{"id":16066,"date":"2021-11-26T16:38:20","date_gmt":"2021-11-27T00:38:20","guid":{"rendered":"https:\/\/finearts.uvic.ca\/theatre\/news-events\/?page_id=16066"},"modified":"2022-03-31T17:52:01","modified_gmt":"2022-04-01T00:52:01","slug":"behind-the-scenes","status":"publish","type":"page","link":"https:\/\/finearts.uvic.ca\/theatre\/news-events\/behind-the-scenes\/","title":{"rendered":"Behind the Scenes"},"content":{"rendered":"

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Behind the Scenes with…<\/h1>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=Vlnr2eblU3c” _builder_version=”4.14.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.14.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Evolution of Costume Design: Shakespeare’s Women<\/em><\/h1>\n

MFA Design student Mallory Goodman speaks about the research process, influences, design creation for the development of costumes for the Phoenix Theatre production of “Shakespeare’s Women.” Afterwards she shares an up-close peek backstage at the gorgeous final costumes. You can hear more about Mallory’s process in our Friday Afternoons at the Phoenix Fire podcast.\u00a0<\/a><\/span><\/p>\n

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Evolution of a Set Design: Shakespeare’s Women<\/em><\/h1>\n

Fourth-year design student Brock Keeler speaks about the research process, influences, and model creation for the development his set for the Phoenix Theatre production of Shakespeare’s Women.<\/em>\u00a0After the set is completed and the show has opened, Brock tours us through the final design on stage. <\/span><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”http:\/\/finearts.uvic.ca\/theatre\/news-events\/wp-content\/uploads\/2021\/12\/props.mp4″ image_src=”http:\/\/finearts.uvic.ca\/theatre\/news-events\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-03-at-5.25.14-PM.png” _builder_version=”4.14.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.14.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Props Students<\/h1>\n

Props Builders Jamie Anderson, Garrett Clayton<\/strong>,\u00a0Akari van den Driesen<\/strong> and Brianna de Jong<\/strong> demonstrate some useful new skills behind the scenes for Dead Man’s Cell Phone<\/em> \u2013\u00a0 like how to create a <\/span>very special prop lamp in the shape of a kidney and the art of creating convincing fake cocktails!\u00a0<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”http:\/\/finearts.uvic.ca\/theatre\/news-events\/wp-content\/uploads\/2021\/12\/timelapsewith-thelounge-music.mp4″ image_src=”http:\/\/finearts.uvic.ca\/theatre\/news-events\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-02-at-10.46.42-AM.png” _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Brock Keeler<\/h1>\n

Brock Keeler, one of the two Assistant Lighting Designers for Dead Man’s Cell Phone <\/em>with Lisa Van Oorschot, captured this fun timelapse video of their lighting focus session during tech rehearsals the week before the show opened. Set & Lighting Designer Prof. Patrick Du Wors leads a crew of student technicians, as well as first-year light walkers.\u00a0<\/p>\n

Music: The Lounge from bensound.com<\/span><\/em><\/p>\n

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Miriam Dumitra<\/h1>\n

What does a play look like when you close your eyes?\u00a0 Listen to how fourth-year UVic Theatre student and Sound Designer Miriam Dumitra makes the feeling of Dead Man’s Cell Phone<\/em> come alive through jazz-infused soundscapes and cell phone riddled audio cues. Miriam also talks about her project to measure how sound bounces around the Roger Bishop Theatre.<\/p>\n

Music: Jazz Comedy from bensound.com<\/span><\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”http:\/\/finearts.uvic.ca\/theatre\/news-events\/wp-content\/uploads\/2021\/11\/bts_dmc_2021.mp4″ image_src=”http:\/\/finearts.uvic.ca\/theatre\/news-events\/wp-content\/uploads\/2021\/11\/260413486_4663993180323232_840716767563803686_n.jpg” _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.9.11″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Parker Feenstra<\/h1>\n

Go behind the scenes with fourth-year UVic Theatre student Parker Feenstra, the Costume Designer for Dead Man’s Cell Phone<\/em> and learn more about what got her excited about becoming a theatre designer.<\/p>\n

Stage photos by Dean Kalyan. Painting: Nighthawks, (1942) by Edward Hopper.\u00a0 Music: Jazzy Frenchy from bensound.com<\/span><\/em><\/p>\n

<\/em><\/p>\n

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Behind the Scenes with…Evolution of Costume Design: Shakespeare’s Women MFA Design student Mallory Goodman speaks about the research process, influences, design creation for the development of costumes for the Phoenix Theatre production of “Shakespeare’s Women.” Afterwards she shares an up-close peek backstage at the gorgeous final costumes. 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