision is made.

Public Event or Exhibit

At the conclusion of the fellowship, the Fellow will host a public event and/or exhibit within a specified budget agreed to during the fellowship and depending on the type of project. Assistance for marketing and/or ticketing could be made available from other UVic departments (Visual Arts, Theatre, etc.) 
Financial Provision for the Artist
The residency period will be May 1-August 31, 2026. A cost-of-living stipend of $3,500/month will be paid to the selected Fellow, with limited additional funds to support production or materials. At the conclusion of the residency, the Fellow will plan and deliver a public exhibit and/or event sharing the fruits of the fellowship. This event will be promoted by ONC and Fine Arts.

Parvin giving her ONC talk

 

About Ocean Networks Canada

Established in 2007 as a strategic initiative of the University of Victoria, ONC operates world-leading ocean observatories for the advancement of science and the benefit of Canada. The observatories collect data on physical, chemical, biological, and geological aspects of the ocean over long time periods, supporting research on complex Earth processes in ways not previously possible. The observatories provide unique scientific and technical capabilities that permit researchers to operate instruments remotely and receive data at their home laboratories anywhere on the globe, in real time. The facilities extend and complement other research platforms and programs, whether currently operating or planned for future deployment.
 
The ArtScience Fellowship was initiated by ONC’s late Chief Scientist Kim Juniper, whose leadership and transdisciplinary approaches continue to inspire many in the ArtScience space.
 

About the Faculty of Fine Arts

With experiential learning at its core, the Faculty of Fine Arts provides the finest training and learning environment for artists, professionals, and students. Through its departments of Art History and Visual Studies, Theatre, Visual Arts, Writing and School of Music, the Faculty of Fine Arts aspires to lead in arts-based research and creative activity and education in local, national, and global contexts by integrating and advancing creation and scholarship in the arts in a dynamic learning environment. As British Columbia’s only Faculty exclusively dedicated to the arts, UVic’s Faculty of Fine Arts is an extraordinary platform that supports new discoveries, interdisciplinary and diverse contributions to creativity, and the cultural experiences of the students and communities UVic serves.
With thanks also to the Faculty of Science for their support.