UVic retires 215+ memorial banners, raises Survivor Flag

On May 27, 2021, Canada watched in horror as news spread about the confirmation of more than 215 unmarked graves on the site of the former Kamloops Indian Residential School, located on the lands of the Tk̓emlúps te Secwépemc First Nation. This discovery was a painful reminder of the ongoing history of colonial violence inflicted by Canadian educational institutions—institutions that have long been complicit in their harm towards Indigenous peoples.

Closer to home, at UVic, the response across the campus community was an overwhelming: What can we do? How can we support Indigenous students, staff and faculty, as well as Elders, knowledge keepers and others from our community? How do we recognize the children who never came home and the Survivors who continue to be impacted by their past experiences at residential schools?

Very quickly, the campus came together to create an action plan, including lowering the university flags, lighting a Sacred Fire and installing memorial banners on light standards across the UVic campus designed by UVic Impact Chair in Indigenous Art Practices and Fine Arts professor, Kwakwaka’wakw/Coast Salish artist Hayalthkin’geme, Carey Newman. The artwork, titled “Hearts and Hands”, was a design to honour the children who never returned home from the residential schools.

“Universities aren’t often known for their nimbleness; however, UVic’s response to this discovery was an example of what’s possible when everyone is pulling in the same direction. Frankly, the response was refreshing,” says Newman.

Moving from initial response to committed action

After flying for more than three years, the 215+ banners began showing signs of wear and tear, and it was time to consider replacements or to look for space for a permanent recognition on campus. During the 2023 Orange Shirt Day ceremony, Survivor and Elder Klith-wii-taa, Dr. Barney Williams, gifted President and Vice-Chancellor Kevin Hall with a Survivors’ Flag, which will now have a permanent home outside the Mearns-McPherson Library and adjacent to the area where previous National Truth and Reconciliation and Orange Shirt Day ceremonies were held.

The flag will permanently honour the strength, courage and perseverance of Survivors who fought with determination to carry on their cultures, traditions and languages and knowledge systems for generations to come. Now, the 215+ banners will come down to make room for the installation of new Indigenous artwork by internationally renowned Lək̓ʷəŋən master carver and artist Dr. Butch Dick.

“The 215+ banners were never intended to be a long-term visual acknowledgement of truth and reconciliation,” says Newman. “They were part of an immediate and collective reaction to a moment in our history. With the raising of the Survivors’ Flag on campus, the work of the banners has concluded, and I like to think that they held space until this more permanent response could be found.”

Read the full UVic News story here

Carey Newman named Royal Society Fellow

Congratulations go out to artist and scholar Hayalthkin’geme Carey Newman on being named a Fellow of the Royal Society of Canada.

UVic’s Impact Chair in Indigenous Art Practices and a professor in both Visual Arts and Art History & Visual Studies, Carey Newman makes regional, national and international impact by combining art and Kwakwaka’wakw knowledges to address Indigenous and environmental injustice. His projects — like The Witness Blanket and Seedling transform conversations around reconciliation and decolonization across social, institutional and political paradigms, driving innovation and collaboration that challenge status quo approaches to research in the arts, climate, leadership, transsystemic law, collections management, conservation, technology and more.

“Transformative change involves reaching hearts and minds. So, when I make artwork about specific issues, rather than telling people what to think or how to feel, I want them to engage with it on their own terms and take ownership of their thoughts and realizations,” explains Newman. “When something becomes personal it becomes important, and once it is important we are more willing to change our ways. Art has this power.”

Announced on September 3, Newman is one of five new UVic appointments: Ryan Rhodes (Education), Janelle Jenstad (Humanities) and Lin Cai (Engineering) are also newly elected Royal Society Fellows, while Heidi Kiiwetinepinesiik Stark (Human & Social Development) is the newest member of the RSC’s College of New Scholars, Artists and Scientists.

Royal Society Fellows are Canada’s most eminent scholars who make remarkable contributions in academia and Canadian public life. Members of the College are academics less than 15 years from the date of their PhD. There are currently 2,524 Fellows and 436 members of the College of New Scholars in Canada. UVic is continuing its strong representation of scholars recognized by the Royal Society of Canada. Since 2020, 32 UVic professors have been elected as Fellows or members of the College of New Scholars — including nine in Fine Arts.

Externally funded research (select)

Heather Igloliorte (centre) speaking as part of the Distinguished Women Scholars event at Legacy Gallery’s 2024 exhibit, Latent (Beth Bingham photo)

Each year, Fine Arts faculty members receive external funding for their ongoing creative and scholarly projects. This is a current selection of grants awarded to faculty in 2023/24 from the Social Sciences and Humanities Research Council, the Canada Council for the Arts, the BC Arts Council and others.

 

  • Cedric Bomford (Visual Arts) received support from Canada Council’s Arts Abroad program.
  • Taylor Brook (Music/PEA) received funding from Harvard’s FROMM Foundation to support new work for piano and electronics. 
  • Ajtony Csaba (Music) received two Canada Council grants, a BC Arts Council grant (for the SALT New Music Festival) and funding from the Ernst von Siemens Music Foundation. 
  • Sean Holman (Writing) received a SSHRC Connection grant for the fall 2024 Climate Disaster Project verbatim theatre project, Eyes of the Beast.
  • Heather Igloliorte (Visual Arts) received SSHRC support as the Canada Excellence Research Chair in Decolonization & Transformational Artistic Practice.
  • Sasha Kovacs (Theatre) received a SSHRC Partnership Grant as co-director of Gatherings: Archival & Oral Histories of Performance, with Dean Allana Lindgren as co-investigator.
  • Mark Leiren-Young (Writing) received a BC Arts Council Creative Writing grant. 
  • Kathryn Mockler (Writing) received a BC Arts Council Creative Writing grant. 
  • Kirsten Sadeghi-Yekta (Theatre) received a SSHRC Insight grant to support the five-year project Staging Our Voices: Strengthening Indigenous languages through theatre.
  • Suzanne Snizek (Music) received a SSHRC Partnership Grant for her work supporting Visual Storytelling & Graphic Art in Genocide & Human Rights Education.
  • Jennifer Stillwell (Visual Arts) received a UVic Research/Creative Project Grant and a SSHRC Explore Grant.
  • Anthony Tan (Music) received a UVic Research/Creative Project Grant and a SSHRC Explore Grant.
  • Paul Walde (Visual Arts) received support from the Canada Council’s Arts Abroad program. 

How to Build a Fire: A Performance by Kerri Flannigan

In the unique live performance is a performance accompanied by projections, sound, and live-narration. How To Build a Fire, Visual Arts MFA alum Kerri Flannigan explores connections to nature, changing climates and wildfire through the relationship with their father, Mike. As an adult, Kerri realizes that although their father is a fire expert, they don’t actually know that much about fire and they begin recording conversations with their dad.

This performance will feature excerpts of these interviews and conversations which eventually start to bring in additional fire experts as well as touching on memories of growing up on a fire research station, legacy of fire suppression and fire as “enemy” ushered in with settler-colonialism, shifting cultural views around wildfire, the state of the forest, and more. How To Build A Fire asks questions about what kind of relationships we should have with each other, with fire and with the land around us.

Runs 7:30-9pm Sat-Sun August 3 & 4 at Intrepid Studio, 1609 Blanshard. Tickets $5–$25 (sliding scale)

Co-presented by UVic’s Legacy Art Galleries and Impulse Theatre.

Snapshot of a year

We’re excited to share with you the latest edition of the Faculty of Fine Arts Annual Review. While it’s always difficult to encapsulate an entire year’s worth of activity into a single 36-page magazine, we do enjoy the creative challenge of sharing our top stories with you!

“This past year, colleagues continued to reconceptualize the contours of arts education, creative expression and scholarly knowledge,” writes Dr. Allana Lindgren in her introduction. “The arts continue to be essential for cultivating dexterity through creative thinking and fostering the empathy needed to navigate our increasingly complex world.”

Dean Lindgren also notes the ongoing inspiration Fine Arts students provide. “Their commitment to creativity continues to inspire me and gives me confidence that the next generation of arts leaders has the temerity to transform life’s challenges into opportunities for intellectual reflection and artistic innovation.”

Inside, you’ll find a variety of stories about the recent activity of our faculty, students, staff, donors and community partners.

Education equates with action here in Fine Arts: we are committed to helping our students cultivate the skills needed to become innovative artists and engaged leaders.

Our curriculum, artistic practices, research and creative activities are rooted in our belief in the power of creativity, experimentation and the efficacy of the arts to help us to understand and address today’s most urgent and vexing issues.

If you missed a previous Annual Review, issues dating back to 2017 are archived here.

New mural connects art & wellness

When the head of UVic’s Island Medical Program decided it was time to freshen up the lobby of the Medical Sciences building, he reached out to Fine Arts Dean Allana Lindgren for inspiration. Together, they came up with a plan that would result in the commissioning of a new mural by a Visual Arts student plus the curation of a new set of artworks from UVic’s 18,000-piece collection, with the participation of the Art History & Visual Studies department.

Selected by a jury to create an uplifting and welcoming mural reflecting themes of health, wellness and happiness, Visual Arts undergraduate student Claire Jorgensen created the large-scale painting “A Dream of Vitality”, which is now a permanent addition to the Medical Sciences building.

“I wanted to enliven our lobby with something happy and beautiful that would inspire a sense of wellness in our building’s community,” notes Dr. Bruce Wright, head of UVic’s Division of Medical Sciences and the Regional Associate Dean (Vancouver Island) of UBC’s Faculty of Medicine.

“Partnering with Fine Arts to install a mural was the perfect way to do this, and including a curated art collection was an amazing opportunity to spread that positive energy throughout the rest of the first floor,” says Wright. “The Island Medical Program is proud of the successful collaboration between our programs and, especially, to have supported student learning through this project.”

Jorgensen—whose work was recently seen in the 2024 BFA graduation exhibition Silver Bullets and who did the 2022 commission “Scenes of Knowledge” for UVic’s Equity & Human Rights office—feels her mural is a good fit with Wright’s vision. “It depicts native plants and landscapes as a demonstration of the resilience of the land and people in the face of oppression,” she explains. “I chose a nature scene because of the role the natural world plays in health and wellness: whether it be climate change, colonization or other factors, the continued pursuit of wellness and health shines through. It’s a hopeful piece, and works to instill optimism into those who view it.”

Together with Jorgensen’s mural, the newly curated art on display not only enlivens the building’s lobby but also offers Island Medical’s community of students, faculty and professional staff a new relationship with visual art when they gather in the building. 

This new collaboration is just one of the many ways Fine Arts contributes to health and wellness on campus, and in the community.  

Claire’s “Scenes of Knowledge”, now mounted in the AHVS student commons