It’s definitely a time of change in UVic’s celebrated Department of Writing, due in large part to this year’s retirement of both award-winning novelist Bill Gaston and acclaimed playwright Joan MacLeod. But with change comes opportunity, as seen by the hiring of not one but two noted writers as incoming faculty members: new associate professor Gregory Scofield and new assistant professor Danielle Geller.
Scofield is a Red River Metis of Cree, Scottish and European descent whose ancestry can be traced to the fur trade and to Metis community of Kinosota, Manitoba. Geller is is a member of the Navajo Nation: born to the Tsi’naajinii, born for the bilagaana.
“Gregory and Danielle are transformational hires who will help the department build on nearly 50 years of literary excellence and lead the university into a future of new and diverse creative possibilities,” says department chair David Leach. “Both will expand the national reputation of our creative writing program and establish the University of Victoria as an international centre of excellence for Indigenous writing and writers.”
Meet Gregory Scofield
One of the most important poets and memoirists writing today, Scofield bridges several generations of Indigenous authors, with an extensive publishing history across multiple genres and years of mentoring and editing young writers—not to mention two new books coming out shortly: a re-release of his first memoir, Thunder Through My Veins (Doubeday Canada/Anchor Books) coming fall 2019, and his second memoir, Sitting with Charlotte: Stitching my History Bead by Bead (Doubleday Canada) due to be published in 2021.
“âcimowina. Stories. The power of stories. The spirit of stories. The bones of stories that need to be sung and invited to dance. I am so very excited to bring my stories and energy to the Writing department at the University of Victoria, to work with the students and the university community to Indigenize the creative writing curriculum,” says Scofield. “I am deeply honoured to be welcomed in the territories of the Lkwungen peoples, and to listen to their stories while sharing my own. âcimowina. Stories. There will be such a good feast.”
An award-winning poet with eight volumes published, Scofield has taught creative writing and First Nations and Metis literature at Brandon University, Emily Carr University of Art + Design, and the Alberta University of the Arts. He has also served as writer-in residence at the universities of Manitoba and Winnipeg, and Newfoundland’s Memorial University. He is the recipient of the Queen’s Diamond Jubilee Medal (2012), and the Writers’ Trust of Canada Latner Poetry Prize (2016); he is also a skilled bead-worker and creates in the medium of traditional Metis arts. He continues to assemble a collection of mid to late 19th century Cree-Metis artifacts, which are used as learning and teaching pieces.
“Gregory brings academic leadership, versatility as a literary artist and innovative ways of learning and teaching to our department,” says Leach. “He will lead writing workshops and teach courses in Indigenous storytelling based on Cree traditions, and Indigenous women’s resistance writing through the practice of Métis beadwork.”
Introducing Danielle Geller
Danielle Geller is a writer of memoir and personal essays; her debut memoir, Dog Flowers, is forthcoming from One World/Random House in 2020. She received her MFA in creative writing (nonfiction) at the University of Arizona, and is a recipient of the 2016 Rona Jaffe Writers’ Awards. Her work has appeared in The New Yorker, Brevity, and Arizona Highways Magazine and has been anthologized in This Is the Place (Seal Press, 2017).
“I am delighted to be joining the talented community of writers, storytellers, and artists in UVic’s Writing Department,” says Geller. “I hope to enhance Indigenous perspectives and voices in the curriculum and pedagogy . . . [and] I am looking forward to sharing my enthusiasm and commitment to the craft of writing and art-making with the students.”
Geller writes and teaches across multiple genres with interests and expertise in contemporary forms such as slipstream fiction, Indigenous futurism and video games. Along with her MFA, she has an MS in Library and Information Science and experience as an archivist, which will deepen our students’ research skills and the Writing department’s connection to the many resources of UVic’s library.
“We can’t wait for Danielle to meet our students—and vice versa,” says Leach. “When Random House releases her debut memoir about rediscovering the diaspora of her Navajo family, the rest of the world will also discover one of the most exciting new voices in literary prose.”
Both positions will begin in July 2019.
A commitment to reconciliation
“UVic recognizes that colonization and associated attitudes, policies and institutions have significantly changed Indigenous peoples’ relationship with this land. And for many years those same things served to exclude Indigenous students from higher education. We’re committed to redressing those historical and continued barriers,” says university president Jamie Cassels.
“As part of our commitment to reconciliation we’re building better and meaningful partnerships with Indigenous communities, developing new programs, and working to bring our university into better harmony with Indigenous cultures, beliefs and ways of being. Indigenous people and communities are an important part of building our university for the future.”
We acknowledge with respect the Lkwungen-speaking peoples on whose traditional territory the University of Victoria stands, and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day.
Award-winning poet and novelist Patrick Lane passed away on March 7 at age 79, the result of a heart attack. His publisher, McClelland & Stewart, made the announcement, calling Lane “one of Canada’s most renowned writers” — a claim few would argue.
Patrick Lane, 1939-2019
Lane’s distinguished career spanned 50 years and 25 volumes of poetry, as well as award-winning books of fiction and non-fiction, published in over a dozen countries. The winner of numerous accolades — including the Governor General’s Award for Poetry, the Lieutenant Governor’s Award for Literary Excellence, the Canadian Authors Association Award and three National Magazine Awards — he was named an officer of the Order of Canada in 2014.
An influential member of the Department of Writing from 1992 to 2004, Lane was also famously married to Writing professor emerita Lorna Crozier; indeed, the Globe and Mail once described the beloved pair as “BC’s poetry power couple” and, in her acclaimed poetry collection The Book of Marvels, Crozier wrote of her husband, “We are at home with one another; we are each other’s home.”
Crozier herself reflects on Lane’s legacy in this March13 Canadian Press interview: “He brought beauty into even those places that do not have beauty on their own, and into the lives of people who are struggling,” she said. “He gave them a voice, and he gave them a place in letters. And I can’t think of many other poets who have done that.”
A free community gathering to honour and remember Patrick will be held from 7-9 pm Saturday, April 20, in UVic’s David Lam Auditorium (MacLaurin Building). This event will replace a previously scheduled ceremony to present him with the George Woodcock Award, originally slated for April 27 at the sxʷeŋxʷəŋ təŋəxʷ James Bay branch of the Greater Victoria Public Library.
Organizers are expecting a capacity crowd for this limited-seating event; please arrive early to avoid disappointment.
An editor, anthologist and frequent media commentator about poetry and Canadian culture in general, Lane was also a much sought-after teacher, having held positions at the University of Saskatchewan and as writer-in-residence at the universities of Toronto, Alberta, Manitoba and Concordia University. In recognition of his service to Canadian literature, he received a Doctor of Letters (honoris causa) from UVic in November 2013, as well as honorary doctorates from UBC, McGill University, UNBC and VIU.
“BC’s poetry power couple”: Lane & his wife, Lorna Crozier
“Patrick inspired several generations of new writers with his poetic vision and generous spirit,” says David Leach, current Writing chair. “He would mentor and champion his students long after they had graduated from his classroom, and UVic. And while he was known as one of our country’s greatest poets, he was also a masterful and incisive prose stylist in fiction and personal essays with a voice unique to Canadian literature.”
He was also honoured to be one of the few poets to see his work gathered and published as a collected works in his lifetime: 2011’s The Collected Poems of Patrick Lane included more than 400 poems, dating back to 1962.
“What makes this career even more remarkable is that Patrick’s formal education stopped with the completion of high school. However, through wide reading and dogged perseverance, he became one of the best educated and unconventionally brilliant people I have ever encountered,” wrote noted Canadian author Guy Vanderhaeghe in support of Lane’s honorary doctorate.
Remembered by students, colleagues
Formal awards and designations aside, Lane was admired and well-loved by colleagues and former students, many of whom have gone on to influential literary careers themselves.
Patrick Lane (right) with Esi Edugyan & Bill Gaston at the 2013 BC Book Prizes
“No one can sum up adequately what a major figure like Patrick contributed,” says Writing professor Tim Lilburn, a literary colleague and close friend of Lane’s. “I can’t think of anyone who has had a more profound impact on Canadian poetry over the last 50-plus years. He was a great poet and an extremely generous mentor.”
That’s a sentiment with which double Giller Prize-winning author Esi Edugyan clearly agrees; having studied under Lane at UVic, she has described him as “my first great teacher.”
Carla Funk — the City of Victoria’s inaugural poet laureate — credits Lane with her future path; he was her first poetry instructor when she first enrolled at UVic when she was just 18 years old. “It was my very first creative writing class,” she told CBC Radio’s As It Happens in this interview from March 8. “He was the instructor who pushed me toward that, coaxed me and guided me and encouraged me toward this way of poetry, which was a different way of looking at the world, a different way of being in the world.”
Fellow alumni including acclaimed novelist Steven Price and former Victoria poet laureate Yvonne Blomer also fondly recalled Lane as an influential teacher, supportive mentor and close friend, when they spoke to both CBC Radio’s North By Northwest and the Times Colonist, respectively.
“He was a giant of Canadian letters, one of our most essential writers,” wrote UVic Chancellor Shelagh Rogers upon the news of Lane’s passing. The long-time host of CBC Radio’s The Next Chapter, Rogers well knows Lane’s esteemed place in the world of Canadian literature. “He was also a mensch. #RestinPoetry.”
Lane’s first book (1966), and his last (2018)
Born in 1939 in Nelson, BC, Lane earned early praise for his poems based on his “working man” experiences, and helped spearhead a new generation of Canadian poets by co-founding the small press Very Stone House in 1966. His first poetry collection, Letters From The Savage Mind, debuted that same year, and his final novel, Deep River Night, was published in 2018. His frankly honest 2005 memoir, There Is A Season, chronicled his rehabilitation from alcoholism, and earned him both the Lieutenant Governor’s Award for Literary Excellence and the BC Award for Canadian Nonfiction.
He was, as Vanderhaeghe notes, “a writer’s writer, universally respected and applauded by his peers as one of the most significant and gifted Canadian poets of the last half-century.”
Honoured by UVic
“We express our condolences to Lorna and their family for this deep loss,” says Susan Lewis, Dean of Fine Arts. “Patrick is a legend in the field of Canadian poetry. I was deeply moved by his 2013 convocation address when we honoured him as Doctor of Letters.”
During that address which can be read in its entirety here, Lane poetically encapsulated 65 years of his life, reflecting on the changes he had seen both in the world and himself during that time. It seems only fitting to offer these final words from the poet himself:
Lane receiving his Honorary Doctorate in Nov 2013 (UVic Photo Services)
“I stand here looking out over this assembly and ask myself what I can offer you who are taking from my generation’s hands a troubled world. I am an elder now. There are times many of us old ones feel a deep regret, a profound sorrow, but our sorrow does not have to be yours. You are young and it is soon to be your time. A month ago I sat on a river estuary in the Great Bear Rain Forest north of here as a mother grizzly nursed her cubs. As the little ones suckled, the milk spilled down her chest and belly. As I watched her I thought of this day and I thought of you who not so long ago nursed at your own mother’s breast. There in the last intact rain forest on earth, the bear cubs became emblems of hope to me.
Out there are men and women only a few years older than you who are trying to remedy a broken world. I know and respect their passion. You too can change things. Just remember there are people who will try to stop you and when they do you will have to fight for your lives and the lives of the children to come.”
It’s neither a surprise nor an exaggeration when UVic describes Ideafest as being about “ideas that can change everything.” This eighth-annual, week-long festival of research, art and innovation runs March 4-9, both on- and off-campus, and offers more than 40 public events designed to inform and engage with thought-provoking and culturally engaging events. And Fine Arts is participating in eight different events this year.
“Ideafest connects research to community. It allows UVic researchers and artists to share knowledge in different ways to appeal to a wide range of audiences,” says David Castle, UVic’s vice-president research. “We invite the public’s engagement so they can better understand how research impacts their own lives and that of society.”
As always, Fine Arts is once again an active Ideafest participant, hosting four separate events of our own and participating in four others across campus. All are free, unless otherwise noted: you can view the full Ideafest schedule here, which is searchable by day or category, but here’s our list of events.
Eva-meta art exhibit
The Visual Arts department’s Drawing 300 class continues its tradition of staging an outdoor drawing exhibition near the Fine Arts building for the duration of Ideafest. Led by Drawing 300 instructor David Gifford, students this year are interpreting meta-drawing and encounters with “aboutness, the recursive and the beyond.” Drawing 300 makes an outdoor exhibit of pictures about pictures. Prepare to have your assumptions challenged!
Get a taste of the amazing research and creative activity taking place at UVic, as told by our talented students, faculty and staff. A juried collection of short videos highlighting UVic research and how it’s having an impact on our lives and our world will be showcased for one night only. Prepare to be amazed and inspired! Hosted by Lara Lauzon (School of Exercise Science, Physical and Health Education) and juried by Jay Cullen (School of Earth and Ocean Sciences), Cody Graham (Filmmaker and multimedia producer) and Katrina Pyne (Hakai Magazine).
Among the entries this year are short films created by current students Peter Ojum, Leah Tidey and Chen Wang, plus recent alumnus and current Artist in Residence at Oceans Network Canada, Colton Hash (also last year’s Research Reels winner). Their films cover topics ranging from applied theatre practice and choral research to the research and creative practice of Visual Arts professor Kelly Richardson, and her current IMAX video installation commission from the XL Outer Worlds project, celebrating the 50th anniversary of the IMAX camera — a Canadian invention! Be sure to attend and vote for our faculty’s films in the viewer’s choice category!
Meet the next generation of Canadian Literature as MFA students from UVic’s legendary Department of Writing read (and perform) from ground-breaking graduating manuscripts in fiction, poetry, playwriting and creative nonfiction at this lively (and licensed) literary cabaret. Hosted by Writing professor Maureen Bradley, graduate student readers include Vaughn Gaston (fiction), Taylor Houghton (fiction), Janet Munsil (playwriting), Tom Prime (poetry) and Miles Steyn (creative nonfiction). Watch for guest appearances by faculty mentors.
Doors open at 6:30 pm
Meet the next generation of leading Canadian researchers at UVic’s Jamie Cassels Undergraduate Research Awards (JCURA). Awards go to exceptional undergrad students to carry out research in their field of study. The JCURA research fair will feature over 100 of these inspiring projects, ranging from the effects of meditation on memory retention, to improving emergency water treatment in refugee camps. Fine Arts participants include Hannah Bell (Theatre), Kai Conradi (Writing), Jamie Crystal (Music), Kim Dias (Writing), Pascale Higham-Leisen (AHVS), Sarah Kapp (AHVS), Trevor Naumann (Music) and Lee Whitehorne (Music). Just click on their individual names to read a brief of their research projects.
Each year, UVic faculty, staff, students and alumni publish an incredible amount of intellectual content, reflecting a wide range of research, teaching, personal and professional interests. Join UVic Libraries for this annual celebration of books written by UVic — including Writing professor Bill Gaston, who will be reading from his recent memoir, Just Let Me Look at You: On Fatherhood, and recently retired Writing instructor Patrick Friesen, reading from his latest poetry collection, Songen. Hosted by Jim Forbes, Director of Campus Services, other readers include History professors Jason M. Colby, reading from his Orca: How We Came to Know and Love the Ocean’s Greatest Predator, and Lynne Marks, reading from her Infidels and the Damn Churches: Irreligion and Religion in Settler British Columbia.
Experience the beauty of an orchestra from the inside out at this unique rehearsal of the UVic Orchestra, where seats for visitors will be interspersed among musicians to provide an unforgettable opportunity. Immerse yourself as never before in the works of Tchaikovsky and Debussy. Feel the magic of being in the midst of it all. Hosted by School of Music conductor and professor Ajtony Csaba and featuring the student musicians of the UVic Orchestra.
Can the impact of dementia be reduced through singing and socializing? An interdisciplinary research team at UVic — including School of Music professor emeritus Mary Kennedy— is studying the impact an intergenerational choir may have on health outcomes for people living with dementia and their caregivers, as well as the impact on perceptions of dementia for participating high school students. Hear about the researchers’ findings and observations, then listen to this joy-filled choir share their music. Hosted by UVic School of Nursing professor Deb Sheets, presenters include not only Mary Kennedy but also Erica Phare-Bergh (Choir Director), Stuart MacDonald (Department of Psychology) and Andre Smith (Department of Sociology). With thanks to project partners Island Health, St. Andrew’s Regional High School, St Aidan’s United Church, the University of Victoria’s School of Nursing, School of Psychology and School of Sociology.
An expansion of the current Legacy Gallery exhibit,Translations: The Art and Life Of Elizabeth Yeend Duer-Gyokushō玉蕉, Ideafest welcomes Vancouver-based contemporary artist Cindy Mochizuki for a collective embroidery and listening experience focusing on the racialized effects on women of Japanese descent in British Columbia. Visitors will work together with Mochizuki to embroider an image informed by historical references to Japanese Canadian women during and after World War II, while listening to audio recordings of interviews of Japanese Canadian women exploring issues of race, class, citizenship, nationhood and diaspora.
Translations continues to April 6, also at the Legacy Gallery, and showcases the movement of ideas, aesthetics, politics and people between England, Japan and Victoria by looking at the life and work of Anglo-Japanese artist Elizabeth Yeend Duer (1889–1951). Born a British citizen in Nagasaki to an Englishman and a Japanese woman, Duer studied Nihonga, a traditional Japanese-style painting, with the renowned painter and teacher Atomi Gyokushi. 跡見 玉枝. Duer took on the artistic identity of Gyokushō 玉蕉. She immigrated to Victoria in 1940 and is among the remarkably few people of Japanese heritage who were not interned during World War II. Instead, she Japanized her new environment by producing Nihonga-style paintings of local indigenous wildflowers while her own identity was being anglicized.
UVic celebrates graduates old and new with our annual Alumni Week, running Feb 1- 8 across campus. From film screenings and fascinating talks to concerts, a curling bonspiel, Vikes basketball and the annual Distinguished Alumni Awards night, there will be over a dozen special events to check out. Better still, most are free, although you may have to register in advance.
And Fine Arts is a big part of Alumni Week this year, as we participate in five different events showcasing the talents of a number of our alumni. Here’s what’s coming up:
Did you know that 1 in 3 UVic staff and faculty are UVic alumni? It’s true, and you can meet many of them as we celebrate our campus alumni and kick off Alumni Week at an exclusive event at Cinecenta. Join us at noon on Feb 1 for a screening of the short film, ‘Til Death, by director and campus alumnus Connor Gaston.
About the film: After losing his soul mate in a fatal bicycle accident, 10-year-old Zachary sets out on a journey to bring Samantha back to life in this magical, modern fairy tale.
Gaston, who holds both a BFA and MFA from the Writing department, is an award-winning filmmaker whose work has screened at film festivals around the world, including the Toronto International Film Festival. Gaston’s first feature film, 2015’s The Devout, earned him five Leo Awards (including Best Picture), the BC Emerging Filmmaker Award at the Vancouver International Film Festival, and a Canadian Screen Award nomination for Best First Feature. He is also a current sessional instructor in UVic’s Writing department.
Pizza, popcorn and soda will be provided at the screening for just $5, plus everyone will receive a free gift! (Tickets at the door.) Following the film screening, there will be a Q&A with the director.
This event runs noon to 1pm Friday, Feb 1, at Cinecenta in UVic’s SUB. Film starts at 12:15pm, so come early to get your pizza!
Victoria-based vocal quintet Fifth Street combines the worlds of pop, jazz and R&B in perfect five-part harmony. The sublime voices of Natasha Penfield, Jilaine Orton, Ryan Narciso, Kenji Lee and Taylor Caswell found a groove together while students and as members of UVic’s Vocal Jazz Ensemble. You’ll enjoy their original a cappella arrangements of pop hits by the likes of Imogen Heap and Justin Timberlake as well as fresh takes on timeless classics.
Come join UVic’s annual celebration recognizing and honouring Distinguished Alumni Award winners that have been chosen from the faculties, UVic Libraries and Continuing Studies. This year, Fine Arts is honouring Theatre alumnus Nathan Medd —a cultural non-profit leader whose work is devoted to developing the performing arts in Canada.
Now the managing director of performing arts for the Banff Centre for Arts and Creativity — the nation’s largest arts training institution and incubator of new works — Medd was also the managing director of English Theatre at Canada’s National Arts Centre, where his team successfully championed Canadian creators and initiated a new national stage for Indigenous performance.
Join us at 7:30pm Tuesday, Feb 5, in the Songhees Wellness Centre, 1100 Admirals Rd. Free, but registration is required.
Join 2019 Fine Arts Distinguished Alumni Award recipient Nathan Medd for this lively discussion about the ins and outs (and ups and downs) of creative placemaking. From development and gentrification to funding and accessibility for artists and audiences, get ready to “nerd out” about the business of the arts. Joining Medd on the panel will be long-time colleagues Kevin Kerr, Writing professor and co-founder of Vancouver’s Electric Company, Janet Munsil, former Intrepid Theatre artistic director and Metro Studio co-founder (also a Phoenix alumna and current MFA candidate in Writing), and Ian Case, Theatre alumnus, director of The Farquhar at UVic and former general manager of Intrepid Theatre.
In addition to his current position at the Banff Centre for Arts and Creativity, Medd was previously the managing director of English Theatre at Canada’s National Arts Centre. As managing producer of Electric Company, he produced original works for the Vancouver 2010 Cultural Olympiad and co-founded East Vancouver’s Progress Lab performing arts creation studio in 2009. In Victoria, he worked for Intrepid Theatre, where he co-founded Metro Studio — a flagship venue for Vancouver Island — and held positions with both the Belfry Theatre and the BC Arts Council.
This free talk runs from 12:45-1:45pm Wed, Feb 6, in the Bishop Theatre at UVic’s Phoenix Building.
Join UVic Chancellor and CBC Radio’s The Next Chapter host Shelagh Rogers as she has a frank and fascinating live conversation with two-time Giller-prize winning novelist and Writing alumnus Esi Edugyan. The internationally acclaimed author of Washington Black, her latest novel, Edugyan is also the author of the Giller Prize-winning Half-Blood Blues and The Second Life of Samuel Tyne.
Join us at 7pm Thursday, Feb 7, in the Michelle Pujol Room at UVic’s SUB. Copies of Washington Black will also be for sale, courtesy of UVic’s Bookstore. Update: this event is now sold out, although a waiting list is being taken.
UVic is accessible by sustainable travel options including transit and cycling. For those arriving by car, pay parking is in effect. Evening parking is $3.
But wait, there’s more!
While Alumni Week only runs Feb 1-8, our Fine Arts alumni are busy throughout the year with their own creative endeavours. Here’s a quick rundown of some other alumni who are active around town in the next couple of weeks:
The 25th annual Victoria Film Festival features work by both Writing and Visual Arts alumni and students, running throughout the festival. Writing alum Connor Gaston is showing the short film Encore as part of the shorts program “Beautiful Obsessions” on Feb 4. The Safe Space Panorama exhibition runs Feb 2-10 at the Atrium and features work & talks by Visual Arts MFA candidate Levi Glass (talk: 3pm Feb 3), undergrads Laura Gildner (3pm Feb 4),Jordan Hill (3pm Feb 6) and Jake Hrubizna (3pm Feb 8), plus MFA alumni Leah McInnis (3pm Feb 7) & sessional instructor Emily Geen (5pm Feb 5), as well as the 25th anniversary multimedia installation States of Play, curated by recent Visual Arts alumna Gina Luke.
Phoenix alumna & musical theatre teacher Kim Sholinder and the student cast & crew of Victoria High School will perform the Broadway musical Cry-Baby — based on the hit 1990 John Waters film of the same name, which starred a young Johnny Depp! This upbeat, campy musical provides a fun twist on 1950s star-crossed young lovers. Cry-Baby runs Feb 5-9 at Victoria High School, 1260 Grant. Tickets are $10-$12.
The Victoria Arts Council is pleased to be working with Visual Arts MFA alumnus Hjalmer Wenstob on a new solo exhibition. For Ground; Backgroundis a culmination of selected sculptures from over the last four years, as well as new works and installations. For Ground; Background hosts works of question, concern and education, in regards to environment, urban relationships to the land, and treaties. Wenstob is an interdisciplinary artist who specializes in sculpture, installation, and carving; he speaks of three dialects of his work — contemporary, traditional, and community-based.
Through his contemporary dialect, he completed both an undergraduate and master’s degree at UVic, exploring the relationships between cultures and art, and the balance between traditional and contemporary. His work is at times highly political and uses humour and irony to pose difficult questions of respect, reconciliation, and environmental issues. Nuu-Chah-Nulth from the Tla-O-Qui-Aht First Nations on his father’s side, and Norwegian and English on his mother’s side, Wenstob and his family recently opened Cedar House Gallery in Ucluelet, B.C. where he is exploring ways of weaving his contemporary/political work with more traditional materials and styles.
For Ground; Background runs until Feb 16 at the new Victoria Arts Council space at 1800 Store St. Open 11am-5pm Tues-Sat.
Visual Arts instructor & MFA alumnusTodd LambethpresentsNight Moves, a series of paintings that investigates the abstract relationship between space and colour. Influenced by Cubism, hard-edged Modernist painting, comic books and candy wrappers, the colours in these paintings reference the world of advertising and design. These visually stimulating works express the artist’s interest in perceptions of pictorial space and are a direct response to the proliferation of digital imagery and imaging technology.
These paintings explore optical perceptions of space; emphasizing the formal properties of structure and design, Lambeth’s images present the viewer with a sense of visual pleasure. With their bright, welcoming colours and forms the paintings in Night Moves foreground ideas of beauty and express Lambeth’s desire to create optimistic works that distract the viewer from the difficult times in which we live.
Night Moves runs through to March 2 at Deluge Contemporary Art, 636 Yates. There will be an artist talk at 3pm Sat, Feb 16.
The Victoria Theatre Guild offers a lively version of this 2005 Tony-winning show — a clever, charming and sweet-natured musical comedy about six quirky tweens competing in the spelling bee of a lifetime. While candidly disclosing hilarious and touching stories from their home lives, they spell their way through a series of words, hoping never to hear the soul-crushing ding of the bell that signals a mistake. In the end, the youth learn that winning isn’t everything, and that losing doesn’t necessarily make you a loser.
Featuring a fantastic performance by Phoenix alumni Hailey Fowler and an outstanding set by Barbara Clerihue.
Spelling Bee runs until Feb 2 at Langham Court Theatre. Tickets are $25-$35 . . . if you can find one!
There was certainly no shortage of Fine Arts news in 2018, given that we tracked nearly 300 local, national and international media stories about the creative activities of our faculty, alumni, students and staff . . . and those are just the stories we know about.
From our new faculty members—including Rick Leong, Sasha Kovacs, Deborah Campbell, Katharina Clausius and Michael Elliott—to a new batch of websites for our departments of Art History & Visual Studies, Theatre, Visual Arts, Writing and the School of Music, Fine Arts continues to grow and evolve as we move closer to our 50th anniversary in 2019/20.
While it was hard to choose favourites from amongst the many stories that appeared in both traditional and social media, here (in no particular order) are our choices for the top 10 Fine Arts stories from our faculty blog.
Benjamin Butterfield named to the Royal Society of Canada
Benjamin Butterfield (UVic Photo Services)
Three UVic faculty members received the country’s highest academic honour by being named 2018 fellows of the Royal Society of Canada (RSC) in September—and among those joining the distinguished ranks was School of Music professor Benjamin Butterfield.
While Butterfield has won international plaudits as one of Canada’s best operatic tenors, he is equally passionate about his role as head of voice for UVic’s School of Music.
“With a performance career, the more you’re in the game, the more you’ll be asked to be in the game,” he explains. “But my obligation is really to teaching . . . for me, it’s less about pursuing my ‘career’ and more about being here for students who sing, and who want to learn to sing—that’s my day job, that’s my real life, that’s what’s most important.”
Butterfield is now the eighth Fine Arts faculty member to be inducted into the RSC, including Fellows Mary Kerr (Theatre), Harald Krebs (Music), Tim Lilburn (Writing), Joan MacLeod (Writing) and Sandra Meigs (Visual Arts), as well as RSC College member Dániel Péter Biró (Music) and RSC Medal winner JackHodgins (Writing, retired).
Fine Arts has no shortage of alumni success stories, but it’s hard to top internationally acclaimed Department of Writing alumna Esi Edugyan, who won her second Scotiabank Giller Prize in 2018 for her latest novel, Washington Black.
Edugyan won $100,000 on the 25th anniversary of Canada’s richest literary award, and also earns the distinction of being one of only three authors to twice win the Giller Prize, alongside M.G. Vassanji and Alice Munro.
Washington Black was also nominated for the Man Booker Prize and the Rogers Writers’ Trust Fiction Prize—as was her previous 2011 Giller Prize-winning novel Half-Blood Blues. Indeed, having only published three novels (including her debut, The Second Life of Samuel Tyne), Edugyan’s back-to-back wins for Washington Black and Half-Blood Blues is doubly remarkable, especially when you consider both were shortlisted for the coveted trifecta of fiction awards.
Carey Newman receiving his Order of BC from Lieutenant Governor the Honourable Janet Austin and Premier John Horgan in September
When Kwagiulth and Coast Salish artist Carey Newman’s Witness Blanket was unveiled at the University of Victoria in 2014, it was clear the large-scale installation would quickly become a national monument and spark reflection and conversation about residential schools, settler-Indigenous relations and reconciliation. Now, Newman will continue the conversation as the sixth Audain Professor of Contemporary Art Practice of the Pacific Northwest with the Visual Arts department.
“This is breaking new ground for me,” said Newman in June. “I’m looking forward to having the opportunity to convert the experience of mentorship into a more formal educational setting.”
When Art History & Visual Studies professor Carolyn Butler-Palmer received an email from the Bank of Canada back in 2017, she didn’t put much stock in it. “To be honest, I thought it was a scam email,” she laughs, “but in fact they wanted to speak to me as an art historian.”
“It was a real honour to be asked and to be able to work on such an important change in our currency,” Butler-Palmer said in this recent interview with the Martlet. “I think the change is really reflected too, [particularly] that they changed the orientation as well . . . to signify the change in the way that they represent Viola Desmond on that bill.”
Douglas Peerless as the Man in the Chair (photo: Dean Kalyan)
The response to Phoenix’s fall mainstage production of The Drowsy Chaperone, directed by Jacques Lemay, was fantastic. Audiences and reviewers alike praised this production as one of the finest in Phoenix’s 50-plus year history.
“This is one of the best shows staged by the university’s theatre department in recent years and should not be missed,” notes thisTimes Colonist review by Adrian Chamberlain. “Everything about this elegant, detailed production works well: the excellent costumes, set, acting, dancing, choreography . . . . [this is] a truly superior piece of theatre that will undoubtedly be a highlight of the season.”
It was such a hit, in fact, that they ended up adding two additional shows after the entire run was essentially sold out in November!
Alexander Dunn, an internationally renowned guitarist and UVic music instructor for nearly three decades, played a vital role in bringing the guitar quartet to UVic by working for the past 18 months with two US-based organizations—the Artist Protection Fund (APF), an innovative initiative of the Institute of International Education, and the non-profit organization Remember the River.
Now safely in Victoria as the recipients of a prestigious Artist Protection Fund Fellowship grant, the Orontes quartet offer a remarkable message about the power of music, hope and determination. The quartet told theGlobe and Mail that their peaceful lives in Syria had been disrupted by the civil war, and violence and terror became commonplace. But when the ensemble started to play together, “we forgot everything because we just focused on what we are doing,” as recounted to The Globe’s arts reporter Marsha Lederman in a December 8 article in the national edition of the newspaper.
Colton Hash named Artist in Residence for Ocean Networks Canada
Colton Hash with his full-size sculpture of an adolescent female orca (photo: Ashton Sciacallo)
Victoria-based artist Colton Hash became the inaugural recipient of an Artist-in-Residence program by the Faculty of Fine Arts and Ocean Networks Canada (ONC), a UVic initiative. The new ONC residency will strengthen connections between art and science, and broaden perspectives on major issues ranging from technology and the environment to biodiversity and healthy communities.
“I see this as a great opportunity to collaborate with ocean scientists and experiment with digital media to communicate some of the dynamic processes that play a critical role in coastal waters,” says Hash. “Whether it’s how a kelp forest responds to climate change or how the thawing of frozen methane affects sediment stability of submarine slopes, I hope I can use interactive art to inspire viewers to care more about what is happening beneath the ocean’s surface.”
Presented in partnership with Universities Canada, the Building Reconciliation Forum brought together close to 250 thought leaders from universities, Indigenous governing bodies and communities, and federal and regional government officials from acorss Canada to consider how universities are answering the Truth and Reconciliation Commission’s Calls to Action.
As part of the Forum, Fine Arts Dean Dr. Susan Lewis hosted a near-capacity panel discussion on First Nations Art Practice & Reconciliation at downtown’s Baumann Centre, featuring a range of local artists, administrators, activists and alumni discussing how Victoria’s arts community can advance decolonization and reconciliation.
Panelists included Visual Arts MFA alumna and the City of Victoria’s inaugural Indigenous Artist in Residence Lindsay Delaronde; the Belfry Theatre’s Indigenous cultural advisor Kristy Charlie and executive director Ivan Habel; Pacific Opera’s director of community engagement Rebecca Hass; Open Space board member and Visual Arts sessional instructor Charles Campbell; Legacy Gallery director Mary Jo Hughes; and Art Gallery of Greater Victoria curator of engagement Nicole Stanbridge.
Also during the forum, the Theatre department hosted Nomad, a musical and visual journey through Inuit history with Inuk singer-songwriter and Order of Canada recipient Susan Aglukark.
Department of Writing professor Bill Gaston won the 2018 City of Victoria Butler Book Prize for his short-story collection The Mariner’s Guide to Self Sabotage (Douglas & McIntyre). Victoria Mayor Lisa Helps and co-sponsor Brian Butler presented Gaston with his $5,000 prize at a gala October 17 event at downtown’s Union Club.
2018 was a strong year for the Writing department at the Victoria Book Prize, given that fellow nominees included professor emerita Lorna Crozier (What the Soul Doesn’t Want), longtime instructor Patrick Friesen (Songen) and longtime Faculty of Fine Arts colleague and Dean’s External Advisory Committee member Maria Tippett (Sculpture in Canada: A History).
Gaston is also one of 10 authors nominated for the prestigious RBC Taylor Prize for his 2018 memoir, Just Let Me Look At You (Hamish Hamilton).
Twin Kennedy are now Distinguished Alumni (UVic Photo Services)
It’s only been 10 years since sister duo Twin Kennedy graduated from the School of Music, but during that short decade, the acclaimed country/roots duo already released two albums, toured across North America, moved to Nashville and won the hearts of country radio and fans alike. The sisters headed back to UVic in February to be honoured as the Fine Arts winners of UVic’s 2018 Distinguished Alumni Award—an award that’s doubly special this year, given that it was presented during the School of Music’s 50th anniversary.
Know for their distinctly “Canadiana” country roots sound, seamless harmonies and heartfelt songwriting, Carli and Julie Kennedy (BMus ’08) have been dubbed “the next big thing in country music” by the Nashville Music Examiner and Twin Kennedy’s 2017 winter single “Cold Weather” was chosen by Rolling Stone as one of the “10 new country and Americana Christmas songs to hear right now!”
“We’re very proud of years at UVic,” says Carli. “Not everyone in the popular-music world has a degree, and it’s an important part of our story. To be recognized for that side of our career is a huge honour; it means a lot to us.”
From telling stories that helped us understand what it meant to be Canadian to inspiring future generations of writers, Richard Wagamase was one of Canada’s most beloved authors. His death in 2017 at just 61 was a profound loss for our country’s literary culture, and now his final novel, Starlight, is being launched locally at a special event hosted by UVic Chancellor Shelagh Rogers who is also host of CBC Radio’s The Next Chapter and a longtime friend of Wagamese.
The Starlight book launch runs from 7-8:30pm Tuesday, Dec 4, at UVic’s First Peoples House. Admission is free, and all are welcome.
Starlight tells the story of an abused woman who discovers sanctuary on the farm of an Indigenous man, and is an apt conclusion to his literary legacy.
“This book is not only a last gift to his readers, it is a masterpiece,” says Rogers. “It will be wonderful to be among friends to pay tribute to his life and his writing, and it’s wonderful that this event takes place at UVic, as Richard loved the university and his time here.”
Joining Rogers will be 2018 Governor General’s Award winner Darrel J. McLeod (Mamaskatch), 2018 Bolen Book Prize winner Monique Gray Smith (Speaking Our Truth: A Journey of Reconciliation), current Writing MFA candidate Troy Sebastian and Writing professor emerita Lorna Crozier.
“Richard Wagamase had a profound impact on our national culture through his novels, his essays, his memoirs and his memorable readings and talks,” says Writing chair David Leach, moderator of this event.
“As our Southam Lecturer in 2011, he inspired and challenged our students to move out of their comfort zones as writers and explore the power of oral storytelling. It was such a great pleasure to hear Richard’s big-hearted laugh in our hallways and talk with him about books or baseball or the blues. It’s still a shock to realize we will never get another chance to hear him read aloud from his richly detailed and deeply humane novels and essays.”
By drawing upon his work as a journalist and his experiences as a residential school survivor, Wagamese created memorable and award-winning novels such as Indian Horse and Medicine Walk, as well as compelling works of nonfiction, including as One Native Life and Embers.
Copies of Starlight will be available for sale at the event.
UVic is accessible by sustainable travel options including transit and cycling. For those arriving by car, pay parking is in effect. Evening parking is $3.