Nothing says the holidays quite like a quiz—whether it’s focused on movies, carols or the roots of traditions, a holiday quiz has become a staple for most people. With that in mind, the annual Art History & Visual Studies Christmas Quiz is back to challenge your visual knowledge.
Created by AHVS chair Marcus Milwright, this third Christmas Quiz follows the same format as the previous incarnations:
- each of the eight slides shows a composite made up of four different images
- each image comes with a question you’ll have to answer (name of the artist, subject of the painting, title of the film, and so on)
- follow the instructions and select one letter from each answer, which will form a word solution
- all the correct words are employed in art history and manuscript studies
- the names of all artists are in the forms they are most commonly found in art historical publications
Once you have completed the quiz — or as much of it as you can — write the completed words on a postcard with your name and contact email, then drop your postcard into the Christmas Quiz box in the Art History and Visual Studies department main office by January 7, 2019 (Room 151 of the Fine Arts building).
Download a PDF of the AHVS Christmas Quiz here.
This quiz is open to all UVic students, regardless of department, and you may compete as teams (but only one postcard submission per team). There will be a main prize for the winner, as well as two runner-up prizes. Winners will be announced on January 11, 2019.
The dramatic story of a Syrian guitar quartet escaping the ongoing destruction of the Syrian civil war for a fellowship at the University of Victoria offers a remarkable message about the power of music, hope and determination. Alexander Dunn, an internationally renowned guitarist and instructor with UVic’s School of Music for nearly three decades, played a vital role in bringing the Orontes Guitar Quartet to the university as recipients of a prestigious Artist Protection Fund Fellowship grant.
(l-r) Orwa Al Sharaa, Gaby Al Botros, Nazir Salameh & Mohammed Mir Mahmoud in front of UVic’s Fine Arts Building, November 2018. (UVic Photo Services)
To secure the quartet’s arrival in Canada, Dunn worked closely for the past 18 months with two US-based organizations—the Artist Protection Fund (APF), an innovative initiative of the Institute of International Education, and the non-profit organization Remember the River.
The quartet told the Globe and Mail that their peaceful lives in Syria had been disrupted by the civil war, and violence and terror became commonplace. But when the ensemble started to play together, “we forgot everything because we just focused on what we are doing,” as recounted to The Globe’s arts reporter Marsha Lederman in a December 8 article in the national edition of the newspaper.
First collective to be named Artist Protection Fund Fellows
The classical guitar ensemble—Gaby Al Botros, Orwa Al Sharaa, Nazir Salameh and Mohammed Mir Mahmoud—faced violence in Damascus where they and their families were at risk from extremist groups and often targeted as musicians.
They are among the youngest artists—and the first collective—to be named fellows of the APF and were welcomed as Visiting Artists to UVic’s School of Music in early November.
Dunn’s colleague and friend, the highly esteemed classical guitarist and US composer Susan McDonald who teaches in conflict hot spots, also played a crucial role in bringing the four musicians to North America. The quartet was unable to travel to the States due to the ongoing travel ban.
Unique guitar culture and respected music program
The Orontes with Dr Alexander Dunn (centre) at UVic’s Phillip T Young Recital Hall (UVic Photo Services)
Dunn has built a unique guitar culture here which garners global respect and led to UVic being identified as an ideal haven for the quartet. During the ensemble’s time at UVic, Dunn will serve as their mentor, organize musical activities and provide coaching.
“The Orontes Quartet’s visit will enrich local musical activity and have positive repercussions in the greater community and across Canada for their compelling story of music and political affairs in the Middle East,” adds Dunn.
His local non-profit the Victoria Guitar Society will also provide daily practical support to the quartet.
Formed in 2015 at the University of Notre Dame Louaize in Beirut, the quartet has defied all odds to create careers as concert guitarists. While in Syria, they appeared with the Syrian Philharmonic, on Syrian MTV and Sky Arabia. They also arranged multiple concerts, some of which had to be cancelled at the last minute due to violent incursions. They have also worked as teaching assistants in Lebanon and taught a guitar program for Syrian refugees.
Upcoming performances in new year
The Orontes in performance (UVic Photo Services)
While at UVic, the Orontes Quartet will coach UVic students, produce a digital recording using UVic School of Music facilities, give talks on their experiences and musical activity, as well as perform publicly including at local churches and mosques. They also hope to mount a limited tour of Canada in 2019, with potential dates in Vancouver, Calgary, Winnipeg and Toronto.
Funded in partnership with global initiatives
Remember the River supports artists in war zones and the APF fills a critical unmet need by providing fellowship grants to threatened artists and placing them at welcoming institutions in safe countries where they can continue their work and plan for their futures.
UVic’s Faculty of Fine Arts and School of Music have partnered with the APF to support the Orontes Guitar Quartet through September 2019.
Get a taste of what makes the Orontes Guitar Quartet special as they play Boccherini’s “Fandango” in this video:
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He felt the bomb before he heard it. . Nazir Salameh’s right arm, the one he played guitar with, had been hit. Salameh ran to the nearest car, which happened to be a taxi. “To the hospital, to the hospital! Hurry up!” he told the driver, who set off through the streets of Damascus toward help. . The pain was excruciating; Salameh had to hold his right arm up with his left hand. When the shelling began, he had been waiting for two of his bandmates on their way to a rehearsal for their quartet; he had to leave his guitar behind. . Salameh says he had one thought on his way to the hospital: “If I will not play [guitar] again, I prefer to die.” . Telling the story three years later during an interview from the safety of the University of Victoria, the 26-year-old Syrian rolls up his shirt sleeve. “There was a mortar shell that entered from here,” he points to the scar on the top of his arm near his bicep, “and outside from here,” he says, lifting his arm to show another scar on its underside. . Despite the severity of his injury, Salameh was able to play guitar again. This skill eventually brought him here, to the School of Music building on UVic’s forested campus, along with the three other members of the Orontes Guitar Quartet. Gaby Al-Botros, Mohammed Mir Mahmoud, Orwa Al-Shara’a – all 25 – and Salameh, 26, arrived two weeks earlier. . The men are spending the year in the B.C. capital on fellowships organized by the Artist Protection Fund (APF). Based in New York and funded by the Andrew W. Mellon Foundation, the APF supports threatened artists around the world by providing fellowship grants and designing residency programs at academic or cultural institutions in safe countries, following a rigorous application process. . “Finally, and after everything we’ve been through, the dream has come true!” Orontes posted on their Facebook page from Victoria on Nov. 11, Remembrance Day. “Many thanks to APF … for doing the impossible.” — Follow the link in our bio for more from Marsha Lederman Photos by Rafal Gerszak, The Globe and Mail, @rafalgerszak
Support your local tubas!
For 40 years now, tuba and euphonium players from all across Vancouver Island and beyond have been gathering at Market Square in downtown Victoria for one of the city’s most anticipated holiday traditions. TubaChristmas returns to once again raise money for the Times Colonist Christmas Fund, a charity that assists the people most in need in the Greater-Victoria community.
TubaChristmas, as performed by the Victoria TubaChristmas Ensemble, runs from 1-3pm Saturday, Dec. 8, in Market Square, 560 Johnson Street. Donations will be accepted throughout the duration of the event.
Last year, an impressive 101 brass musicians gathered to play an afternoon of favourite carols, and the resulting donations far exceeded those collected in previous years. Tubist and UVic instructor Paul Beauchesne — who will lead the ensemble for the fourth year — has his sights on record-breaking numbers for the 40th anniversary of this beloved event. And this year, local video production company Roll.Focus and CHEK TV are partnering to produce the first livestream of the event.
Paul Beauchesne leading the TubaChristmas ensemble
Beauchesne describes the sound of massed tubas and euphoniums as a “sonic hug,” filling the square with music that will echo through the surrounding streets. Jointly sponsored by Market Square and UVic’s School of Music, TubaChristmas was established in Victoria by the much-loved tubist, Eugene Dowling, who succumbed to cancer in June 2015. Dowling was one of Beauchesne’s tuba instructors, as well as a mentor and friend, and Beauchesne is proud to carry forward the TubaChristmas torch.
TubaChristmas dates back to 1974 where it originated in New York City by the late Harvey Phillips of Indiana University. Concerts now take place in over 200 cities worldwide and this year marks the 45th year for TubaChristmas internationally. The original concept was to honour the late William Bell (1902-1971) — Phillips’ teacher and former tubist with the New York Philharmonic — who was born on Christmas Day, but over the decades it has grown to become so much more.
Don’t miss this once-a-year occurance, which has grown into one of Victoria’s most beloved seasonal events!
From telling stories that helped us understand what it meant to be Canadian to inspiring future generations of writers, Richard Wagamase was one of Canada’s most beloved authors. His death in 2017 at just 61 was a profound loss for our country’s literary culture, and now his final novel, Starlight, is being launched locally at a special event hosted by UVic Chancellor Shelagh Rogers who is also host of CBC Radio’s The Next Chapter and a longtime friend of Wagamese.
The Starlight book launch runs from 7-8:30pm Tuesday, Dec 4, at UVic’s First Peoples House. Admission is free, and all are welcome.
Starlight tells the story of an abused woman who discovers sanctuary on the farm of an Indigenous man, and is an apt conclusion to his literary legacy.
“This book is not only a last gift to his readers, it is a masterpiece,” says Rogers. “It will be wonderful to be among friends to pay tribute to his life and his writing, and it’s wonderful that this event takes place at UVic, as Richard loved the university and his time here.”
Joining Rogers will be 2018 Governor General’s Award winner Darrel J. McLeod (Mamaskatch), 2018 Bolen Book Prize winner Monique Gray Smith (Speaking Our Truth: A Journey of Reconciliation), current Writing MFA candidate Troy Sebastian and Writing professor emerita Lorna Crozier.
Richard Wagamese (photo: John Threlfall)
As one of the Harvey Southam Guest Lecturers in the Department of Writing, Wagamase had a lasting influence on UVic students and the local community by mentoring young writers and sharing his vision of the power of Indigenous storytelling.
“Richard Wagamase had a profound impact on our national culture through his novels, his essays, his memoirs and his memorable readings and talks,” says Writing chair David Leach, moderator of this event.
“As our Southam Lecturer in 2011, he inspired and challenged our students to move out of their comfort zones as writers and explore the power of oral storytelling. It was such a great pleasure to hear Richard’s big-hearted laugh in our hallways and talk with him about books or baseball or the blues. It’s still a shock to realize we will never get another chance to hear him read aloud from his richly detailed and deeply humane novels and essays.”
By drawing upon his work as a journalist and his experiences as a residential school survivor, Wagamese created memorable and award-winning novels such as Indian Horse and Medicine Walk, as well as compelling works of nonfiction, including as One Native Life and Embers.
Copies of Starlight will be available for sale at the event.
UVic is accessible by sustainable travel options including transit and cycling. For those arriving by car, pay parking is in effect. Evening parking is $3.
Internationally acclaimed Department of Writing alumna and Greater Victoria-based author Esi Edugyan has won the 2018 Scotiabank Giller Prize for her latest novel, Washington Black.
Esi Edugyan wins her second Giller Prize on Nov 19
Edugyan wins $100,000 on this, the 25th anniversary of Canada’s richest literary award, and also earns the distinction of being one of only three authors to twice win the Giller Prize, alongside M.G. Vassanji and Alice Munro.
“I wasn’t expecting to win,” she told the audience as she collected the award & her $100,000 prize. “So I didn’t prepare a speech.” She did, however, go on to say that, “in a climate where so many forms of truth telling are under siege, this feels like a really wonderful and important celebration of words.”
You can congratulate Esi in person at a special Autographing with Esi Edugyan, from noon to 2pm Friday, Dec 7 at Munro’s Books, 1108 Government.
Nominated for the Man Booker Prize, the Rogers Writers’ Trust Fiction Prize, and the winner of this year’s Giller Prize, Esi Edugyan’s Washington Black is a wildly inventive portrayal of a young slave’s flight from Barbados alongside a mysterious inventor.
Edugyan previously won the Giller in 2011 for her sophomore novel, Half-Blood Blues. Indeed, having only published three novels (including her debut, The Second Life of Samuel Tyne), Edugyan’s back-to-back wins for Washington Black and Half-Blood Blues is doubly remarkable, especially when you consider both were shortlisted for the trifecta of fiction awards — not only the Giller but also the Man Booker Prize and the Rogers Writers’ Trust Fiction Prize.
The announcement was made on November 19 at a black-tie dinner and award ceremony hosted by television personality and author Rick Mercer, and attended by nearly 500 members of the publishing, media and arts communities. This year’s longlist, shortlist, and winner were selected by they five-member jury of Canadian writers Kamal Al-Solaylee, Maxine Bailey and Heather O’Neill, along with American writer John Freeman and English novelist Philip Hensher.
Of Edugyan’s winning novel, the jury wrote, “How often history asks us to underestimate those trapped there. This remarkable novel imagines what happens when a black man escapes history’s inevitable clasp — in his case, in a hot air balloon no less. Washington Black, the hero of Esi Edugyan’s novel, is born in the 1800s in Barbados with a quick mind, a curious eye and a yearning for adventure. In conjuring Black’s vivid and complex world — as cruel empires begin to crumble and the frontiers of science open like astounding vistas — Edugyan has written a supremely engrossing novel about friendship and love and the way identity is sometimes a far more vital act of imagination than the age in which one lives.”
Edugyan earned her BA in Writing department in 1999, and later taught some courses for the department as a sessional instructor. She is also married to fellow Writing alumnus Steven Price, who is also an acclaimed novelist and poet.
“I studied with so many great teachers at UVic,” said Edugyan in this 2012 interview upon being named one of UVic’s Distinguished Alumni. “The caliber of guidance was amazing. Patrick Lane was my first great teacher. I found myself following poetry because he was so inspiring. Jack Hodgins, Lorna Crozier, Bill Gaston . . . there was such a high level of instruction.”
Award-winning author and Writing professor Bill Gaston recalls that both Edugyan and Price were in the very first workshop he ran at UVic in 1998. “I’m sure never to say I ‘taught’ her, though,” he says with a chuckle. “I tried to stay out of her way, and not ruin things.”
The four remaining Giller finalists, who receive $10,000 each, include Patrick deWitt (who also lost to Edugyan in 2011) for French Exit, Thea Lim for An Ocean of Minutes, Éric Dupont for Songs for the Cold of Heart, and Sheila Heti for Motherhood.
Media coverage of Edugyan’s win was extensive, of course, with notably pieces running in CBC News, the Globe and Mail, the local Times Colonist and CBC Radio’s All Points West, who interviewed Bill Gaston on Nov 20 but has yet to archive the story.
The Globe and Mail also published this interesting post-Giller piece, commenting on the award’s impact for the Canadian publishing industry. “The greatest relief through the room was that the assembled publicists would not have to battle to sell a 600-page book in translation about a small Quebec town,” wrote analyst Russell Smith. “This one sells itself.”