Orion Series presents Kunji Ikeda

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Kunji Ikeda

Visiting artist

 

7:30pm Monday, Nov 6

Phillip T. Young Recital Hall, School of Music 

Free & open to all 

 

 

Presented by UVic’s Faculty of Fine Arts

For more information on this lecture please email: finearts@uvic.ca

 

 

Don’t miss this dramatic reading of a new solo work created and performed by current Past Wrong, Future Choices artist-in-residence.

From the creator of the most successful comedy about the Japanese Canadian Internment, Ikeda shares their first draft of this brand new solo performance. Ikeda’s creative signature has been built from a deep trust in joyful rigour, and rigorous joy that has generated their own unique brand of dance / theatre / clown. Inspired by modern day rituals, the psychology of creativity, and classic Japanese Oni (demons), this work invites the audience to consider their own definition of joy.

About Kunji Ikeda

Kunji Ikeda 池田 勲二 (he/they) has spent his life researching the super powers of stories and how they can bring us together. Ikeda is the Artistic Director of Cloudsway Dance Theatre (based in Mohkinstsis / Calgary) and is honoured to be pursuing a life of connection and empathy.
 
He performs, directs, and dramaturges while following the natural ecology of the performance. They’ve won awards and stuff, but they are more proud of the connections that art has given them – particularly in physical theatre, where they have the greatest capacity to grow physical, emotional, and spiritual wellbeing within his community. He enjoys climbing trees, classical music, and drinking tea.
 
For more information and upcoming performances visit www.cloudsway.ca

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca

Orion Series presents Patricia Bovey

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Patricia Bovey

Visiting author & art historian 

3:00pm Friday, Nov 17

Bishop Theatre, Phoenix Building 

Free & open to all 

 

Presented by UVic’s Faculty of Fine Arts

For more information on this lecture please email: finearts@uvic.ca

 

 

The Honourable Patricia Bovey (LL.D, FRSA, FCMA), member of the Senate of Canada (2016-2023) and the Winnipeg Art Gallery’s Director Emerita, is a Winnipeg-based art historian, museologist, author and professor. She will be speaking on “Western Voices in Canadian Art: The Land, Culture & Reconciliation.”

About Patricia Bovey

Bovey has lectured and published extensively on western Canadian art over many years, including Western Voices in Canadian Art (2023), Don Proch: Masking and Mapping (2019 Manitoba Book Awards’ finalist) and Pat Martin Bates: Balancing on a Thread (2015 Alberta Book Awards’ recipient).

Commencing her art gallery career in 1970 as Curator of the Winnipeg Art Gallery, she was Director of the Art Gallery of Greater Victoria (1980-1999) and Director of the Winnipeg Art Gallery (1999-2004). She was the founding Director/Curator of St Boniface Hospital’s Buhler Gallery, (2007-2016).  

An Adjunct Professor of Public Administration at the University of Victoria, and Adjunct Professor of Art History at the University of Winnipeg, she taught Canadian Art, Curatorial Practice, Cultural Resource Management, and in the University of Winnipeg’s MA Curatorial Practicum.

An independent consultant, she has assisted arts organizations across Canada with governance, funding and strategic planning, and has mentored emerging professionals in museum practice, art history, and arts administration.

As Senator, she served on many Senate committees including the Committee on Internal Economy, Budgets, and Administration, and its subcommittees on Budgets and Estimates; Human Resources; Diversity (as deputy chair); and was chair of the Senate Artwork and Heritage Advisory Working Group. She was deputy Chair of the Senate Transportation and Communications Committee; Deputy Chair of the Social Affairs, Science and Technology Committee; and Deputy Chair of the Special Committee on the Arctic. She also served on Foreign Affairs and International Trade; National Finance; Rules, Procedures and Rights of Parliament; Official Languages; and Oceans & Fisheries. She was the Senate Sponsor for Canada’s 2019 Oceans Protection Act.

In the Senate she gave voice to the importance of the arts throughout society initiating special Senate exhibitions, programs, reports and legislation. The Senate unanimously passed her Bills S202, Parliamentary Visual Artist Laureate,  and  S 208, The Declaration Respecting the Essential Role of Artists and Creative Expression in Canada; and adopted the Senate report she initiated, Cultural Diplomacy at the Centre Stage of Canada’s Foreign Policy. Her internal Senate work included contracting an external analysis of the Senate’s Indigenous art collection, and initiating programs such as Honouring Canada’s Black Artists; Galleries and Museums in the Senate; and Cultivating Perspectives, in which Canadian curators were invited to publish on aspects of the Senate collections.

Former Chair of the Board of Governors of the University of Manitoba, and Board Chair of Emily Carr University, she served on the National Gallery of Canada’s Board of Trustees; the Board of the Canada Council for the Arts; the Withrow/Richard Federal Task Force on National and Regional Museums; the Eckhardt-Gramatté Foundation Board; the Board of the Manitoba Chamber Orchestra; and was a member of the Trudeau Foundation, and the Manitoba selection committee for both the Rhodes Scholarships and the Loran Scholarship. She is a past chair of the Canadian Art Museum Directors Organization.

Bovey received a University of Manitoba Honorary Doctor of Laws in 2021. She is a Fellow of the UK’s Royal Society for the Arts, and a Fellow the Canadian Museums Association. She is the recipient of the Canada 125 Medal; the Queen’s Golden Jubilee Medal; Winnipeg’s Woman of Distinction for the Arts; the Canadian Museums Association Award of Distinguished Service; the Royal Canadian Academy of Arts Medal; the Association of Manitoba Museums’ Inaugural Award of Merit; and the Winnipeg Arts Council Making a Difference Award. In 2023, she was given the distinction as the first Honourary Member of Canadian Black Artists United, and, was also honoured as Kingston Ontario’s H’Art Centre’s inaugural Champion of Inclusive Arts.

She is a member of Ghana’s Pan African Heritage Museum’s International Curatorial Council and was recently appointed the Pan African Heritage Museum’s Special Museum Ambassador. She is a member of the Board of the Roberta Bondar Foundation, and of Diabetes Canada Government Relations and Advocacy National Committee. She continues her art history writing, as well as her work on international fraud against Canadian and Indigenous artists, and that for creative initiatives on climate change strategies with a number of international organizations.

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca

Orion Series presents Duncan McCue

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Duncan McCue

Visiting journalist

9:30am (PST) Tuesday, October 17, 2023 

Online class visit only

Presented by UVic’s Department of Writing

For more information on this lecture please email: writing@uvic.ca

 

 

Anishinaabe journalist and educator Duncan McCue is the author of Decolonizing Journalism: A Guide to Reporting in Indigenous Communities. His talk with Writing’s Environmental Journalism class will draw on his award-winning podcast Kuper Island for a thoughtful reflection on building respectful relationships with Indigenous communities and how Canadians can take meaningful steps toward reconciliation. 

McCue will also present the separate online talk “Beyond Kuper Island: A Journalist’s Reflection on Truth and Reconciliation”,  presented by the Department of Germanic & Slavic Studies and the Faculty of Humanities.

This talk happens at 7pm Thursday, October 19, online only via Zoom: register here to get the link

About Duncan McCue

Duncan McCue is an award-winning CBC broadcaster and leading advocate for fostering the connection between journalism and Indigenous communities. He was the host of Helluva Story on CBC Radio and was also the driving force behind Kuper Island, a remarkable eight-part podcast series on residential schools.

McCue was with CBC News for 25 years. In addition to hosting CBC Radio One’s Cross Country Checkup, he was a longstanding correspondent for CBC-TV’s flagship news show, The National, and continues to maintain an association with CBC.

He joined Carleton University’s School of Journalism and Communication on July 1, 2023 and is an associate professor, specializing in Indigenous journalism and storytelling. He has also taught journalism and created courses at the UBC Graduate School of Journalism and Toronto Metropolitan University and also as a visiting fellow at Carleton.

Over the years he developed a unique online resource, Reporting in Indigenous Communities, which inspired his latest work, a new textbook called Decolonizing Journalism: A Guide to Reporting in Indigenous Communities. McCue is also the author of The Shoe Boy: A Trapline Memoir, which recounts a season he spent in a hunting camp with a Cree family in northern Quebec as a teenager.

McCue studied English at the University of King’s College, then did his law degree at UBC. He was called to the bar in British Columbia in 1998.

McCue is Anishinaabe, a member of the Chippewas of Georgina Island First Nation in southern Ontario.

 

 

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca

Orion Series presents Lindsay Wong

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Lindsay Wong

Visiting author

“Outrunning the Ghosts of ‘Woo-Woo Wong’: Crafting Vulnerable & Villainous Characters in Creative (Non)Fiction.”

 

11:30am-12:50pm (PST) Monday, October 16, 2023

Room C112, Clearihue building 

Free & open to the public

Presented by UVic’s Department of Writing

For more information on this lecture please email: writing@uvic.ca

Lindsay Wong is the author of the critically acclaimed, award-winning and bestselling memoir The Woo-Woo, which was a finalist for Canada Reads 2019.

Join us for this free talk at 11:30am Mon Oct 16 in UVic’s Clearihue building, room C112.

About Lindsay Wong

Lindsay Wong is the author of the critically acclaimed, award-winning and bestselling memoir The Woo-Woo, which was a finalist for Canada Reads 2019. The Woo-Woo won the 2019 Hubert-Evans Prize in Nonfiction, was a finalist for the 2018 Hilary Weston Prize for Nonfiction and longlisted for the 2019 Stephen Leacock Medal.

She has written a YA novel entitled My Summer of Love and Misfortune, and in 2023 released a collection of stories, Tell Me Pleasant Things About Immortality. Her fiction and nonfiction have also appeared in No Tokens, The Fiddlehead, Ricepaper and Apogee Journal.

Wong has served as the writer-in-residence at the University of Manitoba, University of Fraser Valley, Vancouver Public Library, Richmond Public Library, Kimmel Nelson Harding Center in Nebraska City, Studios of Key West in Florida, and Caldera Arts in Sisters, Oregon. She holds a BFA in creative writing from the University of British Columbia and an MFA in literary nonfiction from Columbia University. She is currently Assistant Professor of Creative Writing (fiction) at the University of Winnipeg.

 

 

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Seating is limited (500 Zoom connections) |  Visit our online events calendar at www.events.uvic.ca

Orion Series presents Malik Gaines

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Malik Gaines

“Star Choir & Other Narratives”

Interdisciplinary artist & scholar
Associate Professor, UC San Diego

 

12:30pm (PST) Tues, Oct 10, 2023

Phillip T Young Recital Hall, School of Music

1:30-2:20pm Wed, Oct 11

Room B120, MacLaurin B-Wing

Free & open to the public

Presented by UVic’s School of Music

For more information on this lecture, please email music@uvic.ca

In this lecture-performance, Malik Gaines will talk about how his research informs his music compositions and other artistic activities. The talk will focus on his work as solo musician and co-artistic director of The Industry opera company in Los Angeles, along with the recent premiere of his opera, Star Choir, which he composed with Alexandro Segade’s libretto. 

Star Choir is an opera about future humans who attempt to colonize a distant planet. Through fantasy and critique, it asks urgent questions facing humanity amid our era’s confluence of natural and political crises, evoking scenes of disaster migration, fugitivity, and colonization as they are entwined with our difficult histories and our best visions of a potential future.

Malik Gaines is a multifaceted artist and scholar known for his dynamic contributions to the fields of music, performance art, visual culture, and critical theory. With a background deeply rooted in exploring themes of identity and social justice, Gaines brings a unique perspective to the intersection of art and activism, inspiring a new generation of creative thinkers.

About Malik Gaines

Interdisciplinary artist and scholar, Malik Gaines is Associate Professor in the Department of Visual Arts at University of California San Diego. His book, Black Performance on the Outskirts of the Left: A History of the Impossible (2017) traces a circulation of black political ideas through performances of the sixties and beyond. He is working on a second book dealing with contemporary art and performances that act against the limits of U.S. sovereignty.

Gaines performs and exhibits on his own and in multiple collaborations. Since 2000, he has been a member of the artist trio, My Barbarian. Their work uses musical, theatrical and critical techniques to playfully act out social difficulties. As a solo musician, he sings at the piano, exploring contemporary themes through historic songbooks.

Gaines is a co-artistic director of The Industry opera company in Los Angeles. Among other projects, The Industry will present his opera Star Choir, which he composed with Alexandro Segade’s libretto, in fall of 2023 at the Mt. Wilson Observatory northeast of Los Angeles.

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Visit our online events calendar at www.events.uvic.ca

Call for 2024 grad student ONC artistic residency

2021 ONC AIR Dennis Gupa

Are you a Fine Arts graduate student interested in oceans and looking for a paid artistic residency in 2024? Are you excited by the idea of exploring the potential for the arts or alternative cultural practices to highlight the visions, challenges, philosophical, aesthetic or ethical aspects of oceans and the impacts humans have on it?

If so, then the Fine Arts/Ocean Networks Canada Artist-in-Residence program may be the perfect fit for you!

Who can apply?

Open to current grad students (working in any discipline) who have completed most of their course requirements in any Fine Arts unit (including Art History & Visual Studies, Theatre, Visual Arts, Writing and the School of Music), the Artist-in-Residence program is currently seeking proposals for 2024. The application period closes on December 22, 2023.

UVic’s Faculty of Fine Arts and Ocean Networks Canada (ONC) co-lead and sponsor the Artist-in-Residence program, with additional financial support provided by the Faculty of Science and UVic’s Office of Research Services provide  to the program.

When does it run?

The residency period can start anytime between Feb 1 and August 31, 2024, and last for up to four months. A cost-of-living stipend of CAD$2,000/month will be paid to the selected Artist, with limited additional funds to support production or materials. At the conclusion of the residency, a public event featuring the resulting art will be presented, displayed or performed, and will be promoted by ONC and the Faculty of Fine Arts. This event will work within a specified budget agreed to during the residency, and depending on the type of project to be exhibited. Assistance for marketing and/or ticketing could be made available from other UVic departments.

Who else has done it?

Our 2023 AIR is Neil Griffin (Writing), who fused the creative with the scientific in a series of lyric essays titled Whale Fall, exploring the ecological stages of whale decomposition from its last breath to its incorporation into the deep-sea ecoscape.

Find out more here about our previous AIRs, including Colin Malloy (School of Music), Dennis Gupa (Theatre) and Colton Hash (Visual Arts).

What’s it about?

The ONC AIR program strengthens connections between art and science that broaden and cross-fertilize perspectives and critical discourse on today’s major issues, such as environment, technology, oceans, cultural and biodiversity, and healthy communities.

The Artist-in-Residence will ignite cross-disciplinary exchanges, interacting with Fine Arts faculty members and scientists & staff at ONC, as well as with other individuals using ONC’s ocean observing facilities and data portal. The Artist will learn from and engage with the current research, connecting it to the Artist’s own practice, and to wider societal and cultural aspects, creating work for public presentation at the end of the residency. The Artist will also be invited to contribute as a lead or co-author in scientific conference proceedings and/or journal articles.

Possible themes:

The selected Artist will actively engage with researchers on a variety of ocean science themes that may include:

  1. Natural hazards
  2. Ocean soundscapes
  3. Indigenous perspectives
  4. Arctic observing
  5. Community-engaged ocean monitoring
  6. Advancing deep ocean observing
  7. Hot and cold vent dynamics
  8. Coastal ocean
  9. Ocean data science 

How to apply

Proposal Submission Interested applicants are to email ONC (dwowens@oceannetworks.ca) with the subject line “Ocean Artist-in-Residence Program,” and attach:
  1. the artist’s CV
  2. a concise portfolio of previous relevant artistic work;
  3. a letter of motivation outlining the artist’s project proposal for the residency, and
  4. a 500-word project proposal with a separate project-costs budget
Applications will be reviewed by representatives of Fine Arts and Ocean Networks Canada. Artists may be contacted for an interview or to supply further information before a decision is made.

About the program

The ONC Artist-in-Residence program is established to:
  • explore the potential of the arts or alternative cultural practices in the area of the visions, challenges, philosophical, aesthetic, and ethical aspects of the ocean and the impacts humans have on it;
  • add a complementary artistic and creative perspective to ocean science, the societal ramifications of its exploitation, and its cultural aspects;
  • create opportunities for potential new research questions, experimental approaches and knowledge synthesis resulting from interaction between the arts and science; and
  • help envision and communicate the potential long-term impact of ocean changes on humanity.