Phoenix Theatre: BackstagePASS
|October 2019 • Act 13 Scene 2|
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It's been a busy beginning of the season and our Spotlight on Alumni presentation is already off and running! If you haven't seen the reviews for Sam Mullins' wonderful evening of storytelling scroll down to the excellent reviews. Below, meet Sam and learn more about his approach to storytelling: "be present, tell the truth."
Alumnus Sam Mullins talks about the magic of storytelling
As an alumnus of the performance program here at UVic, Sam Mullins admits, he never really loved acting. It’s in writing and storytelling that he’s found his passion. But what’s the difference between acting and storytelling?
“Technically, if I’m in a 300-seat theatre with lighting and sound…the only gimmick I have is, be present, tell the truth. Make sure you look people in the eyes. Break the fourth wall,” said Sam in an interview with the Edmonton Journal.
“Being a storyteller, I am pretty much exclusively working off of my own personal experience.“
“Weaksauce is about a summer of firsts," Sam shared with The Charlebois Post. "First job. First time away from home. First love. When I sat down to start writing my memories, I realized that all I had to go off of were just the vague residue of faded feelings. I don’t remember the conversations I had with my first love. I don’t remember how I dressed… I just remember the adrenaline, the nausea, and the excitement of falling in love for the first time. I remember the depression of having my heart broken when someone else won her affection. I remember the freedom of being away from home by myself for the first time. I remember how it felt when the wheels of the plane left the runway in Toronto to take me back home, and how I knew that things would never be the same.”
“As a writer, I’m almost glad that my memory is so scatter-shot. It gives me the wiggle-room to get at larger truths. I’ll create the conversations that make me feel the way that I felt. I’ll fabricate the conversations so that when I’m before an audience, I can tell them the truth.”
“I need to trick myself into getting really excited to go onstage... I think, “OK, I’m at a party, and someone says, ‘hey, what’s that story you have about when you fell in love when you were a teenager?’ or ‘what was that thing, when you were in the restaurant? Tell us that story.’ I imagine we’re in a living room and that calms me down, and really, once you get that first laugh… I always try to get a laugh in the first 10 seconds,” he said.
‘But nervous energy is a good thing for me on stage. It’s really easy to be vulnerable on stage when you feel really vulnerable. I don’t have to pretend.”
“Storytelling is magic,” he says in one of his blog post. “It is capable of changing people’s lives in a way that few other forms of expression can. A well-told story will make a room laugh as one, cry as one, breathe as one. It can bring people together in a way that almost nothing else can. It is truly a special thing.”
“Weaksauce is my favourite thing I’ve ever written and I’m delighted to be back onstage where my theatre journey began,” Sam writes in his programme notes for the “Spotlight on Alumni” performance at the Phoenix Theatre. “Truly everything I know about theatre I learned inside the walls at the Phoenix. This is a very special place to me, and I couldn’t be more pleased to be bringing my most special piece back here.”
Weaksauce Media Round up!
Past and present Phoenixers are often widely represented at the Victoria Fringe Festival, and this summer was no different, taking home awards for: Summer Bucket List, directed by Anna Marie Anderson (BFA ’18), which won Favourite Original New Work as well as Favourite Drama. The show also included Aaron Smail, Hina Nishioka, Devon Vecchio, Arielle Rose Parsons, Emily Hay, and previous student Willa Hladun. Jeff Leard (BFA ’10) won Best Performance by a Fringe Artist for his performance in False God. Most Audacious Risk-Taker award was won by previous students Monica Ogden and K.P. (Ann-Bernice) Thomas for LUB DUB. Congratulations to everyone involved! "
This summer at the Jessie Richardson Theatre Awards, Dr. Jennifer Wise, Theatre Professor Emeritus, won the Critic’s Choice Innovation Award for her contemporary adaptation of Bard on the Beach’s production of Lysistrata (along with Lois Anderson), and Sweeney Todd: The Demon Barber of Fleet Street, directed by Chris Adams (BFA ‘11), received four awards. Congratulations to you both!
Blue Bridge Repertory Theatre’s production of Barefoot in the Park this past summer was directed by Phoenix professor Fran Gebhard and included Laura-Jane Tresidder (BFA ‘15), Jonathan Mason (BFA’12), previous student, Jacob Richmond, Jacqueline Gilchrist (BFA ‘16), Rebekah Johnson (BFA ‘83), and current students Ted MacRae and Emma Jo Conlin. A Funny Thing Happened on the Way to the Forum included current students Ciaran Volke, Carter Gulseth, Grace Fedorchuk, and Emma Jo Conlin, previous student Jacob Richmond, and alumnae Britt Small (MFA ‘04) and Rebecca Marchand (BFA ‘16). One of Victoria’s newer theatre companies, hapax theatre, featured Phoenix alumni Brendan Elwell (BFA ‘19), and also included current students Taylor Guidotti and Aaron Smail in their production of Constellations.
The Greater Victoria Shakespeare productions Two Gentlemen of Verona and Julius Caesar featured current students Sivert Das, Aaron Smail, Julie McGuire, Emily Wilcox, Olivia Wheeler, previous student Hilary Wheeler, and alumni Douglas Peerless (BFA ’19), Jack Hayes (BFA ‘17), Taylor Lewis (BFA ‘09) and Cam Culham (MA ‘03). Theatre SKAM’s SKAMpede, the outdoor performance festival along Galloping Goose Trail, included Logan Swain (BFA ’19), Tiffany Tjosvold (BFA ‘13), Sophie Underwood (BFA ‘18), Andrew Barrett (BFA ‘12), Matthew Payne (BFA ‘93), Hannah Bell (BFA ‘19), Emma Leck (BFA ‘18).
Hope McIntyre (MFA ‘96) began her new position at the University of Winnipeg's Department of Theatre and Film as Assistant Professor in Performance this fall. PhD candidate and current sessional Taiwo Afolabi has recently started at the Belfry Theatre as the Artistic and Community Liaison, and we would like to welcome Yasmine Kandil (MFA ‘05), (PhD ‘12) back to the Phoenix as a Professor of Applied Theatre.
The Belfry Theatre’s production of The Children (September 17-October 13) included Molly McDowell-Powlowski (BFA ‘19) as the Assistant Director of this show, funded by the Emerging Artist Enhancement Program as well as Alan Brodie (MFA '16) At Blue Bridge, previous student Jacob Richmond will be directing The 39 Steps (October 22-November 3), with designs by alumnae Jacqueline Gilchrist (BFA ‘16), and Rebekah Johnson (BFA ‘83), and Alan Brodie (MFA ‘16). Victoria Operatic Society presents Mamma Mia November22-December 1 at the Mcpherson Theatre. This show will feature performances by current students and alumni Brock Kneeler and Ashley Richter and Hailey Fowler (BFA '19).
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|© University of Victoria 2019|