Together with the new class of grads, you are part of an expansive network of over 8250 alumni. Given that you’re graduating on the cusp of Fine Arts celebrating our 50th anniversary as a faculty, there are many reasons to stay connected.
We are always interested in hearing about alumni accomplishments—please do keep in touch as your career develops, and let us know if you have any events or honours to celebrate.
We had another creatively inspiring year in Fine Arts. Here are just a few of the highlights:
Nathan Medd (photo: Andrew Alexander)
A cultural non-profit leader whose work is devoted to developing the performing arts in Canada, Nathan Medd (BFA ’01) is currently Managing Director of Performing Arts for the Banff Centre for Arts and Creativity, the nation’s largest arts training institution and incubator of new works. This year, he was honoured with the 2019 Distinguished Alumni Award. Read more
Celebrated novelist and Writing grad Esi Edugyan (BFA ’99) soared to new literary heights this year by becoming only the second author in Canadian history to win two Giller Prizes — first for 2011’s Half Blood Blues and now for 2018’s Washington Black, which is also currently in development as a limited run TV series. Read more
Laura Gildner in her studio
Graduating Visual Arts student Laura Gildner was shortlisted for the Lind Photography Prize, mounted a solo photography exhibit at Vancouver’s Polygon Gallery and staged work at the Art Gallery of Greater Victoria. She also won the Victoria Medal for the highest undergraduate GPA in the faculty. Read more
Members of the School of Music’s Vocal Jazz Ensemble were thrilled to have the opportunity to sing the music of iconic rock band Queen when the Victoria Symphony presented their Best of Queen concert this spring. Read more
Kirk McNally (School of Music) oversaw the installation of the new CREATE Lab and recording studio for music technology students, dedicated to the art and science of listening. Read more
Carey Newman (Visual Arts) made history twice this year by seeing his Residential School memorial sculpture The Witness Blanket entered into the permanent collection of the Canadian Museum for Human Rights, and in seeing the piece designated as a living entity that honours the stories of the survivors. Read more
Bill Gaston (Writing) won the City of Victoria Butler Book Prize for his story collection, A Mariner’s Guide to Self-Sabotage — one final honour before he retires at the end of this academic year. Read more
Cast of The Drowsy Chaperone
Jacques Lemay (Theatre) led the student team behind The Drowsy Chaperone to create a smash hit show that resulted in a sold-out, held-over run — and one of the most popular Phoenix shows in recent memory! Read more
Carolyn Butler-Palmer (Art History & Visual Studies) consulted on the new $10 bill featuring Canadian civil rights leader Viola Davis, which means you can see the influence of our faculty whenever you get one of the new bills. Read more
Our generous donors gave over $1.8 million in 2018/19, with 45% of that coming from Fine Arts alumni. Overall, we distributed $709,621 to students last year via donor-funded scholarships and bursaries.
Theatre student Emma Leck became the inaugural recipient of the Spirit of the Phoenix Award, named for the late Phoenix student Frances Theron.
With the 50th anniversary of the Faculty of Fine Arts coming up in 2019/20, we would love to hear your thoughts on how we can continue to engage with our alumni in significant ways. Convocation is a day for making meaningful memories—we hope that the culmination of your student years marks the start of our new relationship as alumni and colleagues.
The late award-winning poet and novelist Patrick Lane will receive one final honour when he is posthumously presented with the European Medal for Poetry and Art on June 7. Beijing-based poet Dr. Zhao Si Fang, vice-president of the award, will make the presentation at a small private gathering of poets. Lane’s wife, Department of Writing Professor Emeritus Lorna Crozier, will receive the award in the garden of their North Saanich home.
Commonly referred to as the Homer Prize, there has only been one other Canadian recipient in the award’s short history: UVic Writing professor Tim Lilburn, in 2017.
“This is a significant honour,” says Lilburn. “Patrick’s stature as a poet is international as well as national. His work has long been of interest to translators in China and a large ‘selected poems’ collection is now being prepared for release in Beijing in 2020, as a result of the Homer Prize.”
Initiated in 2015, the Homer Prize is a relatively new international award administered by an international chamber with representatives from Poland, China, North Africa and elsewhere. Previous laureates include Ataol Berghamoglu (Turkey), Tomas Venclova (Lituania), Juan Carlos Mestre (Spain) and Tim Lilburn (Canada). Plans to present Lane with the Homer Prize had been underway prior to his passing on March 7.
It was a full house for Patrick Lane’s memorial on April 20
Lane was also posthumously honoured with the George Woodcock Lifetime Achievement Award on April 20 at his memorial service at UVic. With nearly 300 people gathered at the memorial event, Howard White—president of the Pacific BookWorld News Society and a longtime friend of Lane—presented Crozier with the award, a $5,000 cheque and a civic proclamation in honour of Lane. Crozier received the same award the previous year.
“Although our timing with this presentation was just a little too slow, I was able to deliver the news to Patrick while he was still with us,” said White at the event. “I remember his first response: ‘Are you sure you haven’t given me that one already?’ He was really very moved, however, and wrote [the following email] the prize administrator Alan Twigg.”
“It is nice to be associated with George [Woodcock],” noted Lane. “He wrote a chapbook summary of my poetry back in mid-career and compared my verse to poets such as Yeats, which, God knows, was excessive in the extreme, but still nice to imagine it might echo some small qualities of such a master, a poet I admired when I was young and still do . . . . Thank you for this award. It is most kind.”
Described as “one of Canada’s most renowned writers,” Lane’s death made headlines in media outlets nationwide. His distinguished career spanned 50 years and 25 volumes of poetry, as well as award-winning books of fiction and non-fiction, published in over a dozen countries. Winner of the Governor General’s Award for Poetry, the Lieutenant Governor’s Award for Literary Excellence, the Canadian Authors Association Award, among others, he was named an officer of the Order of Canada in 2014. Lane with a long association with UVic and received a Doctor of Letters (honoris causa) in November 2013 in recognition of his service to Canadian literature.
“Patrick has been celebrated in this country for many decades,” says Lilburn. “Soon a full range of poetry lovers in China will be able to feast on the brilliance and compassion of this extraordinary writer.”
Kirk McNally in the School of Music’s Create Lab, with music student Ayari Kasukawa (UVIC Photo Services)
Whether it’s Queen recording their iconic title track in Bohemian Rhapsody or Will Ferrell’s hilarious “More Cowbell” sketch on Saturday Night Live, what happens in the recording studio has long been mythologized in popular culture. It’s also at the core of Kirk McNally’s research.
The School of Music music technology professor is fusing his professional background as a recording engineer with a new archive of unexplored recordings to build a better understanding of the relationship between musicians, engineers and music producers.
A set of multi-track audio recordings donated to UVic in 2014 formed the basis for McNally’s initial research into the intricate relationship between technical skills and musical output in the studio. By analyzing these recordings, McNally identified exactly what decisions were made in the studio, and how they affected the creative process of producing the final album—findings he now shares with students.
A temple and a laboratory
Revered as both a temple and laboratory by scholars, the recording studio is historically the place where the best musicians, producers and engineers create the soundtrack to our lives. But this activity has seen little critical evaluation.
“What I’m looking to better understand is the way those relationships—verbal, musical or technological—are communicated, and how the decisions made in the studio are played out to the listener,” says McNally. It could be as simple as asking for another take, or as surprising as a recording error that creates a great sound.
“There’s a long history around the exhibition of sketches that come before the creation of a recognized masterpiece, but that’s never been done for music. By listening to the final album, we don’t know what came before or what was thrown out, or if certain changes were made because of a marketing plan. That’s where my interest lies.”
But hearing what happens is only half of the equation. The rest involves activating that knowledge in the School of Music’s new Create Lab: a dedicated, state-of-the-art recording studio where McNally and his students explore the role of sound recording engineers and music producers.
Enter the new Create Lab
Completed in early 2019, the half-million-dollar Create Lab is booked 15 hours a day by student composers, musicians, engineers and sound artists in the undergraduate Music and Computer Science program—unique in Canada—and with Master of Music Technology students.
“Mindy, Body & Spirit” by Carey Newman
“It all comes down to listening,” says McNally. “Our job as engineers is to communicate something—either through technical or verbal means—in a way that’s understood by the person on the other side of the glass. That’s the importance of having a space where you can understand exactly what the sound is.”
Victoria residents may also be familiar with one of McNally’s projects outside of the studio: he consulted on the audio component of the spectacular cedar sculpture “Mind, Body and Spirit” by local artist and UVic Audain Professor Carey Newman, which fills the ceiling of Pacific Opera Victoria’s Baumann Centre and serves to acoustically enhance the space for music-making.
Fusing professional experience with academic research
Working with a team of International collaborators, McNally will explore how “aha” moments during studio recordings are identified, critically evaluated and correlated to what we hear in the final mix. Prior to joining UVic’s School of Music in 2004, McNally was a recording engineer at Vancouver’s iconic Warehouse Studio. Over the years, he has worked with R.E.M., Bryan Adams, Foo Fighters, Sloan and many others.
“By listening to the final album, we don’t know what came before or what was thrown out, or if certain changes were made because of a marketing plan. That’s where my interest lies,” says McNally, who recently received a research grant from the Social Sciences and Humanities Research Council to continue his research.
The research will also take him to the newly established EMI Music Canada Archive at the University of Calgary, where he will explore the multi-track recordings and support material for two albums by ‘80s Vancouver band The Grapes of Wrath: Now and Again and These Days.
McNally is interested in why those Grapes of Wrath albums have become Canadian classics. “From a Canadian perspective, what is a Canadian sound? Is that actually a thing or is just a sales pitch?” he wonders. “These Days was mixed at Abbey Road Studios in London, and it does have a referential Beatles sound—but why? Was that only because they were in that space, or was it always part of the plan?”
The EMI Music Canada Archive spans 63 years of the EMI label, including 40,000 recordings and two million documents by The Beatles, Elton John, Kate Bush, Anne Murray, Buffy Sainte Marie and thousands of others. “This archive includes important information never previously available to researchers,” he says.
Back to the studio
Ken Scott (left) in-studio with Paul McCartney
Fusing research and application, his current project will culminate in two high-quality recording sessions at Leeds Beckett University in May—including one with legendary engineer/producer Ken Scott, who worked with the likes of The Beatles, David Bowie and Pink Floyd.
By revealing what happens in the recording studio, McNally believes future generations will be equipped to better understand the creative process and consumers’ response to how music is promoted and marketed.
It’s definitely a time of change in UVic’s celebrated Department of Writing, due in large part to this year’s retirement of both award-winning novelist Bill Gaston and acclaimed playwright Joan MacLeod. But with change comes opportunity, as seen by the hiring of not one but two noted writers as incoming faculty members: new associate professor Gregory Scofield and new assistant professor Danielle Geller.
Scofield is a Red River Metis of Cree, Scottish and European descent whose ancestry can be traced to the fur trade and to Metis community of Kinosota, Manitoba. Geller is is a member of the Navajo Nation: born to the Tsi’naajinii, born for the bilagaana.
“Gregory and Danielle are transformational hires who will help the department build on nearly 50 years of literary excellence and lead the university into a future of new and diverse creative possibilities,” says department chair David Leach. “Both will expand the national reputation of our creative writing program and establish the University of Victoria as an international centre of excellence for Indigenous writing and writers.”
Meet Gregory Scofield
One of the most important poets and memoirists writing today, Scofield bridges several generations of Indigenous authors, with an extensive publishing history across multiple genres and years of mentoring and editing young writers—not to mention two new books coming out shortly: a re-release of his first memoir, Thunder Through My Veins (Doubeday Canada/Anchor Books) coming fall 2019, and his second memoir, Sitting with Charlotte: Stitching my History Bead by Bead (Doubleday Canada) due to be published in 2021.
“âcimowina. Stories. The power of stories. The spirit of stories. The bones of stories that need to be sung and invited to dance. I am so very excited to bring my stories and energy to the Writing department at the University of Victoria, to work with the students and the university community to Indigenize the creative writing curriculum,” says Scofield. “I am deeply honoured to be welcomed in the territories of the Lkwungen peoples, and to listen to their stories while sharing my own. âcimowina. Stories. There will be such a good feast.”
An award-winning poet with eight volumes published, Scofield has been an associate professor in the Department of English at Laurentian University for the past five years, and has taught creative writing and First Nations and Metis literature at Brandon University, Emily Carr University of Art + Design, and the Alberta University of the Arts. He has also served as writer-in residence at the universities of Manitoba and Winnipeg, and Newfoundland’s Memorial University. He is the recipient of the Queen’s Diamond Jubilee Medal (2012), and the Writers’ Trust of Canada Latner Poetry Prize (2016); he is also a skilled bead-worker and creates in the medium of traditional Metis arts. He continues to assemble a collection of mid to late 19th century Cree-Metis artifacts, which are used as learning and teaching pieces.
“Gregory brings academic leadership, versatility as a literary artist and innovative ways of learning and teaching to our department,” says Leach. “He will lead writing workshops and teach courses in Indigenous storytelling based on Cree traditions, and Indigenous women’s resistance writing through the practice of Métis beadwork.”
Introducing Danielle Geller
Danielle Geller is a writer of memoir and personal essays; her debut memoir, Dog Flowers, is forthcoming from One World/Random House in 2020. She received her MFA in creative writing (nonfiction) at the University of Arizona, and is a recipient of the 2016 Rona Jaffe Writers’ Awards. Her work has appeared in The New Yorker, Brevity, and Arizona Highways Magazine and has been anthologized in This Is the Place (Seal Press, 2017).
“I am delighted to be joining the talented community of writers, storytellers, and artists in UVic’s Writing Department,” says Geller. “I hope to enhance Indigenous perspectives and voices in the curriculum and pedagogy . . . [and] I am looking forward to sharing my enthusiasm and commitment to the craft of writing and art-making with the students.”
Geller writes and teaches across multiple genres with interests and expertise in contemporary forms such as slipstream fiction, Indigenous futurism and video games. Along with her MFA, she has an MS in Library and Information Science and experience as an archivist, which will deepen our students’ research skills and the Writing department’s connection to the many resources of UVic’s library.
“We can’t wait for Danielle to meet our students—and vice versa,” says Leach. “When Random House releases her debut memoir about rediscovering the diaspora of her Navajo family, the rest of the world will also discover one of the most exciting new voices in literary prose.”
Both positions will begin in July 2019.
A commitment to reconciliation
“UVic recognizes that colonization and associated attitudes, policies and institutions have significantly changed Indigenous peoples’ relationship with this land. And for many years those same things served to exclude Indigenous students from higher education. We’re committed to redressing those historical and continued barriers,” says university president Jamie Cassels.
“As part of our commitment to reconciliation we’re building better and meaningful partnerships with Indigenous communities, developing new programs, and working to bring our university into better harmony with Indigenous cultures, beliefs and ways of being. Indigenous people and communities are an important part of building our university for the future.”
We acknowledge with respect the Lkwungen-speaking peoples on whose traditional territory the University of Victoria stands, and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day.
Award-winning poet and novelist Patrick Lane passed away on March 7 at age 79, the result of a heart attack. His publisher, McClelland & Stewart, made the announcement, calling Lane “one of Canada’s most renowned writers” — a claim few would argue.
Patrick Lane, 1939-2019
Lane’s distinguished career spanned 50 years and 25 volumes of poetry, as well as award-winning books of fiction and non-fiction, published in over a dozen countries. The winner of numerous accolades — including the Governor General’s Award for Poetry, the Lieutenant Governor’s Award for Literary Excellence, the Canadian Authors Association Award and three National Magazine Awards — he was named an officer of the Order of Canada in 2014.
An influential member of the Department of Writing from 1992 to 2004, Lane was also famously married to Writing professor emerita Lorna Crozier; indeed, the Globe and Mail once described the beloved pair as “BC’s poetry power couple” and, in her acclaimed poetry collection The Book of Marvels, Crozier wrote of her husband, “We are at home with one another; we are each other’s home.”
Crozier herself reflects on Lane’s legacy in this March13 Canadian Press interview: “He brought beauty into even those places that do not have beauty on their own, and into the lives of people who are struggling,” she said. “He gave them a voice, and he gave them a place in letters. And I can’t think of many other poets who have done that.”
A free community gathering to honour and remember Patrick will be held from 7-9 pm Saturday, April 20, in UVic’s David Lam Auditorium (MacLaurin Building). This event will replace a previously scheduled ceremony to present him with the George Woodcock Award, originally slated for April 27 at the sxʷeŋxʷəŋ təŋəxʷ James Bay branch of the Greater Victoria Public Library.
Organizers are expecting a capacity crowd for this limited-seating event; please arrive early to avoid disappointment.
An editor, anthologist and frequent media commentator about poetry and Canadian culture in general, Lane was also a much sought-after teacher, having held positions at the University of Saskatchewan and as writer-in-residence at the universities of Toronto, Alberta, Manitoba and Concordia University. In recognition of his service to Canadian literature, he received a Doctor of Letters (honoris causa) from UVic in November 2013, as well as honorary doctorates from UBC, McGill University, UNBC and VIU.
“BC’s poetry power couple”: Lane & his wife, Lorna Crozier
“Patrick inspired several generations of new writers with his poetic vision and generous spirit,” says David Leach, current Writing chair. “He would mentor and champion his students long after they had graduated from his classroom, and UVic. And while he was known as one of our country’s greatest poets, he was also a masterful and incisive prose stylist in fiction and personal essays with a voice unique to Canadian literature.”
He was also honoured to be one of the few poets to see his work gathered and published as a collected works in his lifetime: 2011’s The Collected Poems of Patrick Lane included more than 400 poems, dating back to 1962.
“What makes this career even more remarkable is that Patrick’s formal education stopped with the completion of high school. However, through wide reading and dogged perseverance, he became one of the best educated and unconventionally brilliant people I have ever encountered,” wrote noted Canadian author Guy Vanderhaeghe in support of Lane’s honorary doctorate.
Remembered by students, colleagues
Formal awards and designations aside, Lane was admired and well-loved by colleagues and former students, many of whom have gone on to influential literary careers themselves.
Patrick Lane (right) with Esi Edugyan & Bill Gaston at the 2013 BC Book Prizes
“No one can sum up adequately what a major figure like Patrick contributed,” says Writing professor Tim Lilburn, a literary colleague and close friend of Lane’s. “I can’t think of anyone who has had a more profound impact on Canadian poetry over the last 50-plus years. He was a great poet and an extremely generous mentor.”
That’s a sentiment with which double Giller Prize-winning author Esi Edugyan clearly agrees; having studied under Lane at UVic, she has described him as “my first great teacher.”
Carla Funk — the City of Victoria’s inaugural poet laureate — credits Lane with her future path; he was her first poetry instructor when she first enrolled at UVic when she was just 18 years old. “It was my very first creative writing class,” she told CBC Radio’s As It Happens in this interview from March 8. “He was the instructor who pushed me toward that, coaxed me and guided me and encouraged me toward this way of poetry, which was a different way of looking at the world, a different way of being in the world.”
Fellow alumni including acclaimed novelist Steven Price and former Victoria poet laureate Yvonne Blomer also fondly recalled Lane as an influential teacher, supportive mentor and close friend, when they spoke to both CBC Radio’s North By Northwest and the Times Colonist, respectively.
“He was a giant of Canadian letters, one of our most essential writers,” wrote UVic Chancellor Shelagh Rogers upon the news of Lane’s passing. The long-time host of CBC Radio’s The Next Chapter, Rogers well knows Lane’s esteemed place in the world of Canadian literature. “He was also a mensch. #RestinPoetry.”
Lane’s first book (1966), and his last (2018)
Born in 1939 in Nelson, BC, Lane earned early praise for his poems based on his “working man” experiences, and helped spearhead a new generation of Canadian poets by co-founding the small press Very Stone House in 1966. His first poetry collection, Letters From The Savage Mind, debuted that same year, and his final novel, Deep River Night, was published in 2018. His frankly honest 2005 memoir, There Is A Season, chronicled his rehabilitation from alcoholism, and earned him both the Lieutenant Governor’s Award for Literary Excellence and the BC Award for Canadian Nonfiction.
He was, as Vanderhaeghe notes, “a writer’s writer, universally respected and applauded by his peers as one of the most significant and gifted Canadian poets of the last half-century.”
Honoured by UVic
“We express our condolences to Lorna and their family for this deep loss,” says Susan Lewis, Dean of Fine Arts. “Patrick is a legend in the field of Canadian poetry. I was deeply moved by his 2013 convocation address when we honoured him as Doctor of Letters.”
During that address which can be read in its entirety here, Lane poetically encapsulated 65 years of his life, reflecting on the changes he had seen both in the world and himself during that time. It seems only fitting to offer these final words from the poet himself:
Lane receiving his Honorary Doctorate in Nov 2013 (UVic Photo Services)
“I stand here looking out over this assembly and ask myself what I can offer you who are taking from my generation’s hands a troubled world. I am an elder now. There are times many of us old ones feel a deep regret, a profound sorrow, but our sorrow does not have to be yours. You are young and it is soon to be your time. A month ago I sat on a river estuary in the Great Bear Rain Forest north of here as a mother grizzly nursed her cubs. As the little ones suckled, the milk spilled down her chest and belly. As I watched her I thought of this day and I thought of you who not so long ago nursed at your own mother’s breast. There in the last intact rain forest on earth, the bear cubs became emblems of hope to me.
Out there are men and women only a few years older than you who are trying to remedy a broken world. I know and respect their passion. You too can change things. Just remember there are people who will try to stop you and when they do you will have to fight for your lives and the lives of the children to come.”
It’s neither a surprise nor an exaggeration when UVic describes Ideafest as being about “ideas that can change everything.” This eighth-annual, week-long festival of research, art and innovation runs March 4-9, both on- and off-campus, and offers more than 40 public events designed to inform and engage with thought-provoking and culturally engaging events. And Fine Arts is participating in eight different events this year.
“Ideafest connects research to community. It allows UVic researchers and artists to share knowledge in different ways to appeal to a wide range of audiences,” says David Castle, UVic’s vice-president research. “We invite the public’s engagement so they can better understand how research impacts their own lives and that of society.”
As always, Fine Arts is once again an active Ideafest participant, hosting four separate events of our own and participating in four others across campus. All are free, unless otherwise noted: you can view the full Ideafest schedule here, which is searchable by day or category, but here’s our list of events.
Eva-meta art exhibit
The Visual Arts department’s Drawing 300 class continues its tradition of staging an outdoor drawing exhibition near the Fine Arts building for the duration of Ideafest. Led by Drawing 300 instructor David Gifford, students this year are interpreting meta-drawing and encounters with “aboutness, the recursive and the beyond.” Drawing 300 makes an outdoor exhibit of pictures about pictures. Prepare to have your assumptions challenged!
Get a taste of the amazing research and creative activity taking place at UVic, as told by our talented students, faculty and staff. A juried collection of short videos highlighting UVic research and how it’s having an impact on our lives and our world will be showcased for one night only. Prepare to be amazed and inspired! Hosted by Lara Lauzon (School of Exercise Science, Physical and Health Education) and juried by Jay Cullen (School of Earth and Ocean Sciences), Cody Graham (Filmmaker and multimedia producer) and Katrina Pyne (Hakai Magazine).
Among the entries this year are short films created by current students Peter Ojum, Leah Tidey and Chen Wang, plus recent alumnus and current Artist in Residence at Oceans Network Canada, Colton Hash (also last year’s Research Reels winner). Their films cover topics ranging from applied theatre practice and choral research to the research and creative practice of Visual Arts professor Kelly Richardson, and her current IMAX video installation commission from the XL Outer Worlds project, celebrating the 50th anniversary of the IMAX camera — a Canadian invention! Be sure to attend and vote for our faculty’s films in the viewer’s choice category!
Meet the next generation of Canadian Literature as MFA students from UVic’s legendary Department of Writing read (and perform) from ground-breaking graduating manuscripts in fiction, poetry, playwriting and creative nonfiction at this lively (and licensed) literary cabaret. Hosted by Writing professor Maureen Bradley, graduate student readers include Vaughn Gaston (fiction), Taylor Houghton (fiction), Janet Munsil (playwriting), Tom Prime (poetry) and Miles Steyn (creative nonfiction). Watch for guest appearances by faculty mentors.
Doors open at 6:30 pm
Meet the next generation of leading Canadian researchers at UVic’s Jamie Cassels Undergraduate Research Awards (JCURA). Awards go to exceptional undergrad students to carry out research in their field of study. The JCURA research fair will feature over 100 of these inspiring projects, ranging from the effects of meditation on memory retention, to improving emergency water treatment in refugee camps. Fine Arts participants include Hannah Bell (Theatre), Kai Conradi (Writing), Jamie Crystal (Music), Kim Dias (Writing), Pascale Higham-Leisen (AHVS), Sarah Kapp (AHVS), Trevor Naumann (Music) and Lee Whitehorne (Music). Just click on their individual names to read a brief of their research projects.
Each year, UVic faculty, staff, students and alumni publish an incredible amount of intellectual content, reflecting a wide range of research, teaching, personal and professional interests. Join UVic Libraries for this annual celebration of books written by UVic — including Writing professor Bill Gaston, who will be reading from his recent memoir, Just Let Me Look at You: On Fatherhood, and recently retired Writing instructor Patrick Friesen, reading from his latest poetry collection, Songen. Hosted by Jim Forbes, Director of Campus Services, other readers include History professors Jason M. Colby, reading from his Orca: How We Came to Know and Love the Ocean’s Greatest Predator, and Lynne Marks, reading from her Infidels and the Damn Churches: Irreligion and Religion in Settler British Columbia.
Experience the beauty of an orchestra from the inside out at this unique rehearsal of the UVic Orchestra, where seats for visitors will be interspersed among musicians to provide an unforgettable opportunity. Immerse yourself as never before in the works of Tchaikovsky and Debussy. Feel the magic of being in the midst of it all. Hosted by School of Music conductor and professor Ajtony Csaba and featuring the student musicians of the UVic Orchestra.
Can the impact of dementia be reduced through singing and socializing? An interdisciplinary research team at UVic — including School of Music professor emeritus Mary Kennedy— is studying the impact an intergenerational choir may have on health outcomes for people living with dementia and their caregivers, as well as the impact on perceptions of dementia for participating high school students. Hear about the researchers’ findings and observations, then listen to this joy-filled choir share their music. Hosted by UVic School of Nursing professor Deb Sheets, presenters include not only Mary Kennedy but also Erica Phare-Bergh (Choir Director), Stuart MacDonald (Department of Psychology) and Andre Smith (Department of Sociology). With thanks to project partners Island Health, St. Andrew’s Regional High School, St Aidan’s United Church, the University of Victoria’s School of Nursing, School of Psychology and School of Sociology.
An expansion of the current Legacy Gallery exhibit,Translations: The Art and Life Of Elizabeth Yeend Duer-Gyokushō玉蕉, Ideafest welcomes Vancouver-based contemporary artist Cindy Mochizuki for a collective embroidery and listening experience focusing on the racialized effects on women of Japanese descent in British Columbia. Visitors will work together with Mochizuki to embroider an image informed by historical references to Japanese Canadian women during and after World War II, while listening to audio recordings of interviews of Japanese Canadian women exploring issues of race, class, citizenship, nationhood and diaspora.
Translations continues to April 6, also at the Legacy Gallery, and showcases the movement of ideas, aesthetics, politics and people between England, Japan and Victoria by looking at the life and work of Anglo-Japanese artist Elizabeth Yeend Duer (1889–1951). Born a British citizen in Nagasaki to an Englishman and a Japanese woman, Duer studied Nihonga, a traditional Japanese-style painting, with the renowned painter and teacher Atomi Gyokushi. 跡見 玉枝. Duer took on the artistic identity of Gyokushō 玉蕉. She immigrated to Victoria in 1940 and is among the remarkably few people of Japanese heritage who were not interned during World War II. Instead, she Japanized her new environment by producing Nihonga-style paintings of local indigenous wildflowers while her own identity was being anglicized.