It’s definitely a time of change in UVic’s celebrated Department of Writing, due in large part to this year’s retirement of both award-winning novelist Bill Gaston and acclaimed playwright Joan MacLeod. But with change comes opportunity, as seen by the hiring of not one but two noted writers as incoming faculty members: new associate professor Gregory Scofield and new assistant professor Danielle Geller.
Scofield is a Red River Metis of Cree, Scottish and European descent whose ancestry can be traced to the fur trade and to Metis community of Kinosota, Manitoba. Geller is is a member of the Navajo Nation: born to the Tsi’naajinii, born for the bilagaana.
“Gregory and Danielle are transformational hires who will help the department build on nearly 50 years of literary excellence and lead the university into a future of new and diverse creative possibilities,” says department chair David Leach. “Both will expand the national reputation of our creative writing program and establish the University of Victoria as an international centre of excellence for Indigenous writing and writers.”
Meet Gregory Scofield
One of the most important poets and memoirists writing today, Scofield bridges several generations of Indigenous authors, with an extensive publishing history across multiple genres and years of mentoring and editing young writers—not to mention two new books coming out shortly: a re-release of his first memoir, Thunder Through My Veins (Doubeday Canada/Anchor Books) coming fall 2019, and his second memoir, Sitting with Charlotte: Stitching my History Bead by Bead (Doubleday Canada) due to be published in 2021.
“âcimowina. Stories. The power of stories. The spirit of stories. The bones of stories that need to be sung and invited to dance. I am so very excited to bring my stories and energy to the Writing department at the University of Victoria, to work with the students and the university community to Indigenize the creative writing curriculum,” says Scofield. “I am deeply honoured to be welcomed in the territories of the Lkwungen peoples, and to listen to their stories while sharing my own. âcimowina. Stories. There will be such a good feast.”
An award-winning poet with eight volumes published, Scofield has taught creative writing and First Nations and Metis literature at Brandon University, Emily Carr University of Art + Design, and the Alberta University of the Arts. He has also served as writer-in residence at the universities of Manitoba and Winnipeg, and Newfoundland’s Memorial University. He is the recipient of the Queen’s Diamond Jubilee Medal (2012), and the Writers’ Trust of Canada Latner Poetry Prize (2016); he is also a skilled bead-worker and creates in the medium of traditional Metis arts. He continues to assemble a collection of mid to late 19th century Cree-Metis artifacts, which are used as learning and teaching pieces.
“Gregory brings academic leadership, versatility as a literary artist and innovative ways of learning and teaching to our department,” says Leach. “He will lead writing workshops and teach courses in Indigenous storytelling based on Cree traditions, and Indigenous women’s resistance writing through the practice of Métis beadwork.”
Introducing Danielle Geller
Danielle Geller is a writer of memoir and personal essays; her debut memoir, Dog Flowers, is forthcoming from One World/Random House in 2020. She received her MFA in creative writing (nonfiction) at the University of Arizona, and is a recipient of the 2016 Rona Jaffe Writers’ Awards. Her work has appeared in The New Yorker, Brevity, and Arizona Highways Magazine and has been anthologized in This Is the Place (Seal Press, 2017).
“I am delighted to be joining the talented community of writers, storytellers, and artists in UVic’s Writing Department,” says Geller. “I hope to enhance Indigenous perspectives and voices in the curriculum and pedagogy . . . [and] I am looking forward to sharing my enthusiasm and commitment to the craft of writing and art-making with the students.”
Geller writes and teaches across multiple genres with interests and expertise in contemporary forms such as slipstream fiction, Indigenous futurism and video games. Along with her MFA, she has an MS in Library and Information Science and experience as an archivist, which will deepen our students’ research skills and the Writing department’s connection to the many resources of UVic’s library.
“We can’t wait for Danielle to meet our students—and vice versa,” says Leach. “When Random House releases her debut memoir about rediscovering the diaspora of her Navajo family, the rest of the world will also discover one of the most exciting new voices in literary prose.”
Both positions will begin in July 2019.
A commitment to reconciliation
“UVic recognizes that colonization and associated attitudes, policies and institutions have significantly changed Indigenous peoples’ relationship with this land. And for many years those same things served to exclude Indigenous students from higher education. We’re committed to redressing those historical and continued barriers,” says university president Jamie Cassels.
“As part of our commitment to reconciliation we’re building better and meaningful partnerships with Indigenous communities, developing new programs, and working to bring our university into better harmony with Indigenous cultures, beliefs and ways of being. Indigenous people and communities are an important part of building our university for the future.”
We acknowledge with respect the Lkwungen-speaking peoples on whose traditional territory the University of Victoria stands, and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day.
Award-winning poet and novelist Patrick Lane passed away on March 7 at age 79, the result of a heart attack. His publisher, McClelland & Stewart, made the announcement, calling Lane “one of Canada’s most renowned writers” — a claim few would argue.
Patrick Lane, 1939-2019
Lane’s distinguished career spanned 50 years and 25 volumes of poetry, as well as award-winning books of fiction and non-fiction, published in over a dozen countries. The winner of numerous accolades — including the Governor General’s Award for Poetry, the Lieutenant Governor’s Award for Literary Excellence, the Canadian Authors Association Award and three National Magazine Awards — he was named an officer of the Order of Canada in 2014.
An influential member of the Department of Writing from 1992 to 2004, Lane was also famously married to Writing professor emerita Lorna Crozier; indeed, the Globe and Mail once described the beloved pair as “BC’s poetry power couple” and, in her acclaimed poetry collection The Book of Marvels, Crozier wrote of her husband, “We are at home with one another; we are each other’s home.”
Crozier herself reflects on Lane’s legacy in this March13 Canadian Press interview: “He brought beauty into even those places that do not have beauty on their own, and into the lives of people who are struggling,” she said. “He gave them a voice, and he gave them a place in letters. And I can’t think of many other poets who have done that.”
A free community gathering to honour and remember Patrick will be held from 7-9 pm Saturday, April 20, in UVic’s David Lam Auditorium (MacLaurin Building). This event will replace a previously scheduled ceremony to present him with the George Woodcock Award, originally slated for April 27 at the sxʷeŋxʷəŋ təŋəxʷ James Bay branch of the Greater Victoria Public Library.
Organizers are expecting a capacity crowd for this limited-seating event; please arrive early to avoid disappointment.
An editor, anthologist and frequent media commentator about poetry and Canadian culture in general, Lane was also a much sought-after teacher, having held positions at the University of Saskatchewan and as writer-in-residence at the universities of Toronto, Alberta, Manitoba and Concordia University. In recognition of his service to Canadian literature, he received a Doctor of Letters (honoris causa) from UVic in November 2013, as well as honorary doctorates from UBC, McGill University, UNBC and VIU.
“BC’s poetry power couple”: Lane & his wife, Lorna Crozier
“Patrick inspired several generations of new writers with his poetic vision and generous spirit,” says David Leach, current Writing chair. “He would mentor and champion his students long after they had graduated from his classroom, and UVic. And while he was known as one of our country’s greatest poets, he was also a masterful and incisive prose stylist in fiction and personal essays with a voice unique to Canadian literature.”
He was also honoured to be one of the few poets to see his work gathered and published as a collected works in his lifetime: 2011’s The Collected Poems of Patrick Lane included more than 400 poems, dating back to 1962.
“What makes this career even more remarkable is that Patrick’s formal education stopped with the completion of high school. However, through wide reading and dogged perseverance, he became one of the best educated and unconventionally brilliant people I have ever encountered,” wrote noted Canadian author Guy Vanderhaeghe in support of Lane’s honorary doctorate.
Remembered by students, colleagues
Formal awards and designations aside, Lane was admired and well-loved by colleagues and former students, many of whom have gone on to influential literary careers themselves.
Patrick Lane (right) with Esi Edugyan & Bill Gaston at the 2013 BC Book Prizes
“No one can sum up adequately what a major figure like Patrick contributed,” says Writing professor Tim Lilburn, a literary colleague and close friend of Lane’s. “I can’t think of anyone who has had a more profound impact on Canadian poetry over the last 50-plus years. He was a great poet and an extremely generous mentor.”
That’s a sentiment with which double Giller Prize-winning author Esi Edugyan clearly agrees; having studied under Lane at UVic, she has described him as “my first great teacher.”
Carla Funk — the City of Victoria’s inaugural poet laureate — credits Lane with her future path; he was her first poetry instructor when she first enrolled at UVic when she was just 18 years old. “It was my very first creative writing class,” she told CBC Radio’s As It Happens in this interview from March 8. “He was the instructor who pushed me toward that, coaxed me and guided me and encouraged me toward this way of poetry, which was a different way of looking at the world, a different way of being in the world.”
Fellow alumni including acclaimed novelist Steven Price and former Victoria poet laureate Yvonne Blomer also fondly recalled Lane as an influential teacher, supportive mentor and close friend, when they spoke to both CBC Radio’s North By Northwest and the Times Colonist, respectively.
“He was a giant of Canadian letters, one of our most essential writers,” wrote UVic Chancellor Shelagh Rogers upon the news of Lane’s passing. The long-time host of CBC Radio’s The Next Chapter, Rogers well knows Lane’s esteemed place in the world of Canadian literature. “He was also a mensch. #RestinPoetry.”
Lane’s first book (1966), and his last (2018)
Born in 1939 in Nelson, BC, Lane earned early praise for his poems based on his “working man” experiences, and helped spearhead a new generation of Canadian poets by co-founding the small press Very Stone House in 1966. His first poetry collection, Letters From The Savage Mind, debuted that same year, and his final novel, Deep River Night, was published in 2018. His frankly honest 2005 memoir, There Is A Season, chronicled his rehabilitation from alcoholism, and earned him both the Lieutenant Governor’s Award for Literary Excellence and the BC Award for Canadian Nonfiction.
He was, as Vanderhaeghe notes, “a writer’s writer, universally respected and applauded by his peers as one of the most significant and gifted Canadian poets of the last half-century.”
Honoured by UVic
“We express our condolences to Lorna and their family for this deep loss,” says Susan Lewis, Dean of Fine Arts. “Patrick is a legend in the field of Canadian poetry. I was deeply moved by his 2013 convocation address when we honoured him as Doctor of Letters.”
During that address which can be read in its entirety here, Lane poetically encapsulated 65 years of his life, reflecting on the changes he had seen both in the world and himself during that time. It seems only fitting to offer these final words from the poet himself:
Lane receiving his Honorary Doctorate in Nov 2013 (UVic Photo Services)
“I stand here looking out over this assembly and ask myself what I can offer you who are taking from my generation’s hands a troubled world. I am an elder now. There are times many of us old ones feel a deep regret, a profound sorrow, but our sorrow does not have to be yours. You are young and it is soon to be your time. A month ago I sat on a river estuary in the Great Bear Rain Forest north of here as a mother grizzly nursed her cubs. As the little ones suckled, the milk spilled down her chest and belly. As I watched her I thought of this day and I thought of you who not so long ago nursed at your own mother’s breast. There in the last intact rain forest on earth, the bear cubs became emblems of hope to me.
Out there are men and women only a few years older than you who are trying to remedy a broken world. I know and respect their passion. You too can change things. Just remember there are people who will try to stop you and when they do you will have to fight for your lives and the lives of the children to come.”
It’s neither a surprise nor an exaggeration when UVic describes Ideafest as being about “ideas that can change everything.” This eighth-annual, week-long festival of research, art and innovation runs March 4-9, both on- and off-campus, and offers more than 40 public events designed to inform and engage with thought-provoking and culturally engaging events. And Fine Arts is participating in eight different events this year.
“Ideafest connects research to community. It allows UVic researchers and artists to share knowledge in different ways to appeal to a wide range of audiences,” says David Castle, UVic’s vice-president research. “We invite the public’s engagement so they can better understand how research impacts their own lives and that of society.”
As always, Fine Arts is once again an active Ideafest participant, hosting four separate events of our own and participating in four others across campus. All are free, unless otherwise noted: you can view the full Ideafest schedule here, which is searchable by day or category, but here’s our list of events.
Eva-meta art exhibit
The Visual Arts department’s Drawing 300 class continues its tradition of staging an outdoor drawing exhibition near the Fine Arts building for the duration of Ideafest. Led by Drawing 300 instructor David Gifford, students this year are interpreting meta-drawing and encounters with “aboutness, the recursive and the beyond.” Drawing 300 makes an outdoor exhibit of pictures about pictures. Prepare to have your assumptions challenged!
Get a taste of the amazing research and creative activity taking place at UVic, as told by our talented students, faculty and staff. A juried collection of short videos highlighting UVic research and how it’s having an impact on our lives and our world will be showcased for one night only. Prepare to be amazed and inspired! Hosted by Lara Lauzon (School of Exercise Science, Physical and Health Education) and juried by Jay Cullen (School of Earth and Ocean Sciences), Cody Graham (Filmmaker and multimedia producer) and Katrina Pyne (Hakai Magazine).
Among the entries this year are short films created by current students Peter Ojum, Leah Tidey and Chen Wang, plus recent alumnus and current Artist in Residence at Oceans Network Canada, Colton Hash (also last year’s Research Reels winner). Their films cover topics ranging from applied theatre practice and choral research to the research and creative practice of Visual Arts professor Kelly Richardson, and her current IMAX video installation commission from the XL Outer Worlds project, celebrating the 50th anniversary of the IMAX camera — a Canadian invention! Be sure to attend and vote for our faculty’s films in the viewer’s choice category!
Meet the next generation of Canadian Literature as MFA students from UVic’s legendary Department of Writing read (and perform) from ground-breaking graduating manuscripts in fiction, poetry, playwriting and creative nonfiction at this lively (and licensed) literary cabaret. Hosted by Writing professor Maureen Bradley, graduate student readers include Vaughn Gaston (fiction), Taylor Houghton (fiction), Janet Munsil (playwriting), Tom Prime (poetry) and Miles Steyn (creative nonfiction). Watch for guest appearances by faculty mentors.
Doors open at 6:30 pm
Meet the next generation of leading Canadian researchers at UVic’s Jamie Cassels Undergraduate Research Awards (JCURA). Awards go to exceptional undergrad students to carry out research in their field of study. The JCURA research fair will feature over 100 of these inspiring projects, ranging from the effects of meditation on memory retention, to improving emergency water treatment in refugee camps. Fine Arts participants include Hannah Bell (Theatre), Kai Conradi (Writing), Jamie Crystal (Music), Kim Dias (Writing), Pascale Higham-Leisen (AHVS), Sarah Kapp (AHVS), Trevor Naumann (Music) and Lee Whitehorne (Music). Just click on their individual names to read a brief of their research projects.
Each year, UVic faculty, staff, students and alumni publish an incredible amount of intellectual content, reflecting a wide range of research, teaching, personal and professional interests. Join UVic Libraries for this annual celebration of books written by UVic — including Writing professor Bill Gaston, who will be reading from his recent memoir, Just Let Me Look at You: On Fatherhood, and recently retired Writing instructor Patrick Friesen, reading from his latest poetry collection, Songen. Hosted by Jim Forbes, Director of Campus Services, other readers include History professors Jason M. Colby, reading from his Orca: How We Came to Know and Love the Ocean’s Greatest Predator, and Lynne Marks, reading from her Infidels and the Damn Churches: Irreligion and Religion in Settler British Columbia.
Experience the beauty of an orchestra from the inside out at this unique rehearsal of the UVic Orchestra, where seats for visitors will be interspersed among musicians to provide an unforgettable opportunity. Immerse yourself as never before in the works of Tchaikovsky and Debussy. Feel the magic of being in the midst of it all. Hosted by School of Music conductor and professor Ajtony Csaba and featuring the student musicians of the UVic Orchestra.
Can the impact of dementia be reduced through singing and socializing? An interdisciplinary research team at UVic — including School of Music professor emeritus Mary Kennedy— is studying the impact an intergenerational choir may have on health outcomes for people living with dementia and their caregivers, as well as the impact on perceptions of dementia for participating high school students. Hear about the researchers’ findings and observations, then listen to this joy-filled choir share their music. Hosted by UVic School of Nursing professor Deb Sheets, presenters include not only Mary Kennedy but also Erica Phare-Bergh (Choir Director), Stuart MacDonald (Department of Psychology) and Andre Smith (Department of Sociology). With thanks to project partners Island Health, St. Andrew’s Regional High School, St Aidan’s United Church, the University of Victoria’s School of Nursing, School of Psychology and School of Sociology.
An expansion of the current Legacy Gallery exhibit,Translations: The Art and Life Of Elizabeth Yeend Duer-Gyokushō玉蕉, Ideafest welcomes Vancouver-based contemporary artist Cindy Mochizuki for a collective embroidery and listening experience focusing on the racialized effects on women of Japanese descent in British Columbia. Visitors will work together with Mochizuki to embroider an image informed by historical references to Japanese Canadian women during and after World War II, while listening to audio recordings of interviews of Japanese Canadian women exploring issues of race, class, citizenship, nationhood and diaspora.
Translations continues to April 6, also at the Legacy Gallery, and showcases the movement of ideas, aesthetics, politics and people between England, Japan and Victoria by looking at the life and work of Anglo-Japanese artist Elizabeth Yeend Duer (1889–1951). Born a British citizen in Nagasaki to an Englishman and a Japanese woman, Duer studied Nihonga, a traditional Japanese-style painting, with the renowned painter and teacher Atomi Gyokushi. 跡見 玉枝. Duer took on the artistic identity of Gyokushō 玉蕉. She immigrated to Victoria in 1940 and is among the remarkably few people of Japanese heritage who were not interned during World War II. Instead, she Japanized her new environment by producing Nihonga-style paintings of local indigenous wildflowers while her own identity was being anglicized.
Theatre professor and Trojan Women director Jan Wood
It’s an ironic contradiction of the human condition that the only thing as timeless as war is our simultaneous desire for peace. Sadly, this makes Phoenix Theatre’s mainstage production of Trojan Women as current as when it was first performed in 415 BCE.
“The play is as relevant as this morning’s Twitter feed,” says director and Department of Theatre professor Jan Wood. “Turn on the news and you’ll find another instance of Trojan Women being played out in the world.”
Running from February 14 to 23 (with previews Feb 12 & 13), Euripides’ tragedy follows the perspective of the wives, mothers and daughters of the defeated Trojan warriors as they struggle with grief, uncertainty and, ultimately, courage while their fates are decided by the conquering Greeks.
Theatre student Una Rekic as Athena in Trojan Women (Photo: Dean Kalyan)
“I like to think art has the power to change things, but this play proves that it hasn’t,” admits Wood. “If we’re not learning the lesson that war is bad, then it must be teaching us how remarkable our ability to survive is.”
Apart from Wood and movement director Treena Stubel, who is both a Phoenix alumna and current instructor with Theatre, this production of Trojan Women is firmly in the hands of the next generation of theatre artists, thanks to the 27-person all-student team of cast, crew and designers. “They know what’s happening in the world. They’ve seen the images and they’ve incorporated the power of that loss into the piece,” says the director. “Young people today are at the forefront of enacting real change in the world. Our survival depends upon it.”
Wood feels the intentionally timeless war-torn set and costume design helps the nearly 2,500-year-old play feel current for today’s audiences. “When I see those boatloads of Syrians coming onto the shore, I think about refugees wandering with no destination, being forced out by war,” she says. “One of the things I’ve tried to do with this production is talk about the resilience of the human spirit, and its ability to move forward: how do we go on when our families have been devastated? How do we walk forward into the future? How do we survive?”
The women of Troy lament their fate (photo: Dean Kalyan)
A performance professor with Theatre since 1996, and an accomplished actor and director in her own right — many will recognize Wood from her on-stage work at the Belfry, Blue Bridge Theatre, Bard on the Beach or the Stratford Festival — this show actually marks Wood’s directorial debut at the Phoenix.
“I am definitely an actor’s director,” she says. “I try to create an atmosphere where people have the freedom to create and follow their instincts. Theatre is a collaborative art form: during rehearsals, the more my actors feel comfortable giving, the more I have to work with, and the easier my job becomes. After all, that’s why we got into this business—because we have instincts, a creative desire and a passion, and we need to trust that.”
Ultimately, however, Wood feels the real impact of Trojan Women shouldn’t be felt on the stage. “As the audience, we bear witness, not only to lives lost but to the capacity of humanity to move forward in times of great darkness.”
The public is also invited to a free pre-show lecture by Dr. Laurel Bowman of UVic’s Greek & Roman Studies department at 7pm Friday, February 15, where she will discuss how the play would have been originally received by an Athenian audience of largely military personnel who were in the middle of a 30-year war between Athens and Sparta.
The UVic Orchestra concert onFebruary 1takes its inspiration from Dvorák’s From the New World Symphony “by turning towards the future in presenting new and recently discovered musical ‘worlds’ and landscapes,” says conductor and School of Music professor Ajtony Csaba.
Mozart’s Symphony No. 35 in D Major (Haffner) is the musical point of reference for the first half of the concert. This symphony began as a serenade, commissioned as background music by the — a prominent Salzburg family — for the ennoblement of Sigmund Haffner in 1782. Mozart converted the serenade into the symphony as we know it today, and it was premiered with great acclaim in 1783 in Vienna.
Georg Friedrich Haas composed …è finisci già?, paraphrasing another Mozart composition in D-major: the unfinished Horn Concerto K. 412. The title — translated as “Is that all [you’ve got]?” — quotes one of Mozart’s many provocative annotations in the score that reveals a humorous communication protocol between the composer and soloist.
Also on the program is Music alumnus Max Murray’s new composition, Cântece. Written specifically for the UVic Orchestra, Cântece reflects on the “essential wisdoms imparted by [Mozart]: the evocation and sustain of dramatic precariousness amidst textural transparency.”
Alumnus composer Max Murray
Dvorák wrote his famous Ninth Symphony in 1893 while he was the director of the National Conservatory of Music in New York. While living in America, Dvorák became interested in African-American spirituals, plantation songs of the American South as well as Native American traditions. From the New World — a synthesis of many musical traditions — became a fusion of both the Old World and the New.
Hear more about this program at a special pre-concert talk with Professor Gregor Kokorz (Wirth Institute, University of Alberta), composer Max Murray and conductor Ajtony Csaba. This free pre-concert talk begins at at 6:45pm in room C110 of UVic’s Clearihue building.
2019 is off to a harmonious start, thanks to a stellar series of faculty concerts at the School of Music. But while all of these performances feature current teaching faculty, there are also a number of concerts and recitals featuring current students and alumni. Be sure to check the School of Music’s online events calendar for complete listings.
Klazek and Schryer
Classical and folk music traditions are woven together in the Crossing Boundaries concert on January 13, where trumpet professor Merrie Klazek will be joined by fiddle championPierre Schryerand guitarist/vocalistAndy Hillhouse for an energetic concert showcasing a variety of musical styles ranging from Celtic and Latin to classic jazz and baroque.
Crossing Boundaries will take you on a journey through music ranging from 1560 to 2018. Expect to hear everything from ’70s pop and Irish reels to contemporary ballads, Latin Samba and Baroque court music, along with anecdotes and stories shared by the performers. The program will give Klazek an opportunity to demonstrate the many colours of the trumpet family—including piccolo, cornet, flugelhorn, and standard C and B-flat trumpets—while treating the audience to some the finest fiddle and guitar playing around.
Merrie Klazek is well-known as a performer, teacher and recording artist of orchestral, chamber, traditional and popular music, and her career has taken her around the globe. A celebrated performer and producer, Schryer is one of Canada’s leading traditional fiddlers and has established himself as a gem among fans and fellow musicians for his captivating performances. Hillhouse is a touring bandleader, choral director, music and culture scholar, and festival organizer.
Crossing Boundaries runs 2:30-4 pm Sunday, Jan. 13, in the Phillip T. Young Recital Hall. Tickets are $10-20.
The Cross-Cultural Clarinet
Clarinetist Shawn Earle performs solo contemporary works influenced by non-western cultures in an afternoon concert on January 15. The clarinet is very versatile, with the ability to produce a variety of different tonalities and timbres. This concert explores this versatility through works imitating and influenced by South Asian Indian Raga, East African guitar, Balinese music and Japanese visual art. Other instruments such as a kick drum, Tibetan tea bowl and electronic sounds will be used to broaden the sonic pallet. Works on the program include Evan Zyporyn’s Four Impersonations, John Mayer’s Raga Music, Judith Shatin’s Cherry Blossom and a Wrapped Thing: After Hokusai, and others.
Shawn Earle teaches clarinet at UVic, performs regularly as a soloist and has been a chamber musician with the Albemarle Ensemble, Cascadia Reed Quintet, Vancouver Clarinet Trio, Trio Dolce and guest artist with the Novo Ensemble. He has also performed with the Charlottesville Symphony Vancouver Symphony Orchestra, Okanagan Symphony, Victoria Symphony, Vancouver Island Symphony and Vancouver Metropolitan Orchestra.
The Cross-Cultural Clarinet runs 12:30-1:20 pm Tuesday, Jan. 15, in the Phillip T. Young Recital Hall. Admission is by donation.
Almost Blue: Chet Baker at 90
The late, great Chet Baker
The great American West Coast trumpeter and singer Chet Baker left a profound mark on jazz in his 40-year career. The iconic poster boy for West Coast cool jazz, Baker would have turned 90 this year. Take a journey through the fascinating world Baker lived in with a concert on January 18 featuring School of Music professor and trumpet personality Patrick Boyle, Victoria veteran pianist Tom Vickery, Don Cox on double bass, and drummer Morgan Childs.
Cool jazz refers to a style performed by jazz musicians in California in the 1950s and early 1960s. As opposed to the harder edged sound popular on the East Coast during that time, this cooler West Coast style was more lyrical and soft—Baker’s hallmark sound. Like fellow trumpeter Miles Davis, he could express himself in a few choice notes with his lyrical, poetic playing. Three decades after his untimely death, Baker’s music continues to resonate with listeners today.
Almost Blue: Chet Baker at 90 runs 8pm Friday, Jan. 18 in the Phillip T. Young Recital Hall. Tickets are $10-25.
Pamela Highbaugh Aloni has enjoyed performing both as a chamber musician and soloist in North America and Europe and is a co-founding member of the beloved Lafayette String Quartet. Among the elite of Canadian pianists, Bruce Vogt is a unique and dynamic performer. He appears regularly in concerts within Canada, but has also inspired audiences in England, the USA, Germany, France, Italy, Norway, Czechoslovakia, Bulgaria, China, and Japan. Canadian soprano Susan Young is in demand as a performer, choral conductor, clinician and adjudicator. Educated as both and singer, she is known for the diversity of her skills and has performed in Canada, the United States, Spain, France and Austria.
Music for Cello, Soprano and Piano runs 8pm Sunday, Jan. 27 in the Phillip T. Young Recital Hall. Tickets are $10-25.