Two students win 2025’s Community Impact Awards

Sophie Hillstrom (left) with Dean Allana Lindgren and Sage Easton-Levy

Congratulations go out to the recipients of our fifth annual Faculty of Fine Arts Student Community Impact Awards: just-graduated School of Music student Sophie Hillstrom and current Theatre student Sage Easton-Levy — each of whom receives $1,000 for their work with local community organizations.

Each was chosen from a field of applicants and selected by a juried committee based on their nomination packages. The awards were presented live as part of the annual Greater Victoria Regional Arts Awards gala on November 26. “The recipients of these awards are definitely talents to watch,” says Fine Arts Dean Allana Lindgren. “Over the past five years, it’s been exciting for us to see previous winners further their creative achievements locally, with some continuing their artistic development as graduate students farther afield.”

“Winning one of the Student Impact Awards is a great honor,” says Sophie. “I always enjoyed being an active member of the arts community in Victoria and never expected to be recognized for it . . . I’m incredibly grateful to all who have contributed and made it possible for me to win this award. It is truly incredible.”

“I’m incredibly appreciative and excited by this opportunity,” Sage says. “This award is not only financially helpful as a student but speaks to the recognition that art and theatre are important and beneficial to communities as a whole.”

Alumni winners at the 2025 GVRAAs included Kathleen Greenfield and Ingrid Hansen for their work with SNAFU Dance Theatre, and Tiffany Tjosvold for her work with Embrace Arts

Essential additions to the community

A second-year theatre student at UVic with the goal of obtaining her MFA, Sage Easton-Levy earned her prize for her work as director of the Sooke Youth Theatre Company — specifically for their 2024 production of Disney’s Newsies Jr., but her involvement with the company goes back to 2019. As artistic director, choreographer and costume designer — or often all three — Sage has been described as both “the backbone and the fire” behind 13 different productions.

As board member Melanie Nelson points out I the nomination package, “Sage’s impact has been nothing short of extraordinary. Since joining the company, her growth as a director has been evident in the increasing quality of our productions — not only to myself as both a board member and a parent of a participating child, but also to the wider audience and our cast members themselves. Sage has a rare ability to identify and showcase each child’s unique strengths. Her productions shine not only because of her talent but also because she fosters an environment where young performers can thrive and feel valued. It is truly special to witness Sage’s work.”

Music’s Sophie Hillstrom is recognized not only for her work as the Student Director with the Early Music Society of the Islands during their recent 40th anniversary season but also for her enthusiastic “I can do anything I put my mind to” attitude. As EMSI’s Student Director, Sophie participated in board meetings, volunteered at concerts, drove performers to hotels, connected with audiences and donors, helped plan media engagement strategies, and organized outreach to other UVic students and professors.

As Society president Joanne Whitehead notes, “Sophie has demonstrated a keen interest in engaging her fellow students — and the community at large — in the wonderful sounds of early music. As an active participant in all aspects of the Society’s workings, Sophie is developing a strong sense of the importance of the social context required to support a thriving arts scene, alongside her growth as a performer of baroque music. I am confident that she will become a strong positive contributor not just to the early music world, but also to the broader music and arts ecosystem.”

About Sage Easton-Levy

Sage is a second-year theatre student at UVic with the goal of obtaining her MFA in directing. She recently moved to Victoria from Sooke, which she’s called home for over 10 years. Sage has been a director and choreographer for the Sooke Youth Theatre Company since 2018, enabling her to follow her passion of working with children in performance.

In addition to her work with SYTC, Sage also volunteers with the Sooke Harbour Players as secretary of the board, as well having recently directed her first adult-cast show, Frankenstein, with the group; she was also recently onstage for the second time with VOS at the McPherson Playhouse in their production of Legally Blonde.

Sage is profoundly grateful to be honoured for her staged production of Newsies with this award and the ability to encourage and uplift youth performers and curate a positive experience showcasing theatre in her town.

“Connecting and networking in the greater arts community is so important,” she says. “There are plenty of opportunities off-campus and, in a city like Victoria, there is a lot of crossover in these fields. I’ve made some wonderful friendships and memories being involved in many groups by performing, volunteering and reaching out.”

Immediate future plans for her include directing and choreographing SYTC’s production of Grease: School Edition in January 2026, before mounting Singin’ in the Rain in June. “I would also love to get back onstage, as I am equally enthusiastic about acting,” she says. “I’m very excited for the prospects ahead!”

About Sophie Hillstrom

Before moving to Victoria to attend UVic, Sophie grew up in nearby Seattle and graduated in June 2025 with a Bachelor of Music in Musical Arts. Currently, she is continuing her involvement in the Victoria music community, teaching, performing and volunteering. She continues to serve on the board for the Early Music Society of the Islands, ushering at concerts, sharing her wisdom, putting up posters and doing anything she can to help cultivate a community of early music lovers in Greater Victoria.

“As a student, it’s quite easy to get swept up in everything happening on campus and forget there is a world outside of UVic that is also interesting, informative and fun,” says Sophie. “But one of the greatest benefits for students being involved in an off-campus community is simply getting to interact with a wider net of people — especially for a niche interest like early music . . . I’ve been meeting hundreds of people who all have unique perspectives and a love of early music, which is incredibly special.”

Future plans include continuing to serve on the board of EMSI and teaching strings with Harmony Project Sooke. She also teaches private students, and is freelancing as a performing violist. “I intend on continuing my education in either a performance certificate program or a Master’s of Music in Viola Performance,” she says. “All I really hope for my future is that it is full of inspiration, love, and my ‘I can do anything I put my mind to’ attitude!”

About the awards

Fine Arts has been the city’s artistic incubator for well over 50 years, helping to produce creative and scholarly talents across the cultural spectrum. Our campus community continues to contribute to the arts locally, nationally and internationally — with many of our students, alumni and teaching faculty now working in forms and mediums undreamt of when we were established in 1969. Thanks to the generosity of our donors, our Community Impact Awards put the spotlight on current students who are reaching beyond their full-time studies.

Since 2021, we’ve awarded over $15,000 to 13 students from across Fine Arts for projects ranging from murals, theatre productions, music performances, art shows, curatorial projects and more, all within the regional boundaries of Greater Victoria (Sidney to Sooke).

As the name implies, the Community Impact Awards highlight the efforts of undergraduate Fine Arts students who have demonstrated an outstanding effort by engaging with Victoria’s wider creative community over and above their course work.

Read about our previous winners here: 2024202320222021.

Nominations for next year’s Community Impact Awards will be live in early 2026. Stay tuned to the Fine Arts Instagram account for the announcement.

Writing students engage with COP30 climate summit

The COP30 UN Climate Change Conference may be convening in Brazil this month but that doesn’t stop our students from getting involved. A series of climate survivor testimonials taken by Department of Writing students Ashley Ciambrelli, Raamin Hamid and Fernanda Solorza are running in the UK’s Guardian media outlet this month as part of a partnership with the Climate Disaster Project.

“This is an unprecedented career-defining opportunity for undergraduate students to have their classroom research reach a global audience with one of the most prestigious news media outlets in the world,” says CDP founder Sean Holman. “We’re training students to work on the frontlines of climate change — which is changing from a future threat to a lived experience. And this ongoing partnership with The Guardian represents the importance of those skills.”

Writing student Raamin Hamid (photo: Gouchen Wang)

Learning from traumatic experiences

Raamin Hamid captured Ruchira Gupta’s harrowing account of surviving a devastating 2005 flood in India and Ryan Kirkham’s experience with the 2023 Maui fires. Fernanda Solorza spoke with Peruvian mountain guide Saúl Luciano Lliuya about his landmark lawsuit against German energy firm RWE and its role in increasing glacial melt. And Ashley Ciambrelli connected with Jaguar Identification Project founder Abbie Martin about the impact of fires in Brazil’s Pantanal region in 2020, which killed at least 17 million animals and burned 27% of the vegetation cover. Find out what this opportunity meant to our students in this blog story about their experiences.

“Until [I got involved with] the Climate Disaster Project, I never realized that the majority of our planet’s population has experienced a climate disaster — whether they know it or not,” says Hamid, who was moved by Gupta’s experience with the flood that killed over 900 people. “The effects of a climate disaster can vary on a very long scale, and it is important to bring those effects to light to cultivate community and encourage action.”

As an international student from Mexico, Solorza’s account of Lliuya’s lawsuit was especially meaningful. “I was determined to write his story with care, and the more I wrote, the more I could see the struggles of my own people and country through him,” she says. “I hope that readers will engage with Saúl’s testimony and reflect on whose voices are often left out of global climate conversations, even when they bear the heaviest consequences of the crisis.”

Ciambrelli feels that this experience has changed how she sees the world. “Hearing these stories firsthand helped me learn that numbers only tell part of the story, and that hearing human experiences makes it real,” she says. “We are all vulnerable to the effects of the climate crisis. After conducting these interviews, I realize we all play a part in these events, and each of us has something to contribute to make a difference.”

 

Writing student Ashley Ciambrelli  (photo: Chad Hipolito)

A new kind of journalism

Ciambrelli feels the trauma-informed perspective of the Climate Disaster Project had a real impact on her writing. “Part of our process was re-learning how to use empathy to connect with our storytellers,” she explains. “It sounds simple, but being able to trust and support each other throughout such a vulnerable storytelling process was crucial to this project’s success. Practising empathy is a lesson I will carry forward in both my writing and my life.”

Similarly, Solorza says her CDP training will impact her work going forward. “I’ve learned the importance of holding people’s stories gently. Stories are people, and people are stories. By getting to know someone, asking questions and listening, they share a vulnerable part of themselves that must be held with care. The CDP taught me that gentleness in storytelling is collaboration, not extraction. I’ll carry that forward into all my future writing.”

Hamid also realizes how unique the CDP training is when it comes to treating people’s personal stories with the utmost care and empathy. “In my future writing, I will never compromise on the amount of care which the CDP has taught me to handle my stories with.”

Writing student Fernanda Solorza (photo: Chad Hipolito)

A rare opportunity for students

All agree that having their work published by such an internationally respected media outlet is a rare opportunity. “The Guardian is a source I’ve always respected and admired as a young journalist, so being featured by them is an honour,” says Ciambrelli. “It inspires me as a writer to see what else I can accomplish when I set my mind to it. I hope this also inspires other young writers to take chances.”

Solorza describes this as “both an honour and responsibility . . . . I hope readers will reflect on those whose voices are often left out of global climate conversations, even when they bear the heaviest consequences of the crisis.” And Hamid says the whole opportunity has been extremely rewarding. “It doesn’t feel real! I never thought that I would get such a prestigious opportunity.”

For Holman, the ongoing partnership with The Guardian is an essential part of the Climate Disaster Project’s work.

“People who have lived through climate disaster today have the knowledge needed to help us survive a warmer tomorrow — but too often their knowledge isn’t shared and their experiences are forgotten,” he says. “That’s why the kind of work our students is doing with The Guardian is so important.”

Meet Music’s 2025 Concerto Competition student winners

This year’s UVic Concerto Competition celebrates exceptional musicians whose talents span genres, generations, and geographies. The competition finals were held in April 2025 and we can’t wait to hear them perform their winning concertos with the UVic Symphony Orchestra and UVic Wind Symphony in our 2025-26 concert season. Congratulations go out to School of Music students Tamsyn Klazek-Schryer, Olivia Pryce-Digby and Ethan Page!

Tamsyn Klazek-Schryer

Violinist Tamsyn Klazek-Schryer is a vibrant and versatile artist whose musical life bridges classical performance, traditional fiddle, jazz vocals, and even silver jewelry design. Currently completing her degree in violin performance under the guidance of Ann Elliott-Goldschmid, Tamsyn brings her creative spirit to every note.

Before coming to UVic, Tamsyn studied at McGill University’s Schulich School of Music and has received numerous accolades, including awards from the GVYO, Musicians Performance Trust Fund, and Early Music Vancouver. She’s participated in prestigious programs such as PRISMA, Quartet Fest West, and Victoria Baroque, and was invited to the 2024 Canadian Grand Masters Fiddle Competition in Whitehorse.

A Playful Mozart with Serious Demands

Tamsyn won the competition with Mozart’s Violin Concerto No. 2 in D Major which she will perform with the UVic Symphony Orchestra on November 1. “I love the playfulness in Mozart’s writing,” says Tamsyn. “He was only 19 when he wrote this concerto, and you can hear his youthful spirit in every phrase. It’s a very joyful experience to perform.” 

Despite its cheerful nature, the piece demands incredible finesse. “The precision required to play any Mozart concerto is always a challenging ambition. It took a lot of careful study to bring it to life. There were no answers in the ink. With the guidance of my instructor, I had to figure out how to bring meaning to the music,” she says. “I composed all my own cadenzas for the performance, which pushed my creativity even further.”

Blending Traditions, Finding Her Own Voice

At UVic, Tamsyn has found a space that nurtures artistic freedom and cross-disciplinary exploration. “I used to think classical music was about finding one ‘correct’ sound. UVic has shown me that our unique voice on our instrument is just as important. There’s deep value in blending tradition with self-expression.”

Beyond classical music, Tamsyn performs with Celtic group Aràen and folk group The Four Folks, and shares her handmade jewelry through Juliet Creatives.

On her playlist: Djaliya by Ablaye Cissoko, Hideous Towns by The Sundays, Finn’s Rescue by The Foreign Landers.

Watch her perform here or follow her creative worlds on Instagram: 
@araen.theband, 
@thefourfolks
, @julietcreatives

Olivia Pryce-Digby

Whether singing in cathedrals, Off-Broadway productions, or multidisciplinary operatic showcases, soprano Olivia Pryce-Digby is a storyteller at heart. A fourth-year voice student studying with Benjamin Butterfield, Olivia brings a deep emotional sensibility to her performances, grounded in both classical training and creative curiosity.

Olivia has worked with some of Canada’s top vocal ensembles, including the Toronto Mendelssohn Choir, Vox Humana, and That Choir, and serves as a choral scholar at Christ Church Cathedral in Victoria. Her theatrical experience includes featured roles in The Little Mermaid and Fearless, as well as a collaboration with South African dancer Gregory Maqoma in Broken Chord. Olivia also recently created March Madness, a bold, multidisciplinary work reclaiming the narrative of the “hysterical woman” through operatic performance.

Finding Depth in Barber’s Knoxville

Olivia will be performing Knoxville: Summer of 1915 by Samuel Barber with the UVic Symphony Orchestra on November 28.
“I still remember the first time I heard this piece — it was enchanting and emotional from start to finish,” Olivia says of Barber’s Knoxville. “The poem is a love letter to family, to home, to the magic of the everyday. It may simultaneously break your heart and heal something deep within.”

With its lyrical complexity and emotional nuance, the work is both technically demanding and richly expressive. “My biggest challenge has been managing my breath efficiently while maintaining the effortless storytelling quality that the piece demands,” she says. “Working in small sections and using breathing exercises has been my strategy.”

Olivia came to UVic after encouragement from Professor Butterfield and says her time here has reshaped her understanding of music. “I thought I knew a lot before, but I was just scratching the surface. UVic has fostered a deep curiosity and a love of detail that will stay with me forever.”

As she prepares to graduate, Olivia is aiming for graduate studies and a future in opera and oratorio, with a growing interest in teaching and mentorship.

On her playlist: Everything from medieval troubadour dances to Curtis Mayfield, Stevie Wonder — and she was one of the top 0.01% Mozart listeners in 2024!

Follow her journey on Instagram: @livprycedig

Ethan Page

Percussionist Ethan Page is in his fifth year of Music Performance at UVic, where he is a 4-year Entrance Scholarship recipient and a leader across ensembles. As section leader in both the Wind Symphony and Symphony Orchestra, Ethan plays an impressive range of instruments — from timpani and snare drum to vibraphone and marimba (his personal favourite). He has performed widely in Victoria’s music community with the Canadian College of Performing Arts, Ensemble Laude, the Victoria Conservatory of Music, and the Greater Victoria Youth Orchestra.

A Rare and Radiant Marimba Voice

Ethan chose Séjourné’s Concerto for Marimba and Strings for its rare combination of neo-romantic lyricism and virtuosic brilliance. He will perform the piece with the UVic Wind Symphony on March 27.
“There aren’t many pieces like this in the marimba repertoire. I love how dynamic and colourful it is — from the melancholic and cathartic first movement to the energetic, lively second movement,” describes Ethan.

Though captivating, the concerto comes with technical hurdles. “The eleven-tuplet runs were especially tricky,” Ethan explains. “I spent many hours practicing slowly with a metronome and I’ve gotten to the point where I’m fairly comfortable with those sections now.”

Studying at UVic has been transformative for Ethan, expanding his percussive horizons beyond drum kit to mallet instruments and chamber repertoire. “Seeing my professor and peers play marimba with four mallets inspired me immediately. With my instructor,  Aaron Mattock’s guidance, I’ve developed a work ethic and technique I never thought possible.”

Looking ahead, Ethan plans to continue performing and collaborating in Victoria while also pursuing a second degree in Computer Science.

All 3 concerts will take place in the Farqhar at UVic. Tickets are available through the UVic Ticket Centre and at the door. UVic students with a valid ONECard can attend for free, and special ticket pricing is available for school groups.

New play by Writing student explores trans joy & resilience

It’s always exciting to see student work spring off the campus and into the community. Local playwright and fresh Writing alum Jasper Mallette — who just graduated in June 2025 — is now debuting Expiry Date, a brand new piece of transgender theatre, which runs at downtown’s Intrepid Theatre Club from July 25-26 (7:30pm Fri-Sat plus a 2pm Sat matinee).

This 90-minute, one-act play focuses on two trans-masculine people living in an apocalypse, debating on whether or not hormones are essential to their survival. And if they are, what happens when they run out and/or expire?

Expiry Date explores themes of trans resilience and how trans people manage to survive even in the most unlikely circumstances,” says Jasper. “It poses questions like, would hormones still be essential to survival if there was no society to enforce gender roles, and in what ways do trans experiences exist beyond the gender binary?”

Set in an alternate 2020s, Expiry Date considers what if something like Covid had essentially killed off (or zombified) the majority of the population? The play is set in the rural BC town of Enderby, Beneath, around and throughout it all, the play considers what community and companionship truly means.

In addition to writing it, Expiry Date is also produced by Jasper’s own Pithy Productions (which won the “Outstanding Production” award at this year’s Victoria One-Act Play Festival for their production Joany), and features a majority trans and UVic alumni team, including Theatre students Nichelle Friesen (set & props) and Margi Stoner (stage manager), Theatre/Writing alumni J Johnson (dramaturg) and Mo Hatch (director).

Listen to a Phoenix Fire podcast interview with Jasper Mallette and J Johnson.

A staged reading of Expiry Date

Showtimes 7:30pm Fri-Sat July 25-26 + 2pm July 26 matinee at the Intrepid Theatre Club, 1609 Blanshard, Tickets are $20-$40 sliding scale.

Content notes: Scenes depicting injection of hormones, discussions of gender identity, sudden loud noises, minor physical altercations. Trigger warnings: discussions of dysphoria, death, pandemics, and borderline suicidal ideation.

From left: Jasper Mallette, M0 Hatch, J Johnson, Margi Stoner & Nichelle Friesen  

Music student releases debut album

Mixing his studies with his passions, Music & Computer Science student Maxwell Sorensen wrote, produced & just released the ambitious chamber-rock album Bad Luck Pearl — which he recorded in the School of Music’s own CReaTe Lab studio.

“The recording happened over many late nights at UVic’s recording studio and was supported throughout the entire process by the Computer Music Course Union, a strong community of musicians and recording artists,” says Maxwell.

Of the 18 musicians on the album, 15 are fellow UVic students offering a mix of driving bass lines, grimy saxophone, soaring soprano and ethereal violin — leading Maxwell to describe the alt-rock influenced Bad Luck Pearl as a “decidedly collaborative” effort.

Following up on the local success of his Victoria post-punk band Head with Feet, Maxwell aimed to make something more ambitious and personal with Bad Luck Pearl. Influences include bands like Black Country, New Road, Geese, Vampire Weekend, Jeff Buckley & Radiohead.

Give it a listen on Bandcamp, Spotify & Apple Music . . . or watch for the coming cassette release!

UVic theatre grad headed to London for MFA

El Newell receives the Spirit of the Phoenix Award from professor Peter McGuire (photo: Sadie Kupery)

With over 200 students graduating from Fine Arts on June 12, we’re not able to profile everyone but Theatre student El Newell is an outstanding representative of her grad year. A  self-directed theatre major originally from Ottawa, Ontario, El’s studies focused on playwriting, design and directing, along with American Sign Language (ASL). After four years, El will be graduating with both a Bachelor of Fine Arts as well as an ASL certificate. El also received the annual Spirit of the Phoenix Award this year, recognizing both her outstanding  involvement in the Theatre department and academic excellence.

Here, El shares a few of her student memories.

A scene from El’s play Horse Girl, produced by timetheft theatre at the SKAM Satellite studio in August 2023 

What is your favourite memory from your time at UVic?

“Getting my original work produced by UVic’s Student Alternative Theatre Company (SATCo). SATCo chose to produce my play Horse Girl in my first year of university. This was a huge moment for me as an artist, and a stepping stone into producing my plays through timetheft theatre, a theatre company started with my peers for which I am now playwright-in-residence. Through timetheft, I’ve had my work produced independently at SKAMpede and the Victoria Fringe Festival.”

Where did you love to study, hang out, or unwind on campus?

“The design room in the Phoenix Theatre saw more hard work, more laughter and more tears from me than any other spot on campus — it was a room where I did some of my best work, and where I made some of my favourite memories.”

El discussing her 2024 JCURA research project

Was there a course or professor who had an impact on you?

“Dr Alexandra Kovacs is the most impactful teacher I have ever had. Beyond her amazing theatre history classes, Dr. Kovacs supervised my JCURA (“The Well-Made Porn: Dramaturgies of Erotic Webcamming”). She allowed me a space in her master’s-level theatre research and theory classes in my last two years, and supported me through it all. She is an immense source of inspiration for me as a woman in academia and theatre.”

What activity or experience outside the classroom meant the most to you?

“I was the Theatre Course Union (TCU) president for the ’24/’25 school year, as well as serving as the first-year student representative, treasurer and vice-president of the TCU in previous years. Being a part of a student union that works with the theatre department to make our program the best it can be for students, as well as rewarding bursaries, planning events and holding weekly meetings, was a deeply fulfilling experience — year after year.”  

El (right) building a cardboard puppet as a part of UVic’s design cohort at the 2023 Prague Quadrennial 

Is your current path what you envisioned for yourself growing up?

“In September I will be starting my MFA at the Royal Central School of Speech and Drama in London, England! I’d always expected I would go into theatre, but the breadth of knowledge, experience and confidence that I’ve gained at UVic has been beyond my wildest dreams — and I would have never dreamed I could pursue graduate studies if not for the support given to me by the faculty and my peers at the Phoenix.”

UVic in one word?

“Boundless!”

El directing her play Our Lady, Star of the Sea for the 2024 Victoria Fringe Festival