Fine Arts is full-on during Alumni Week 2019

UVic celebrates graduates old and new with our annual Alumni Week, running Feb 1- 8 across campus. From film screenings and fascinating talks to concerts, a curling bonspiel, Vikes basketball and the annual Distinguished Alumni Awards night, there will be over a dozen special events to check out. Better still, most are free, although you may have to register in advance.

And Fine Arts is a big part of Alumni Week this year, as we participate in five different events showcasing the talents of a number of our alumni. Here’s what’s coming up:

Film screening with Connor Gaston

Connor Gaston

Did you know that 1 in 3 UVic staff and faculty are UVic alumni? It’s true, and you can meet many of them as we celebrate our campus alumni  and kick off Alumni Week at an exclusive event at Cinecenta. Join us at noon on Feb 1 for a screening of the short film, ‘Til Death, by director and campus alumnus Connor Gaston.

About the film: After losing his soul mate in a fatal bicycle accident, 10-year-old Zachary sets out on a journey to bring Samantha back to life in this magical, modern fairy tale.

Gaston, who holds both a BFA and MFA from the Writing department, is an award-winning filmmaker whose work has screened at film festivals around the world, including the Toronto International Film Festival. Gaston’s first feature film, 2015’s The Devout, earned him five Leo Awards (including Best Picture), the BC Emerging Filmmaker Award at the Vancouver International Film Festival, and a Canadian Screen Award nomination for Best First Feature. He is also a current sessional instructor in UVic’s Writing department.

Pizza, popcorn and soda will be provided at the screening for just $5, plus everyone will receive a free gift! (Tickets at the door.) Following the film screening, there will be a Q&A with the director.

This event runs noon to 1pm Friday, Feb 1, at Cinecenta in UVic’s SUB. Film starts at 12:15pm, so come early to get your pizza!

Fifth Street

Emerging Alumni concert with Fifth Street

Victoria-based vocal quintet Fifth Street combines the worlds of pop, jazz and R&B in perfect five-part harmony. The sublime voices of Natasha Penfield, Jilaine Orton, Ryan Narciso, Kenji Lee and Taylor Caswell found a groove together while students and as members of UVic’s Vocal Jazz Ensemble. You’ll enjoy their original a cappella arrangements of pop hits by the likes of Imogen Heap and Justin Timberlake as well as fresh takes on timeless classics.

UVic Music alumni are invited to an exclusive pre-concert reception with tasty hors d’oeuvres, door prizes, plus a special pre-concert appearance by Fifth Street. Hear them in action at 8pm Saturday, Feb 2, in the School of Music’s Phillip T Young Recital Hall, in UVic’s MacLaurin building B-wing. Entrance is by donation.

Distinguished Alumni Awards

Come join UVic’s annual celebration recognizing and honouring Distinguished Alumni Award winners that have been chosen from the faculties, UVic Libraries and Continuing Studies. This year, Fine Arts is honouring Theatre alumnus Nathan Medd —a cultural non-profit leader whose work is devoted to developing the performing arts in Canada.

Now the managing director of performing arts for the Banff Centre for Arts and Creativity — the nation’s largest arts training institution and incubator of new works — Medd was also the managing director of English Theatre at Canada’s National Arts Centre, where his team successfully championed Canadian creators and initiated a new national stage for Indigenous performance.

Join us at 7:30pm Tuesday, Feb 5, in the Songhees Wellness Centre, 1100 Admirals Rd. Free, but registration is required.

Nathan Medd on Creative Placemaking

Nathan Medd (photo: Andrew Alexander)

Join 2019 Fine Arts Distinguished Alumni Award recipient Nathan Medd for this lively discussion about the ins and outs (and ups and downs) of creative placemaking. From development and gentrification to funding and accessibility for artists and audiences, get ready to “nerd out” about the business of the arts. Joining Medd on the panel will be long-time colleagues Kevin Kerr, Writing professor and co-founder of Vancouver’s Electric Company, Janet Munsil, former Intrepid Theatre artistic director and Metro Studio co-founder (also a Phoenix alumna and current MFA candidate in Writing), and Ian Case, Theatre alumnus, director of The Farquhar at UVic and former general manager of Intrepid Theatre.

In addition to his current position at the Banff Centre for Arts and Creativity, Medd was previously the managing director of English Theatre at Canada’s National Arts Centre. As managing producer of Electric Company, he produced original works for the Vancouver 2010 Cultural Olympiad and co-founded East Vancouver’s Progress Lab performing arts creation studio in 2009. In Victoria, he worked for Intrepid Theatre, where he co-founded Metro Studio — a flagship venue for Vancouver Island — and held positions with both the Belfry Theatre and the BC Arts Council.

This free talk runs from 12:45-1:45pm Wed, Feb 6, in the Bishop Theatre at UVic’s Phoenix Building.

Esi Edugyan with Shelagh Rogers

Join UVic Chancellor and CBC Radio’s The Next Chapter host Shelagh Rogers as she has a frank and fascinating live conversation with two-time Giller-prize winning novelist and Writing alumnus Esi Edugyan. The internationally acclaimed author of Washington Black, her latest novel, Edugyan is also the author of the Giller Prize-winning Half-Blood Blues and The Second Life of Samuel Tyne.

Join us at 7pm Thursday, Feb 7, in the Michelle Pujol Room at UVic’s SUB. Copies of Washington Black will also be for sale, courtesy of UVic’s Bookstore. Update: this event is now sold out, although a waiting list is being taken.

UVic is accessible by sustainable travel options including transit and cycling. For those arriving by car, pay parking is in effect. Evening parking is $3.

But wait, there’s more!

While Alumni Week only runs Feb 1-8, our Fine Arts alumni are busy throughout the year with their own creative endeavours. Here’s a quick rundown of some other alumni who are active around town in the next couple of weeks:

Victoria Film Festival

The 25th annual Victoria Film Festival features work by both Writing and Visual Arts alumni and students, running throughout the festival. Writing alum Connor Gaston is showing the short film Encore as part of the shorts program “Beautiful Obsessions” on Feb 4.  The Safe Space Panorama exhibition runs Feb 2-10 at the Atrium and features work & talks by Visual Arts MFA candidate Levi Glass (talk: 3pm Feb 3), undergrads Laura Gildner (3pm Feb 4),Jordan Hill (3pm Feb 6) and Jake Hrubizna (3pm Feb 8), plus MFA alumni Leah McInnis (3pm Feb 7) & sessional instructor Emily Geen (5pm Feb 5), as well as the 25th anniversary multimedia installation States of Play, curated by recent Visual Arts alumna Gina Luke.

Cry-Baby

Phoenix alumna & musical theatre teacher Kim Sholinder and the student cast & crew of Victoria High School will perform the Broadway musical Cry-Baby — based on the hit 1990 John Waters film of the same name, which starred a young Johnny Depp! This upbeat, campy musical provides a fun twist on 1950s star-crossed young lovers. Cry-Baby runs Feb 5-9 at Victoria High School, 1260 Grant. Tickets are $10-$12.

For Ground; Background  

The Victoria Arts Council is pleased to be working with Visual Arts MFA alumnus Hjalmer Wenstob on a new solo exhibition. For Ground; Background is a culmination of selected sculptures from over the last four years, as well as new works and installations. For Ground; Background hosts works of question, concern and education, in regards to environment, urban relationships to the land, and treaties. Wenstob is an interdisciplinary artist who specializes in sculpture, installation, and carving; he speaks of three dialects of his work — contemporary, traditional, and community-based.

Through his contemporary dialect, he completed both an undergraduate and master’s degree at UVic, exploring the relationships between cultures and art, and the balance between traditional and contemporary. His work is at times highly political and uses humour and irony to pose difficult questions of respect, reconciliation, and environmental issues. Nuu-Chah-Nulth from the Tla-O-Qui-Aht First Nations on his father’s side, and Norwegian and English on his mother’s side, Wenstob and his family recently opened Cedar House Gallery in Ucluelet, B.C. where he is exploring ways of weaving his contemporary/political work with more traditional materials and styles.

For Ground; Background runs until Feb 16 at the new Victoria Arts Council space at 1800 Store St. Open 11am-5pm Tues-Sat.

Todd Lambeth: Night Moves

Visual Arts instructor & MFA alumnus Todd Lambeth presents Night Moves, a series of paintings that investigates the abstract relationship between space and colour. Influenced by Cubism, hard-edged Modernist painting, comic books and candy wrappers, the colours in these paintings reference the world of advertising and design. These visually stimulating works express the artist’s interest in perceptions of pictorial space and are a direct response to the proliferation of digital imagery and imaging technology.

These paintings explore optical perceptions of space; emphasizing the formal properties of structure and design, Lambeth’s images present the viewer with a sense of visual pleasure. With their bright, welcoming colours and forms the paintings in Night Moves foreground ideas of beauty and express Lambeth’s desire to create optimistic works that distract the viewer from the difficult times in which we live.

Night Moves runs through to March 2 at Deluge Contemporary Art, 636 Yates. There will be an artist talk at 3pm Sat, Feb 16.

 John Barton: New Poet Laureate

Writing alumnus and former longtime Malahat Review editor John Barton has been named the new Poet Laureate of Victoria. Barton has written 26 books and is currently working on his first book of prose; his appointment was reported in this Times Colonist article and this piece from Monday Magazine.

Fowler (in yellow)

The 25th Annual Putnam County Spelling Bee

The Victoria Theatre Guild offers a lively version of this 2005 Tony-winning show — a clever, charming and sweet-natured musical comedy about six quirky tweens competing in the spelling bee of a lifetime. While candidly disclosing hilarious and touching stories from their home lives, they spell their way through a series of words, hoping never to hear the soul-crushing ding of the bell that signals a mistake. In the end, the youth learn that winning isn’t everything, and that losing doesn’t necessarily make you a loser.

Featuring a fantastic performance by Phoenix alumni Hailey Fowler and an outstanding set by Barbara Clerihue.

Spelling Bee runs until Feb 2 at Langham Court Theatre. Tickets are $25-$35 . . . if you can find one!

 

 

Top 10 Fine Arts stories of 2018

There was certainly no shortage of Fine Arts news in 2018, given that we tracked nearly 300 local, national and international media stories about the creative activities of our faculty, alumni, students and staff . . . and those are just the stories we know about.

From our new faculty members—including Rick Leong, Sasha Kovacs, Deborah Campbell, Katharina Clausius and Michael Elliott—to a new batch of websites for our departments of Art History & Visual Studies, Theatre, Visual Arts, Writing and the School of Music, Fine Arts continues to grow and evolve as we move closer to our 50th anniversary in 2019/20.

While it was hard to choose favourites from amongst the many stories that appeared in both traditional and social media, here (in no particular order) are our choices for the top 10 Fine Arts stories from our faculty blog.

Benjamin Butterfield named to the Royal Society of Canada

Benjamin Butterfield (UVic Photo Services)

Three UVic faculty members received the country’s highest academic honour by being named 2018 fellows of the Royal Society of Canada (RSC) in September—and among those joining the distinguished ranks was School of Music professor Benjamin Butterfield.

While Butterfield has won international plaudits as one of Canada’s best operatic tenors, he is equally passionate about his role as head of voice for UVic’s School of Music.

“With a performance career, the more you’re in the game, the more you’ll be asked to be in the game,” he explains. “But my obligation is really to teaching . . . for me, it’s less about pursuing my ‘career’ and more about being here for students who sing, and who want to learn to sing—that’s my day job, that’s my real life, that’s what’s most important.”

Butterfield is now the eighth Fine Arts faculty member to be inducted into the RSC, including Fellows Mary Kerr (Theatre), Harald Krebs (Music), Tim Lilburn (Writing), Joan MacLeod (Writing) and Sandra Meigs (Visual Arts), as well as RSC College member Dániel Péter Biró (Music) and RSC Medal winner Jack Hodgins (Writing, retired).

Read more about Butterfield’s RSC appointment here.

Esi Edugyan wins second Giller Prize

Fine Arts has no shortage of alumni success stories, but it’s hard to top internationally acclaimed Department of Writing alumna Esi Edugyan, who won her second Scotiabank Giller Prize in 2018 for her latest novel, Washington Black.

Edugyan won $100,000 on the 25th anniversary of Canada’s richest literary award, and also earns the distinction of being one of only three authors to twice win the Giller Prize, alongside M.G. Vassanji and Alice Munro.

Washington Black was also nominated for the Man Booker Prize and the Rogers Writers’ Trust Fiction Prize—as was her previous 2011 Giller Prize-winning novel Half-Blood Blues. Indeed, having only published three novels (including her debut, The Second Life of Samuel Tyne), Edugyan’s back-to-back wins for Washington Black and Half-Blood Blues is doubly remarkable, especially when you consider both were shortlisted for the coveted trifecta of fiction awards.

Read more about Edugyan’s Giller win here.

Carey Newman is the new Audain Professor

Carey Newman receiving his Order of BC from
Lieutenant Governor the Honourable Janet Austin and Premier John Horgan in September

When Kwagiulth and Coast Salish artist Carey Newman’s Witness Blanket was unveiled at the University of Victoria in 2014, it was clear the large-scale installation would quickly become a national monument and spark reflection and conversation about residential schools, settler-Indigenous relations and reconciliation. Now, Newman will continue the conversation as the sixth Audain Professor of Contemporary Art Practice of the Pacific Northwest with the Visual Arts department

“This is breaking new ground for me,” said Newman in June. “I’m looking forward to having the opportunity to convert the experience of mentorship into a more formal educational setting.”

It’s been a big year for Newman: on top of being declared the Audian Professor for the next three years, he was granted the Order of BC, was named the inaugural recipient of the Professional Arts Alliance of Greater Victoria’s Regional Arts Award, played a role in the Aboriginal Canadian Entrepreneurs program with the Gustavson School of Business, received a Saanich150 art commission and debuted his new “Witness Blanket” documentary at the Vancouver International Film Festival.

Read more about Newman’s Audain position here.

Carolyn Butler Palmer advises on new $10 bill

When Art History & Visual Studies professor Carolyn Butler-Palmer received an email from the Bank of Canada back in 2017, she didn’t put much stock in it. “To be honest, I thought it was a scam email,” she laughs, “but in fact they wanted to speak to me as an art historian.”

While it’s no secret now that Canada’s new vertical $10 bill features Nova Scotia civil libertarian Viola Desmond, Butler-Palmer was under a strict confidentiality order for several months starting in summer 2017 while she was consulted by the Bank of Canada about the proposed design. One of a number of experts contacted, Butler-Palmer came to their attention due to the Globe and Mail coverage of her early 2017 exhibit Ellen Neel: The First Woman Totem Pole Carver at UVic’s Legacy Gallery.

“It was a real honour to be asked and to be able to work on such an important change in our currency,” Butler-Palmer said in this recent interview with the Martlet. “I think the change is really reflected too, [particularly] that they changed the orientation as well . . . to signify the change in the way that they represent Viola Desmond on that bill.”

Find out more about Butler Palmer’s involvement in the $10 bill here.

The Drowsy Chaperone a stunning success

Douglas Peerless as the Man in the Chair (photo: Dean Kalyan)

The response to Phoenix’s fall mainstage production of The Drowsy Chaperone, directed by Jacques Lemay, was fantastic. Audiences and reviewers alike praised this production as one of the finest in Phoenix’s 50-plus year history.

“This is one of the best shows staged by the university’s theatre department in recent years and should not be missed,” notes thisTimes Colonist review by Adrian Chamberlain. “Everything about this elegant, detailed production works well: the excellent costumes, set, acting, dancing, choreography . . . . [this is] a truly superior piece of theatre that will undoubtedly be a highlight of the season.”

It was such a hit, in fact, that they ended up adding two additional shows after the entire run was essentially sold out in November!

Read more about the amazing success of The Drowsy Chaperone here.

The Orontes Guitar Quartet welcomed as Visiting Artists

(l-r) Orwa Al Sharaa, Gaby Al Botros, Nazir Salameh & Mohammed Mir Mahmoud in front of UVic’s Fine Arts Building, November 2018. (UVic Photo Services)

The dramatic story of four musicians escaping daily violence in Syria for a fellowship in UVic’s School of Music caught the attention of The Globe and Mail in December, and became one of UVic’s top news stories of 2018.

Alexander Dunn, an internationally renowned guitarist and UVic music instructor for nearly three decades, played a vital role in bringing the guitar quartet to UVic by working for the past 18 months with two US-based organizations—the Artist Protection Fund (APF), an innovative initiative of the Institute of International Education, and the non-profit organization Remember the River.

Now safely in Victoria as the recipients of a prestigious Artist Protection Fund Fellowship grant, the Orontes quartet offer a remarkable message about the power of music, hope and determination. The quartet told the Globe and Mail that their peaceful lives in Syria had been disrupted by the civil war, and violence and terror became commonplace. But when the ensemble started to play together, “we forgot everything because we just focused on what we are doing,” as recounted to The Globe’s arts reporter Marsha Lederman in a December 8 article in the national edition of the newspaper.

Read more about the Orontes Quartet here—and be sure to watch this Globe and Mail video of the quartet playing together.

Colton Hash named Artist in Residence for Ocean Networks Canada

Colton Hash with his full-size sculpture of an adolescent female orca (photo: Ashton Sciacallo)

Victoria-based artist Colton Hash became the inaugural recipient of an Artist-in-Residence program by the Faculty of Fine Arts and Ocean Networks Canada (ONC), a UVic initiative. The new ONC residency will strengthen connections between art and science, and broaden perspectives on major issues ranging from technology and the environment to biodiversity and healthy communities.

A recent graduate of UVic’s combined undergraduate program in Visual Arts and computer science, Hash was selected for the residency from a field of nearly 70 local, national and international applicants. He will hold the position from November 2018 to March 2019 and, following his residency, will provide a public exhibition of the resulting body of work.

“I see this as a great opportunity to collaborate with ocean scientists and experiment with digital media to communicate some of the dynamic processes that play a critical role in coastal waters,” says Hash. “Whether it’s how a kelp forest responds to climate change or how the thawing of frozen methane affects sediment stability of submarine slopes, I hope I can use interactive art to inspire viewers to care more about what is happening beneath the ocean’s surface.”

Read more about Hash’s ONC residency here.

Fine Arts hosts Reconciliation & the Arts forum

There was a capacity audience for the Nov 15 forum at the Baumann Ctr (photo: Fiona Ngai)

The fourth annual Building Reconciliation Forum was hosted at UVic in November and, as part of the two-day event, Fine Arts hosted a panel discussion on First Nations Art Practice & Reconciliation.

Presented in partnership with Universities Canada, the Building Reconciliation Forum brought together close to 250 thought leaders from universities, Indigenous governing bodies and communities, and federal and regional government officials from acorss Canada to consider how universities are answering the Truth and Reconciliation Commission’s Calls to Action.

As part of the Forum, Fine Arts Dean Dr. Susan Lewis hosted a near-capacity panel discussion on First Nations Art Practice & Reconciliation at downtown’s Baumann Centre, featuring a range of local artists, administrators, activists and alumni discussing how Victoria’s arts community can advance decolonization and reconciliation.

Panelists included Visual Arts MFA alumna and the City of Victoria’s inaugural Indigenous Artist in Residence Lindsay Delaronde; the Belfry Theatre’s Indigenous cultural advisor Kristy Charlie and executive director Ivan Habel; Pacific Opera’s director of community engagement Rebecca Hass; Open Space board member and Visual Arts sessional instructor Charles Campbell; Legacy Gallery director Mary Jo Hughes; and Art Gallery of Greater Victoria curator of engagement Nicole Stanbridge.

Also during the forum, the Theatre department hosted Nomad, a musical and visual journey through Inuit history with Inuk singer-songwriter and Order of Canada recipient Susan Aglukark.

Find out more about the First Nations Art Practice & Reconciliation event here.

Bill Gaston wins Victoria Book Prize

Department of Writing professor Bill Gaston won the 2018 City of Victoria Butler Book Prize for his short-story collection The Mariner’s Guide to Self Sabotage (Douglas & McIntyre). Victoria Mayor Lisa Helps and co-sponsor Brian Butler presented Gaston with his $5,000 prize at a gala October 17 event at downtown’s Union Club.

2018 was a strong year for the Writing department at the Victoria Book Prize, given that fellow nominees included professor emerita Lorna Crozier (What the Soul Doesn’t Want), longtime instructor Patrick Friesen (Songen) and longtime Faculty of Fine Arts colleague and Dean’s External Advisory Committee member Maria Tippett (Sculpture in Canada: A History).

Gaston is also one of 10 authors nominated for the prestigious RBC Taylor Prize for his 2018 memoir, Just Let Me Look At You (Hamish Hamilton).

Read more about Gaston’s win here.

Twin Kennedy win Distinguished Alumni Award

Twin Kennedy are now Distinguished Alumni (UVic Photo Services)

It’s only been 10 years since sister duo Twin Kennedy graduated from the School of Music, but during that short decade, the acclaimed country/roots duo already released two albums, toured across North America, moved to Nashville and won the hearts of country radio and fans alike. The sisters headed back to UVic in February to be honoured as the Fine Arts winners of UVic’s 2018 Distinguished Alumni Award—an award that’s doubly special this year, given that it was presented during the School of Music’s 50th anniversary.

Know for their distinctly “Canadiana” country roots sound, seamless harmonies and heartfelt songwriting, Carli and Julie Kennedy (BMus ’08) have been dubbed “the next big thing in country music” by the Nashville Music Examiner and Twin Kennedy’s 2017 winter single “Cold Weather” was chosen by Rolling Stone as one of the “10 new country and Americana Christmas songs to hear right now!

“We’re very proud of years at UVic,” says Carli. “Not everyone in the popular-music world has a degree, and it’s an important part of our story. To be recognized for that side of our career is a huge honour; it means a lot to us.”

“And we did it together!” laughs Julie.

They now join the ranks of our previous Fine Arts Distinguished Alumni Award winners: visual artist Althea Thauberger (MFA ’02) director Glynis Leyshon (BFA ’73), author Esi Edugyan (BA ’99), lighting designer Michael J. Whitfield (BA ’67), director and filmmaker Mercedes Bátiz-Benét (BFA ’02), poet Carla Funk (BFA ’97), musician Paul Beauchesne (BMus ’88), author Deborah Willis (BA ’06), environmental designer Valerie Murray (BA ’78), author Eden Robinson (BFA ’92) and visual anthropologist Andrea Walsh (BA ’91).

Find out more about Twin Kennedy’s award here.

Final novel by celebrated Indigenous author Richard Wagamese launched at UVic

From telling stories that helped us understand what it meant to be Canadian to inspiring future generations of writers, Richard Wagamase was one of Canada’s most beloved authors. His death in 2017 at just 61 was a profound loss for our country’s literary culture, and now his final novel, Starlight, is being launched locally at a special event hosted by UVic Chancellor Shelagh Rogers who is also host of CBC Radio’s The Next Chapter and a longtime friend of Wagamese.

The Starlight book launch runs from 7-8:30pm Tuesday, Dec 4, at UVic’s First Peoples House. Admission is free, and all are welcome.

Starlight tells the story of an abused woman who discovers sanctuary on the farm of an Indigenous man, and is an apt conclusion to his literary legacy.

“This book is not only a last gift to his readers, it is a masterpiece,” says Rogers. “It will be wonderful to be among friends to pay tribute to his life and his writing, and it’s wonderful that this event takes place at UVic, as Richard loved the university and his time here.”

Joining Rogers will be 2018 Governor General’s Award winner Darrel J. McLeod (Mamaskatch), 2018 Bolen Book Prize winner Monique Gray Smith (Speaking Our Truth: A Journey of Reconciliation), current Writing MFA candidate Troy Sebastian and Writing professor emerita Lorna Crozier.

Richard Wagamese (photo: John Threlfall)

As one of the Harvey Southam Guest Lecturers in the Department of Writing, Wagamase had a lasting influence on UVic students and the local community by mentoring young writers and sharing his vision of the power of Indigenous storytelling.

“Richard Wagamase had a profound impact on our national culture through his novels, his essays, his memoirs and his memorable readings and talks,” says Writing chair David Leach, moderator of this event.

“As our Southam Lecturer in 2011, he inspired and challenged our students to move out of their comfort zones as writers and explore the power of oral storytelling. It was such a great pleasure to hear Richard’s big-hearted laugh in our hallways and talk with him about books or baseball or the blues. It’s still a shock to realize we will never get another chance to hear him read aloud from his richly detailed and deeply humane novels and essays.”

By drawing upon his work as a journalist and his experiences as a residential school survivor, Wagamese created memorable and award-winning novels such as Indian Horse and Medicine Walk, as well as compelling works of nonfiction, including as One Native Life and Embers.

Copies of Starlight will be available for sale at the event.

UVic is accessible by sustainable travel options including transit and cycling. For those arriving by car, pay parking is in effect. Evening parking is $3.

UVic hosts 2018 Building Reconciliation Forum

UVic is this year’s host for the fourth annual Building Reconciliation Forum, in partnership with Universities Canada, the national organization for Canadian universities. The forum (Nov. 15–16) brings together close to 250 thought leaders from universities, Indigenous governing bodies and communities, and federal and regional government officials to consider how universities are answering the Truth and Reconciliation Commission’s Calls to Action.

There was a capacity audience for the Nov 15 forum at the Baumann Ctr (photo: Fiona Ngai)

This year’s theme is Ts’its’u’ watul tseep, meaning to help one another. The teachings of Coast Salish First Nations guide us to “work together in a good way” and “to be prepared for all work to come” so that universities across Canada make a difference in the lives of Indigenous students and their communities.

Panels over two days are addressing TRC topics such as child welfare, language and culture, education, health and justice. Participants will be discussing how universities and their partner institutions can work with Indigenous communities to answer the Calls to Action, obstacles to answering these Calls, and how universities can make a positive difference for Indigenous students and communities. Forum discussions will be compiled into an open-access report. See the schedule of events.

As part of the Forum, Fine Arts Dean Dr. Susan Lewis will be hosting a panel discussion on First Nations Art Practice & Reconciliation. Local artists, administrators and activists will discuss how Victoria’s arts community can advance decolonization and reconciliation. The moderator for the panel is local Cree/Metis TV producer and writer Barbara Hager, and panelists include:

  • Visual Arts MFA alumna Lindsay Delaronde (with mic) was a featured speaker on the Nov 15 panel (photo: Fiona Ngai)

    The Belfry Theatre’s Indigenous cultural advisor Kristy Charlie, from W̱SÁNEĆ territory on the Saanich Peninsula

  • Pacific Opera’s director of community engagement, Metis singer Rebecca Hass
  • Visual Arts MFA alumna and Iroquois Mohawk artist Lindsay Delaronde is, who was recently Open Space’s Acting Aboriginal Curator and the City of Victoria’s inaugural Indigenous Artist in Residence. Delaronde has also shown work at UVic’s Legacy Gallery, the Art Gallery of Greater Victoria, and was artist-in-residence with the Royal BC Museum
  • Belfry Theatre executive director Ivan Habel
  • Open Space board member and Visual Arts sessional instructor Charles Campbell
  • Legacy Gallery director Mary Jo Hughes
  • Art Gallery of Greater Victoria curator of engagement Nicole Stanbridge.

The panel runs from 6:30–9:30pm Thursday, Nov 15 at Pacific Opera Victoria’s Baumann Centre, 925 Balmoral Road. Note: while this event is free, it is technically already sold out. Some seats may be available at the door.

Susan Algukark

Also during the Building Reconciliation Forum, Fine Arts will be hosting noted Inuk singer-songwriter and Order of Canada recipient Susan Aglukark as she presents Nomad, a musical and visual journey through Inuit history, shedding light on some of the psychological and cultural impacts of the rapid change in Canada’s North. Seating will be extremely limited for this event running from noon-1:30pm on Wednesday, Nov 14, in the Chief Dan George Theatre in the Phoenix Theatre building.

We acknowledge with respect the Lkwungen-speaking peoples on whose traditional territory the University of Victoria stands, and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day.

Summer is the time to register for electives

Ever taken a course where you study — and play — video games? Or watch Pixar movies? What about the acting experience, public speaking, humour writing, art forgery, or the cultural impact of film music or the history of fashion & body modification?

From the cultural impact of Star Wars to the inside track on making it as a young adult writer, it’s tough to beat Fine Arts when it comes to cool electives. With over 100 electives open to all students on campus, we’ve got something that will boost your creative and critical thinking skills regardless of your faculty or major.

Each of our five departments offers an exciting range of electives designed to broaden your creative experience. From Music and Writing to Theatre, Visual Arts and Art History & Visual Studies, most of our courses are designed as hands-on experiential learning opportunities — like Vikes Band, where you play live game-day music, Magazine Production, where you conceive of and create your own magazine, or Photography & Video Art, where you put your skills to use behind the camera.

Other courses take a broad approach to cultural studies — like the Asian Identity in Popular Culture or Indigenous Peoples & Music — and look at shifts in society and artistic practice and production over hundreds of years.

Whatever your interest or program, Fine Arts has an elective that will enhance your degree — and your life.

 

New Audain professor examines art as act of reconciliation

When Kwagiulth and Coast Salish artist Carey Newman’s Witness Blanket was unveiled at the University of Victoria in 2014, it was clear the large-scale installation would quickly become a national monument and spark reflection and conversation about residential schools, settler-Indigenous relations and reconciliation. Now, Newman will continue the conversation as the sixth Audain Professor of Contemporary Art Practice of the Pacific Northwest with UVic’s Department of Visual Arts.

Kwagiulth and Coast Salish artist Carey Newman installs the Witness Blanket at UVic ahead of its unveiling in 2014 at a global conference hosted by the university. Photo: Suzanne Ahearne

“This is breaking new ground for me,” says Newman. “I’m looking forward to having the opportunity to convert the experience of mentorship into a more formal educational setting.”

UVic promotes teaching that reflects the aspirations and calls to action of the Truth and Reconciliation Commission, including addressing issues most relevant to Indigenous people and working with Indigenous communities and organizations to understand, preserve and celebrate traditions, knowledge and cultures.

A former UVic School of Music student, Newman will be the first Audain professor to hold a new three-year position with the department. He will also play a role in the award-winning ACE program with UVic’s Gustavson School of Business, which supports the entrepreneurial practices of Indigenous artists.

“As a master carver, Carey Newman has extensive knowledge of traditions and teachings, as well as a keen interest in contemporary design and digital processes,” says visual arts chair Paul Walde. “Not only is he an extremely well-established artist, but he has strong connections in different mediums and disciplines, both nationally and internationally. With him in the department, we know we would all learn a lot—faculty and students alike—and we look forward to how we can be enriched by that dialogue.”

The artist in his studio in 2013/14, working on one of the cedar panels for the Witness Blanket. Photo: Media One.

The master carver for the Cowichan 2008 Spirit Pole, Newman had another piece, “Dancing Wind,” featured at the 2010 Olympic Games. For over 20 years, he owned Sooke’s recently closed Blue Raven Gallery. He is also an accomplished pianist and singer who has performed at the National Aboriginal Achievement Awards and with Pacific Opera Victoria, where he is currently a board member.

Best known for his 12-metre-long Witness Blanket—created and assembled from 600 objects and artifacts including pieces of residential schools, an old drum and a shoe—Newman spent four years travelling across Canada with the installation that evokes the atrocities of Indian residential schools and a national journey toward reconciliation. Newman is excited to bring ideas of reconciliation into his classes at UVic.

“I’m interested in looking at how artists can take on the issue of reconciliation through their own relationship with Canada,” he says. “That way, it’s not limiting it to Indigenous people but is encouraging anyone, even international students, to relate to it.”

Established by a $2-million gift from philanthropist and UVic alumnus Michael Audain in 2010, the position has brought distinguished practicing artists Rande Cook, Nicholas Galanin, Michael Nicol YahgulanaasJackson 2Bears, and Governor General’s Award-winner Rebecca Belmore to teach in the visual arts department.