Phoenix Theatre launches new season

im:print 2024 

October 3–12, 2024

A special presentation with the Inter-Cultural Association of Greater Victoria featuring a creative team of diverse artists and facilitators. im:print 2024 is a diverse performance that skillfully weaves together the personal stories of Indigenous, settler, immigrant and refugee artists. Using spoken word, dance and song, the production delves into the complex web of our connections to place, people and belonging. It boldly challenges prevailing beliefs and sheds light on the real-life impacts of equity, diversity, inclusion, and identity politics.

This project, which spans across cultures and generations, is a community-based effort designed to be a vital creative outlet. These stories centre around themes like place and displacement, belonging and longing, and connection and disconnection, showcasing the diverse voices within our community. 

Art can be a powerful way of healing, raising awareness, and having conversations around difficult subjects. 
—ICA

 

The 25th Annual Putnam County Spelling Bee

November 7-23, 2024

Winner of the Tony and Drama Desk Awards for Best Book of a Musical (Rachel Sheinkin), The 25th Annual Putnam County Spelling Bee takes audiences on a hilarious and heartwarming journey into the competitive world of spelling bees.

Set in a small town, the story follows an eclectic group of six adolescents as they vie for the coveted title of spelling champion. These quirky characters spell their way through a series of challenging (and possibly made-up) words, hoping to avoid the dreaded “ding” of elimination. Along the way, they share touching and wildly funny stories from their home lives. Thanks to catchy tunes by William Finn (Falsettoland) plus unexpected twists and even some audience participation, this fast-paced gem is a riotous ride that has charmed audiences worldwide.

Guest directed by Jaques Lemay, the musical mastermind behind our previous production of The Drowsy Chaperone.

The Killing Game

February 13–22, 2025

Theatre professor Conrad Alexandrowicz (The Waste Land, Comic Potential) offers this absurdist comedy that transcends the ordinary. Step into the surreal world of Eugène Ionesco’s The Killing Game, a captivating play that immerses audiences in the tale of a town facing a deadly plague. As the body count rises, accusations fly, tensions rise, and the line between reality and absurdity is blurred. Death spares no one, regardless of wealth, age, innocence, or guilt, turning the community into a chaotic mix of paranoia, hypocrisy, and opportunism.

One of Ionesco’s final plays, The Killing Game is filled with humour despite its dark subject matter, and reveals how social connections can become fragile when confronted with an existential threat. With razor-sharp wit and keen satire, Ionesco skillfully allows the audience to engage while maintaining a sense of detachment through laughter.

The human drama is as absurd as it is painful.
—Eugène Ionesco.

 

Twelfth Night


March 13-22, 2025

In the magical realm of Shakespeare’s Illyria, director and Theatre professor Fran Gebhard (Dead Man’s Cell Phone, Problem Child) offers a fresh interpretation of the timeless comedy Twelfth Night. Shipwrecked and separated from her twin brother Sebastian, Viola disguises herself as a young man to serve Duke Orsino. What follows is a whirlwind of romantic entanglements, mischievous pranks, mistaken identity and hilarious misunderstandings.

Gebhard’s vision transports the audience to a future era, post-climate change, where traditional gender roles blur. Amidst wit, humour, and poetic language, the play explores love’s transformative power and the delightful chaos of reality and illusion.

If music be the food of love, play on. 
— William Shakespeare, Twelfth Night

After a strong 23/24 season that saw the majority of performances play to sold-out audiences, the Department of Theatre‘s 24/25 mainstage season promises an equally exciting year to come—from community impact stories and a Tony-winning musical to an absurdist comedy and a much-loved classic! 

Celebrating our Rubinoff Scholars

Congratulations go out to the Fine Arts graduate student recipients of the inaugural Jeffrey Rubinoff Student Scholarships, many of whom gathered at the University Club on March 5  to offer their thanks and mingle with the Rubinoff Foundation’s Betty Kennedy and Karun Koernig. Among those who offered their thoughtful and insightful comments were Arnold Lim and Holly Loveday (Writing), Vithória Konzen Dill (AHVS), Stephen Markwei and Narges Montakhabi (Theatre), Eva Bradavkova (Music) plus Charles Amartey, Ryland Fortie, Sina Khatami and Parvin Hasanibesheli (Visual Arts).

Not able to join us were fellow recipients Jaiya Gray (AHVS), Jamie Davis (Music) plus Liz Bently, Eeman Masood and Rainy Huang (Visual Arts).

 

Meet two Rubinoff Scholars

One of our inaugural grad student Rubbing Scholars is award-winning Korean-Canadian filmmaker, producer and photographer Arnold Lim. Currently pursuing his MFA in Writing, Lim was twice selected as a recipient of Telefilm’s Talent to Watch program, is a graduate of the National Screen Institute’s Features First program, has been a juror and programmer for numerous film festivals, and the photography manager for four Olympic Games. “I’m a storyteller at heart, and the opportunity to continue that journey as a grad student has been so much greater than I could have ever imagined,” says Lim.

This year, he was writer/director of the mystery/thriller Whisper, the latest (and most ambitious) short film yet created for Writing’s popular film production class, where local film professionals mentor a student crew. “Writing and directing a film in concert with like-minded, passionate classmates under the tutelage of instructors and a supervisor who has gone above and beyond to tailor the program to our learning outcomes has supported tangible and important growth for me as a screenwriter and filmmaker and is a gift I could never repay,” he says.

International student Stephen Markwei is another our Rubinoff Scholars. Hailing from Ghana, Markwei is continually evolving as a dancer, choreographer and multi-disciplinary artist; his artistic talent, combined with a strong social conscience, demonstrates his commitment to his craft and his devotion to addressing important societal issues. His passion for artistic expression and commitment to enhancing human experience through the arts is evident in his dedication to addressing societal issues related to learning disabilities.

Currently pursuing his MA in Theatre by investigating theatre-based interventions to assist individuals with dyslexia, Markwei aims to understand how incorporating sensory modalities into interventions through theatrical activities can benefit those with learning disabilities. “Utilizing multi-sensory methods, including movement and visual cues, in designing learning experiences for individuals with dyslexia can be valuable,” he explains.

About the Rubinoff Scholarships

The Faculty of Fine Arts has developed a strong relationship with the Jeffrey Rubinoff Foundation since 2016 when the late BC sculptor created the Jeffrey Rubinoff Scholar in Art as a Source of Knowledge Endowment at UVic.

That relationship was further strengthened in December 2023 by the creation of the Jeffrey Rubinoff Nexus for Art as a Source of Knowledge, which includes $230,000 in new funding plus a named professorship, this robust set of graduate student scholarships, and the expansion of experiential learning initiatives at the Jeffrey Rubinoff Sculpture Park (JRSP) on Hornby Island.

Rubinoff himself understood art to be a source of knowledge because of its capacity to influence the viewer’s perspective by means of original perceptions. Those Fine Arts students who have spent time at the JRSP since 2017 have expressed profound appreciation for their experiences, while their perspectives and ideas have grown.

You can stay up to date on future activity via the new UVic_Rubinoff Instagram account.

Orion Series presents Randi Edmundson & Shizuka Kai

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Randi Edmundson

& Shizuka Kai 

 

Visiting artists & puppeteers, offering a pair of public workshops:

 

  • “That Elusive Life: Searching for ‘Canadian’ Puppetry” 

    9:30-10:30am Wed, March 20

     

  • “The Making of Otosan: Snapshots of a Japanese-Canadian Puppet Show”:

    9-10am Thur, March 21

UVic’s Roger Bishop Theatre (Phoenix Building)

 Free & open to all

Presented by UVic’s Faculty of Fine Arts

For more information on this lecture please email: theatre@uvic.ca

About Randi Edmundson

Driven by curiosity, UVic alumna Randi Edmundson wears many hats in the world of theatre, including producing, directing, performance, and design. Her passion for puppetry has taken her across the country and the globe, including recent research with Papermoon Puppet Theatre in Indonesia.

She has a background in devising new works for a wide range of audiences and has worked as a puppeteer and puppet creator with Chemainus Theatre Festival, Neworld Theatre, Caravan Farm Theatre, the Canadian Academy of Mask and Puppetry, the National Arts Centre, Lunchbox Theatre, and Western Canada Theatre. She has studied under puppet thinkers Peter Balkwill, David Lane, Ronnie Burkett, Mervyn Millar, Clea Minaker, Jeny Cassady, and Ingrid Hansen.

With her Jessie Richardson Award-winning company Little Onion Puppet Co., Randi has toured several original puppet works across Western Canada. She holds a BFA in Performance from UVic and an MFA in Directing from the University of Calgary.

Randi is grateful to create as a freelance artist and as Interim Artistic Producer of Carousel Theatre for Young People on unceded Musqueam, Squamish, and Tsleil-Waututh territory in Vancouver and as the Artistic Producer of Project X Theatre in unceded Secwepeme territory in Kamloops.

About Shizuka Kai

Shizuka is a multidisciplinary artist who has been working professionally in puppetry and set design for over 12 years. She also delves in TV/film puppetry, extends her design into illustration and graphics, and is  emerging in directing. Shiz is a five-time Jessie Richardson Award winner with multiple nominations; an Ovation Award winner; the recipient of the Earl Klein Memorial Scholarship and Steven B Jung Award; and a graduate of Studio 58.

She has trained with many incredible artists such as Wendy Gorling, Jeny Cassady, Peter Balkwill, Clea Minaker, Juanita Dawn, and the folks at Marionetas de la Esquina. Recent puppetry credits in theatre: Division Infinity Saves the World! (Neworld), Le merveilleux voyage d’Ines de l’Ouest (Théâtre la Seizième), and Yellow Objects (rice & beans). Recent TV/Film: London Drugs – To Do Hissss (Rethink), FortisBC – Energy is Awesome (Media Button), and Lost Ollie (Netflix). Next up for Shiz: Otosan (Little Onion Puppet Co), a table-top puppet show based on her childhood growing up with a wildlife cinematographer father.

She is also currently working as a set design instructor and (newly appointed) production program coordinator at Vancouver’s Studio 58.

 

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca

Distinguished Alumni Awards honour Carrie Tennant, Dennis Gupa & Ivy Martin

UVic announced the recipients of the 2024 Distinguished Alumni Awards on March 4 and Fine Arts was once again proud to see three of our outstanding graduates included among the 18 recipients being recognized across the three categories: Presidents’ Alumni Award recipient Carrie Tennant (Music), Emerging Alumni Award recipient Dennis Gupa (Theatre) and Indigenous Community Alumni Award recipient Ivy Martin (CRM). You can view all the awardees and read about them on the alumni awards webpage.

“This diverse group of graduates contribute their skills, passions and leadership to many different fields, including the arts, education, law, science, engineering and business,” says UVic President Kevin Hall. “Advocacy, community building and climate action are common threads woven through their work. In that sense, they shine a light on the values and priorities that define and unite us at UVic.”

Once again, the awards show the calibre of UVic alumni and their impact across the world—but it’s also a great reminder of the potential future impact of the work we do every day to create positive student experiences.

Carrie Tennant, Presidents’ Alumni Award

Presented by UVic’s President and the President of the UVic Alumni Association, this award recognizes the outstanding lifetime accomplishments of alumni who have either earned national or international regard, or had a significant local impact as a result of their outstanding professional achievements and/or service to society.

For the past 20 years, the Vancouver-based Carrie Tennant has worked with young singers, developing their leadership and artistry. Holder of a Bachelor of Music in Music Education (1999) and a Teaching Certificate from Faculty of Education (2000), she is currently the founder and artistic director of the Vancouver Youth Choir.

Carrie’s choirs have won several awards and have performed at international events in Istanbul and New York City. She is also an affiliate conductor with the Vancouver Chamber Choir, and a frequent clinician, adjudicator and guest conductor across North America and around the world. She is the editor and curator for two choral series: the Vancouver Youth Choir Choral Series (Cypress Publishing), which promotes diverse Canadian voices on the international stage, and the brand new Carrie Tennant Choral Series (Hal Leonard). She received the 2023 YWCA Women of Distinction Award for Arts and Culture, and in a past life she toured, performed and recorded with her husband as a member of Vancouver-based indie-pop group the Salteens.

When asked for her favourite memory of attending UVic, Carrie points to playing in the ensembles with retired Music Ed and Wind Symphony director Gerald King and singing in UVic Chamber Singers with Bruce More. “I went to Korea and Thailand and China with him and the choir,” she recalls. “Bruce was an incredible mentor and a fantastic role model, and he let me conduct in Korea. That gave me the conducting bug. It was really a transformative experience for me.”

You can hear Carrie and the Chamber Singers in action at a special 50th Anniversary concert at Vancouver’s Pacific Spirit Church on April 21, which will also feature an alumni reception before the concert.

One aspect of her UVic training that really helped shape Carrie was what she describes as the “spirit of thinking outside the box, which I really have carried forward with me.” But she also credits our “incredible” music education program: “I walked out of that program ready to be a successful teacher in the public system, and I didn’t realize at the time that that was not the norm until I connected with other first-year teachers from other post-secondary programs who were overwhelmed and treading water and couldn’t handle it,” she says. “Even though I’m not a teacher in the traditional sense now, I think a lot of the foundational principles and methodology comes from that strong background of music ed from UVic.”

Read more of the interview with Carrie here—including her thoughts on community building, her own personal motivations, the best advice she ever received, her go-to karaoke song (spoiler: it’s Dolly Parton’s “9 to 5”) and her secret talent.

Dennis Gupa, Emerging Alumni Awards

Recognizing the outstanding professional achievements and/or contributions of recent alumni (graduated within the last 10 years) to the community, one of this year’s Emerging Alumni Awards goes to the now Philippines-born but now Winnipeg-based Dennis Gupa (Doctor of Philosophy in Applied Theatre, 2021).

Dennis is a theatre director, performance maker/researcher, applied-theatre practitioner and an assistant professor at the Department of Theatre and Film at the University of Winnipeg. He has an MFA in Theatre (Directing) from UBC, an MA in Theatre Arts from the University of the Philippines and completed his PhD in Applied Theatre at the University of Victoria as a Vanier Scholar; his dissertation centred on climate change and Indigenous ecological knowledge, which was amplified with his role as UVic’s Ocean Networks Canada Artist in Residence during the pandemic.

Dennis has directed and devised performances in Southeast Asia and North America. He received the 2023 inaugural Green Award (Individual Artist Runner-Up) from the Professional Association of Canadian Theatres (PACT) and Boca del Lupo and RBC Foundation’s 2023 SLaM (Successor, Leadership and Mentorship) Program. He is a Dwight Conquergood Laureate of the Performance Studies International (PSi) and The Ada Slaight Drama in Education Awardee of Toronto’s Young People’s Theatre. Dennis is mentioned in the Cultural Centre of the Philippines’ Encyclopedia of Philippine Arts for his contribution to the contemporary theatrical heritage of the Philippines.

He describes his experiences at UVic as “life transforming,” noting that he’s the only person in his family who received both an international education and a PhD.

“But having such an achievement is empty when you are not connected to the purpose of the work that you’re doing,” he says. “UVic taught me to have an attentiveness to one’s purpose—a kind of an attention to the things that I wish to contribute to the world. It made me reflexive, value collaboration and to have the courage to constantly interrogate and question the work I create, communicate and circulate. My academic and artistic experiences at UVic made me realize that I have to constantly evolve with my own craft as a scholar, teacher and artist to become a better human being.”

Read more about Dennis here—including the one essential trait for his continuing work (humility), a good piece of advice, his favourite way of relaxing, one food he can’t resist (Filipino adobo) and who (or what) he’d like to play him in the movie of his life.

Ivy Martin, Indigenous Community Alumni Award

Long before obtaining her Diploma in Cultural Resource Management in 2023, Tofino-based (but Port Alberni-born) Ivy Martin played a key role in caretaking, documenting and promoting the traditional knowledge and cultural treasures of the Tlaoquiaht First Nation.

She has successfully repatriated several ancestral treasures to the community and helped build a custom space with temperature and humidity control to secure their long time use and preservation. Ivy works with Tlaoquiaht’s Tribal Parks department and archaeologists on cultural surveys to ensure cultural sites and treasures are handled with the proper traditional protocols of the Tlaoquiaht First Nation, and to establish a repository for artifacts found within the traditional territory. She records, documents and shares cultural knowledge, and is currently building an online database and learning resources as part of the nation’s efforts to revitalize the endangered Tlaoquiaht language.

When asked for a favourite memory of her time at UVic, Ivy recalled the cultural regalia that went missing from her family years before. “My mother’s the eldest daughter of my grandfather, who was chief,” she explains. “I was in my 20s when I started collecting, documenting culture and our history, because it was intriguing to me . . . and [my grandfather] shared his wish for me to find this regalia and to bring the regalia home.”

So when one of her CRM assignments was to do a repatriation request, Ivy  already knew what her family wanted. “Now we have a room that is a designated chief’s regalia space. That’s come from part of my course work with UVic. It’s helped me to see how it can be a reality for my community. It’s been an awesome journey, very culturally healing. My experience has made it such a personal thing, connected to that identity in my family, of having that regalia coming home.”

Read more about Ivy here, including key skills, underappreciated characteristics (“We don’t shine enough light on our abilities to push forward each day”), valuable advice, what she does to relax, and what brings her joy (“seeing my kids enjoy life”).  

“My education with UVic has helped me to create opportunities for my family to learn and experience things that are meaningful,” she concludes.

Nominate a Distinguished Alumni

You can read more about previous Fine Arts Distinguished Alumni Award winners.

Nominations for the 2025 Distinguished Alumni Awards are now open through October 18, 2024.

100 Years of Broadway takes centre stage

For their second mainstage show of the 2023/24 season, UVic’s Phoenix Theatre offers an epic journey through the most iconic and beloved musicals of our time as 100 Years of Broadway dances into the spotlight. Whether you’re a seasoned theatregoer or new to the magic of the stage, 100 Years of Broadway promises an experience that will leave you with a song in your heart.

Created by noted arranger and composer Mac Huff, this revue seamlessly weaves together medleys and full-song performances, capturing the essence of each era and showcasing the evolution of musical theatre — so expect delightful nuggets of history and fun facts to spice up this musical adventure.

Light the lights

It all begins in the early 20th century at the historic hotspot Tin Pan Alley, the epicentre of American musical genius. Imagine a bustling hive where songwriters, composers and publishers wove the very fabric of popular music with unforgettable music and timeless melodies by the likes of Irving Berlin, George and Ira Gershwin, Oscar Hammerstein II, Jerome Kern, Cole Porter and Richard Rodgers — timeless creators who etched their names into the musical legacy that gave rise to today’s Broadway productions.

From there, you’ll be transported to the golden era of the ’50s and ’60s with iconic scores from Cabaret, Guys and Dolls, Hello Dolly! and Oliver. Then it’s a quick fast-forward through the groundbreaking ’70s and ’80s and the works of modern titans Andrew Lloyd Webber (Phantom of The Opera, Jesus Christ Superstar, CATS) and Stephen Sondheim (A Little Night Music, Sweeney Todd, Company). After that, we shift into the contemporary, with the likes of Wicked, Something Rotten, Waitress, Come From Away, Rent and The Last Five Years, among many others. 100 Years of Broadway celebrates the past, present and lasting joy that only Broadway can deliver.

A night of nights

It’s all directed by guest director and Phoenix alum Pia Wyatt, who received her master’s degree in directing from UVic in 1994. A professional educator, director and choreographer who has worked throughout the country and internationally, she now shares her talents as a professor of theatre and dance, and head of directing and performance at Louisiana’s Northwestern State University.

“I look forward to breathing new life into each theatrical production, helping create a masterpiece that entices the hearts and minds of the audience,” says Wyatt. “Theatre and dance provide freedom of expression and the power to communicate, to educate and to entertain — this outreach is what makes it exciting for me to create theatre.”

Indeed, Wyatt’s students and graduates are currently performing on Broadway, cruise lines, regional theatres and amusement parks worldwide. Under her direction and featuring an all-student design team, 100 Years of Broadway speaks to the legacy of the Phoenix theatre program — which continues to nurture top talent who contribute to the cultural landscape at home and abroad.

Alumni director Pia Wyatt

Building the student-designed set for 100 Years of Broadway

On with the show

The stage is set and the legacy of more than a century of beautiful music awaits you with 100 Years of Broadway. Inspiring, entertaining and uniquely able to connect people across generations, 100 Years of Broadway offers a night that will leave you singing and dancing long after the curtain falls.

Don’t miss this unforgettable evening as we celebrate Broadway’s extraordinary legacy! Book your tickets now, as they are already going fast!

100 Years of Broadway runs February 14-17 & 20-24, with 2pm matinees on Feb 17 & 24. Tickets are $11-$32, by phone at 250-721-8000 or in-person at the Phoenix Theatre box office.

There will also be a public pre-show lecture with Department of Theatre chair and Broadway historian Tony Vickery at 7pm Friday, February 16.

 

Fine Arts in the news: media roundup

When it comes to announcements, publications and media appearances, there’s never really a slow time for Fine Arts faculty, alumni and students — and the past couple of months have been no exception. Here’s a quick roundup of who’s been speaking with the media lately.

 

Art History & Visual Studies

In this December article for Forbes magazine, professor Catherine Harding comments on the use of AI in identifying another artist involved in a 16th century painting by Raphael. “It is wonderful if we can use AI in this way,” Harding said. “It won’t be irrefutable. It will depend entirely on the expertise of the people doing the programming, but if they can write the right kind of algorithm, it will be very useful.”

As part of the new Jeffrey Rubinoff Nexus for Art as a Source of Knowledge, professor Allan Antliff has been selected as the inaugural Rubinoff Legacy Professor. This named professorship is just one facet of $230,000 in new funding from the Rubinoff Foundation, which also includes 15 annual graduate student scholarships and the expansion of experiential learning initiatives at Hornby Island’s Jeffrey Rubinoff Sculpture Park. Read more in this announcement.

Professor Carolyn Butler Palmer and Visual Arts professor emeritus Lynda Gammon were interviewed on this Jan 6 segment of CBC Radio’s North By Northwest in support of Gammon’s Latent exhibit at Legacy downtown, which is curated by Butler Palmer. There is also an accompanying short visual story with pictures in this issue of the NXNW newsletter.

Adjunct professor Martin Segger recently wrote this fantastic Times Colonist piece about the history of not only Centennial Square but the overall planned design of Victoria’s downtown district.

Adjunct professor Grace Wong Sneddon co-curated the recent exhibit The Magic of Tony Eng (with local historian John Adams) for the Chinese Canadian Museum in Fan Tan Alley. A goal for this museum is to recognize Victoria’s Chinese Canadians and, as such, Eng is an ideal subject: a vibrant and active member of the city, many remember him as a charismatic stage magician, teacher and mentor to generations of local magicians. In other news, Wong Sneddon recently co-authored two chapters in a new book, Diversity Leadership in Education: Embedding Practices of Social Justice (2024, edited by UVic’s Catherine McGregor & Shailoo Bedi): “Unpacking the Equity Myth: Diversity & Leadership Deficit” (with Reeta Chowdhari Tremblay) and “Race and Gender: Chinese Canadian Women and Leadership” (with Lokpriy Shrma & Tremblay).

Alum India Young is cited in this Vancouver Sun article about a career retrospective exhibit by Nuu-chah-nulth artist George Clutes at Vancouver’s Bill Reid Gallery; the exhibit was created by Young plus UVic’s Andrea Walsh and Jennifer Robinson.

School of Music

Marking their official retirement from performing, the “trailblazing” Lafayette String Quartet were recently profiled in this feature article from Strings Magazine. “I hope we’ve instilled a deep love of chamber music in our audiences and students,” said Ann Elliott-Goldschmid. Our students benefited enormously from observing four musicians who respect each other and worked together, unified, in overseeing their studies and musical growth.”

Ahead of his final concert featuring live piano accompaniment to a silent film, professor Bruce Vogt was interviewed by CBC Radio’s All Points West (not archived) and in this Times Colonist story. “I’m certainly not retiring from playing,” said Vogt. “I just won’t be teaching any more. I’ll still be around, until I hear the chimes at midnight.”

January’s masterclass with guest mezzo-soprano Allyson McHardy got a shout-out in this Times Colonist roundup.

Professor Benjamin Butterfield plus alumni Isaiah Bell and Timothy Carter all appeared on this segment of CBC Radio’s On The Island talking about their recent concert, Banned from the Concert Hall. Butterfield was also interviewed for this Times Colonist story about the same event. “I’m not sure everyone goes around talking about their arse all day in Baroque circles,” Butterfield said with a laugh. “But this type of thing has been around a long time.”

As the new leader of the annual TubaChristmas fundraiser, instructor Scott MacInnes was featured in this December Times Colonist article. “It’s awesome that such a lowly instrument can provide so much happiness,” said MacInnes, who will be conducting the festive ensemble for the first time.

Arbutus Middle School’s music program was recently announced as the winners—again—of CBC’s annual national Music Class Challenge. While not named in the article, Arbutus’s music program is led by alumni Jennifer Hill & sessional Michael Mazza.

Theatre

As co-author, professor Yasmine Kandil was recently announced as one of the winners of 2023’s Wayman Mullins Award for Best Journal Article, as awarded by the Society for Police and Criminal Psychology Board of Directors. This award is given for the best scientific article as published in the Journal of Police and Criminal Psychology. Kandil, along with co-authors Jennifer A. A. Lavoie & Natalie Alvarez, picked up the award for their article “Developing Community Co-designed Scenario-Based Training for Police Mental Health Crisis Response: A Relational Policing Approach to De-escalation”.

Alum Jena Mailloux (MA Interdisciplinary Studies: Applied Theatre/Curriculum & Instruction) recently published the article “Elevating Critical Pedagogy Through Dramatic Principles: A Comparative Framework Analysis of Anti-Bullying Drama Education and Theatre Research Initiatives” in the Drama Australia Journal.

Alum Alynne Sinnema (MA Applied Theatre) was recently awarded the Canadian Association for Theatre Research Robert G. Lawrence Scholarship for her for the project “Coming to her Senses: Women’s Sexual Empowerment Through Applied Theatre”, which the adjudicating committee found “inventive and insightful in the ways it aims to combine applied theatre, specifically physical theatre, and feminist theory as a way to support women’s voices, embodied and scholarly considerations of women’s pleasure and sexual agency, and mental health.”

Alum Narges Montakhabi was awarded the Canadian Association for Theatre Research (CATR) Heather McCallum Scholarship for her project “Politics and Poethics of Precarity in Contemporary Middle Eastern Canadian Theatre.” Describing her project as “ambitious”, the committee found her work “amplified the voices of less-heard and younger generations of underrepresented Middle Eastern Canadian playwrights, focusing on contemporary (mostly 21st century) plays and playwrights from Iran, Syria, Palestine, Lebanon, Afghanistan, and Iraq.”

Visual Arts

Recent MFA alum Maryam (whose last name is not being used in the media due to safety concerns) was quoted in this Times Colonist story about her work in the latest Victoria Arts Council exhibit, You Are Welcome. “I’m still very impressed,” she said of the protests in Iran, where most of her friends and family reside. “The metal [in my piece] represents the strength and power of the women in my country when they were killed and shot in the streets.”

While the late-’90s children’s TV show Nanalan is currently going viral on TikTok, none of the coverage mentions the fact that professor Kelly Richardson worked on the show in between her BFA and MFA degrees. She worked on 71 episodes, making the set & greenery but also puppeteering; this allowed her to buy her first computer which entirely changed her art practice. “I’ve never really stopped making plants and animating bugs in my work,” she says. You can see some behind-the-scene photos Kelly has posted on her Instagram feed.

UVic Impact Chair Carey Newman was involved in the first fully bilingual colloquium of the New Uses of Collections in Art Museums Partnership  at the National Gallery of Canada in December. The conference outlined some of the innovative practices changing the standards and practices of art acquisition. This colloquium was jointly produced by the National Gallery of Canada (NGC) and the Université du Québec en Outaouais (UQO) as part of the CIÉCO Research and Inquiry Group’s Partnership New Uses of Collections in Art Museums.

In other news Carey Newman news, this Vancouver Sun article notes that the traveling exhibition of his Witness Blanket will be on display in the West Vancouver public library from Jan 26-March 8. This touring version is a detailed photographic replica of the original 13-panel sculptural installation, which is now permanently housed in Winnipeg’s Canadian Museum for Human Rights. Following this stop, the current 17-city tour next comes to the Saanich School Division (March 25–May 10) before moving on to Nelson and Nova Scotia, with more dates booking into 2025.  

Work by current MFA candidate Eeman Masood was featured in Frozen Forest, the recent curated exhibition at Abu Dhabi Art, and will also be displayed at the India Art Fair exhibition in New Dehli via her gallery representative Galerie ISA, from Feb 1- 4. 

 

Writing

Recent Writing grad and Climate Disaster Project managing editor Aldyn Chwelos was recently featured on this story for CBC Radio’s All Points West, speaking about their work documenting testimonials from survivors of severe wildfires and floods—some of which are getting a reprint in the December/January issue of Readers Digest. Chwelos was also featured in a separate interview with CBC Kelowna’s Radio West (not archived).

Teaching professor Marita Dachsel’s new essay collection Sharp Notions: Essays from the Stitching Life was mentioned in the Globe and Mail’s book gift guide for “The Mindful Maven” this year. “As the editors [Marita Dachsel and Nancy Lee] point out, in the 21st century we don’t need to knit, embroider, weave, bead, make lace or spin yarn. But what these essays by crafters get at, instead, is the nourishment found in the meditative (rather than productive) solace of fibre-arts handiwork.” Dachsel was also interviewed for this Vancouver Sun article exploring two new books with Vancouver Island fibre connections. Sharp Notions was also recently positively reviewed for The British Columbia Review, and it was included inAll Lit Up’s “Refresh Your Shelf: New Non-Fiction” list, which included five notable nonfiction reads for 2024.

Professor David Leach spoke with residents at two Isralei kibbutzim for this story for Jewish Renaissance Magazine. “In 2010, I completed a circuit around Israel to research a book about the founding ideals, hundred-year history and slow decline of the kibbutz movement,” writes Leach. “These 270 or so rural communes, dreamed into reality by young Jewish pioneers as a fusion of socialism and Zionism, had marked the borders of the future state and shaped many of its leaders and artists.”

Crookes Professor Sean Holman announced in December that Rappler — the Philippines’ leading digital media company — has published five students stories as part of the Climate Disaster Project Philippines, appearing just in time for COP28. As part of the CDP’s international outreach, UVic’s Division of Continuing Studies provides certificates to the Philippines students for their work in trauma-informed environmental journalism. All five harrowing stories can be read here, here, here, here and here.

MFA Sam Shelstad’s novel The Cobra and The Key was recently included on CBC Book’s list of “30 books to read this winter”. Things are getting meta with this new satirical novel, which is centred on the life of a writer (also named Sam Shelstad) who is busy working on a book about his failed relationship, while he awaits word from a publisher about the manuscript he’s sure will make him a star—a how-to book for aspiring fiction writers detailing the finer points of the craft.

MFA alum Kyeren Regehr has been named the new director of Victoria’s venerable Planet Earth Poetry Reading Series—which, at 28 years, is surely the city’s longest-running continuous literary series. PEP runs weekly, 7-9pm Fridays at Russell Books on Fort Street.

Fine Arts

UVic’s Fine Arts + Grants & Awards Librarian Christine Walde recently presented her book-themed art exhibit Salvage at the Bruce Hutchinson public library branch, in conjunction withthe Victoria Arts Council. Salvage is a collection of driftwood books salvaged from the beaches of Vancouver Island and the Cascadia bioregion of the Pacific Northwest over a ten-year period.

Did you know Fine Arts Dean Allana Lindgren hosts the pre-show talks for the DanceVictoria series? A dance historian herself, Lindgren speaks ahead of each show in the performance series.

Finally, the winners of our 2023 Student Community Impact Awards were mentioned in Monday Magazine’s coverage of the Greater Victoria Regional Arts Awards.