Wind & song highlighted in Faculty Chamber Music Series

Welcome the fall breezes with this special Faculty Chamber Music concert on Saturday, October 13. Wind and Song will highlight the School of Music’s brass, woodwind and voice faculty, along with some special guests, with a bold and surprising lineup of pieces.

From duos to large chamber works, the diverse and entertaining program features Fisher Tull’s Concerto da Camera for alto saxophone and brass quintet, Sonatine en trio by Florent Schmitt, James Barnes’ Divertissement, Op. 50 for brass quintet, and Partita in G by Don Sweete. Tenor Benjamin Butterfield will also sing a few favourites from the songbook of contemporary American composer Randy Newman, including “Marie” and “Lonely At The Top.”

The impressive line-up of performers also includes faculty members Merrie Klazek (trumpet), Scott MacInnes (trombone), Paul Beauchesne (tuba), Suzanne Snizek (flute), Shawn Earle (clarinet), Wendell Clanton (saxophone), Alex Olson (bass), and Arthur Rowe (piano), plus guests including current Masters candidate Marianne Ing (trumpet), alumnus Kelby MacNayr (percussion), and guests Yoomi Kim (piano). Allison Zaichkowski (horn) and Simon MacDonald (violin).

You can learn more about the music on the program in a special pre-concert talk at 7pm.

Wind and Song starts at 8pm Saturday, October 13, in the Phillip T. Young Recital Hall (UVic’s MacLaurin Building B-wing). Tickets range from $10-$25.

Flute concert offers rare & daring program

Prize-winning flutist Suzanne Snizek has a dedicated practice of bringing lesser-known and previously suppressed music to the concert stage. In a noon-hour Faculty Concert on Tuesday, October 9, Dr. Snizek will present a rare selection of music by Czech, Korean, Jewish and Soviet composers.

Dr Suzanne Snizek

The concert will be rich in quality, diverse in musical styles and includes challenging solo flute pieces by Korean composer Isang Yun and Soviet composer Edison Denisov. “Both works are highly expressive although the styles differ greatly,” says Snizek.

She compares Denisov’s writing to that of Shostakovich’s “angularity and melancholy, with hints of humour,” while Yun’s work is explosive and daring and challenges the flutist to play at the extreme ranges of dynamics and colour.

Her concert was previewed in this October 4 Times Colonist article.

Snizek is an expert in suppressed music, has published on the topic and performed this repertoire extensively. She is the 2017 REACH award recipient for Excellence in Creative Expression at UVic, where she recently recorded her first CD devoted to suppressed music, titled Chamber Music (Re)Discoveries.

Guest pianist Yoomi Kim will join Snizek in works by Sylvie Bodorová and Gunter Raphael. A Jewish composer who survived the Holocaust, Raphael’s music suffered as a result of the political suppression he experienced during that time.

Kim is a pianist, conductor, composer and teacher at the Victoria Conservatory of Music.

The Faculty Concert Series featuring Suzanne Snizek (flute) and Yoomi Kim (piano) runs from 12:30–1:20 pm Tuesday, Oct. 9, in the Phillip T. Young Recital Hall in UVic’s MacLaurin Building B-wing. Admission is by donation.

Benjamin Butterfield named to Royal Society of Canada

Three University of Victoria faculty members have received the country’s highest academic honour, named 2018 fellows of the Royal Society of Canada (RSC).

UVic’s newest Elected Fellows by the Royal Society of Canada are (from left): Eike-Henner Kluge, Benjamin Butterfield and Tim Stockwell (UVic photo services)

Among elected to the RSC’s distinguished ranks are School of Music professor Benjamin Butterfield, one of Canada’s finest tenors; Eike-Henner Kluge, a leading ethicist and philosopher whose scholarship and theoretical analysis have influenced Canada’s right-to-die legislation and the legalities of abortion; and Tim Stockwell, who has pioneered research in substance abuse and public health policy, in an announcement made on September 11.

The title has been bestowed on more than 2,000 Canadians in the 134-year history of the RSC and has just one criterion: excellence. The peer-elected fellows of the society are chosen for making “remarkable contributions” in the arts, humanities and sciences, and Canadian public life.

While Butterfield has won international plaudits as one of Canada’s best operatic tenors, he is equally passionate about his role as head of voice for UVic’s School of Music.

“With a performance career, the more you’re in the game, the more you’ll be asked to be in the game,” he explains. “But my obligation is really to teaching . . . for me, it’s less about pursuing my ‘career’ and more about being here for students who sing, and who want to learn to sing—that’s my day job, that’s my real life, that’s what’s most important.”

A global presence

Butterfield made his debut in 1994 as Tamino in Mozart’s Magic Flute with the New York City Opera while in the midst of an exciting tenure with Canada’s baroque opera company, Opera Atelier. At this same time, he joined the rosters of IMG Artists in New York City, Organisation Internationale Artistique in Paris and later Athole Still in London.

Having since performed throughout North America and Europe, as well as in Ukraine, the Middle East and Asia, Butterfield’s repertoire ranges from the Renaissance to present day, singing in English, French, Latin, Italian, German, Polish, Czech, Russian and Ukrainian. Over the past three decades, he has performed in many of the world’s most historic venues with the finest ensembles, has been featured on over 30 recordings and even gave Rick Mercer a 10-minute opera lesson at UVic last year.

But while performance demands could be seen as a distraction from his teaching, Butterfield — who joined the Music faculty in 2006 — only sees it as a benefit for his students. “Being part of the singing community means I not only get to work with international professionals, but also bring that knowledge back to my students: the hope, the experience, the pedagogy. It’s an amazing dialogue . . . I’m in a perpetual state of learning from everybody. It also becomes a great recruiting tool, to be able to teach masterclasses and meet young students all over the world.”

Over his past 12 years at UVic, Butterfield has been inspired by the success of many former undergraduate and graduate students — like alumna soprano Eve Daniell, who performed for Queen Elizabeth II as part of the Canada 150 celebrations in 2017. “It’s all about the tools you give them,” he says. “As long as they want to seek things, find the joy and delight in the world, that’s all I need.”

From stages to CEOs

Butterfield gives CBC’s Rick Mercer an on-campus singing lesson back in 2017, along with student Taylor Fawcett

As for the benefits of music performance itself, Butterfield firmly believes that singing should be an essential practice for anyone stepping onto the world stage.

“I’ve long said that any politician or CEO needs to be able to sing a three-minute song,” he insists. “That three-minute song will provide you with everything from succinct text, a clear point-of-view and a sense of history to a knowledge of harmony, melody, language, style and how your body works. Only then can you get up and say what you mean, and mean what you say; if you can’t do that, don’t think you can run a country or a company. The world is bigger than that, and that’s why I sing.”

Butterfield is now the eighth Fine Arts faculty member to be inducted into the RSC, including Fellows Mary Kerr (Theatre), Harald Krebs (Music), Tim Lilburn (Writing), Joan MacLeod (Writing) and Sandra Meigs (Visual Arts), as well as RSC College member Dániel Péter Biró (Music) and RSC Medal winner Jack Hodgins (Writing, retired).

2018 Fellows

Kluge — a professor in UVic’s Department of Philosophy — has been at the forefront of some of today’s most important medical debates, from access to abortion to the ethics of deliberate death, and has written 13 books and authored 90 journal articles.

Stockwell is a knowledge translator and advocate for strong public health policies to prevent illness, injuries and death from alcohol and drug misuse. He has made key contributions that have shaped substance use policies in several countries, including Canada, Scotland, Ireland and Australia.

The RSC was established in 1883 as Canada’s national academy for distinguished scholars, artists and scientists. Its primary objective is to promote learning and research in the arts, humanities, and natural and social sciences. The society has named 75 current, former and adjunct UVic faculty members as fellows over the years.

Student reflections: A Series of Nudges

He told me about a violin teacher his daughter had had when she was growing up. The teacher hardly ever spoke, or directed; she simply supported his daughter’s arm, repositioned her bow hold . . . I asked if that was teaching; he asked what teaching is supposed to be.

a series of nudges

I dedicated the past year of my life to studying and learning “De Profundis”: a piece for speaking pianist by Frédéric Rzewski, with text by Oscar Wilde. (Wilde was incarcerated from 25 May 1895 to 18 May 1897; he was charged with ‘indecency’ on account of his homosexuality, then condemned in Britain. From January to March 1897, Wilde wrote a 50,000-word letter to his former lover, Lord Alfred Douglas, from his cell in Reading Gaol).

A behemoth of a piece, the technical, conceptual, philosophical, and performative demands on the interpreter are many. The opportunity to work one-on-one with professors in piano, sculpture, voice/writing, and philosophy, was fundamental to any success had in the development of this project.

The opportunity to focus absolutely on one project and to delve into such detail at the undergraduate level is rare, and the understanding gained from such tailored support is inimitable. In a directed study, the professor is able to challenge you: “what do you give attention to, and why?”

“I made art a philosophy, and philosophy an art… I treated Art as the supreme reality and life as a mere mode of fiction.” (Wilde)

UVic provides exceptional artistic training, perhaps mostly because of the staff and faculty’s commitment to training, and supporting critical thinking, above all else.

the need to ask a question

“sorry”                                                 “we don’t do that”

            “not our policy”

                                                “not possible”

    “no one’s ever done that before”

With the exception of the time I wanted to hang – in a harness, suspended from the ceiling – for the duration of a performance, these are words I never heard spoken to me during my five years at UVic. Every challenge was met with openness and flexibility from all levels of the School of Music, and I would even venture to say from the entire Faculty of Fine Arts.

In my second year, I wanted to write and produce a 12-minute opera; my professor helped me book the hall and supervise rehearsals, while others helped construct a projection screen and stand, develop choreography/staging, and put together a performance in under two weeks.

In third year, I proposed the idea of doing my graduating composition outside, on top of Mt. Tolmie. In fourth year, my supervisors asked me what I needed and helped put me in contact with Indigenous elders, language specialists, and students with relevant experience.

(photo: Peter Farris-Manning)

(photo: Peter Farris-Manning)

They assisted me in a multitude of administrative tasks, including securing third-party liability insurance, booking rehearsal venues, and renting a port-a-potty!!

(photo: Emily Stewart)

In fifth year I wanted to do the “De Profundis” project as a sort of transition from ‘undergrad’ to ‘professional’ world, and I was fully supported in my endeavours to host this project off-campus. The school generously provided many resources and lessons even at the satellite location, once again going above and beyond regular university standards.

Rebekah Johnson from Blue Bridge Repertory Theatre helped put together this mock-up in the months leading up to “De Profundis,” so I would have the opportunity to experiment with different lights, GOBOs, colour gels, etc. This was organized through the help of my sculpture prof, Daniel Laskarin.


I wonder if a university is a place to learn skills, or ideas.
(I think probably ideally both.)

A place to learn how to think

…and the ability to pursue those ideas,

(a nudge is not a direction)

                                                    freely.

There is no question that I, my way of thinking, and my way of making art have all changed drastically since I came to UVic five years ago.

 Is learning the same as listening?

I wonder if a university is a place to meet new ideas, or new people.
(I wonder if there’s a difference.)

—Written by undergraduate student Kim Farris-Manning

This story was originally published on the My UVic Life student blog

Fine Arts fantastic at Fringe Fest

If it’s late August, it must be time for the Victoria Fringe Festival. Running August 22 to September 2, this annual explosion of live performance returns with 47 shows from around the globe in 12 venues, plus outdoor events for the whole family and late night programming in the Fringe Club. Pick up a program guide, get your Fringe button (you’ll need one in order to buy tickets) and get ready to Fringe!

Of course, Fine Arts is once again well-represented in the festival, with students, alumni and faculty from not only Theatre but also Music and Writing involved in creating, writing, designing, directing, performing and working behind the scenes in a number of shows. How many will you see?

ANGELS & ALIENS  – Co-created and featuring second-generation Phoenix alumnus Jeff Leard (son of local theatrical legend Jim Leard), Angels & Aliens poses questions like, are we alone in the universe? Are we living in a computer simulation? What do two irresponsible roommates eat for breakfast the morning after awkward sex? In short. No. Yes. And eggs.

BEGINNING/MIDDLE/ENDFeaturing current Theatre student Douglas Peerless,  this eponymous production includes three short plays that are broken into a Beginning, a Middle and an End. The cast will then take those nine parts and mix them around, allowing chance and audience participation to decide their order of appearance — with no performance being the same.

CAREY, OK! VOLUME 1: TIMELESS TIMELY TUNES – Featuring Phoenix alumnus Carey Wass—who first came to the city’s attention thanks to his notable role in the original mounting of the musical Ride the Cyclone—this show features a mash-up of monologues and music, that mixes beatboxing, rap-singing . . . and Sir Ian McKellen? It’s described as a must-see musical experience, and with Wass, we’d believe that.

CORNELIUS & TITANIA OR, A TRAGEDY OF THE COMMONS (A COMEDY) – Written by Phoenix alumna playwright and director Pamela Bethel (whose After The Beep was a hit at the recent UNO Festival) and featuring current Theatre student Tallas Munro, this Shakespearean spin focuses on Cornelius who, having had barely one line in Hamlet, finds he usually gets cut and ends up here — with all the other inconsequential characters. Today Titania shows up. According to this fax that just came through, she’s been replaced by a hologram. A comedy about power, privilege and the age old question — who’s responsible for the dirty dishes in the shared kitchen?

DISASTER! – Directed by Phoenix alumnus Cam Culham, this recent Broadway hit musical lovingly parodies the 1970’s disaster-film genre is presented by the St. Michaels University Music Theatre Intensive. Join a colourful group of New Yorkers at the grand opening of a floating casino and disco as they fall prey to all sorts of tragic disasters. This hilarious “jukebox musical” revives popular ’70s songs performed by local teens. They’ll have you grooving and in emergency preparation mode all at the same time!

ERNIE AND BETHY – First performed as a Phoenix SATCo show in early 2018, this comedy examines what happens when puppets grow tired of being controlled and decide to overthrow the human regime. Expect puppet revolution, a struggle to create “real art,” and a healthy dose of existentialism as down-and-out Ernie and overachieving Bethy try to create a children’s show while the foul-mouthed puppets attempt to take over. This show is filled with Theatre students and recent alumni: written, created & assistant directed by Sophie Underwood, directed by Molly McDowell Powlowski, set design by Conor Farrell, costume design by Hailee Jake with an assist by Mackenzie Monroe, lighting design by Tori Isaak, sound design by Aaron Smail, stage managed by Siena Shepard, assistant stage manager Danny Handford, production manager by Logan Swain, puppet engineers Sasha Lazin and Christian Tervo. Featuring Sheldon Graham, Emma Grabinsky with puppeteers Rachel Myers.

FADO – A tale of love and ghosts told through the saddest music in the world—Portuguese fado — this show features the talents of Phoenix alumni Cyllene Richmond, with designs by Patricia Reilly. Brought to you by the creators of the 2015 Fringe Favourite Lieutenant Nun – featuring live music by local fado singer Sara Marreiros.

THE FITTING ROOMWritten by Writing grad Ellery Lamm and original mounted by local Vino Buono theatre in 2017, this is a play about growing up, coming out, facing loss and finding faith. Four teens, a mom, a rabbi and one fitting room: six people all linked to the sudden death of thirteen-year-old Noah. This Phoenix-heavy production is directed by Anna Marie Anderson, with stage manager/sound designer Aaron Smail, set/costume designer Delaney Tesch, lighting designer Elizabeth Martin, and featuring actors Ciaran Volke, Emma Newton, Emma Grabinsky and Eva Hocking.

FOOL’S PARADISE – France, 1686. Mathilde is a young nun whose life radically changes when she meets Julie d’Aubigny, a notorious Parisian opera singer and swordsmaster. Together they plan a daring escape from the convent and elope across France, but it isn’t long before Julie’s colourful past catches up with them. Featuring Phoenixers Julie McGuire and Sophie Chappell, with designs by Annie Konstantinova.

KITT & JANE: AN INTERACTIVE SURVIVAL GUIDE TO THE NEAR-POST-APOCALYPTIC FUTURE – Co-created by Phoenix alumni Kathleen Greenfield and Ingrid Hansen, this encore presentation features Fringe favourite Hansen in the cast, with LX design by Michael Franzmann. Two 14-year-olds hijack their school assembly and train their classmates to survive the coming apocalypse. A poignant exploration of the world today’s youth are inheriting, and how they’re willing to fight for it. Last seen locally at Phoenix’s 2013 Spotlight on Alumni.

LA PALABRA EN EL TIEMPOWith bold rhythm and improvisation, local company Palabra Flamenco presents this mix of fierce dance, live guitar, troubled song and English-language poetry – a grief and praise that soak their way to dark corners. How to confront what’s buried? Hold death near, affirming life? This myth-inflected encounter honours what we’ve lost, what we’re going to lose. Written by Writing MFA alumnus Garth Martens, winner of the Bronwen Wallace Award for Emerging Writers, shortlisted for the Governor General’s Literary Award for Poetry and author of Prologue for the Age of Consequence (Anansi). With acclaimed guitarist Gareth Owen, singer Veronica Maguire (co-founder of Alma de España), and principal dancer Denise Yeo.

THE MEASURE OF LOVE – Phoenix alumnus director Wendy Merk presents this remount of an earlier Fringe hit. Love, betrayal, redemption . . . The Measure of Love is a dramatic exploration of the friendship between two women. “This story of Catholic obsession with guilt and sin is a charmer and devilish fun and in the hands of these veteran performers it’s sensational. Powerful, moody and rewarding. Who said there are no good roles for women anymore?” – Times Colonist.

RATFISH COMEDY SHOW – Join musical director and School of Music professor Patrick Boyle and experience everything that’s made Ratfish Victoria’s favourite local comedy show for 7+ years, all jammed into less than an hour: amazing hosts, a great band, surprise guest performers, hilarious headliners, roast battles — even open mic spots where you can sign up at the show for a chance to grab a 3-minute spot to perform your own original comedy at the Fringe!

SHERLOCK HOLMES & THE CURSE OF MORIARTY Sherlock Holmes is back in his deadliest adventure yet in this new show from Victoria’s Triple Fringe Award-winners Outpost 31. This brand new re-imagining of Sir Arthur Conan Doyle’s timeless classic by David Elendune (Leer, Winnie The Pooh, Casino Royale) features Phoenix alumni Trevor Hinton, Ian Simms, Ellen Law and Connie McConnell.

WAR OF 1812 – Phoenix alumnus Ian Case directs this hilarious historical romp, featuring a who’s-who of the local comedy scene—including Wes Borg, Morgan Cranny, Rod Peter Jr and Mike Delamont. A young boy hates Canada until the ghost of Pierre Burton  takes him on a tour of Canadian History, from the tennis ball battle fields of York to a Laura Secord mega musical, all in a Birchbark time canoe. Get ready for the funniest history lesson of a lifetime!

WATER PEOPLE – Phoenix alumnus and instructor Clayton Jevne directs this drama about Beth, a middle-aged novelist, who begins caring for her disabled mother. It seemed the right thing to do at the time, but a sociopathic social worker, a diabolical sibling, a high maintenance cat, and the woman in the mirror confirming time is not standing still are now “writing” the story that is defining Beth’s life.

THE WILDS – Co-created and featuring Kate Braidwood, this production by 12-time Best of Fest winners The Wonderheads (Loon, Grim & Fischer) features their iconic larger-than-life masks. Wendell’s wife and their beloved tree have vanished, so he must venture into the Wilds to bring them home. Pixar meets Miyazaki in this extraordinary adventure. And watch for a special one-night-only presentation of Grim & Fischer on November 8 at the Metro Studio!

And we’d like to offer a special shout-out to our alumni and students working with Fringe organizers Intrepid Theatre to get this event up, including Jaxun Maron, Sienna Shepard, Emma Leck, Melissa Taylor, and Carolyn Moon with Ticket Rocket box office support by Kate Loomer.

—with files from Adrienne Holierhoek

New donations benefit students

Never underestimate the impact a donation can have for students. For many, both undergraduate and graduate, it can make all the difference in their academic career.

“As a student from a rural town and a lower income family, this scholarship will go a long way in making it possible for me to focus on my studies in the coming academic year,” says Lauren, a third-year Theatre student.

For some, it provides opportunities previously undreamt of — “I didn’t think I’d ever have the opportunity to go to university, and the generosity of your gift has already made such a lasting impact on my studies,” says Laura, a third-year Visual Arts student — while for others, it offers the chance to realize their dreams: “My dream to teach music would be much more difficult without the generosity of you and your family,” writes John, a fourth-year student in the School of Music, in a donor thank-you letter.

The Faculty of Fine Arts distributes over $1.5 million annually from more than 200 separate student awards, benefiting students in all five of our departments. Each year, we’re proud to not only distribute funds from previously created or endowed awards, but also to facilitate the creation of new awards — in fact, 2016/17 saw six new awards created.

Here are just a few of them:

Writing professor Maureen Bradley in the active-learning classroom

Technology expands the horizons of literature

A lifelong love of literature, theatre and education has been fused with digital technology, thanks to a $25,000 donation by Dr. Robert Aitken in memory of his mother. Mary Aitken was a well-loved teacher at both Mt. Douglas and Esquimalt Secondary schools who strongly believed in fostering creativity and keeping up with the latest technology. Now, the Mary Aitken Legacy Scholarship will support students in our new Digital & Interactive Media in the Arts minor, enabling future generations of writers to get their start.

New art therapy scholarship established

There’s no doubt art can make you feel better, and now the Centre for Human Science Research and Its Relation to Human Science Association (formerly the British Columbia School of Art Therapy) has donated $32,000 to establish a new award. The Kathleen G. Collis Art Therapy Scholarship will support Fine Arts students with an interest in phenomenological approaches or other forms of community engaged creative activity that contributes to the field of art therapy and the therapeutic use of the arts.

Dean Susan Lewis (left) with Anna & Eunice Lowe

Fundraiser grows Legacy Scholarship

The Faculty of Fine Arts co-hosted an elegant fundraising dinner at the Union Club in June, in support of the Stephen and Eunice Lowe Legacy Scholarship. A silent auction of over 80 items of art and sculpture from Eunice Lowe’s private collection raised over $18,000 for the scholarship, which is awarded to undergraduate in either Art History & Visual Studies or Visual Arts. Widow of the late celebrated artist, Stephen Lowe, Eunice has tirelessly and graciously sought ways to support our students with her generosity of time and financial support and as an arts ambassador for our community.

New Music award commemorates CFUV host

For over 30 years, Eric LeBlanc’s blues show Let the Good Times Roll appeared weekly on UVic’s CFUV radio. While he spent 25 years as the Dominion Astrophysical Observatory’s librarian, Eric was also a self-taught blues scholar: his collection of thousands of recordings was donated to CFUV after his death in 2015, and over 300 music-related books were donated to the McPherson Library. Now, friends and family have created the Eric LeBlanc Memorial Scholarship for School of Music students with a passion for jazz and blues.

Making the most of a century

Samantha Krzywonos (far right) marks the
98th birthday of longtime donor Tommy Mayne in 2016, with three Theatre student recipients of his scholarship

When noted teacher, philanthropist and lifelong theatre devotee Tommy Mayne passed away in April at the remarkable age of 99, he had already begun to see the impact of his legacy: the Thomas and Elizabeth Mayne Bursary in Theatre, established in 2010, has benefited a number of students, many of which Tommy was able to meet. “I was filled with admiration at his generosity,” said Theatre professor Brian Richmond on his passing. “The city—and the arts community—has lost a wonderful man.”

New awards this year

Indeed, the impact of these kind of gifts lingers long after students graduate. “This award comes at a crucial moment in my studies,” noted one Masters candidate in Theatre. ”Simply put, I don’t know how I would be able to graduate [without it].”

We are grateful to these and our other donors who expanded the range and breadth of awards available to our students by establishing new awards this past academic year:

Sarah Blackstone Endowed Scholarship in Theatre
Dave Ian Dunnet Music Education Scholarship
Eugene Dowling Scholarship Fund in Music
Roger J. Bishop Writing Prize

As Miriam, a second-year Writing student, puts it, “This award has lit me with the confidence I need to take risks and trust my voice and my visions.” It’s hard to not feel good about making this kind of a difference in a student’s life.

To learn more about our giving initiatives, please contact Fine Arts Development Officer Samantha Krzywonos at 250-721-6305 or finedev@uvic.ca.