Top 10 Fine Arts stories of 2024

There’s no better time than the start of a new year for a moment of reflection on the previous year’s accomplishments. With that in mind, we’re happy to present the Fine Arts Top 10 of 2024: an inspiring series of story highlights about our students, faculty and alumni!   

Attendance at Fine Arts events cracks 20,000

It was a banner year for public participation in the Faculty of Fine Arts, with more than 20,000 people attending over 300 scheduled events. Thanks to our wide variety of cultural and scholarly offerings — including concerts, plays, recitals, exhibits, readings, poster fairs, film screenings, visiting artist talks and other special events — Fine Arts remains UVic’s largest and most consistent academic unit for public engagement.

Fine Arts is also an essential and vital cultural partner on campus and in the community, with a direct and lasting impact on the region’s quality of life. Victoria’s arts and culture sector employs over 10,000 people across the CRD and generates about $800 million GDP activity annually (2021 CRD study) — a core part of the $1.8 billion in added income UVic contributes to Greater Victoria.

The annual Visual Arts BFA show attracted over 1,000 people

A busy year for the Climate Disaster Project 

It was an incredible year for the Climate Disaster Project (CDP). Based out of our Writing department and led by Sean Holman, the Wayne Crookes Professor of Environmental and Climate Journalism, the CDP not only mounted September’s world premiere of Eyes of the Beast:Climate Disaster Survivor Stories — the first full-length documentary theatre production based upon on-the-ground climate disaster reporting — but also collaborated with UK media outlet The Guardian in November to publish a series of COP29. And in April, the CDP was named the winner of a Special Recognition Citation for exceptional journalism that doesn’t fit traditional categories at the National Newspaper Awards — Canada’s top journalism awards — and was also nominated for awards with the Canadian Association of Journalists and the Canadian Journalism Foundation. The CDP also started a new partnership with Brazil’s newspaper and presented a two-day workshop as part of the Legacy Gallery’s summer exhibit, Fire Season, on top of its regular work collecting and sharing climate-survivor testimonies by students and instructors in 13 post-secondary institutions worldwide.  

“We are entering a new era of disaster, where our seasons will become increasingly defined by the traumatic events they bring, and we need to learn how journalism can help us survive those traumas together,” says Holman, who founded the CDP in 2021. “We are so honoured the National Newspaper Awards have recognized our efforts to empower disaster-affected communities inside and outside Canada.” 

Holman at the NNAs

Student Community Impact Awards tops $13,000

The annual Fine Arts Student Community Impact Awards recognize individual achievements or outstanding efforts made by full-time Fine Arts undergraduate students beyond their traditional studies — and 2024 saw us surpass $13,000 presented to 11 students since 2021. These juried, donor-funded awards were once again presented at the Greater Victoria Regional Arts Awards in November.

This year’s recipients included Rebecca Fux (Visual Arts), Thomas Moore (Theatre) and Claire Jorgensen (Visual Arts), each of whom receives $1,000 for their individual projects. Rebecca received the award for her work mounting two exhibits of new paintings at separate local artist-run centres during her final year of studies: You Can Cry In Front of Me at Xchanges Gallery, addressing aspects of grieving and healing for young women after sexual assault, and The Weather Inside at the Fifty-Fifty Arts Collective. Thomas was recognized for his work directing and producing three shows with Timetheft Theatre Society — Of Theseus at the Victoria One Act Play Festival, the independently produced Horse Girl, and Carpet at the 2023 Fringe Festival — all of which provided opportunities for young queer and neurodivergent artists. And Claire received her award for winning a competitive commission to create a new large-scale mural embodying themes of diversity, community and wellness for UVic’s Island Medical Program — titled “A Dream of Vitality” — which she then painted live over the course of a month in the lobby of the Medical Sciences building. 

Jorgensen working on her mural

Kathryn Mockler wins Victoria Book Prize

Ww were thrilled in October when Writing professor Kathryn Mockler was named the winner of the City of Victoria Butler Book Prize for her new story collection Anecdote. Originally announced as a finalist alongside recently retired Writing professor Tim Lilburn (Numinous Seditions: Interiority and Climate Change) plus Writing alumni Ali Blythe (Stedfast) and Arleen Paré (Absence of Wings), as well as local poet Shō Yamagushiku (Shima), the prize came the same month as she was revealed to be one of three jurors for the 2024 Governor General’s Literary Award for Poetry.

In her acceptance speech, Mockler noted that she was “humbled to be in the company of these finalists and their beautiful books” and then went on to donate the $5,000 prize to three local charities. “No matter how solitary the act of writing can feel, a writer is always addressing a collective, shared world — describing, analyzing, critiquing, redefining and expanding it,” she noted in her acceptance speech. “Writers cannot ignore the world that shapes their words nor the world that receives them.” 

Carey Newman named Royal Society Fellow

In September, artist and scholar Hayalthkin’geme Carey Newman was named a Fellow of the Royal Society of Canada. UVic’s Impact Chair in Indigenous Art Practices and a professor with both our departments of Visual Arts and Art History & Visual Studies, Newman has a regional, national and international impact by combining art and Kwakwaka’wakw knowledges to address Indigenous and environmental injustice. His projects — like The Witness Blanket and Seedling — transform conversations around reconciliation and decolonization across social, institutional and political paradigms, driving innovation and collaboration that challenge status quo approaches to research in the arts, climate, leadership, transsystemic law, collections management, conservation, technology and more. 

“Transformative change involves reaching hearts and minds. So, when I make artwork about specific issues, rather than telling people what to think or how to feel, I want them to engage with it on their own terms and take ownership of their thoughts and realizations,” explains Newman. “When something becomes personal it becomes important, and once it is important we are more willing to change our ways. Art has this power.”

So many guests! 

We had an incredible lineup of over guest artists this year who took time to share their knowledge and experience with our students and the community through masterclasses and public talks. Our popular Orion Series welcomed award-winning filmmaker Atom Egoyan, Grammy-winning soprano Barbara Hannigan and pianist Bertrand Chamayou, authors Carleigh Baker and Zehra Naqvi, artist Crystal Mowry, scholar Anna Dymond, art historian Alice Ming Wai Jim, screenwriter Michael MacLennan, theatre artists Randi Edmundson and Shizuka Kai, documentarian Ali Kazimi plus musicians Sandeep Bhagwati, Jude Brereton, Corey Hamm, Faustino Diaz, Jonathon Adams, Chloe Kim and Tom Foster. 

Our busy Visiting Artist series welcomed the likes of Jessica Stockholder, Kemi Craig, Justin Seiji Waddell, Debra Yepa-Pappan, Gootlh Ts’milix Mike Dangeli & Sm Łoodm Nüüs Mique’l Dangeli, Sonja Ahlers, Wayne Baerwaldt, Skawennati, Tina Rivers Ryan, Robert Burke and Julia Eden Hardenberg. Acclaimed author John Vaillant was our 2024 Southam Lecturer in Writing, while Gord Hill was this year’s Lehan Lecturer in Arts & Activism, and Joseph Kakwinokansum and Jónína Kirton were the guests for 2024’s sxʷiʔe ̕m “To Tell A Story” Indigenous Writers & Storytellers Series.

Various other guests included renowned pianist Minsoo Sohn (courtesy of the Martha Cooke Fund) while the Belfry Series saw Christine Quintana and Tobin Stokes speak to Theatre students.  

Award-winning filmmaker Atom Egoyan

This year’s Indigenous Writers series

Honorary Doctorates

Fine Arts was thrilled to see two Honorary Doctorates presented at UVic’s Fall Convocation ceremonies in November: En’owkin Centre co-founder Jeannette Armstrong (above left) was awarded an Honorary Doctor of Letters (DLitt) while Puente Theatre founder Lina de Guevara received an Honorary Doctor of Fine Arts (DFA). As an influential advocate for Indigenous peoples’ rights, Armstrong has been a force of change and wide-scale community impact through her artistic, research and educational vision; as a writer, director, educator and actor, de Guevara has left an enduring legacy on our national theatre landscape through her active support of immigrant and refugee communities.

Armstrong (left) & de Guevara 

New faculty members

Even in times of fiscal restraint, it’s important to keep our faculty cutting-edge, so we were excited to welcome a new group of professors this year. Critically acclaimed Canadian opera singer, national CBC Radio Saturday Afternoon at the Opera host and School of Music Distinguished Alumni Award recipient Marion Newman returned to campus this year as an assistant professor in Music; Vancouver author and poet Wayde Compton joined the Writing department as an associate professor; Ts’msyen Nation dancer, choreographer, Sm’algya̱x language learner/teacher and curator Sm Łoodm ‘Nüüsm Mique’l Dangeli is now an assistant professor of Indigenous Arts with our Department of Art History & Visual Studies; and assistant research professor in composition and music technology Lauren McCall is our newest hire, starting in January 2025 at our School of Music.  

Marion Newman

Alumni achievements

Back in March, UVic announced the recipients of the 2024 Distinguished Alumni Awards and Fine Arts was once again proud to see three of our outstanding graduates included among the 18 recipients being recognized across the three categories: Presidents’ Alumni Award recipient Carrie Tennant (Music), Emerging Alumni Award recipient Dennis Gupa (Theatre) and Indigenous Community Alumni Award recipient Ivy Martin (AHVS/CRM). “This diverse group of graduates contribute their skills, passions and leadership to many different fields, including the arts, education, law, science, engineering and business,” says UVic President Kevin Hall. “Advocacy, community building and climate action are common threads woven through their work. In that sense, they shine a light on the values and priorities that define and unite us at UVic.” Read about their individual accomplishments on the alumni awards webpage

In other outstanding alumni news, viral internet comedy sensation Laura Ramoso (Theatre) mounted a global tour which included appearances at LA’s Netflix is a Joke festival, an appearance on CBC Radio’s Q and a sold-out performance at Victoria’s 1,400-seat Royal Theatre; 2024 graduate Sie Douglas-Fish (Visual Arts) made news by getting hired straight out of the program by Montreal-based Acrylic Robotics and saw their art featured on CBC TV’s national Dragon’s Den show; actor and playwright Medina Hahn (Theatre) filmed a movie version and recorded an interactive audio book of her Governor General’s Award shortlisted play Inheritance: A Pick-the-Path Experience; poet Cara-Lyn Morgan (Writing) published her latest collection Building a Nest from the Bones of My People, which explores her Indigenous (Métis) and immigrant (Trinidadian) roots; and CBC “30 Under 30” award-winning violinist Chloe Kim (School of Music) returned to campus as an Orion Lecturer.     

Martin (left), Tennant & Gupa

Fantastic philanthropy

We’ve saved the best news for last: despite being hit with the same budget cuts that have impacted UVic as a whole, we are thrilled to announced that we have raised over $4.8 million for the Faculty of Fine Arts this year—exceeding our 24/25 academic goal by nearly $1 million  . . . and with three months left in the fiscal year! Congratulations go out to hard-working Fine Arts Development Officer Samantha Krzywonos for her dedication and passion in working with our donors to ensure that our students have the best possible experience during their studies here.

The arts have always been and continue to be intimately linked to philanthropy—think of folks like Peggy Guggenheim, Alice Massey or Gertrude Vanderbilt—so it’s no exaggeration to say that we couldn’t do this without our generous donors. Whether it’s individual donations that fund projects like the Bruce More Chamber Singers Legacy Fund, the Student Community Impact Awards or the sxʷiʔe ̕m “To Tell A Story” Indigenous Writers & Storytellers Series, family memorials that create opportunities like the Lehan Family Activism & the Arts Lecture Series, or estate gifts that create exciting inititatives like the Martha Cooke Fund, our donors are an integral part of the Fine Arts  experience.

Finally, we would be remiss to not acknowledge the more generous philanthropic donations that have led to named professorships like the Jeffrey Rubinoff Nexus for Art as a Source of Knowledge fund, the Wayne Crookes Professorship in Environmental and Climate Journalism, the Audain Professorship in Contemporary Art Practice of the Pacific Northwest, the Harvey Stevenson Southam Lecture Fund in Journalism & Non-Fiction and the Williams Legacy Chair in Modern & Contemporary Arts of the Pacific Northwest. These foundational gifts create positions for key faculty members to share their specific knowledge and experience with our students, the community and the world.

Thank you all!

Fine Arts development officer Samantha Krzywonos

Get festive with Fine Arts

If there’s one thing we can all agree on, the winter holiday season is the one time of the year where people join together to enjoy the biggest range of festivities. From concerts, plays and readings to holiday films, it seems like there’s a bit of everything ready to deck December’s halls. Here’s what Fine Arts is serving up this year. 

Holiday concerts

The festive season starts with Jingle Brass, the ever-popular annual School of Music brass concert. This year the Faculty Trio — featuring Merrie Klazek (trumpet), Sam McNally (horn) and Scott MacInnes (trombone) — will perform solo works for the season, and UVic brass students will be joined by talented young local high-school brass players. Get ready for some beautiful and celebratory sounds of the season, with a special appearance from the UVic Vikes Band.

7pm Wed, Dec 4 • Phillip T Young Recital Hall, MacLaurin B-wing • Tickets $5/$15 or free for Music students • This concert will be available as a live stream

Then, School of Music cello professor Pamela Highbaugh Aloni brings together UVic cello students, alumni and community members for A Holiday Cellobration, an annual festive concert that celebrates community and the holiday season.

7pm Sunday, Dec 8 • Phillip T Young Recital Hall, MacLaurin B-wing • By donation • This concert will be available as a live stream.

Following a soggy performance in 2023 when the skies opened for one of the rainiest days of the year, Tuba Christmas returns for their (hopefully drier) 46th year. School of Music brass instructor Scott MacInnes directs more than 100 tuba and euphonium players from across the region as they play your favourite seasonal songs at one of Victoria’s most beloved holiday traditions! Interestingly, 2024 is the 50th anniversary for Tuba Christmas events across the world, as it dates back to 1974 where it originated in New York City: concerts now take place in over 200 cities worldwide!

1-3pm Saturday, Dec 14 • Downtown’s Market Square, 560 Johnson St • By donation to the Times Colonist Christmas Fund

Festive performances

Busy Theatre alum Zachary Stevenson returns to Victoria with Buddy’s Holly Jolly Christmas old-time rock & roll revue. Stevenson has carved out a career for himself over the years portraying rock legend Buddy Holly, and he’ll be joined at this show by the Chicago-based trio The Lovettes, who offer a salute to the female icons and girl groups of the ’50s and ’60s. Hear all the hits plus a sprinkle of your favourite seasonal tunes performed by the cast with backing provided by the Legends All-Star Band.

7:30pm Mon, Dec 9 • McPherson Playhouse, Centennial Square • Tickets $62

This year, the annual CBC Victoria charity reading of A Christmas Carol features a new face: School of Music professor and CBC Radio’s Saturday Afternoon at the Opera host Marion Newman, who will join other CBC Victoria on-air personalities presenting Dicken’s holiday classic plus the Reach Choir and special guests at this annual fundraiser for Our Place.

7pm Friday, Dec 13 • First Met United, 932 Balmoral • Tickets $7 & $15

What happens when you discover that your greatest enemy is your soulmate? That falling in love with love is not real love at all? That darkness is less powerful than light? Find out when Blue Bridge Theatre presents The Shop Around The Corner just in time for the festive season. Theatre professor and director Brian Richmond presents this version of the 1940s Christmas classic film by legendary director Ernest Lubitsch, which was then adapted for the Lux Radio Theatre in 1941.

Now, Victoria playwright and Fringe Festival favourite Andrew Bailey has placed his own contemporary take on this timeless classic, which features Theatre instructor Amanda Lisman plus a cast of alumni (Trevor Hinton, Frances Matheau), students (Jack Storwick) and community players (Brian Linds,Rosemary Jeffrey, among others).  

8pm Fri-Sat, Dec 13-14 + 2pm Dec 14 & 15 • UVic’s Phoenix Theatre • Tickets $10-$35

Alumni puppet company WONDERHEADS return with their signature reimagining of Charles Dickens’ classic A Christmas Carol, offering an unforgettable live experience featuring spectacular giant masks, whimsical puppets and unfathomable theatrical invention.

Created by acclaimed Theatre alum Kate Braidwood, any WONDERHEADS show is a feast for the eyes, ears and heart, with a generous kick to the funny bone; but their Christmas Carol is particularly astonishing, given its glowing ghosts and 10-foot-tall puppets.

7:30pm Dec 18-21 + 3:30pm Dec 21 at the McPherson Playhouse • Tickets $30-$64

Merry movies

Our friends at Cinecenta, UVic’s on-campus movie theatre, have another week-long lineup of holiday films set to entertain: from the 1970 oddball charmer Harold and Maude (Dec 17) and 1985’s endlessly debated is-it-or-isn’t-it-a-Christmas-movie Die Hard (Dec 18) to the sweetly kooky 1992 The Muppet Christmas Carol (Dec 19-20), love-it-or-leave-it 2003 UK comedy Love Actually (Dec 19-20) and finally the 1946 classic It’s A Wonderful Life (Dec 21), there’s quite literally something for everyone!

Trees tease 

Finally, our friends at UVic Athletics are back with their annual Vikes Christmas tree sale. This year, the Vikes cross-country and track teams invite you to pick up a tree from 10am-6pm Fridays to Sundays until Dec 15.

Now in its 23rd year, this cherished tradition offers locally grown Grand, Noble and Douglas firs from the Cowichan Valley, with proceeds directly supporting UVic student-athletes. Head to parking lot 4, off McGill Road, at Centennial Stadium.

Call for grad student proposals: ONC ArtScience Fellowship Program

Call for grad student proposals: ONC ArtScience Fellowship Program

UVic’s Faculty of Fine Arts and Ocean Networks Canada (ONC) are calling for graduate student applications for the paid 2025 ONC ArtsScience Fellowship program.

Note: the application period closes on December 23, 2024

The ArtScience Fellowship strengthens connections between art and science that broaden and cross-fertilize perspectives and critical discourse on today’s major issues, such as environment, technology, oceans, cultural and biodiversity, and healthy communities. This program is open to all current Fine Arts graduate students who have completed most of their course requirements with practice in any visual, written, musical or performance media, or art historical research. Co-led and sponsored by Fine Arts and ONC, the Artist-in-Residence program receives additional financial support from UVic’s Faculty of Science to a maximum of $14,000.  

About the ArtScience Fellowship

The ArtScience Fellowship (previously known as the ONC Artist-in-Residence program) will ignite cross-disciplinary exchanges, interacting with Fine Arts faculty members and scientists & staff at ONC, as well as with other individuals using ONC’s world-leading ocean facilities. This program is inspired by the ArtScience Manifesto of 2011, and numerous references to this concept in the literature. The Fellow will learn from and engage with the current research, connecting it to their own practice, and to wider societal and cultural aspects, creating work for public presentation at the end of the residency. The Artist will also be invited to contribute as a lead or co-author in scientific conference proceedings and/or journal articles.

The selected Fellow will actively engage with researchers on a variety of ocean science themes that may include:

  • Deep Sea Ecology
  • Seabed-Ocean Exchanges
  • Coastal Ocean Processes
  • Marine Natural Hazards
  • The Ocean Soundscape
  • Arctic Ocean Observing
  • Ocean Big Data

The ONC ArtScience Fellowship program is established to:

  • explore the potential of the arts or alternative cultural practices in the area of the visions, challenges, philosophical, aesthetic, and ethical aspects of the ocean and the impacts humans have on it;
  • add a complementary artistic and creative perspective to ocean science, the societal ramifications of its exploitation, and its cultural aspects;
  • create opportunities for potential new research questions, experimental approaches and knowledge synthesis resulting from interaction between the arts and science; and
  • help envision and communicate the potential long-term impact of ocean changes on humanity. 

2024 resident reflects on their experience

School of Music graduate student Megan Harton held the position in 2024, using their background in music technology to explore the concept of “solastalgia” — emotional distress caused by the disruption of familiar landscapes due to environmental change — through both an installation exhibit and a public talk. By integrating scientific data from ONC’s observatories with different artistic mediums (including video, soundscapes, experimental photography and nostalgic retro iconography), Harton invited visitors to reflect on the impact of climate change, memory and place.

Harton describe their time with ONC as “really positive and enriching . . . it was unlike anything I’ve done before. I’ve done ecologically-themed art, but getting to collaborate with so many people was new — and also people that are industry experts in ocean science, which was very different from who I’ve worked with before.”

In addition to their installation exhibition, Harton had the opportunity to attend two different conferences and present their work at the annual American Geophysical Union (AGU) meeting in Washington DC in December 2024. “It’s really been interesting to start to network and make my work known in all these different avenues,” they said. 

Learn more about previous ONC artistic residents Neil Griffin (Writing, 2023), Colin Malloy (School of Music, 2022), Dennis Gupa (Theatre, 2021) and Colton Hash (Visual Arts, 2019).

Advice for future applicants 

Harton’s advice for future applicants includes taking a flexible approach to submitted proposals and entering into the spirit of collaboration.

“The first bit of time, you’re just absorbing so much information about what they’re doing [at ONC], meeting people and making as many connections as you can,” they reflect. “Having a spirit of collaboration and trying to distill ONC’s knowledge through an artistic lens could open up different possibilities that [future applicants] wouldn’t be able to achieve by themselves.” 

“And my original proposal did shift around over the course of four months — there were things that sparked my interest that just didn’t end up making it into the installation — but it wasn’t like I was working from a blueprint to achieve my results.” 

Previous Fine Arts grad students Neil Griffin & Megan Harton at their public talk (above) + Harton’s installation exhibit(below)

Financial provision for the Artist

The residency period can start anytime between 1 February 2025 and 31 October 2025 and last for up to four months. A cost-of-living stipend of $3,500/month will be paid to the selected Fellow, with limited additional funds to support production or materials.

At the conclusion of the residency, the Fellow will plan and deliver a public exhibit and/or event sharing the fruits of the fellowship, which will be promoted by ONC and the Faculty of Fine Arts.

Proposal Submission

Interested applicants are to email ONC at dwowens@oceannetworks.ca with the subject line “Ocean ArtScience Fellowship,” and attach:

  1. the artist’s CV
  2. a concise portfolio of previous relevant artistic work;
  3. a letter of motivation outlining the project proposal for the Fellowship, and
  4. a 500-word project proposal with a separate project-costs budget.

The application period closes on December 23, 2024. Applications will be reviewed by representatives of Fine Arts and Ocean Networks Canada. Artists may be contacted for an interview or to supply further information before a decision is made.

Public Exhibit or Event

At the conclusion of the Fellowship, the Fellow will host a public exhibit or event within a specified budget agreed to during the residency and depending on the type of project to be exhibited. Assistance for marketing and/or ticketing could be made available from other UVic departments (Visual Arts, Theatre, etc.).

About Ocean Networks Canada

Established in 2007 as a strategic initiative of the University of Victoria, ONC operates world-leading ocean observatories for the advancement of science and the benefit of Canada. The observatories collect data on physical, chemical, biological, and geological aspects of the ocean over long time periods, supporting research on complex Earth processes in ways not previously possible. The observatories provide unique scientific and technical capabilities that permit researchers to operate instruments remotely and receive data at their home laboratories anywhere on the globe, in real time. The facilities extend and complement other research platforms and programs, whether currently operating or planned for future deployment. 

The ArtScience Fellowship was initiated by ONC’s late Chief Scientist Kim Juniper, whose leadership and transdisciplinary approaches continue to inspire many in the ArtScience space.

About the Faculty of Fine Arts

With experiential learning at its core, the Faculty of Fine Arts provides the finest training and learning environment for artists, professionals, and students. Through its departments of Art History and Visual Studies, Theatre, Visual Arts, Writing and School of Music, the Faculty of Fine Arts aspires to lead in arts-based research and creative activity and education in local, national, and global contexts by integrating and advancing creation and scholarship in the arts in a dynamic learning environment. As British Columbia’s only Faculty exclusively dedicated to the arts, UVic’s Faculty of Fine Arts is an extraordinary platform that supports new discoveries, interdisciplinary and diverse contributions to creativity, and the cultural experiences of the students and communities UVic serves.

With thanks also to the Faculty of Science for their support.

Explore UVic on Nov 30

Considering a future as a student in UVic’s Faculty of Fine Arts? Join us on Saturday, Nov 30, as we open our doors as part of Explore UVic—UVic’s free, all-day open house. We’ve created a fun-filled day of student panels, sample lectures, presentations, tours and more. Check out the schedule of events, plan ahead and make the most of your visit! (Free parking too!)

This is your chance to discover what it’s like to be part of BC’s only stand-alone fine arts faculty, which means you’ll be learning as part of a dedicated arts-specific community. On Saturday, we’ll be hosting an open house (10am-3pm in the lobby of the Fine Arts building) with representatives from our departments of Art History & Visual Studies, Theatre, Visual Arts, Writing and the School of Music who can answer your program questions.

We’ll also be offering behind-the-scenes tours of our facilities at these times and locations:

  • Art History & Visual Studies: 11:15, 11:45, 12:15, 12:45, 1:15, 1:45, 2:15 & 2:45 (meet in the Fine Arts building lobby)
  • Fine Arts/Writing: 11am-3pm, with live student readings at 11:30, 12:30 & 1:30 + a loop of student films (meet in the Fine Arts building lobby)
  • School of Music: 11:30, 12:30 & 1:30 with a special info session & audition demo at 12 & 1pm (meet in Music’s upstairs lobby, MacLaurin B-Wing)
  • Theatre: 11:00, 12:00, 1:00 & 2:00  (meet in the Phoenix Building lobby)
  • Visual Arts: 10:30, 11:30, 12:30, 1:30 & 2:30 (meet in the Visual Arts building lobby)

You can also catch a sample lecture looking at how your brain responds to art & creativity with Art History & Visual Studies  professor Catherine Harding from 1:45-2:30pm in Sngequ House room 131. Find out how your brain reacts to paintings, music, poetry and performances: is your response to beautiful things different from your response to ugly ones?

Dr. Harding will share the latest research on how art and experiences in theatres, concerts and galleries can change the way you think and feel. You will learn how new technology in images, sounds and spaces affects your mind, body and emotions. By understanding how your brain connects with creativity, you can discover new ideas and tackle challenges. This can help you see exciting links between different things in the world around you.

Register in advance now for Explore UVic — or just drop by on Saturday: we’d love to meet you! 

Jeannette Armstrong and Lina de Guevara awarded Honorary Doctorates

The Faculty of Fine Arts is thrilled to announce that Jeannette Armstrong will be awarded an Honorary Doctor of Letters (DLitt) and Lina de Guevara will be awarded an Honorary Doctor of Fine Arts (DFA) at the Fall 2024 Fine Arts convocation ceremony.

You can watch as part of the UVic convocation livestream starting at 10am Tuesday, Nov 12 (Armstrong) and 2:30pm Wednesday, Nov 13 (de Guevara). 

Armstrong

About Jeanette Armstrong 

Jeannette Armstrong is an associate professor in Indigenous Studies and the coordinator of Interior Salishan Studies Centre at UBC Okanagan. She is a member of the Royal Society of Canada and an Officer of the Order of Canada. Born on the Penticton Indian Reserve in the Okanagan, Armstrong is a multi-faceted writer, visual artist, researcher, educator, leader and activist.

She received a Diploma in Fine Arts from Okanagan College, then earned a Bachelor of Fine Arts in Creative Writing from the University of Victoria in 1978. In 2009, she received her doctorate in Indigenous Environmental Ethics from the University of Greifswald in Germany.

Armstrong is one of the founders of the En’owkin Centre (originally named the Okanagan Indian Curriculum Project) to provide students with strong cultural and academic foundations for success. The Centre includes Theytus Publications, the first Indigenous-owned publishing house in Canada.

The En’owkin International School of Writing, founded by Armstrong in a partnership with UVic’s Faculty of Fine Arts, has served Indigenous artists and writers for over 40 years. Armstrong was a co-founder of En’owkin’s Certificate in Aboriginal Language Revitalization which operates in partnership with UVic’s Department of Linguistics serving Indigenous communities throughout Canada.

As an influential advocate for Indigenous peoples’ rights, Armstrong has been a force of change and widescale community impact through her artistic, research and educational vision.

de Guevara

About Lina de Guevara 

Lina de Guevara’s career as a director, writer, actor, and teacher has left an indelible impact on Canada’s theatre community. As the founder and former artistic director of Puente Theatre, she dedicated 25 years to sharing the stories of immigrant and refugee communities.

Having fled a military coup in her native country of Chile before settling in Victoria in 1976, de Guevara drew upon her own lived experiences to produce dozens of critically acclaimed plays and collaborations that have toured nationally and internationally.

Visionary productions such as I Wasn’t Born Here, Crossing Borders and Familya shed light on issues such as discrimination, social justice, and employment barriers. By exploring these themes, de Guevara’s work has both entertained and educated audiences for decades.

Trained at the Instituto del Teatro (University of Chile), she has used her skills to teach, mentor, and create space for emerging Indigenous artists and artists of colour across Vancouver Island. As a workshop facilitator at the University of Victoria and instructor at institutions like Royal Roads University, Camosun College, and the Canadian College of Performing Arts, de Guevara has left an enduring legacy on the national theatre landscape through her active support of the next generation of artists.

2024 Student Impact Award winners

Since 2021, the Fine Arts Student Community Impact Awards have recognized individual achievements or outstanding efforts made by full-time Fine Arts undergraduate students beyond their traditional studies. Open to submissions from across the faculty, these juried awards are then presented annually as part of the Greater Victoria Regional Arts Awards, this year held November 6 at the Baumann Centre. Including this year’s recipients, Fine Arts has now given over $13,000 to 11 students in the last four years — all thanks to the generosity of our donors.

Congratulations go out to the recipients of our fourth annual awards: Rebecca Fux, Thomas Moore and Claire Jorgensen, each of whom receives $1,000 for their individual projects.

 

Connecting through art

Claire Jorgensen (Visual Arts) receives the award for winning a competitive commission to create a new large-scale mural embodying themes of diversity, community and wellness for UVic’s Island Medical Program — titled “A Dream of Vitality” — which she then painted live over the course of a month in the lobby of the Medical Sciences building.

As Visual Arts chair Megan Dickie points out in her nomination letter, “Over the period of two years, I have seen Claire develop into both an incredible artist and a very caring individual who participates in community development.  Creating an artwork that reflects community, diversity, wellness and place is not easy, yet Claire has produced a place for the mind and eyes to wander, explore and discover. Her mural reflects nature and its power to spark consideration of place and personal past, while also welcoming contemplation and a sense of community and wellness.”

Claire painting “A Dream of Vitality”

For Jorgensen, engaging with the community through her arts practice both encourages reflection and promotes discussion. “My art has provided me opportunities to become involved within the community and allows me to feel connected to the university,” she says, pointing to opportunities like the annual Jamie Cassel Undergraduate Research Awards, her EQHR painting commission “Scenes of Knowledge” and her leadership role in the Visual Arts BFA graduation exhibit Silver Bullets.

“In fourth year. I knew I wanted to push myself further,” she says. “I knew I had a passion for art and wanted to find more opportunities to share this, so I said yes to every opportunity . . . I developed my practice, workflow and discipline. I learned how to write applications, and put myself out there.”

Currently on a year-long academic exchange in the UK, Jorgensen appreciates the financial support this award brings. “I would like to acknowledge and recognize the donors who funded this award as patrons of the arts, for whom I have immense gratitude. I appreciate their contribution as they have made a tangible impact and difference in my life — not only with their generous financial contribution but the validation and recognition that my efforts within art and the community has been seen,” she says. “In the UK, the currency exchange rate is almost double, so this award is incredibly helpful!”

Connecting through performance 

Thomas Moore (Theatre) receives the award for his work directing and producing three shows with Timetheft Theatre SocietyOf Theseus at the Victoria One Act Play Festival, the independently produced Horse Girl, and Carpet at the 2023 Fringe Festival — all of which provided opportunities for young queer and neurodivergent artists.

As Theatre alum, producer and sessional instructor Matthew Payne points out in his nomination support letter, “Thomas demonstrates a skill set that is versatile and strong. His passion for theatre work and his ability to devise complex thematic material has set him up as a key player in the Victoria theatre scene — at the ripe old age of 21. As someone who started a theatre company after university, I cannot imagine having the gumption and chutzpah to start my professional career before leaving university, yet Thomas seems fearless in this regard.”

Thomas (right) in Horse Girl

For Moore, the title of this award is particularly meaningful. “Theatre work — especially indie theatre — is all about community,” he says. “Without having meaningful connections to artists and audiences in the community none of the shows Timetheft produces would be possible. As much as we want to produce theatre to develop our own artistic practice, we are also always thinking about what audiences want to see or what hasn’t been seen.”

This award also reflects the skills he’s learned in UVic’s Theatre department. “Being given the opportunity to learn about all the different departments in theatre has allowed me to organize and develop show teams that can work together,” he explains. “Theatre history classes have also deepened my understanding of the art form and enabled me to be more confident in my directing choices.”

Connecting through artist-run centres

Rebecca Fux (Visual Arts) receives the award for her work mounting two exhibits of new paintings at separate local artist-run centres during her final year of studies: You Can Cry In Front of Me at Xchanges Gallery, addressing aspects of grieving and healing for young women after sexual assault, and The Weather Inside at the Fifty-Fifty Arts Collective.

As gallery coordinator Cindy Wright emphasizes, “Xchanges is unique in that artists are required to stage and sit their own exhibitions over three consecutive weekends as well as being on-hand for the opening reception. Young artists who are still doing their BFA or in the early stages of their careers sometimes struggle with these commitments, but Rebecca was able to meet her deadlines and stage her exhibition without difficulty. And considering we had 27 proposals for the space, which were assessed by three independent jurors, Rebecca’s work clearly stood out.”

UVic Chancellor Marion Buller (left) with Rebecca & one of her BFA show paintings

Artist-run centres have played an important role in Fux’s development as an artist. “I first experienced community in the arts at the Vernon Community Art Centre in 2019,” she explains. “They provided me with invaluable experiences such as mentorships, a residency, employment as an art instructor and were instrumental in my decision to pursue a BFA at UVic. In 2023, I made a goal to once again insert myself into my community, and positively impact local organizations.”

Fux is also proud of the impact her exhibits had on the local arts community. “Women over 50 were fascinated by my comfort in addressing sexual trauma in young girls, and excitedly shared their thoughts with me and others,” she explains. “Many expressed that they could have benefited from the #metoo movement when they were my age. I gained so much from visitors’ generosity with their feelings and I believe their visits to the gallery allowed for the same.”

Congratulations to all!

Other related winners at the 2024 GVRAAs included Theatre alum Kathleen Greenfield, who won the ProArt Mid-Career Artist Award for her work with the local SNAFU Society of Unexpected Spectacles, while current UVic Symphony instructor Giuseppe Pietraroia earned the John Mears Achievement in Music Award for his work with Pacific Opera Victoria, the Victoria Symphony and so many other local organizations. Also among the winners were the Greater Victoria Shakespeare Festival (CRD Regional Impact Award), currently co-led by Theatre alumni Francis Matheu and Willow Hayes (plus Maddy Hooson-Kirstein) — which has a very long history of being led by and hiring Theatre students and alumni — plus the Pacific Opera Victoria production of Die Walküre  (JAYMAC Outstanding Production Award), which was directed by AHVS alumna Glynis Leyshon.

Interested in applying for the 2025 Student Community Impact Awards? Watch our social feeds for the application call in Spring 2025.

Fine Arts Dean Allana Lindgren presenting the awards at the GVRAAs on Nov 6