Phoenix Theatre: BackstagePASS |
Nov 2013 • Act 7 Scene 4 | ||
If this email does not display properly, please see our website phoenixtheatres.ca eNews | Behind the Scenes | Upcoming | Phoenix Phacts | Perks | Kudos eNews: Taking care of the earth and ourselvesSome things are timeless. Shakespeare's words still resonate even though they are hundreds of years old. So too with Thornton Wilder's almost prophetic Pulitzer Prize-winning play, The Skin of Our Teeth as it explores broad and important themes — like the environment, climate change, politics, feminism and family — that are just as important now as when the play was written in 1942. Read on to learn more about the writing of this epic play and how it also had ties to Wilder's personal life. Behind the Scenes: Wilder's comedic satire a positive reaction to depression and war."What is genius but combining the unexpected and the self-evident — so that at the same moment you are saying both: "How surprising!" and "How true that is!"?" — Thornton Wilder to Noel Coward Thornton Wilder’s Pulitzer Prize-winning play The Skin of Our Teeth has an interesting past that also appears to be tied closely to Wilder’s personal history. Similar to his comment to Noel Coward, it’s as though when writing it that he found surprising meaning in his own life’s experiences. Born in Madison Wisconsin in 1897, Wilder had a twin brother who died at birth. His father was a newspaper editor and owner, and later became an important US diplomat. His mother was well educated and instilled in her son a love of literature, drama, and languages. Because of his father’s work, the family traveled often and lived in China for a short period. However, for many of his formative years, Thornton, his mother, and siblings – an older brother (who was often away at school) and three sisters – lived in the United State and were separated from their father because of his work. You may notice some similarities in the Antrobus family while watching The Skin of Our Teeth, including a reference to a deceased brother. It was often a tradition for the Wilder family to read aloud from the bible and the writings of philosophers. Similarly, books have a special place of importance in the life of the character Mr. George Antrobus. Indeed, take note of the many philosophers quoted in Act III. As a young man, Wilder first attended Oberlin College, a progressive Presbyterian institution noted for having been the first to regularly admit female and black students. His father, becoming an important person in business and government with growing ties to the Republican Party, then transferred him to finish his Bachelor of Arts degree at Yale (photo left: Wilder in 1920 when at Yale), and afterwards, he completed a Masters in French from Princeton. While education was emphasized in Wilder’s life, his father also dictated that Thornton work on farms during his summers in between studies. It has been said that his relationship with his father was a difficult one. Although Thornton never discussed his homosexuality publically or in his writings, this fact could not have blended well with his father’s puritanical beliefs. Some have alluded to the character of Henry in The Skin of Our Teeth as being autobiographical. Wilder was awarded his first Pulitzer Prize in 1928 for his novel The Bridge of Sans Luis Rey and later received another for Drama for the Our Town in 1938. In 1934, Wilder met noted American writer Gertrude Stein and maintained written correspondence with her until her death in 1946. It is through these letters and his avid letter writing that we know so much about the man and the artist. Since his death, three volumes of his letters have been published. Among his many travels to for lectures, teaching engagements and public broadcasts on the radio, Wilder traveled to London and Switzerland in 1941, when the war was raging across Europe. He visited friends in London and grew to understand the effect of the war on the people there who sought refuge in shelters or in the underground stations. In Switzerland he was able to see Bertholt Brecht’s newest play, Mother Courage and Her Children. Affected by the play and his experiences in London, Wilder began writing his own epic play, albeit a satirical comedy, The Skin of Our Teeth. After working on the play all summer and fall, he struggled to complete the third act. However, on December 7 the Japanese attacked Pearl Harbor and the United States was catapulted into the conflicts of World War II. It is interesting that he finished his play on New Year’s Day 1942, less than a month after the attack. The first production of The Skin of Our Teeth was delayed until November 1942 as Wilder and his producers sought to find the right director and lead actress – and that he did with Elia Kazan, who would later win many Academy Awards for directing some of history’s best films, and theatre star of the day Tallulah Bankhead as Sabina. It was held up further in the summer of 1942 when Wilder accepted the request by Alfred Hitchcock to write the screenplay for the film Shadow of a Doubt. The production also felt the pressure when Wilder was called to return to military service. He had served in World War I as a corporal and returned to service before the end of 1942 as an intelligence officer with the US Army Air Force in North Africa and Italy where he rose to lieutenant colonel. Take note of this military past when watching Act III of the play! As America became more embroiled in the war, The Skin of Our Teeth became an important play for the American people. In 1943, the play was awarded the Pulitzer Prize for Drama – making it Wilder’s third Pulitzer – and it ran for 10 months on Broadway. The play has gone on to be performed regularly across the world. With its broad themes and references to economic depressions, freak storms, rising oceans (and other perils that we would now consider as climate change), feminism and, of course, the impact of war on humanity, the play continues to maintain its relevance to each generation that experiences it. Wilder, of course, was so much more than a playwright; he was also a successful actor, teacher, lecturer, opera librettist, translator, and screenwriter. His play The Matchmaker ran for 486 performances on Broadway and was later adapted into the record-breaking 1964 Broadway musical Hello, Dolly!. His work is continually studied and performed around the globe, with a production of Our Town being staged at least once a day somewhere in the United States. (photo above: Wilder as the Stage Manager in production of Our Town in 1959) For more information on Thornton Wilder visit: Upcoming Events: NovemberNovember 7 - 23, 2013 Presented by Evening Performances: A hilarious and raucous tour through the ages – from glaciers to floods to war – with the average middle-class family and their pet dinosaurs. How will the human race ever survive? Box Office opens for single tickets on October 29. Three show subscription packages still available for only $36. Friday November 8 @ 7pm Check out other events at the UVic Fine Arts Faculty. Phoenix Phacts: Updates from our alumni,
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