Together with the new class of grads, you are part of an expansive network of over 8250 alumni. Given that you’re graduating on the cusp of Fine Arts celebrating our 50th anniversary as a faculty, there are many reasons to stay connected.
We are always interested in hearing about alumni accomplishments—please do keep in touch as your career develops, and let us know if you have any events or honours to celebrate.
We had another creatively inspiring year in Fine Arts. Here are just a few of the highlights:
Nathan Medd (photo: Andrew Alexander)
A cultural non-profit leader whose work is devoted to developing the performing arts in Canada, Nathan Medd (BFA ’01) is currently Managing Director of Performing Arts for the Banff Centre for Arts and Creativity, the nation’s largest arts training institution and incubator of new works. This year, he was honoured with the 2019 Distinguished Alumni Award. Read more
Celebrated novelist and Writing grad Esi Edugyan (BFA ’99) soared to new literary heights this year by becoming only the second author in Canadian history to win two Giller Prizes — first for 2011’s Half Blood Blues and now for 2018’s Washington Black, which is also currently in development as a limited run TV series. Read more
Laura Gildner in her studio
Graduating Visual Arts student Laura Gildner was shortlisted for the Lind Photography Prize, mounted a solo photography exhibit at Vancouver’s Polygon Gallery and staged work at the Art Gallery of Greater Victoria. She also won the Victoria Medal for the highest undergraduate GPA in the faculty. Read more
Members of the School of Music’s Vocal Jazz Ensemble were thrilled to have the opportunity to sing the music of iconic rock band Queen when the Victoria Symphony presented their Best of Queen concert this spring. Read more
Kirk McNally (School of Music) oversaw the installation of the new CREATE Lab and recording studio for music technology students, dedicated to the art and science of listening. Read more
Carey Newman (Visual Arts) made history twice this year by seeing his Residential School memorial sculpture The Witness Blanket entered into the permanent collection of the Canadian Museum for Human Rights, and in seeing the piece designated as a living entity that honours the stories of the survivors. Read more
Bill Gaston (Writing) won the City of Victoria Butler Book Prize for his story collection, A Mariner’s Guide to Self-Sabotage — one final honour before he retires at the end of this academic year. Read more
Cast of The Drowsy Chaperone
Jacques Lemay (Theatre) led the student team behind The Drowsy Chaperone to create a smash hit show that resulted in a sold-out, held-over run — and one of the most popular Phoenix shows in recent memory! Read more
Carolyn Butler-Palmer (Art History & Visual Studies) consulted on the new $10 bill featuring Canadian civil rights leader Viola Davis, which means you can see the influence of our faculty whenever you get one of the new bills. Read more
Our generous donors gave over $1.8 million in 2018/19, with 45% of that coming from Fine Arts alumni. Overall, we distributed $709,621 to students last year via donor-funded scholarships and bursaries.
Theatre student Emma Leck became the inaugural recipient of the Spirit of the Phoenix Award, named for the late Phoenix student Frances Theron.
With the 50th anniversary of the Faculty of Fine Arts coming up in 2019/20, we would love to hear your thoughts on how we can continue to engage with our alumni in significant ways. Convocation is a day for making meaningful memories—we hope that the culmination of your student years marks the start of our new relationship as alumni and colleagues.
Anyone looking for the continued impact of Fine Arts alumni on Victoria’s vibrant arts scene needs look no further than the winners of the 2019 ProArt Regional Arts Awards—all three of whom are Fine Arts alumni.
Matthew Payne (left) with Colton Hash
On May 9, members of the Greater Victoria arts community and the Professional Arts Alliance of Greater Victoria (ProArt) gathered at Pacific Opera Victoria’s Baumann Centre to acknowledge and honour three artists working in the region.
Department of Theatre alum Matthew Payne recieved the PARC Retirement Living Mid-Career Artist Award, while Visual Arts MFA alum Lindsay Delaronde received the inaugural ProArt Early-Career Artist Award, and recent Visual Arts alum Colton Hash was honoured with the new Witness Legacy Award for Social Purpose and Responsibility Through Art, presented by Audain Professor Carey Newman.
Matthew Payne is the Artistic and Managing Producer at Theatre SKAM, possibly the most successful alumni company to ever emerge from the Theatre department. Since graduating in 1993, Payne has regularly worked professionally in Canadian theatre, taking on a variety of roles and spending time in Victoria, Vancouver and Toronto as a writer, performer, carpenter, director, production manager, stage manager and administrator. Locally he has worked with a myriad of companies, including the Belfry Theatre, Pacific Opera Victoria, The Other Guys, Theatre Inconnu, Story Theatre, Kaleidoscope Theatre, Giggling Iguana Productions and, of course, Theatre SKAM (for whom he is the “M”); nationally, he has worked with Nightswimming, Crow’s Theatre, and Production Canada in Toronto, and a dozen peer companies based in Vancouver. He has also served on the executive of IATSE Local 168.
Carey Newman (left) with Colton Hash
Nominated by the Theatre SKAM Board of Directors for the ProArt Award, Payne was the jury’s strong choice demonstrating a comprehensive practice that represents excellence in the Mid-Career category. The jury was unanimous in its support of Payne’s commitment to his performing arts practice and the significant contribution that he makes to local theatre and the regional arts community.
“Matthew dedicates his professional career to dreaming up inspirational and innovative projects that tour the world, to the development of new work—primarily by Victoria writers—and to building community,” noted his nomination letter.
Audain Professor in the Visual Arts department Carey Newman initiated a new award this year: the Witness Legacy Award for Social Purpose and Responsibility, which he presented to artist Colton Hash. Hash, the inaugural artist-in-residence with Ocean Networks Canada for 2018/19, was presented with this award to recognize the significant impact that artists can have on issues relevant to the Capital Region.
“Colton Hash is doing ground-breaking work combining digital and physical artforms to create installations that bring the forward the reality of data in a visceral manner,” said Newman. “His efforts to draw focus to environmental and climate issues through his practice are not only worthy of recognition, they are an excellent example of what it means to use art for social purpose and responsibility.”
And while she was unavailable to attend the awards ceremony, Lindsay Delaronde was announced as the winner of the ProArt Early-Career Artist Award. Created to recognize an artist who is showing dedication and promise in the early stages of their career, Delaronde’s recent role as the City of Victoria’s inaugural Indigenous Artist-in-Residence was highlighted by Newman in his remarks.
Lindsay Delaronde supported by dancers during the ACHoRd performance during her time as Indigenous Artist in Residence (Photo: Peruzzo)
“I selected Lindsay for this award to recognise the incredible work she has done as Victoria’s Indigenous Artist in Residence,” he said. “Her way of raising awareness around critical social issues and engaging community through her art and curation is something to celebrate. The power of her performances and work are a reflection of her strength and resilience and a testament to her potential.”
Each of these recipients does contributes excellent creative work to the regional arts community, and all are representative of the dynamic arts and cultural community Fine Arts has long supported and encouraged in Victoria.
The Professional Arts Alliance of Greater Victoria was formed to advance the important role the arts play in the life of our community, and to advocate for public sector support. ProArt believes that, by working in partnership with our legislators and government agencies, we can sustain and build our region’s vibrant cultural sector for the benefit of all of our residents and visitors.
It’s definitely a time of change in UVic’s celebrated Department of Writing, due in large part to this year’s retirement of both award-winning novelist Bill Gaston and acclaimed playwright Joan MacLeod. But with change comes opportunity, as seen by the hiring of not one but two noted writers as incoming faculty members: new associate professor Gregory Scofield and new assistant professor Danielle Geller.
Scofield is a Red River Metis of Cree, Scottish and European descent whose ancestry can be traced to the fur trade and to Metis community of Kinosota, Manitoba. Geller is is a member of the Navajo Nation: born to the Tsi’naajinii, born for the bilagaana.
“Gregory and Danielle are transformational hires who will help the department build on nearly 50 years of literary excellence and lead the university into a future of new and diverse creative possibilities,” says department chair David Leach. “Both will expand the national reputation of our creative writing program and establish the University of Victoria as an international centre of excellence for Indigenous writing and writers.”
Meet Gregory Scofield
One of the most important poets and memoirists writing today, Scofield bridges several generations of Indigenous authors, with an extensive publishing history across multiple genres and years of mentoring and editing young writers—not to mention two new books coming out shortly: a re-release of his first memoir, Thunder Through My Veins (Doubeday Canada/Anchor Books) coming fall 2019, and his second memoir, Sitting with Charlotte: Stitching my History Bead by Bead (Doubleday Canada) due to be published in 2021.
“âcimowina. Stories. The power of stories. The spirit of stories. The bones of stories that need to be sung and invited to dance. I am so very excited to bring my stories and energy to the Writing department at the University of Victoria, to work with the students and the university community to Indigenize the creative writing curriculum,” says Scofield. “I am deeply honoured to be welcomed in the territories of the Lkwungen peoples, and to listen to their stories while sharing my own. âcimowina. Stories. There will be such a good feast.”
An award-winning poet with eight volumes published, Scofield has been an associate professor in the Department of English at Laurentian University for the past five years, and has taught creative writing and First Nations and Metis literature at Brandon University, Emily Carr University of Art + Design, and the Alberta University of the Arts. He has also served as writer-in residence at the universities of Manitoba and Winnipeg, and Newfoundland’s Memorial University. He is the recipient of the Queen’s Diamond Jubilee Medal (2012), and the Writers’ Trust of Canada Latner Poetry Prize (2016); he is also a skilled bead-worker and creates in the medium of traditional Metis arts. He continues to assemble a collection of mid to late 19th century Cree-Metis artifacts, which are used as learning and teaching pieces.
“Gregory brings academic leadership, versatility as a literary artist and innovative ways of learning and teaching to our department,” says Leach. “He will lead writing workshops and teach courses in Indigenous storytelling based on Cree traditions, and Indigenous women’s resistance writing through the practice of Métis beadwork.”
Introducing Danielle Geller
Danielle Geller is a writer of memoir and personal essays; her debut memoir, Dog Flowers, is forthcoming from One World/Random House in 2020. She received her MFA in creative writing (nonfiction) at the University of Arizona, and is a recipient of the 2016 Rona Jaffe Writers’ Awards. Her work has appeared in The New Yorker, Brevity, and Arizona Highways Magazine and has been anthologized in This Is the Place (Seal Press, 2017).
“I am delighted to be joining the talented community of writers, storytellers, and artists in UVic’s Writing Department,” says Geller. “I hope to enhance Indigenous perspectives and voices in the curriculum and pedagogy . . . [and] I am looking forward to sharing my enthusiasm and commitment to the craft of writing and art-making with the students.”
Geller writes and teaches across multiple genres with interests and expertise in contemporary forms such as slipstream fiction, Indigenous futurism and video games. Along with her MFA, she has an MS in Library and Information Science and experience as an archivist, which will deepen our students’ research skills and the Writing department’s connection to the many resources of UVic’s library.
“We can’t wait for Danielle to meet our students—and vice versa,” says Leach. “When Random House releases her debut memoir about rediscovering the diaspora of her Navajo family, the rest of the world will also discover one of the most exciting new voices in literary prose.”
Both positions will begin in July 2019.
A commitment to reconciliation
“UVic recognizes that colonization and associated attitudes, policies and institutions have significantly changed Indigenous peoples’ relationship with this land. And for many years those same things served to exclude Indigenous students from higher education. We’re committed to redressing those historical and continued barriers,” says university president Jamie Cassels.
“As part of our commitment to reconciliation we’re building better and meaningful partnerships with Indigenous communities, developing new programs, and working to bring our university into better harmony with Indigenous cultures, beliefs and ways of being. Indigenous people and communities are an important part of building our university for the future.”
We acknowledge with respect the Lkwungen-speaking peoples on whose traditional territory the University of Victoria stands, and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day.
Carey Newman’s “Witness Blanket” installed at the Canadian Museum of Human Rights in Winnipeg (photo: Jessica Sigurdson, CMHR)
An unprecedented move
In an unprecedented move, written documents and an oral ceremony have been given equal weight in an agreement that vests legal rights with the artwork itself, as a living entity that honours the stories of the survivors.
Audain professor Carey Newman
“Rather than trying to decide our rights, we put the rights with the Blanket and the stories that were given to us by survivors,” says Newman (Ha-Yalth-Kin-Geme), a Kwagiulth and Coast Salish artist and master carver from Sooke. “We were not negotiating against each other but collaborating together in the best interest of the Blanket itself. We didn’t want to treat it like a transfer of property because I don’t feel ownership of the Blanket, I feel responsibility towards it and I wanted to make sure the Museum felt this too.”
UVic professor Rebecca Johnson, associate director of the Indigenous Law Research Unit, reviewed the agreement before it was finalized and called it “totally unique”.
“It has huge implications for me as a law professor because it models new and hopeful possibilities of seeing the law in its creative and expansive forms, not just as something that constrains and punishes,” she says. “It captures the heart of what’s possible when people work together to imagine new ways of drawing on law—both Indigenous and Canadian—to move us in a new direction.”
UVic’s Faculty of Law plans to incorporate the agreement into its curriculum, which will help students explore creative avenues for drawing Indigenous and Canadian legal orders together.
Now that the 12-metre-long, cedar-framed artwork—which was first presented publicly at UVic back in 2014—has been taken into the care and protection of the CMHR in Winnipeg on Treaty 1 Territory, it will undergo restoration work after several years of traveling, including an extended exhibition at the CMHR in 2015-16. A new traveling version of the Witness Blanket has also been created, which will have its first showing at the Red Deer Museum + Art Gallery from May 4 to June 23.
Interacting with the installation. (Photo: Jessica Sigurdson/ CMHR)
CMHR president and CEO John Young said meaningful working relationships with Indigenous people create opportunities to learn, grow and share in new ways—which is also important to reconciliation. “Museums have sometimes assumed a unilateral authority to interpret Indigenous cultures and artifacts,” he says. “In collaborating with our Indigenous partners, we instead work to honour the perspectives, skills and experience they bring to the discussions.”
CMHR head of collections Heather Bidzinski researched positive examples from other cultural institutions but worked to create something entirely unique. “This agreement is based on understanding each others’ traditions in a mutually respectful way and recognizing that agreements are really about relationships—not about concepts of indemnity and ownership, which can be adversarial and confrontational,” she says
The new documentary film, Picking up the Pieces, about the making of the Witness Blanket—which debuted last fall at the Vancouver International Film Festival—was also shown at the CMHR as part of the announcement, followed by a conversation with Newman and film producer Cody Graham of Victoria-based Media One.
The CMHR’s Young said the Witness Blanket is a work of national significance that provides a tangible framework for conversations about the genocide of Indigenous peoples in Canada. “Its stories, its objects and what they represent help us better understand this issue in terms of human realities and consequences instead of being just an abstract concept. As a national museum devoted to human rights education, we are committed to playing a meaningful role in sharing this truth as we work towards reconciliation.”
UVic promotes teaching that reflects the aspirations and calls to action of the Truth and Reconciliation Commission, including addressing issues most relevant to Indigenous people and working with Indigenous communities and organizations to understand, preserve and celebrate traditions, knowledge and cultures.
UVic celebrates graduates old and new with our annual Alumni Week, running Feb 1- 8 across campus. From film screenings and fascinating talks to concerts, a curling bonspiel, Vikes basketball and the annual Distinguished Alumni Awards night, there will be over a dozen special events to check out. Better still, most are free, although you may have to register in advance.
And Fine Arts is a big part of Alumni Week this year, as we participate in five different events showcasing the talents of a number of our alumni. Here’s what’s coming up:
Did you know that 1 in 3 UVic staff and faculty are UVic alumni? It’s true, and you can meet many of them as we celebrate our campus alumni and kick off Alumni Week at an exclusive event at Cinecenta. Join us at noon on Feb 1 for a screening of the short film, ‘Til Death, by director and campus alumnus Connor Gaston.
About the film: After losing his soul mate in a fatal bicycle accident, 10-year-old Zachary sets out on a journey to bring Samantha back to life in this magical, modern fairy tale.
Gaston, who holds both a BFA and MFA from the Writing department, is an award-winning filmmaker whose work has screened at film festivals around the world, including the Toronto International Film Festival. Gaston’s first feature film, 2015’s The Devout, earned him five Leo Awards (including Best Picture), the BC Emerging Filmmaker Award at the Vancouver International Film Festival, and a Canadian Screen Award nomination for Best First Feature. He is also a current sessional instructor in UVic’s Writing department.
Pizza, popcorn and soda will be provided at the screening for just $5, plus everyone will receive a free gift! (Tickets at the door.) Following the film screening, there will be a Q&A with the director.
This event runs noon to 1pm Friday, Feb 1, at Cinecenta in UVic’s SUB. Film starts at 12:15pm, so come early to get your pizza!
Victoria-based vocal quintet Fifth Street combines the worlds of pop, jazz and R&B in perfect five-part harmony. The sublime voices of Natasha Penfield, Jilaine Orton, Ryan Narciso, Kenji Lee and Taylor Caswell found a groove together while students and as members of UVic’s Vocal Jazz Ensemble. You’ll enjoy their original a cappella arrangements of pop hits by the likes of Imogen Heap and Justin Timberlake as well as fresh takes on timeless classics.
Come join UVic’s annual celebration recognizing and honouring Distinguished Alumni Award winners that have been chosen from the faculties, UVic Libraries and Continuing Studies. This year, Fine Arts is honouring Theatre alumnus Nathan Medd —a cultural non-profit leader whose work is devoted to developing the performing arts in Canada.
Now the managing director of performing arts for the Banff Centre for Arts and Creativity — the nation’s largest arts training institution and incubator of new works — Medd was also the managing director of English Theatre at Canada’s National Arts Centre, where his team successfully championed Canadian creators and initiated a new national stage for Indigenous performance.
Join us at 7:30pm Tuesday, Feb 5, in the Songhees Wellness Centre, 1100 Admirals Rd. Free, but registration is required.
Join 2019 Fine Arts Distinguished Alumni Award recipient Nathan Medd for this lively discussion about the ins and outs (and ups and downs) of creative placemaking. From development and gentrification to funding and accessibility for artists and audiences, get ready to “nerd out” about the business of the arts. Joining Medd on the panel will be long-time colleagues Kevin Kerr, Writing professor and co-founder of Vancouver’s Electric Company, Janet Munsil, former Intrepid Theatre artistic director and Metro Studio co-founder (also a Phoenix alumna and current MFA candidate in Writing), and Ian Case, Theatre alumnus, director of The Farquhar at UVic and former general manager of Intrepid Theatre.
In addition to his current position at the Banff Centre for Arts and Creativity, Medd was previously the managing director of English Theatre at Canada’s National Arts Centre. As managing producer of Electric Company, he produced original works for the Vancouver 2010 Cultural Olympiad and co-founded East Vancouver’s Progress Lab performing arts creation studio in 2009. In Victoria, he worked for Intrepid Theatre, where he co-founded Metro Studio — a flagship venue for Vancouver Island — and held positions with both the Belfry Theatre and the BC Arts Council.
This free talk runs from 12:45-1:45pm Wed, Feb 6, in the Bishop Theatre at UVic’s Phoenix Building.
Join UVic Chancellor and CBC Radio’s The Next Chapter host Shelagh Rogers as she has a frank and fascinating live conversation with two-time Giller-prize winning novelist and Writing alumnus Esi Edugyan. The internationally acclaimed author of Washington Black, her latest novel, Edugyan is also the author of the Giller Prize-winning Half-Blood Blues and The Second Life of Samuel Tyne.
Join us at 7pm Thursday, Feb 7, in the Michelle Pujol Room at UVic’s SUB. Copies of Washington Black will also be for sale, courtesy of UVic’s Bookstore. Update: this event is now sold out, although a waiting list is being taken.
UVic is accessible by sustainable travel options including transit and cycling. For those arriving by car, pay parking is in effect. Evening parking is $3.
But wait, there’s more!
While Alumni Week only runs Feb 1-8, our Fine Arts alumni are busy throughout the year with their own creative endeavours. Here’s a quick rundown of some other alumni who are active around town in the next couple of weeks:
The 25th annual Victoria Film Festival features work by both Writing and Visual Arts alumni and students, running throughout the festival. Writing alum Connor Gaston is showing the short film Encore as part of the shorts program “Beautiful Obsessions” on Feb 4. The Safe Space Panorama exhibition runs Feb 2-10 at the Atrium and features work & talks by Visual Arts MFA candidate Levi Glass (talk: 3pm Feb 3), undergrads Laura Gildner (3pm Feb 4),Jordan Hill (3pm Feb 6) and Jake Hrubizna (3pm Feb 8), plus MFA alumni Leah McInnis (3pm Feb 7) & sessional instructor Emily Geen (5pm Feb 5), as well as the 25th anniversary multimedia installation States of Play, curated by recent Visual Arts alumna Gina Luke.
Phoenix alumna & musical theatre teacher Kim Sholinder and the student cast & crew of Victoria High School will perform the Broadway musical Cry-Baby — based on the hit 1990 John Waters film of the same name, which starred a young Johnny Depp! This upbeat, campy musical provides a fun twist on 1950s star-crossed young lovers. Cry-Baby runs Feb 5-9 at Victoria High School, 1260 Grant. Tickets are $10-$12.
The Victoria Arts Council is pleased to be working with Visual Arts MFA alumnus Hjalmer Wenstob on a new solo exhibition. For Ground; Backgroundis a culmination of selected sculptures from over the last four years, as well as new works and installations. For Ground; Background hosts works of question, concern and education, in regards to environment, urban relationships to the land, and treaties. Wenstob is an interdisciplinary artist who specializes in sculpture, installation, and carving; he speaks of three dialects of his work — contemporary, traditional, and community-based.
Through his contemporary dialect, he completed both an undergraduate and master’s degree at UVic, exploring the relationships between cultures and art, and the balance between traditional and contemporary. His work is at times highly political and uses humour and irony to pose difficult questions of respect, reconciliation, and environmental issues. Nuu-Chah-Nulth from the Tla-O-Qui-Aht First Nations on his father’s side, and Norwegian and English on his mother’s side, Wenstob and his family recently opened Cedar House Gallery in Ucluelet, B.C. where he is exploring ways of weaving his contemporary/political work with more traditional materials and styles.
For Ground; Background runs until Feb 16 at the new Victoria Arts Council space at 1800 Store St. Open 11am-5pm Tues-Sat.
Visual Arts instructor & MFA alumnusTodd LambethpresentsNight Moves, a series of paintings that investigates the abstract relationship between space and colour. Influenced by Cubism, hard-edged Modernist painting, comic books and candy wrappers, the colours in these paintings reference the world of advertising and design. These visually stimulating works express the artist’s interest in perceptions of pictorial space and are a direct response to the proliferation of digital imagery and imaging technology.
These paintings explore optical perceptions of space; emphasizing the formal properties of structure and design, Lambeth’s images present the viewer with a sense of visual pleasure. With their bright, welcoming colours and forms the paintings in Night Moves foreground ideas of beauty and express Lambeth’s desire to create optimistic works that distract the viewer from the difficult times in which we live.
Night Moves runs through to March 2 at Deluge Contemporary Art, 636 Yates. There will be an artist talk at 3pm Sat, Feb 16.
The Victoria Theatre Guild offers a lively version of this 2005 Tony-winning show — a clever, charming and sweet-natured musical comedy about six quirky tweens competing in the spelling bee of a lifetime. While candidly disclosing hilarious and touching stories from their home lives, they spell their way through a series of words, hoping never to hear the soul-crushing ding of the bell that signals a mistake. In the end, the youth learn that winning isn’t everything, and that losing doesn’t necessarily make you a loser.
Featuring a fantastic performance by Phoenix alumni Hailey Fowler and an outstanding set by Barbara Clerihue.
Spelling Bee runs until Feb 2 at Langham Court Theatre. Tickets are $25-$35 . . . if you can find one!
There was certainly no shortage of Fine Arts news in 2018, given that we tracked nearly 300 local, national and international media stories about the creative activities of our faculty, alumni, students and staff . . . and those are just the stories we know about.
From our new faculty members—including Rick Leong, Sasha Kovacs, Deborah Campbell, Katharina Clausius and Michael Elliott—to a new batch of websites for our departments of Art History & Visual Studies, Theatre, Visual Arts, Writing and the School of Music, Fine Arts continues to grow and evolve as we move closer to our 50th anniversary in 2019/20.
While it was hard to choose favourites from amongst the many stories that appeared in both traditional and social media, here (in no particular order) are our choices for the top 10 Fine Arts stories from our faculty blog.
Benjamin Butterfield named to the Royal Society of Canada
Benjamin Butterfield (UVic Photo Services)
Three UVic faculty members received the country’s highest academic honour by being named 2018 fellows of the Royal Society of Canada (RSC) in September—and among those joining the distinguished ranks was School of Music professor Benjamin Butterfield.
While Butterfield has won international plaudits as one of Canada’s best operatic tenors, he is equally passionate about his role as head of voice for UVic’s School of Music.
“With a performance career, the more you’re in the game, the more you’ll be asked to be in the game,” he explains. “But my obligation is really to teaching . . . for me, it’s less about pursuing my ‘career’ and more about being here for students who sing, and who want to learn to sing—that’s my day job, that’s my real life, that’s what’s most important.”
Butterfield is now the eighth Fine Arts faculty member to be inducted into the RSC, including Fellows Mary Kerr (Theatre), Harald Krebs (Music), Tim Lilburn (Writing), Joan MacLeod (Writing) and Sandra Meigs (Visual Arts), as well as RSC College member Dániel Péter Biró (Music) and RSC Medal winner JackHodgins (Writing, retired).
Fine Arts has no shortage of alumni success stories, but it’s hard to top internationally acclaimed Department of Writing alumna Esi Edugyan, who won her second Scotiabank Giller Prize in 2018 for her latest novel, Washington Black.
Edugyan won $100,000 on the 25th anniversary of Canada’s richest literary award, and also earns the distinction of being one of only three authors to twice win the Giller Prize, alongside M.G. Vassanji and Alice Munro.
Washington Black was also nominated for the Man Booker Prize and the Rogers Writers’ Trust Fiction Prize—as was her previous 2011 Giller Prize-winning novel Half-Blood Blues. Indeed, having only published three novels (including her debut, The Second Life of Samuel Tyne), Edugyan’s back-to-back wins for Washington Black and Half-Blood Blues is doubly remarkable, especially when you consider both were shortlisted for the coveted trifecta of fiction awards.
Carey Newman receiving his Order of BC from Lieutenant Governor the Honourable Janet Austin and Premier John Horgan in September
When Kwagiulth and Coast Salish artist Carey Newman’s Witness Blanket was unveiled at the University of Victoria in 2014, it was clear the large-scale installation would quickly become a national monument and spark reflection and conversation about residential schools, settler-Indigenous relations and reconciliation. Now, Newman will continue the conversation as the sixth Audain Professor of Contemporary Art Practice of the Pacific Northwest with the Visual Arts department.
“This is breaking new ground for me,” said Newman in June. “I’m looking forward to having the opportunity to convert the experience of mentorship into a more formal educational setting.”
When Art History & Visual Studies professor Carolyn Butler-Palmer received an email from the Bank of Canada back in 2017, she didn’t put much stock in it. “To be honest, I thought it was a scam email,” she laughs, “but in fact they wanted to speak to me as an art historian.”
“It was a real honour to be asked and to be able to work on such an important change in our currency,” Butler-Palmer said in this recent interview with the Martlet. “I think the change is really reflected too, [particularly] that they changed the orientation as well . . . to signify the change in the way that they represent Viola Desmond on that bill.”
Douglas Peerless as the Man in the Chair (photo: Dean Kalyan)
The response to Phoenix’s fall mainstage production of The Drowsy Chaperone, directed by Jacques Lemay, was fantastic. Audiences and reviewers alike praised this production as one of the finest in Phoenix’s 50-plus year history.
“This is one of the best shows staged by the university’s theatre department in recent years and should not be missed,” notes thisTimes Colonist review by Adrian Chamberlain. “Everything about this elegant, detailed production works well: the excellent costumes, set, acting, dancing, choreography . . . . [this is] a truly superior piece of theatre that will undoubtedly be a highlight of the season.”
It was such a hit, in fact, that they ended up adding two additional shows after the entire run was essentially sold out in November!
Alexander Dunn, an internationally renowned guitarist and UVic music instructor for nearly three decades, played a vital role in bringing the guitar quartet to UVic by working for the past 18 months with two US-based organizations—the Artist Protection Fund (APF), an innovative initiative of the Institute of International Education, and the non-profit organization Remember the River.
Now safely in Victoria as the recipients of a prestigious Artist Protection Fund Fellowship grant, the Orontes quartet offer a remarkable message about the power of music, hope and determination. The quartet told theGlobe and Mail that their peaceful lives in Syria had been disrupted by the civil war, and violence and terror became commonplace. But when the ensemble started to play together, “we forgot everything because we just focused on what we are doing,” as recounted to The Globe’s arts reporter Marsha Lederman in a December 8 article in the national edition of the newspaper.
Colton Hash named Artist in Residence for Ocean Networks Canada
Colton Hash with his full-size sculpture of an adolescent female orca (photo: Ashton Sciacallo)
Victoria-based artist Colton Hash became the inaugural recipient of an Artist-in-Residence program by the Faculty of Fine Arts and Ocean Networks Canada (ONC), a UVic initiative. The new ONC residency will strengthen connections between art and science, and broaden perspectives on major issues ranging from technology and the environment to biodiversity and healthy communities.
“I see this as a great opportunity to collaborate with ocean scientists and experiment with digital media to communicate some of the dynamic processes that play a critical role in coastal waters,” says Hash. “Whether it’s how a kelp forest responds to climate change or how the thawing of frozen methane affects sediment stability of submarine slopes, I hope I can use interactive art to inspire viewers to care more about what is happening beneath the ocean’s surface.”
Presented in partnership with Universities Canada, the Building Reconciliation Forum brought together close to 250 thought leaders from universities, Indigenous governing bodies and communities, and federal and regional government officials from acorss Canada to consider how universities are answering the Truth and Reconciliation Commission’s Calls to Action.
As part of the Forum, Fine Arts Dean Dr. Susan Lewis hosted a near-capacity panel discussion on First Nations Art Practice & Reconciliation at downtown’s Baumann Centre, featuring a range of local artists, administrators, activists and alumni discussing how Victoria’s arts community can advance decolonization and reconciliation.
Panelists included Visual Arts MFA alumna and the City of Victoria’s inaugural Indigenous Artist in Residence Lindsay Delaronde; the Belfry Theatre’s Indigenous cultural advisor Kristy Charlie and executive director Ivan Habel; Pacific Opera’s director of community engagement Rebecca Hass; Open Space board member and Visual Arts sessional instructor Charles Campbell; Legacy Gallery director Mary Jo Hughes; and Art Gallery of Greater Victoria curator of engagement Nicole Stanbridge.
Also during the forum, the Theatre department hosted Nomad, a musical and visual journey through Inuit history with Inuk singer-songwriter and Order of Canada recipient Susan Aglukark.
Department of Writing professor Bill Gaston won the 2018 City of Victoria Butler Book Prize for his short-story collection The Mariner’s Guide to Self Sabotage (Douglas & McIntyre). Victoria Mayor Lisa Helps and co-sponsor Brian Butler presented Gaston with his $5,000 prize at a gala October 17 event at downtown’s Union Club.
2018 was a strong year for the Writing department at the Victoria Book Prize, given that fellow nominees included professor emerita Lorna Crozier (What the Soul Doesn’t Want), longtime instructor Patrick Friesen (Songen) and longtime Faculty of Fine Arts colleague and Dean’s External Advisory Committee member Maria Tippett (Sculpture in Canada: A History).
Gaston is also one of 10 authors nominated for the prestigious RBC Taylor Prize for his 2018 memoir, Just Let Me Look At You (Hamish Hamilton).
Twin Kennedy are now Distinguished Alumni (UVic Photo Services)
It’s only been 10 years since sister duo Twin Kennedy graduated from the School of Music, but during that short decade, the acclaimed country/roots duo already released two albums, toured across North America, moved to Nashville and won the hearts of country radio and fans alike. The sisters headed back to UVic in February to be honoured as the Fine Arts winners of UVic’s 2018 Distinguished Alumni Award—an award that’s doubly special this year, given that it was presented during the School of Music’s 50th anniversary.
Know for their distinctly “Canadiana” country roots sound, seamless harmonies and heartfelt songwriting, Carli and Julie Kennedy (BMus ’08) have been dubbed “the next big thing in country music” by the Nashville Music Examiner and Twin Kennedy’s 2017 winter single “Cold Weather” was chosen by Rolling Stone as one of the “10 new country and Americana Christmas songs to hear right now!”
“We’re very proud of years at UVic,” says Carli. “Not everyone in the popular-music world has a degree, and it’s an important part of our story. To be recognized for that side of our career is a huge honour; it means a lot to us.”