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The BackstagePASS Update
Listen Up: Director's Talk
Last Friday night at our preshow lecture, director Kevin Kerr talked about the inspirations for his play Unity (1918), (including wonderful stories about his research process in his mother's hometown in Saskatchewan), the history of the play being produced by other companies, and his coming to the play as a director for the first time.
An engaging lecture. Listen in now to the audio recording posted here.
Listen to the lecture now:
In the press: "A masterpiece by any measure"
They love us! It's not just our students who are falling in love with Unity (1918)! Read below to see Victoria's theatre reviewers fantastic reviews!
"Who knew a play about the flu could be so moving? Unity (1918) is a minor classic of Canadian theatre... definitely worth seeing. ... student cast does a superior job with a challenging script — the sisters are particularly convincing.
Kerr has directed his show with panache and grace. ... the production's simple, bold design elements are first-rate. Guitar accompaniment by composer Francis Melling is wonderfully atmospheric...
The plight of the townsfolk is portrayed with great humanity and feeling. On Thursday night, at least one audience member dabbed her eyes and half the audience gave Unity (1918) a standing ovation.
Amy Culliford played Beatrice, one of the sisters, with great heart and empathy. As Sissy... Haley Garnett (shown right) captured her character's oddball pluck ... Mary, Gillian McConnell was especially effective when delivering an elegy for her fiancé, who died in the war... other strong performances, including those of Logan Mitev as the sightless Hart (a curiously chipper character) and Tristan Bacon as Michael, a young farmhand...
Kerr and set/lighting designer Allan Stichbury have conspired to make Unity (1918) a visual poem...
"... two telephone operators — Doris and Rose — ...provide comic relief as the corpses begin to accumulate. Danielle Florence (shown left) and Marisa Nielsen manage the difficult task of blending comedy and tragedy with great sensitivity and tone.
Staging (Allan Stichbury) is sombre and majestic in its simplicity. Running completely around the theatre, a canvas drop conveys the grandness of the stars in the prairie sky—an effect that is mirrored in the costumes (Halley Fulford) which are made to twinkle, at times, by lights set into the very fabric.
...Days later I'm still puzzling out the meaning as glimpses of the characters interactions come back to me in flashes — Amy Culliford's quiet dignity as Bea, Keshia Palm's calm acceptance hiding Sunna's driving desire to return home, the sisters sibling rivalry, Mary's thwarted happiness, Michael's infectious nature, Hart's whimsical humour. (Left to Right below: Sean Dyer as Stan, Keshia Palm as Sunna and Logan Mitev as Hart.)
A masterpiece by any measure, Unity 1918 is an ode to our human capacity to endure, and continue to dream, even among unimagined horror. UVic's Phoenix Theatre ends the 2013/2014 season with a remarkable production and a fine tribute to our persevering ancestors.
"It isn't terribly often you see a piece of theatre as the playwright intended it to be seen.
... the plot of Unity trembles with emotion... Unity and its citizens implore you to become involved in their world. A combination of detailed, turn-of-the-century objects and costumes, and a sparsely decorated but ingeniously flexible set will draw in even stubbornly realist audience members. Detail is used to suggest, rather than assert, and the result refuses to distract...
Unity is a triumph. ...all of the performers involved... never appeared to be giving an ounce less than their best. The Phoenix should be proud; Unity can be held up to the best of what Victoria has to offer, even to professional companies whose tickets cost three times as much. It would be tragic for you to miss this.
"... Beatrice, played nicely by Amy Culliford is surrounded by her younger sister Sissy, played by Haley Garnett with lots of spunk and energy, and her friend Mary, played by Gillian McConnell. So the three of them are young women (all shown below) just out of highschool waiting out the war, hoping for the boys they went to highschool with to come back home in one piece...
... It's a very strong play. I really liked the play. It's well designed by Allan Stichbury, who's designs are always very elegant and spare. ...the coffins are used for, well as coffins, as you can imagine, but also as benches and seats and beds... A simple set covered in wood shavings was quite effective."
"The script itself is genius, detailed with lively dialogue and surprising scenes.
... Sissy was played by Haley Garnett, who illuminated the stage with charisma and energy. She was joined by the talented Amy Culliford as Beatrice and Logan Mitev, who played the blinded soldier Hart with subtlety and respect (shown left). Marisa Nielson's expressive performance of telephone operator Rose contrasted with Keshia Palm's serious, demanding role as the Icelandic undertaker, Sunna. Both actresses achieved memorable performances.
The Phoenix's thrust stage was strewn with wood shavings, which made for some interesting emphasis when dragged bodies left bare black strips in their wake... Live music was provided by a talented guitarist [Francis Melling], who used a warping pedal to imbue the sound with eeriness. The Phoenix's production of Kerr's award-winning play did the university proud, and should not be missed by students and community members alike.
"...Kerr charms thanks to creative staging, a great score and too many outstanding performances to name. ... he has expertly woven dark humour (including a clever doomsday sub-plot) into the story for levity and this cast has comic timing to match.
Telephone operators Doris (Danielle Florence) and Rose (Marisa Nielsen) steal every scene they're in with clever banter and precisely the shrill, patronizing delivery you'd expect from a town gossip worth her salt.
Protagonists Beatrice (Amy Culliford) and Sissy Wilde (Haley Garnett) (shown right) play their big and l'il sis archetypes with tremendous humanity, noble despite adversity yet played with just the right amount of pluck to keep them interesting.
Colette Habel's precise sound design works with the transformative set to help us shift seamlessly through locations with something as simple as an annoying water drip.
Unity (1918) is about so much more than just the flu. It's a look at the enduring struggle we all face in our ambition towards love and purpose and family; the Phoenix's production simply gives us an elegant, intuitive tool to better explore it.
Other Unity news stories.
Tuesday March 25, 2014 @ 8pm
Michael Sakamoto Dance Performance
The Department of Theatre is hosting dance theatre performer Michael Sakamoto as part of our exchange program with Bangkok, Thailand. He will be performing two works, Gherm a dance theatre solo and Flash Mixtape, a duet with Waewdao Sirisook. The lighting designs for these works were created by student Imogen Wilson who, with other student Breanna Wise, is currently studying at the Bangkok University's Production and Design program. Free admission. All welcome.
Like our Photos!
Check out your favourite scenes of Unity (1918) with the gallery of 45 photos on Facebook. Thanks again David Lowes at Arts Studio21 Photography for his amazing photography. Want to know more about we do? Follow us on Twitter too!
Phoenix eNews is a regular email magazine (5-6 times per year) for those interested in the Phoenix Theatre and the not-for-profit productions with the students at the University of Victoria's Department of Theatre.