Ed Emshwiller, September 1954, Galaxy Magazine
FEBRUARY 13 – 22, 2020
By Alan Ayckbourn
Director Conrad Alexandrowicz
Considered one of the funniest and most inventive plays by Britain’s grandmaster of comedy, this romantic sci-fi satire is set in the foreseeable future, when actors are replaced with convincingly lifelike robots known as “actoids.” Adam, an aspiring young writer, visits a TV studio to meet his idol, Chandler, the director of a never-ending hospital soap opera who was once a great movie director. On the set, Adam discovers the charming android Jacie Triplethree (serial number JCF 31333) and realizes that the programming glitch that makes her laugh hysterically also makes her more human. Adam and Chandler start developing a new TV show for Jacie to star in, but the studio executives aren’t convinced. Will Adam lose his heart to a robot? Will his show get the green light? Will love prevail? Tune in to find out!
In the age of today’s virtual online assistants, this wickedly funny satire from 1998 reads like a cautionary tale of the rise of artificial intelligence.
“Comic Potential” is presented by special arrangement with SAMUEL FRENCH INC.
Ayckbourn has worked in theatre as a playwright and director for over sixty years. To date he has written more than 80 plays, various one-act plays, and a large amount of work for the younger audience. His work has been translated into over 35 languages and is performed on stage and television throughout the world, winning countless awards. Major successes include: Relatively Speaking, How The Other Half Loves, Absurd Person Singular, Bedroom Farce, A Chorus of Disapproval and The Norman Conquests.
In recent years, there have been revivals of Season’s Greetings and A Small Family Business at the National theatre, in the West End Absent Friends, A Chorus of Disapproval, Relatively Speaking and How The Other Half Loves. 2017 saw a major revival of The Norman Conquests at Chichester Festival Theatre. Artistic Director of the Stephen Joseph theatre from 1972 – 2009 (where almost all his plays have been first staged), he continues to direct his new work there and from where his productions regularly tour to New York as part of the Brits Off Broadway to great acclaim.
He received the 2016 Oxford Literary Festival’s Honorary Fellowship and in recent years, he has been inducted into American Theatre’s Hall of Fame, received the 2010 Critics’ Circle Award for Services to the Arts and became the first British playwright to receive both Olivier and Tony Special Lifetime Achievement Awards. He was knighted in 1997 for services to the theatre. 2019 marks both his 80th birthday and the 60th anniversary of his professional playwriting debut.
Previous to his appointment at the University of Victoria in 2008, he taught at Simon Fraser University, the University of British Columbia, the Vancouver Film School and Capilano College, and directed at Douglas College, Studio 58 and United Players, as well as creating and producing work for the company he founded, Wild Excursions Performance.
He specializes in the creation of varieties of interdisciplinary performance that address subjects central to the human journey: issues of relationship, gender and power, and the nature of the performance event itself. Between 2012 and 2016, he explored the staging of poetry with actors, dancers and musicians by means of a substantial grant from the Social Sciences and Humanities Research Council, in collaboration with noted Canadian poets Lorna Crozier and Erín Moure.
Since his appointment at UVic, he has turned to academic writing, and his articles have been published in such journals as Theatre, Dance and Performance Training and Studies in Theatre and Performance. Among other writing assignments he is currently at work on a book project, Acting Queer: Gender Dissidence and the Subversion of Realism, to be published by Palgrave Macmillan in 2019.
Friday & Saturday Evenings
All Seats $28
Wednesday, Thursday & Saturday Matinees
All Seats $26
All Seats $15
NEW! Student Rush Tickets
(30 minutes before every show)
Saturday Matinees: $21
(with UVic Alumni ONECard)
Performed in the Roger Bishop Theatre.
Cast & Creative
Director Conrad Alexandrowicz
Set Designer Leah Anthony
Costume Designer Misty Buxton
Lighting Designer Zhe (Harry) Lin
Sound Designer Glen Shafer
Stage Manager Devon Vecchio
Jacie Triplethree Una Rekic
Carla Pepperbloom Sarah Hunsberger
Trudi Floote/Girl in dress shop Julie McGuire
Prim Spring Emily Hay
The Mother/Farmer’s Wife/Dress Shopgirl/ Prostitute Geneva Noppers
Adam Trainsmith Ciaran Volke
Chandler Tate Carter Gulseth
Marmion Cedilla Aidan Guerreiro
Lester Trainsmith Branden Sugden
Hotel Desk Clerk/Waiter Ryan Kniel
Doctor/Farmer Lyle Hendriks
Man/Turkey the Pimp Justin Little
Son/Waiter /Technician Teddy MacRae
Friday, February 14 at 7pm
Edwin Hodge, Adjunct Professor in Sociology
Join us for an informative lecture prior to our performances on the first Friday. For Comic Potential, we welcome Dr. Edwin Hodge who will discuss the importance of sci-fi and other speculative fiction in exploring the human condition.
Dr. Edwin Hodge is an adjunct professor in the Department of Sociology at the UVic and a research fellow at the Centre for Global Studies. In his role as an educator, Edwin has produced several special topics courses, including ones that examine extremist social movements in North America, but his most enjoyable course has been his course on the Sociology of Star Trek, which examined the cultural impact of the Star Trek franchise.
Lectures are free and everyone is welcome, no matter which performance you have tickets for. The lectures are also recorded and audio files are posted here in the week following the lecture.
Sign language interpretation will be offered for the matinee on:
Saturday, February 15 at 2pm
Featuring Deaf interpreter Nigel Howard and Hearing interpreters Jen Ferris and Keith Brougham
Discounted advanced tickets ($21) can be purchased by members of the Deaf and Hard of Hearing community prior to February 4, 2020 by filling out and returning the advanced ticket form.
Some coarse language. Suitable for ages 14+