Orion Series presents filmmaker Ali Kazimi

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Ali Kazimi

Documentary filmmaker

“Documentarian as Witness: The Making of Beyond Extinction

10:30am-noon, Thursday, May 30

Online only via Zoom  Free & open to all

(Meeting ID: 839 7959 0560. Password: 119640)

Presented by UVic’s Department of Art History & Visual Studies

For more information on this lecture please email: arthistory@uvic.ca

About Ali Kazimi

A professor of cinema and media arts at Ontario’s York University, Ali Kazimi is a filmmaker, writer and visual artist whose work deals with race, social justice, migration, history, memory and archive. He was presented with the Governor General’s Award for Lifetime Achievement in Visual and Media Arts in 2019, as well as a Doctor of Letters honoris causa from UBC. In 2023 he was elected as a Fellow of the Royal Society of Canada.

“My body of work reflects a commitment to storytelling that addresses social issues, cultural complexities, and historical injustices, aiming to provoke thought, inspire change, and foster understanding within diverse communities,” he says.

Kazimi has interwoven themes of place and belonging through many of his works—including Beyond Extinction (2022), which traces three decades of action by the Indigenous matriarchs of the Autonomous Sinixt for recognition of their existence and their claim to their ancestral territories and is an important document of BC history.

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca

Opera star Marion Newman joins UVic Music

Critically acclaimed Canadian opera singer and national CBC Radio host Marion Newman is returning to the University of Victoria to join the award-winning teaching faculty at the School of Music.

Newman — whose traditional name is Nege’ga — is of Kwagiulth and Stó:lō First Nations descent with English, Irish and Scottish heritage. The 2022 UVic Distinguished Alumni Award recipient (BMUS ’93) will officially join the School of Music as an assistant professor on July 1, 2024.

“I’m really looking forward to this,” says Newman. “It’s always a lovely circular journey when alumni return and become part of the faculty.” Currently based in Toronto, the busy mezzo-soprano will continue hosting CBC’s Saturday Afternoon at the Opera from Victoria.

In addition to the UVic announcement, the news was picked up by a number of local media outlets who subsequently ran stories, including the Times Colonist, Victoria News, Sooke News Mirror and the Vancouver is Awesome blog. (We think Marion is awesome too!)

No stranger to local audiences, Newman just appeared in City Opera Vancouver’s Songs from the Uproar: The Lives and Deaths of Isabelle Eberhardt and is currently workshopping a new opera by Ian Cusson and Royce Vavre,commissioned by Against the Grain Theatre and Edmonton Opera, based on Thomas King’s 2020 comedic novel Indians on Vacation. (“It is such a delight to play somebody who’s so full of sunshine and reality and so . . . normal,” she laughs.)

She was also lauded for her performances in Pacific Opera Victoria’s Missing, which gave voice — in English and Gitksan — to stories of missing and murdered Indigenous women.

“Singing in Indigenous languages is something I’ve been doing for a number of years now,” she says. “It’s always exciting to immerse yourself in that way as a character to sing words . . . you start to understand what the general sound of the language is and how it grew out of the place and the people.”

Marion Newman in Pacific Opera’s Missing (photo: Dean Kalyan)

Learning and living by example

Already recognized as one of Canada’s leading singer-training programs, UVic’s School of Music is a perfect fit for Newman, who will join the internationally acclaimed likes of professors and opera performers Benjamin Butterfield and Anne Grimm, as well as a team of outstanding faculty covering program areas ranging from performance, composition and musicology to music technology, music education and music theory.

“We are thrilled to welcome Marion!” says School of Music director Alexis Luko. “Given her perspective, local connections and international reach, she’s positioned to have a profound impact on artistic and cultural life in Victoria, and will further UVic’s reputation as a destination for mindful and engaged artists.”

Newman’s new teaching position is also a good fit with her role as host of Saturday Afternoon at the Opera, and her passion for championing Canadian opera.

“It’s always been my wish to showcase how many amazing Canadians we have working in opera,” she says. “I know it’s exciting for students to hear from people who are working in their chosen field right now, because their information is very current and very inspirational. Learning and living by example is a fantastic thing — you can speak directly to what the challenges and changes are within the industry.”

Making connections

Newman has strong memories of her own time as a UVic Music student. “I had a wonderful piano teacher there in Dr. Robin Wood,” she recalls. “He was one of the most human humans, and really helped shape me in terms of what it means to remain connected and humble and work hard in ways that bring joy.”

As well as being the co-founder of the diversity-focused Amplified Opera organization, Newman also teaches at the Banff Centre for Arts and Creativity and is on faculty for Manitoba Opera’s Digital Emerging Artist Program. She also serves on the Opera America Artistic Services Council, the Artist Advisory to the board of City Opera Vancouver, the board of the US-based Plimpton Foundation, which raises awareness and funds for an Indigenous Songbook and bursaries for Indigenous classical artists, as well as various other committees.

She’s also looking forward to working more closely with her brother, artist Carey Newman – Hayalthkin’geme, who is the Impact Chair in Indigenous Art Practices with UVic’s Faculty of Fine Arts.

“As people who are often tasked by others to explain decolonization or Indigenization, it’s going to be wonderful to be able to have those conversations with him in person — it’s a heavy load and no one person has all the answers,” she says.

“I’ve been doing that work within the music sphere for a number of years now, so I’m really looking forward to being a part of what’s going on at the university and getting to be part of those conversations. And we have a couple of shows that we would love to create together.”

Photo: Tony Hauser

Helping to move each other forward

Newman’s hiring aligns with UVic’s Indigenous plan, Xʷkʷənəŋ istəl | W̱ȻENEṈISTEL | Helping to move each other forward, where Indigenous ways of knowing, being and learning are embedded into the university’s programs, systems and organizational structure.

“Part of what’s exciting about coming to UVic is that wish to actually do what’s needed,” she says. “There are a lot of other places who think they’re ready to have that conversation, but they’re not really ready for the consequences of those conversations.”

Newman is also clearly excited about calling the West Coast home again. “I’ve been living in Toronto for 24 years now and while I love it, I know it’s time to breathe that salty sea air again every day,” she says. “I’m still in touch with my family daily, but to be able to go to family dinners more than just three or four times a year is exactly what I want right now.”

Distinguished Alumni Awards honour Carrie Tennant, Dennis Gupa & Ivy Martin

UVic announced the recipients of the 2024 Distinguished Alumni Awards on March 4 and Fine Arts was once again proud to see three of our outstanding graduates included among the 18 recipients being recognized across the three categories: Presidents’ Alumni Award recipient Carrie Tennant (Music), Emerging Alumni Award recipient Dennis Gupa (Theatre) and Indigenous Community Alumni Award recipient Ivy Martin (CRM). You can view all the awardees and read about them on the alumni awards webpage.

“This diverse group of graduates contribute their skills, passions and leadership to many different fields, including the arts, education, law, science, engineering and business,” says UVic President Kevin Hall. “Advocacy, community building and climate action are common threads woven through their work. In that sense, they shine a light on the values and priorities that define and unite us at UVic.”

Once again, the awards show the calibre of UVic alumni and their impact across the world—but it’s also a great reminder of the potential future impact of the work we do every day to create positive student experiences.

Carrie Tennant, Presidents’ Alumni Award

Presented by UVic’s President and the President of the UVic Alumni Association, this award recognizes the outstanding lifetime accomplishments of alumni who have either earned national or international regard, or had a significant local impact as a result of their outstanding professional achievements and/or service to society.

For the past 20 years, the Vancouver-based Carrie Tennant has worked with young singers, developing their leadership and artistry. Holder of a Bachelor of Music in Music Education (1999) and a Teaching Certificate from Faculty of Education (2000), she is currently the founder and artistic director of the Vancouver Youth Choir.

Carrie’s choirs have won several awards and have performed at international events in Istanbul and New York City. She is also an affiliate conductor with the Vancouver Chamber Choir, and a frequent clinician, adjudicator and guest conductor across North America and around the world. She is the editor and curator for two choral series: the Vancouver Youth Choir Choral Series (Cypress Publishing), which promotes diverse Canadian voices on the international stage, and the brand new Carrie Tennant Choral Series (Hal Leonard). She received the 2023 YWCA Women of Distinction Award for Arts and Culture, and in a past life she toured, performed and recorded with her husband as a member of Vancouver-based indie-pop group the Salteens.

When asked for her favourite memory of attending UVic, Carrie points to playing in the ensembles with retired Music Ed and Wind Symphony director Gerald King and singing in UVic Chamber Singers with Bruce More. “I went to Korea and Thailand and China with him and the choir,” she recalls. “Bruce was an incredible mentor and a fantastic role model, and he let me conduct in Korea. That gave me the conducting bug. It was really a transformative experience for me.”

You can hear Carrie and the Chamber Singers in action at a special 50th Anniversary concert at Vancouver’s Pacific Spirit Church on April 21, which will also feature an alumni reception before the concert.

One aspect of her UVic training that really helped shape Carrie was what she describes as the “spirit of thinking outside the box, which I really have carried forward with me.” But she also credits our “incredible” music education program: “I walked out of that program ready to be a successful teacher in the public system, and I didn’t realize at the time that that was not the norm until I connected with other first-year teachers from other post-secondary programs who were overwhelmed and treading water and couldn’t handle it,” she says. “Even though I’m not a teacher in the traditional sense now, I think a lot of the foundational principles and methodology comes from that strong background of music ed from UVic.”

Read more of the interview with Carrie here—including her thoughts on community building, her own personal motivations, the best advice she ever received, her go-to karaoke song (spoiler: it’s Dolly Parton’s “9 to 5”) and her secret talent.

Dennis Gupa, Emerging Alumni Awards

Recognizing the outstanding professional achievements and/or contributions of recent alumni (graduated within the last 10 years) to the community, one of this year’s Emerging Alumni Awards goes to the now Philippines-born but now Winnipeg-based Dennis Gupa (Doctor of Philosophy in Applied Theatre, 2021).

Dennis is a theatre director, performance maker/researcher, applied-theatre practitioner and an assistant professor at the Department of Theatre and Film at the University of Winnipeg. He has an MFA in Theatre (Directing) from UBC, an MA in Theatre Arts from the University of the Philippines and completed his PhD in Applied Theatre at the University of Victoria as a Vanier Scholar; his dissertation centred on climate change and Indigenous ecological knowledge, which was amplified with his role as UVic’s Ocean Networks Canada Artist in Residence during the pandemic.

Dennis has directed and devised performances in Southeast Asia and North America. He received the 2023 inaugural Green Award (Individual Artist Runner-Up) from the Professional Association of Canadian Theatres (PACT) and Boca del Lupo and RBC Foundation’s 2023 SLaM (Successor, Leadership and Mentorship) Program. He is a Dwight Conquergood Laureate of the Performance Studies International (PSi) and The Ada Slaight Drama in Education Awardee of Toronto’s Young People’s Theatre. Dennis is mentioned in the Cultural Centre of the Philippines’ Encyclopedia of Philippine Arts for his contribution to the contemporary theatrical heritage of the Philippines.

He describes his experiences at UVic as “life transforming,” noting that he’s the only person in his family who received both an international education and a PhD.

“But having such an achievement is empty when you are not connected to the purpose of the work that you’re doing,” he says. “UVic taught me to have an attentiveness to one’s purpose—a kind of an attention to the things that I wish to contribute to the world. It made me reflexive, value collaboration and to have the courage to constantly interrogate and question the work I create, communicate and circulate. My academic and artistic experiences at UVic made me realize that I have to constantly evolve with my own craft as a scholar, teacher and artist to become a better human being.”

Read more about Dennis here—including the one essential trait for his continuing work (humility), a good piece of advice, his favourite way of relaxing, one food he can’t resist (Filipino adobo) and who (or what) he’d like to play him in the movie of his life.

Ivy Martin, Indigenous Community Alumni Award

Long before obtaining her Diploma in Cultural Resource Management in 2023, Tofino-based (but Port Alberni-born) Ivy Martin played a key role in caretaking, documenting and promoting the traditional knowledge and cultural treasures of the Tlaoquiaht First Nation.

She has successfully repatriated several ancestral treasures to the community and helped build a custom space with temperature and humidity control to secure their long time use and preservation. Ivy works with Tlaoquiaht’s Tribal Parks department and archaeologists on cultural surveys to ensure cultural sites and treasures are handled with the proper traditional protocols of the Tlaoquiaht First Nation, and to establish a repository for artifacts found within the traditional territory. She records, documents and shares cultural knowledge, and is currently building an online database and learning resources as part of the nation’s efforts to revitalize the endangered Tlaoquiaht language.

When asked for a favourite memory of her time at UVic, Ivy recalled the cultural regalia that went missing from her family years before. “My mother’s the eldest daughter of my grandfather, who was chief,” she explains. “I was in my 20s when I started collecting, documenting culture and our history, because it was intriguing to me . . . and [my grandfather] shared his wish for me to find this regalia and to bring the regalia home.”

So when one of her CRM assignments was to do a repatriation request, Ivy  already knew what her family wanted. “Now we have a room that is a designated chief’s regalia space. That’s come from part of my course work with UVic. It’s helped me to see how it can be a reality for my community. It’s been an awesome journey, very culturally healing. My experience has made it such a personal thing, connected to that identity in my family, of having that regalia coming home.”

Read more about Ivy here, including key skills, underappreciated characteristics (“We don’t shine enough light on our abilities to push forward each day”), valuable advice, what she does to relax, and what brings her joy (“seeing my kids enjoy life”).  

“My education with UVic has helped me to create opportunities for my family to learn and experience things that are meaningful,” she concludes.

Nominate a Distinguished Alumni

You can read more about previous Fine Arts Distinguished Alumni Award winners.

Nominations for the 2025 Distinguished Alumni Awards are now open through October 18, 2024.

Comics as a path to resistance

Kwakwaka’wakw author, artist & activist Gord Hill is the 2024 Lehan Lecturer with UVic’s Faculty of Fine Arts. His free public talk ran on Thursday, March 7 in room A110 of UVic’s Turpin building. You can watch his talk in this video: 

An artist, author, political activist & member of the Kwakwaka’wakw nation, Hill is the author of The 500 Years of Indigenous Resistance Comic Book, The Anti-Capitalist Resistance Comic Book and The Antifa Comic Book and has been involved in Indigenous peoples’ and anti-globalization movements since 1990.

The annual Lehan Family Activism & the Arts Lecture Series features a distinguished guest presenting ideas on how the arts are a catalyst for change in advancing the understanding and goals of various social justice topics.

And that’s certainly how it worked for Gord Hill, who combined a passion for social justice with his artistic interests to create an accessible learning tool rooted in his own cultural traditions.

“The arts have always been a highly respected craft on the West Coast,” he explains. “Artists were tasked with recreating ancestors in a graphic form — like carvings and paintings in the big houses — so in our culture, there’s a lot of visual reaffirmation of our ancestors in everyday life. For me as an artist, graphic novels are a way of maintaining our history and making it accessible to people.”

From comics to ’zines

Like many of us, Hill says he read comics as a kid — mostly Marvel, but also surprisingly Conan (“I actually thought he was like a native, because he was a nomadic Sumerian warrior with long black hair who was always engaging with different people”) — but it was his teenage involvement in political social movements and the ‘zine culture of the ’90s that really sparked his interest in becoming a comic artist and author himself.

“As an artist, I always wanted to draw comics . . . but I’m not really into making up fictional characters and developing their background and all that,” he explains. “So when I was working with the native youth movement in the late ’90s, I decided I was going to try doing some historical comics — because the story is already kind of written, right? I just had to reinterpret it for a graphic format.”

Given his own activity, some of Hill’s early work focused on crises of the day. “I found that even with our most recent acts of resistance — like the 1990 Oka crisis — there wasn’t really that much information out there, as this was before the Internet was really widespread. So one of the first comics I did was an eight-page comic about Oka, and then I did one about the 1995 Ts’Peten [Gustafsen Lake] standoff in the interior of BC.”

Learning from history

Before long he had created a number of these short educational comics, and a friend suggested doing a larger work looking at 500 years of Indigenous resistance — which, an assist from friend and Art History & Visual Studies professor Alan Antliff, was then published by Vancouver’s Arsenal Pulp Press.

Three books later, Hill’s work is just as relevant today as when he started. “Graphic novels are really accessible, especially today in our era of memes and videos on Facebook and TikTok,” he says.

He also feels historically-based comic books can be a great teaching tool.

“History can help you understand your present situation: you can learn from what resistance movements have done in the past and apply that to today,” he says.

“Historically, we’re taught that Indigenous peoples were just helpless victims while European colonizers conquered the land and committed genocide. But if you actually look into it, there’s a really strong history of resistance — there are areas where it took Europeans centuries to conquer Indigenous peoples — and I think that’s really inspiring.”

“Resistance movements can inspire and empower us, show us that we’re not helpless victims,” he continues. “It can contribute to a fighting spirit to know the oppressor isn’t omnipotent, that they have actually suffered defeat. I hope my work contributes to resistance movements today, so they’re able to learn from the history of resistance, which is an important part of maintaining a culture of resistance.”

NEW DATE & TIME: Due to a weather-related incident, we have now rescheduled this talk. All are welcome to hear Gord Hill’s free public talk as the 2024 Lehan Family Activism & the Arts guest lecturer, from 5-6:30pm Thursday, March 7, in room A110 of UVic’s Turpin building

Fine Arts in the news: media roundup

When it comes to announcements, publications and media appearances, there’s never really a slow time for Fine Arts faculty, alumni and students — and the past couple of months have been no exception. Here’s a quick roundup of who’s been speaking with the media lately.

 

Art History & Visual Studies

In this December article for Forbes magazine, professor Catherine Harding comments on the use of AI in identifying another artist involved in a 16th century painting by Raphael. “It is wonderful if we can use AI in this way,” Harding said. “It won’t be irrefutable. It will depend entirely on the expertise of the people doing the programming, but if they can write the right kind of algorithm, it will be very useful.”

As part of the new Jeffrey Rubinoff Nexus for Art as a Source of Knowledge, professor Allan Antliff has been selected as the inaugural Rubinoff Legacy Professor. This named professorship is just one facet of $230,000 in new funding from the Rubinoff Foundation, which also includes 15 annual graduate student scholarships and the expansion of experiential learning initiatives at Hornby Island’s Jeffrey Rubinoff Sculpture Park. Read more in this announcement.

Professor Carolyn Butler Palmer and Visual Arts professor emeritus Lynda Gammon were interviewed on this Jan 6 segment of CBC Radio’s North By Northwest in support of Gammon’s Latent exhibit at Legacy downtown, which is curated by Butler Palmer. There is also an accompanying short visual story with pictures in this issue of the NXNW newsletter.

Adjunct professor Martin Segger recently wrote this fantastic Times Colonist piece about the history of not only Centennial Square but the overall planned design of Victoria’s downtown district.

Adjunct professor Grace Wong Sneddon co-curated the recent exhibit The Magic of Tony Eng (with local historian John Adams) for the Chinese Canadian Museum in Fan Tan Alley. A goal for this museum is to recognize Victoria’s Chinese Canadians and, as such, Eng is an ideal subject: a vibrant and active member of the city, many remember him as a charismatic stage magician, teacher and mentor to generations of local magicians. In other news, Wong Sneddon recently co-authored two chapters in a new book, Diversity Leadership in Education: Embedding Practices of Social Justice (2024, edited by UVic’s Catherine McGregor & Shailoo Bedi): “Unpacking the Equity Myth: Diversity & Leadership Deficit” (with Reeta Chowdhari Tremblay) and “Race and Gender: Chinese Canadian Women and Leadership” (with Lokpriy Shrma & Tremblay).

Alum India Young is cited in this Vancouver Sun article about a career retrospective exhibit by Nuu-chah-nulth artist George Clutes at Vancouver’s Bill Reid Gallery; the exhibit was created by Young plus UVic’s Andrea Walsh and Jennifer Robinson.

School of Music

Marking their official retirement from performing, the “trailblazing” Lafayette String Quartet were recently profiled in this feature article from Strings Magazine. “I hope we’ve instilled a deep love of chamber music in our audiences and students,” said Ann Elliott-Goldschmid. Our students benefited enormously from observing four musicians who respect each other and worked together, unified, in overseeing their studies and musical growth.”

Ahead of his final concert featuring live piano accompaniment to a silent film, professor Bruce Vogt was interviewed by CBC Radio’s All Points West (not archived) and in this Times Colonist story. “I’m certainly not retiring from playing,” said Vogt. “I just won’t be teaching any more. I’ll still be around, until I hear the chimes at midnight.”

January’s masterclass with guest mezzo-soprano Allyson McHardy got a shout-out in this Times Colonist roundup.

Professor Benjamin Butterfield plus alumni Isaiah Bell and Timothy Carter all appeared on this segment of CBC Radio’s On The Island talking about their recent concert, Banned from the Concert Hall. Butterfield was also interviewed for this Times Colonist story about the same event. “I’m not sure everyone goes around talking about their arse all day in Baroque circles,” Butterfield said with a laugh. “But this type of thing has been around a long time.”

As the new leader of the annual TubaChristmas fundraiser, instructor Scott MacInnes was featured in this December Times Colonist article. “It’s awesome that such a lowly instrument can provide so much happiness,” said MacInnes, who will be conducting the festive ensemble for the first time.

Arbutus Middle School’s music program was recently announced as the winners—again—of CBC’s annual national Music Class Challenge. While not named in the article, Arbutus’s music program is led by alumni Jennifer Hill & sessional Michael Mazza.

Theatre

As co-author, professor Yasmine Kandil was recently announced as one of the winners of 2023’s Wayman Mullins Award for Best Journal Article, as awarded by the Society for Police and Criminal Psychology Board of Directors. This award is given for the best scientific article as published in the Journal of Police and Criminal Psychology. Kandil, along with co-authors Jennifer A. A. Lavoie & Natalie Alvarez, picked up the award for their article “Developing Community Co-designed Scenario-Based Training for Police Mental Health Crisis Response: A Relational Policing Approach to De-escalation”.

Alum Jena Mailloux (MA Interdisciplinary Studies: Applied Theatre/Curriculum & Instruction) recently published the article “Elevating Critical Pedagogy Through Dramatic Principles: A Comparative Framework Analysis of Anti-Bullying Drama Education and Theatre Research Initiatives” in the Drama Australia Journal.

Alum Alynne Sinnema (MA Applied Theatre) was recently awarded the Canadian Association for Theatre Research Robert G. Lawrence Scholarship for her for the project “Coming to her Senses: Women’s Sexual Empowerment Through Applied Theatre”, which the adjudicating committee found “inventive and insightful in the ways it aims to combine applied theatre, specifically physical theatre, and feminist theory as a way to support women’s voices, embodied and scholarly considerations of women’s pleasure and sexual agency, and mental health.”

Alum Narges Montakhabi was awarded the Canadian Association for Theatre Research (CATR) Heather McCallum Scholarship for her project “Politics and Poethics of Precarity in Contemporary Middle Eastern Canadian Theatre.” Describing her project as “ambitious”, the committee found her work “amplified the voices of less-heard and younger generations of underrepresented Middle Eastern Canadian playwrights, focusing on contemporary (mostly 21st century) plays and playwrights from Iran, Syria, Palestine, Lebanon, Afghanistan, and Iraq.”

Visual Arts

Recent MFA alum Maryam (whose last name is not being used in the media due to safety concerns) was quoted in this Times Colonist story about her work in the latest Victoria Arts Council exhibit, You Are Welcome. “I’m still very impressed,” she said of the protests in Iran, where most of her friends and family reside. “The metal [in my piece] represents the strength and power of the women in my country when they were killed and shot in the streets.”

While the late-’90s children’s TV show Nanalan is currently going viral on TikTok, none of the coverage mentions the fact that professor Kelly Richardson worked on the show in between her BFA and MFA degrees. She worked on 71 episodes, making the set & greenery but also puppeteering; this allowed her to buy her first computer which entirely changed her art practice. “I’ve never really stopped making plants and animating bugs in my work,” she says. You can see some behind-the-scene photos Kelly has posted on her Instagram feed.

UVic Impact Chair Carey Newman was involved in the first fully bilingual colloquium of the New Uses of Collections in Art Museums Partnership  at the National Gallery of Canada in December. The conference outlined some of the innovative practices changing the standards and practices of art acquisition. This colloquium was jointly produced by the National Gallery of Canada (NGC) and the Université du Québec en Outaouais (UQO) as part of the CIÉCO Research and Inquiry Group’s Partnership New Uses of Collections in Art Museums.

In other news Carey Newman news, this Vancouver Sun article notes that the traveling exhibition of his Witness Blanket will be on display in the West Vancouver public library from Jan 26-March 8. This touring version is a detailed photographic replica of the original 13-panel sculptural installation, which is now permanently housed in Winnipeg’s Canadian Museum for Human Rights. Following this stop, the current 17-city tour next comes to the Saanich School Division (March 25–May 10) before moving on to Nelson and Nova Scotia, with more dates booking into 2025.  

Work by current MFA candidate Eeman Masood was featured in Frozen Forest, the recent curated exhibition at Abu Dhabi Art, and will also be displayed at the India Art Fair exhibition in New Dehli via her gallery representative Galerie ISA, from Feb 1- 4. 

 

Writing

Recent Writing grad and Climate Disaster Project managing editor Aldyn Chwelos was recently featured on this story for CBC Radio’s All Points West, speaking about their work documenting testimonials from survivors of severe wildfires and floods—some of which are getting a reprint in the December/January issue of Readers Digest. Chwelos was also featured in a separate interview with CBC Kelowna’s Radio West (not archived).

Teaching professor Marita Dachsel’s new essay collection Sharp Notions: Essays from the Stitching Life was mentioned in the Globe and Mail’s book gift guide for “The Mindful Maven” this year. “As the editors [Marita Dachsel and Nancy Lee] point out, in the 21st century we don’t need to knit, embroider, weave, bead, make lace or spin yarn. But what these essays by crafters get at, instead, is the nourishment found in the meditative (rather than productive) solace of fibre-arts handiwork.” Dachsel was also interviewed for this Vancouver Sun article exploring two new books with Vancouver Island fibre connections. Sharp Notions was also recently positively reviewed for The British Columbia Review, and it was included inAll Lit Up’s “Refresh Your Shelf: New Non-Fiction” list, which included five notable nonfiction reads for 2024.

Professor David Leach spoke with residents at two Isralei kibbutzim for this story for Jewish Renaissance Magazine. “In 2010, I completed a circuit around Israel to research a book about the founding ideals, hundred-year history and slow decline of the kibbutz movement,” writes Leach. “These 270 or so rural communes, dreamed into reality by young Jewish pioneers as a fusion of socialism and Zionism, had marked the borders of the future state and shaped many of its leaders and artists.”

Crookes Professor Sean Holman announced in December that Rappler — the Philippines’ leading digital media company — has published five students stories as part of the Climate Disaster Project Philippines, appearing just in time for COP28. As part of the CDP’s international outreach, UVic’s Division of Continuing Studies provides certificates to the Philippines students for their work in trauma-informed environmental journalism. All five harrowing stories can be read here, here, here, here and here.

MFA Sam Shelstad’s novel The Cobra and The Key was recently included on CBC Book’s list of “30 books to read this winter”. Things are getting meta with this new satirical novel, which is centred on the life of a writer (also named Sam Shelstad) who is busy working on a book about his failed relationship, while he awaits word from a publisher about the manuscript he’s sure will make him a star—a how-to book for aspiring fiction writers detailing the finer points of the craft.

MFA alum Kyeren Regehr has been named the new director of Victoria’s venerable Planet Earth Poetry Reading Series—which, at 28 years, is surely the city’s longest-running continuous literary series. PEP runs weekly, 7-9pm Fridays at Russell Books on Fort Street.

Fine Arts

UVic’s Fine Arts + Grants & Awards Librarian Christine Walde recently presented her book-themed art exhibit Salvage at the Bruce Hutchinson public library branch, in conjunction withthe Victoria Arts Council. Salvage is a collection of driftwood books salvaged from the beaches of Vancouver Island and the Cascadia bioregion of the Pacific Northwest over a ten-year period.

Did you know Fine Arts Dean Allana Lindgren hosts the pre-show talks for the DanceVictoria series? A dance historian herself, Lindgren speaks ahead of each show in the performance series.

Finally, the winners of our 2023 Student Community Impact Awards were mentioned in Monday Magazine’s coverage of the Greater Victoria Regional Arts Awards.