Restart me up
Welcome to issue seven of the Fine Arts Connector, your biweekly listing of news, resources, activities and other shareable content from the Faculty of Fine Arts, specifically compiled for distribution during the current health crisis.
As Premier John Horgan announced on May 6, we’re now looking at a phased-in “restart plan” over the next few weeks in BC, which will ease some of the current restrictions on our lives. But while some sectors will be opening later this month, the ban on gatherings of more than 50 people is expected to remain in place throughout the summer, which will present some creative challenges for the arts sector.
If you haven’t seen it yet, take a look at BC’s Restart Plan here.
President Jamie Cassels also released his latest campus update on May 11, which notes UVic will be offering programming predominantly online for the fall term. “Where health and safety permits, we are also exploring opportunities for in-person instruction to support essential experiential learning, graduate education and work-integrated learning; the fall timetable will be available later this month.” Watch for more details pending, and how that will affect us in Fine Arts.
As always, please enjoy—and circulate—this collection of material featuring our faculty, students, alumni, staff and guests as a way of both sharing what our creative community is up to and keeping us connected in this difficult moment in history.
You can also help by keeping us in the loop if you’re working on a live-streaming project, have online material to share or are involved in something you’d like people to know about: just email either email@example.com or firstname.lastname@example.org.
Finally, you can sign up here to receive automatic notice of each issue of The Connector.
A sense of belonging & community
The first Monday of May is always a celebration of Music Education in Canada. Last year saw a few hundred people singing and playing at the BC Legislature, but this year everything went online instead with a series of live coast-to-coast performances.
As the principal researcher on a 2020 national study on the state of music education in Canada, School of Music professor and Acting Associate Dean Adam Con appeared throughout the entire 12-hour stream promoting the importance of music education.
“Have you noticed the news on TV and in social media constantly sharing how music plays an important role in how we express our feelings and how music creates a sense of belonging and community?” says Con in this YouTube message that ran throughout the entire broadcast. “The skills that allow us to share these musical moments are directly linked to the strength of our Canadian music education programs.”
The City of Victoria is proposing a restart of their Create Victoria initiative—including the hiring of a new staff position, a new Cultural Infrastructure Grant fund and a $5,000 grant to the ProArt Alliance of Greater Victoria for the creation of a City of Victoria sponsored award at the annual ProArt Regional Arts Awards in the fall.
Acknowledging that the COVID-19 pandemic and the associated economic crisis has had a profoundly negative impact on the arts and cultural sector in Victoria, city councillor and poet Jeremy Loveday is bringing this forward to City Council meeting on May 14, with an eye to how the arts & culture sector can help fuel regional recovery and supporting the mental health and well-being of area residents . . . following provincial guidelines, of course.
“Investment in arts and culture and support to the struggling sector should be a key recovery priority for the City,” says Loveday. “This will help to drive the recovery of our local economy. It will also provide much-needed opportunities for residents to experience the benefits of engaging with arts and culture opportunities—albeit in new and creative ways—after being cooped up at home during the pandemic. In addition to economic stimulus, investing in arts and culture as part of the City’s recovery strategy is also good for the mental health and well-being of our residents.”
Livestreaming this week
Fine Arts alumni continue to be active in National Arts Centre’s ongoing #CanadaPerforms series: appearing this week are Theatre alumni Laura Anne Harris, Kathleen Greenfield and Ingrid Hansen.
Destiny USA: Seen briefly at the Belfry’s SPARK Festival in March before its run was shut down, Laura Anne Harris‘s solo production captures the true daily drama of her job as a relay operator for the deaf and hard of hearing—but when Laura moves from Toronto to Syracuse, New York, she certainly wasn’t expecting to be living in Trump’s America. Can she discover the hidden humanity of the American people? Find out at 5:30pm PST on Wednesday, May 13.
SNAFU in Epidermis Circus: This is a collection of new and experimental works by the legendary SNAFU artists, who create live theatre, puppet theatre and dance theatre here in Victoria, while also touring across Canada to theatres and festivals. Led by artists Kathleen Greenfield and Ingrid Hansen, get ready for anything when Epidermis Circus debuts at 7pm PST Thursday, May 14. Note: all tips and donations will go to Victoria’s Our Place Society, who help people who are homeless.
Shelagh Rogers keeps good company
As if her long-running CBC Radio show The Next Chapter and her duties as UVic Chancellor weren’t enough, Shelagh Rogers is now launching a new online show: Good Company with Shelagh Rogers debuts at noon Thursday, May 14, on UVic’s Facebook page.
The first episode features Department of Writing professor emeritus and iconic Canadian poet Lorna Crozier, who will talk about poetry and art in the age of COVID.
DIY cycling adventure
While it’s not part of the #CanadaPerforms series, Theatre alum Keshia Palm has received financial support from the National Theatre School of Canada’s Art Apart program, an emergency fund for emerging artists who are affected by physical distancing, to create Make Me An Alleycat a step-by-step guide to making your own adventure.
Now Toronto-based, Palm has created this interactive digital community arts project where individuals are invited to share stories and locations with their community during this time of social distancing as a way to be together while apart. It’s a collection of little journeys, and a window into secret worlds, where you go for a bike ride with your friends!
Using the Make Me an Alleycat email template, you create a one-of-a-kind bike route generated by 10 of your friends. They pick the location, you go for the ride. Each stop has a story behind it, and on this alleycat, you get to listen in. Find out more here.
Theatre in the dark
Theatre alum Mackenzie Gordon is mounting Three Stories Up—a murder mystery staged entirely in a pitch black room—for two weekends only, May 14-16 and May 21-23. Gordon originally wrote the play in 2014, and it’s been mounted twice since, including a production with Chicago’s aptly-named Theatre in the Dark. With just two actors playing dozens of characters, plus strong foley work and an original score, Gordon felt it would be ideal for a live digital delivery.
“We thought it was perfect, in these times, to stage again as a live audio performance,” he says. “We’ve IT’d the hell out of Zoom and gotten professional microphones to make sure the production is so much more than just filmed theatre.”
Each year, Leadership Victoria celebrates community leadership and recognizes people who have made a lasting contribution to the communities that make up Greater Victoria.
Among this year’s recipients of the Victoria Community Leadership Awards is Department of Visual Arts Audain Professor Carey Newman, who was named one of 2020’s “Inspiring Changemakers” and honoured with the Extending Reconciliation Award.
Newman, whose traditional name is Hayalthkin’geme, is a multidisciplinary Indigenous artist, master carver, filmmaker, author and public speaker. “As a leader he demonstrates his ability to bring together community members from different backgrounds through specific activities,” notes the award citation. “Carey believes in collective responsibility, learning from the past and creating art based on accumulated knowledge, experiences and traditions . . . He also works with young and at-risk populations, where carving is central for Indigenous people and for whom this kind of activity is considered a responsibility. Throughout his work, Carey believes the process has to model the goal.”
In other news, two Fine Arts alumni have been selected for the prestigious Writers’ Trust of Canada Rising Stars program: recent Writing MFA graduate Troy Sebastian/Nupqu ʔa·kǂ am̓ and Theatre grad Carleigh Baker.
Sebastian, a Ktunaxa writer who has also just been nominated for a pair of National Magazine Awards, and was selected by acclaimed novelist Lynn Coady. “Everything about the work of Troy Sebastian feels original,” says Coady. “His unpredictable structure, his extraordinary characters, his way with a completely unanticipated metaphor. You get the sense of a writer burrowing deep inside his own experience, history, and culture, fitting together the discarded fragments and treasures he finds along the way, until he emerges with something familiar yet utterly fresh—utterly dazzling.”
Baker, a nêhiyaw âpihtawikosisân/Icelandic writer, was a finalist for the Rogers Writers’ Trust Fiction Prize, the Emerging Indigenous Voices Award for fiction and won the City of Vancouver Book Award in 2017 for her debut short story collection Bad Endings. She was selected by noted writer Thomas King. “Carleigh Baker is one of those writers who can look at humanity and tell you where the bodies are buried,” King says. “And she’s happy to dig a few up, dust them off, and send them on their way to find a story . . . . [she is] a rare talent who can make you smile and cringe and think in the same sentence.”
The Writers’ Trust Rising Stars program is a multi-faceted career development program that recognizes talented authors in the early stages of their careers with $5,000 and highlights their work with an endorsement from a proven, influential author. The Rising Stars will attend a two-week, self-directed writing residency at the Banff Centre in Alberta.
Call for local poster art
What does the city’s leading concert poster creator and distributor do when there are no events to promote? If you’re Metropol—the good folks who have been postering daily on the downtown cylinders for nearly two decades—you decide to change those poles into instant art galleries.
“While COVID-19 has shuttered cultural, athletic and social gatherings in communities worldwide, it does not hold back creative spirit and outreach,” Metropol announced. “We are calling on local artists and image-makers to submit colourful works that we can print and post around town once a week—free of charge.”
Yep, all you have to do is email email@example.com to submit your digital files (artwork sized to 11″x17″, high-quality-print PDF 300dpi or Vector), plus your name and/or Instagram handle, and you’ll see your work on poster poles around the city.
“Art is a calming and inspiring force,” says Metropol. “Let’s keep our community vivid, bright and alive.”
Movies, books & cats—oh my!
While UVic’s legendary movie theatre Cinecenta is closed, they’ve decided to take a step into the streaming universe by partnering with indie film distributor Kinosmith to offer a pair of documentaries to enjoy from the comfort of your home.
DW Young’s The Booksellers was an audience favourite at festivals this year, and sure to excite bibliophiles and history buffs alike. This 99-minute feature documentary takes viewers inside the small but fascinating world of antiquarian booksellers, whose owners are part scholar, part detective and part businessperson . . . and whose clients offer an assortment of obsessives, intellects, eccentrics and dreamers. Watch The Booksellers here.
Cinecenta is also offering the very popular Kedi, a brilliantly shot, charming and family-friendly documentary that will delight anyone who enjoys all things feline. Shot throughout the streets of Istanbul, Kedi takes the inherent appeal of its subject and goes beyond the call of duty, isolating the profound relationship between people and cats by exploring it across several adorable cases in a city dense with examples. Watch Kedi here.
Your ticket for these films ($9.99 for The Booksellers, $6.99 for Kedi) will help support Cinecenta during these strange times.
If you’re yearning to get out of the house and a short turn around the block just isn’t working anymore, why not go on some virtual walking tours around the globe instead?
The Open Culture website is offering a free collection of point-of-view walks through a variety of locations (the streets of Tuscany), weather (rain or shine), times of day (an afternoon in Venice, a night in Tokyo’s Shinjuku) and density (crowds in Bangkok and NYC, empty forest paths).
Some of the walks are as short as 20 minutes, while others are over an hour—more than enough time to fill your need for travel distancing.
This week, we offer you a pair of shot-at-home performance videos featuring School of Music graduate student Lea Fetterman accompanying herself in a violin trio. In the first video, she’s performing Edward Elgar’s “Salut d’Amour, Op. 12”.
Given that she is now working without a pianist, Fetterman decided to act as her own accompanist in this video—which marks the first time she has ever created something like this.
“I arranged the piano accompaniment into two violin parts and a bass line,” she explains. “I left the third violin part out because it muddled the melody too much. Due to all the rubato in this piece, I could not use a click track, so I first recorded the solo violin part, and then played the other parts along with that video.”
These videos were created using her MacBook Air and iPad, plus a Zoom Q4n microphone, the Symphony Pro 5 app and her Skullcandy Crusher wireless headphones.
“I hope this piece brings you some joy during these difficult and uncertain times.”
Then, buoyed by her success with the first video, Fetterman then created three violin duets from Bartók’s “44 Duos for Two Violins” — fusing “Tót Nóta (Slovakian Song )” with “Magyar Nóta (Hungarian Song )” and “Oláh Nóta (Wallachian Song)”.
“I hope you enjoy this pocket-sized concert. Be well!”
Look and see
Unless you live in or near a high-rise, one of the casualties of living in a lockdown situation is the ability to easily watch other people—a popular human pastime, whether one admits to it or not.
Department of Visual Arts MFA alum and sessional instructor Laura Dutton explores themes of looking and watching in her works. To better explain her practice, she has created this new video for The Connector, which offers her thoughts on two of her recent works: the multi-channel video installation Night Comes On (2016) and the photography exhibit Nearness To or Distance From (2018).
Described as a “meditation on the process of looking, and being looked at”, Night Comes On “allows the viewer to become a voyeur, peering into private space while navigating around imposing structures of flickering, hypnotic light”.
In contrast, Nearness To or Distance From offers a series of abstracted, candid portraits of tourists visiting the Grand Canyon—photographed from about a kilometre away and then further zoomed in during post-production. “It’s as if these people could have been stolen from the background of a Seurat painting, where they had been forgotten,” says Dutton.
Dutton’s work has been exhibited across Canada at the likes of the Esker Foundation Project Space (Calgary), Legacy Gallery and Deluge Contemporary (Victoria), PAVED Arts (Saskatoon), VU Photo (Quebec City), and as part of the Capture Photography Festival (Vancouver).
An offbeat comedy about human isolation
This week, we bring you the Department of Writing student-made short film Godhead. Written and directed as an MFA project by now-sessional instructor Connor Gaston, Godhead tells the story of Gary, who, rendered mute by his autism, spends his days racing remote-control boats with his little brother—which creates stress for the boy’s father, a single parent who just wants his eldest son to get a job. However, Gary’s condition conceals a powerful gift that goes beyond words.
“To me, Godhead is an offbeat comedy about human isolation, particularly passing judgment on each other, especially people who are different. Intelligence can take many forms, which is something people too often forget,” says Gaston. “Gary, our mute autistic protagonist, embodies this notion and reminds us that a person can be more than what meets the eye. The film also mixes the micro with the macro, contrasting a dysfunctional family unit with the unknowable cosmos.”
An official selection in 2014’s Toronto International Film Festival, Vancouver International Film Festival, Calgary International Film Festival, Whistler Film Festival and Rimouski Festival de Film, plus 2015’s Victoria Film Festival, Godhead was nominated for a Leo Award (Student Production) and won the Student Short Work award at the Whistler Film Festival.
In addition to his teaching duties, Gaston has since gone on to complete his first feature film, The Devout, which premiered at the Busan International Film Festival—one of Asia’s premiere film festivals. The Devout also earned Gaston the BC Emerging Filmmaker Award at the Vancouver International Film Festival in 2015 and won Best Motion Picture and Best Screenwriting at the 2016 Leo Awards.
Stay home, get quizzy
Had your fill of jigsaw puzzles? Tired of doing crosswords? If you’re ready for a serious visual challenge, why not tackle the new Stay-at-Home Art History Quiz?
Brought to you by Art History & Visual Studies department chair Marcus Milwright, and based on the same concept he’s been doing for his semi-annual Christmas quizzes, the Stay-at-Home quiz offers 10 composite visual images sourced from throughout art history.
“Our family was always keen on quizzes, from crosswords to tests of general knowledge,” says Milwright. “There used to be a quiz in a newspaper that asked readers to identify a painting from a little section. This provided the inspiration for the original AHVS Christmas Quiz, although I wanted to add some new elements.”
Your job, should you choose to accept the challenge, is to not only identify the art or artist (depending on question) but also solve the cryptic puzzle buried within. Complete instructions can be found on the quiz page.
Answers will be posted on the new Gateway to Art site on July 1. Good Luck!
Reclaming First Nations culture & history
What does it mean to dedicate your life to honouring the dead? Harold Joe has spent his adult life following a tradition that has been handed down in his family for generations: the discovery, preservation and rededication of human remains and artifacts, and with them, a reclamation of First Nations culture and history.
As chronicled in the alumni-created documentary Dust n’ Bones, Joe is a revered archaeological consultant, filmmaker and former gravedigger, who has been challenging cultural and spiritual appropriation by museums, universities and private collectors for over 40 years.
Dust ‘N Bones is a 2018 documentary that brings to light the legal, political, historical and spiritual challenges faced by First Nations leaders and archaeologists as they fight to give disinterred ancestors their proper reverence.
Framed around the pending transfer of artifacts from the Royal British Columbia Museum to traditional Cowichan territory, Dust n’ Bones takes us through the discovery, preservation and rededication of human remains and artifacts—and, with them, a reclamation of First Nations culture and history.
Created by Less Bland Productions, Dust n’ Bones is produced, co-directed and co-written by Department of Theatre alum and sessional instructor Leslie Bland, also features the musical talents of fellow alum Alexander Brendan Ferguson (composer and arranger).
Originally commissioned by Telus, APTN and US broadcaster FNX, Dust n’ Bones has since been acquired by NITV Australia, Télé Québec, Knowledge Network, Zoomer Media and CHEK TV. It’s now being used as a tool to help facilitate reconciliation locally between settler society and local First Nations.
You can read more about Harold Joe in this 2018 Martlet interview.