Orion Series presents Patricia Bovey

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Patricia Bovey

Visiting author & art historian 

3:00pm Friday, Nov 17

Bishop Theatre, Phoenix Building 

Free & open to all 

 

Presented by UVic’s Faculty of Fine Arts

For more information on this lecture please email: finearts@uvic.ca

 

 

The Honourable Patricia Bovey (LL.D, FRSA, FCMA), member of the Senate of Canada (2016-2023) and the Winnipeg Art Gallery’s Director Emerita, is a Winnipeg-based art historian, museologist, author and professor. She will be speaking on “Western Voices in Canadian Art: The Land, Culture & Reconciliation.”

About Patricia Bovey

Bovey has lectured and published extensively on western Canadian art over many years, including Western Voices in Canadian Art (2023), Don Proch: Masking and Mapping (2019 Manitoba Book Awards’ finalist) and Pat Martin Bates: Balancing on a Thread (2015 Alberta Book Awards’ recipient).

Commencing her art gallery career in 1970 as Curator of the Winnipeg Art Gallery, she was Director of the Art Gallery of Greater Victoria (1980-1999) and Director of the Winnipeg Art Gallery (1999-2004). She was the founding Director/Curator of St Boniface Hospital’s Buhler Gallery, (2007-2016).  

An Adjunct Professor of Public Administration at the University of Victoria, and Adjunct Professor of Art History at the University of Winnipeg, she taught Canadian Art, Curatorial Practice, Cultural Resource Management, and in the University of Winnipeg’s MA Curatorial Practicum.

An independent consultant, she has assisted arts organizations across Canada with governance, funding and strategic planning, and has mentored emerging professionals in museum practice, art history, and arts administration.

As Senator, she served on many Senate committees including the Committee on Internal Economy, Budgets, and Administration, and its subcommittees on Budgets and Estimates; Human Resources; Diversity (as deputy chair); and was chair of the Senate Artwork and Heritage Advisory Working Group. She was deputy Chair of the Senate Transportation and Communications Committee; Deputy Chair of the Social Affairs, Science and Technology Committee; and Deputy Chair of the Special Committee on the Arctic. She also served on Foreign Affairs and International Trade; National Finance; Rules, Procedures and Rights of Parliament; Official Languages; and Oceans & Fisheries. She was the Senate Sponsor for Canada’s 2019 Oceans Protection Act.

In the Senate she gave voice to the importance of the arts throughout society initiating special Senate exhibitions, programs, reports and legislation. The Senate unanimously passed her Bills S202, Parliamentary Visual Artist Laureate,  and  S 208, The Declaration Respecting the Essential Role of Artists and Creative Expression in Canada; and adopted the Senate report she initiated, Cultural Diplomacy at the Centre Stage of Canada’s Foreign Policy. Her internal Senate work included contracting an external analysis of the Senate’s Indigenous art collection, and initiating programs such as Honouring Canada’s Black Artists; Galleries and Museums in the Senate; and Cultivating Perspectives, in which Canadian curators were invited to publish on aspects of the Senate collections.

Former Chair of the Board of Governors of the University of Manitoba, and Board Chair of Emily Carr University, she served on the National Gallery of Canada’s Board of Trustees; the Board of the Canada Council for the Arts; the Withrow/Richard Federal Task Force on National and Regional Museums; the Eckhardt-Gramatté Foundation Board; the Board of the Manitoba Chamber Orchestra; and was a member of the Trudeau Foundation, and the Manitoba selection committee for both the Rhodes Scholarships and the Loran Scholarship. She is a past chair of the Canadian Art Museum Directors Organization.

Bovey received a University of Manitoba Honorary Doctor of Laws in 2021. She is a Fellow of the UK’s Royal Society for the Arts, and a Fellow the Canadian Museums Association. She is the recipient of the Canada 125 Medal; the Queen’s Golden Jubilee Medal; Winnipeg’s Woman of Distinction for the Arts; the Canadian Museums Association Award of Distinguished Service; the Royal Canadian Academy of Arts Medal; the Association of Manitoba Museums’ Inaugural Award of Merit; and the Winnipeg Arts Council Making a Difference Award. In 2023, she was given the distinction as the first Honourary Member of Canadian Black Artists United, and, was also honoured as Kingston Ontario’s H’Art Centre’s inaugural Champion of Inclusive Arts.

She is a member of Ghana’s Pan African Heritage Museum’s International Curatorial Council and was recently appointed the Pan African Heritage Museum’s Special Museum Ambassador. She is a member of the Board of the Roberta Bondar Foundation, and of Diabetes Canada Government Relations and Advocacy National Committee. She continues her art history writing, as well as her work on international fraud against Canadian and Indigenous artists, and that for creative initiatives on climate change strategies with a number of international organizations.

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca

Orion Series presents Duncan McCue

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Duncan McCue

Visiting journalist

9:30am (PST) Tuesday, October 17, 2023 

Online class visit only

Presented by UVic’s Department of Writing

For more information on this lecture please email: writing@uvic.ca

 

 

Anishinaabe journalist and educator Duncan McCue is the author of Decolonizing Journalism: A Guide to Reporting in Indigenous Communities. His talk with Writing’s Environmental Journalism class will draw on his award-winning podcast Kuper Island for a thoughtful reflection on building respectful relationships with Indigenous communities and how Canadians can take meaningful steps toward reconciliation. 

McCue will also present the separate online talk “Beyond Kuper Island: A Journalist’s Reflection on Truth and Reconciliation”,  presented by the Department of Germanic & Slavic Studies and the Faculty of Humanities.

This talk happens at 7pm Thursday, October 19, online only via Zoom: register here to get the link

About Duncan McCue

Duncan McCue is an award-winning CBC broadcaster and leading advocate for fostering the connection between journalism and Indigenous communities. He was the host of Helluva Story on CBC Radio and was also the driving force behind Kuper Island, a remarkable eight-part podcast series on residential schools.

McCue was with CBC News for 25 years. In addition to hosting CBC Radio One’s Cross Country Checkup, he was a longstanding correspondent for CBC-TV’s flagship news show, The National, and continues to maintain an association with CBC.

He joined Carleton University’s School of Journalism and Communication on July 1, 2023 and is an associate professor, specializing in Indigenous journalism and storytelling. He has also taught journalism and created courses at the UBC Graduate School of Journalism and Toronto Metropolitan University and also as a visiting fellow at Carleton.

Over the years he developed a unique online resource, Reporting in Indigenous Communities, which inspired his latest work, a new textbook called Decolonizing Journalism: A Guide to Reporting in Indigenous Communities. McCue is also the author of The Shoe Boy: A Trapline Memoir, which recounts a season he spent in a hunting camp with a Cree family in northern Quebec as a teenager.

McCue studied English at the University of King’s College, then did his law degree at UBC. He was called to the bar in British Columbia in 1998.

McCue is Anishinaabe, a member of the Chippewas of Georgina Island First Nation in southern Ontario.

 

 

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca

Orion Series presents Lindsay Wong

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Lindsay Wong

Visiting author

“Outrunning the Ghosts of ‘Woo-Woo Wong’: Crafting Vulnerable & Villainous Characters in Creative (Non)Fiction.”

 

11:30am-12:50pm (PST) Monday, October 16, 2023

Room C112, Clearihue building 

Free & open to the public

Presented by UVic’s Department of Writing

For more information on this lecture please email: writing@uvic.ca

Lindsay Wong is the author of the critically acclaimed, award-winning and bestselling memoir The Woo-Woo, which was a finalist for Canada Reads 2019.

Join us for this free talk at 11:30am Mon Oct 16 in UVic’s Clearihue building, room C112.

About Lindsay Wong

Lindsay Wong is the author of the critically acclaimed, award-winning and bestselling memoir The Woo-Woo, which was a finalist for Canada Reads 2019. The Woo-Woo won the 2019 Hubert-Evans Prize in Nonfiction, was a finalist for the 2018 Hilary Weston Prize for Nonfiction and longlisted for the 2019 Stephen Leacock Medal.

She has written a YA novel entitled My Summer of Love and Misfortune, and in 2023 released a collection of stories, Tell Me Pleasant Things About Immortality. Her fiction and nonfiction have also appeared in No Tokens, The Fiddlehead, Ricepaper and Apogee Journal.

Wong has served as the writer-in-residence at the University of Manitoba, University of Fraser Valley, Vancouver Public Library, Richmond Public Library, Kimmel Nelson Harding Center in Nebraska City, Studios of Key West in Florida, and Caldera Arts in Sisters, Oregon. She holds a BFA in creative writing from the University of British Columbia and an MFA in literary nonfiction from Columbia University. She is currently Assistant Professor of Creative Writing (fiction) at the University of Winnipeg.

 

 

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Seating is limited (500 Zoom connections) |  Visit our online events calendar at www.events.uvic.ca

Orion Series presents Malik Gaines

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Malik Gaines

“Star Choir & Other Narratives”

Interdisciplinary artist & scholar
Associate Professor, UC San Diego

 

12:30pm (PST) Tues, Oct 10, 2023

Phillip T Young Recital Hall, School of Music

1:30-2:20pm Wed, Oct 11

Room B120, MacLaurin B-Wing

Free & open to the public

Presented by UVic’s School of Music

For more information on this lecture, please email music@uvic.ca

In this lecture-performance, Malik Gaines will talk about how his research informs his music compositions and other artistic activities. The talk will focus on his work as solo musician and co-artistic director of The Industry opera company in Los Angeles, along with the recent premiere of his opera, Star Choir, which he composed with Alexandro Segade’s libretto. 

Star Choir is an opera about future humans who attempt to colonize a distant planet. Through fantasy and critique, it asks urgent questions facing humanity amid our era’s confluence of natural and political crises, evoking scenes of disaster migration, fugitivity, and colonization as they are entwined with our difficult histories and our best visions of a potential future.

Malik Gaines is a multifaceted artist and scholar known for his dynamic contributions to the fields of music, performance art, visual culture, and critical theory. With a background deeply rooted in exploring themes of identity and social justice, Gaines brings a unique perspective to the intersection of art and activism, inspiring a new generation of creative thinkers.

About Malik Gaines

Interdisciplinary artist and scholar, Malik Gaines is Associate Professor in the Department of Visual Arts at University of California San Diego. His book, Black Performance on the Outskirts of the Left: A History of the Impossible (2017) traces a circulation of black political ideas through performances of the sixties and beyond. He is working on a second book dealing with contemporary art and performances that act against the limits of U.S. sovereignty.

Gaines performs and exhibits on his own and in multiple collaborations. Since 2000, he has been a member of the artist trio, My Barbarian. Their work uses musical, theatrical and critical techniques to playfully act out social difficulties. As a solo musician, he sings at the piano, exploring contemporary themes through historic songbooks.

Gaines is a co-artistic director of The Industry opera company in Los Angeles. Among other projects, The Industry will present his opera Star Choir, which he composed with Alexandro Segade’s libretto, in fall of 2023 at the Mt. Wilson Observatory northeast of Los Angeles.

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Visit our online events calendar at www.events.uvic.ca

Symposium explores Gendered Threads of Globalization

Who makes our clothing? How has the shift from artisanal production to “fast fashion” over the last 150 years devalued women’s textile labor in Asia? How are heritage textile/garment traditions across Asia being preserved and revived by laborers and the organizations that support them?

Hosted by Art History & Visual Studies professor Melia Belli Bose, Gendered Threads of Globalization: 20th century Textile Crossings in Asia Pacific (GToG) united scholars, activists and artists from across North America, Asia and Europe for a three-day symposium dedicated to these issues in March 2023 . . . after twice being delayed due to the pandemic.  

The free GToG events included discussion panels, a screening of Cathy Stevulak’s award-winning documentary THREADS and a textile-based performance by visual artist Monica Jahan Bose.

Organizer Belli-Bose was interviewed ahead of the event by CBC Radio’s All Points West (sadly, the interview was only live and not archived online) and was featured in this article which ran in India’s Telegraph newspaper.

“We hosted approximately 30 scholars, artists and textile experts from various countries in Asia, Europe and North America,” Belli-Bose told the Telegraph. “I conceived this conference to unite those working with heritage textile study, revival, and preservation in different Asian cultures. We focused on women’s roles as textile makers, cultural stewards, activists working for recognition and safe working conditions, and designers. The gendered angle is rooted in the fact that women have always had an integral role in textile production, from sericulture in East Asia to making nakshi kanthas in Bengal and phulkaris in Punjab to indigo in Southeast Asia.”

A scene from Cathy Stevulak’s documentary THREADS

About GToG

Gendered Threads of Globalization: 20th c. Textile Crossings in Asia gathered specialists from a range of academic disciplines and artistic/artisanal practices to discuss intersections of gender, textiles/garments/fashion, labour and heritage across Asia (India, Pakistan, Bangladesh, Cambodia, the Philippines, Indonesia, Malaysia, China, Taiwan, Japan, and the diaspora) during the long 20th century (ie: late 19th century to present).

GToG participants investigated topics like

  • heritage textiles/garments—their demise and revival
  • gendered labor in the fashion industry
  • confluences of identity (regional, communal, ethnic, religious), domesticity and agency
  • activist art that critiques the global garment industry
  • the evolution, consumption, appropriation and display of heritage textiles/garments.

Keynote address

Friday’s keynote speech featured Ashoka Fellow Judy Frater on “Threads of Identity in Kutch 2022: Gender, Value, Creativity and the Marketplace” (4:20pm in Fine Arts 103). Judy Frater is steeped in the world of contemporary textiles of Kutch, India. Residing in Kutch for 30 years, she co-founded and operated Kala Raksha, a cooperative for women embroiderers, established the Kala Raksha Textile Museum, founded Kala Raksha Vidhyalaya. the first design school for traditional artisans, and reinvented the school as Somaiya Kala Vidya.

A scene from Monica Jahan Bose’s WRAPture

Live performance

Sunday’s live performance featured the work of Orion Visiting Artist Monica Jahan Bose, a Bangladeshi-American artist and activist whose work spans painting, film, photography, printmaking, performance, and interdisciplinary projects.

Her short film, WRAPture: A Public Art Project was also screened at the event, and was followed by a live textile-based performance in the lobby of UVic’s David Lam Auditorium.

WRAPture follows a climate justice art project from Washington DC’s low-income Anacostia neighborhood to Barobaishdia—a remote Bangladeshi island on the frontlines of climate change—as Jahan Bose leads a dozen women farmers and over 200 Washingtonians to co-create 65 climate-themed saris, which wrap five Washington buildings. While they work on the saris, the participants recite poetry, sing, and dance, creating a trans-border community. The film includes rare footage and testimony of the impacts of climate change on coastal women farmers and the power of art to bring about change.

Orion Series presents Josh Tengan

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Josh Tengan

Visiting curator 

7:30pm (PST) Wednesday, February 1, 2023

Room A162, Visual Arts building + streaming online

Free & open to the public

Click here for the Zoom session 

 

Presented by UVic’s Department of Visual Arts  & Open Space Gallery

For more information on this lecture please email: visualarts@uvic.ca

Josh Tengan is a Honolulu-based contemporary art curator. He was the assistant curator of the second Honolulu Biennial 2019, To Make Wrong / Right / Now.

Join us for this free talk at 7:30pm Wed Jan 11 in the Visual Arts building room A162. You can also watch the talk live via Zoom.

About Josh Tengan

Josh Tengan is a curator and cultural producer from Pauoa, Kona, O’ahu, Hawai’i. He is a generational islander of Kānaka ‘Ōiwi, Ryu-kyuan, and Madeiran descent. His curatorial practice centers on art of Hawai’i
and Moananuiākea. Tengan currently serves as associate director for both Hawai’i Contemporary, the non-profit arts organization that presents the Hawai’i Triennial, as well as Pu’uhonua Society, one of Hawai’i’s oldest arts organizations.

Wayfinders, the ones we breathe with | January to October 2023

Throughout 2023, Open Space will present a series of exhibitions, residencies and events under the title Wayfinders, the ones we breathe with. Breathing together across the shared ocean in cultural, environmental and molecular exchange. Through the work of artists from coastal neighbours and nations across the Pacific Ocean, Wayfinders recalls ancient way finding practices utilizing the stars, wind, water and land markers to find paths across the sea and into the intertwined histories, practices, migrations and contemporary lives of adjacent homelands.

To begin the series, we are excited to welcome Honolulu-based curator Josh Tengan in residence at Open Space from January 26 to February 4, 2023. Josh will connect with folks involved in Tide Lines: Coastal Resistance of the 60s and 70s and the Indigenous Emerging Artist Program

Image to the right: Ihumātao, Tāmaki Makaurau, Aotearoa. A growing occupation by Māori, especially the iwi of Māngere, and their allies to protect and conserve the whenua from a high‐cost housing development planned by Fletcher Building.

 

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Seating is limited (500 Zoom connections) |  Visit our online events calendar at www.events.uvic.ca