Take our Spring 2026 student survey!

1969 was a year of transformation: the moon landing, the Stonewall riots, Woodstock, Ottawa’s National Arts Centre opens, Margaret Atwood publishes her first novel, Canada becomes officially bilingual . . . amidst that time of change, Fine Arts emerged as UVic’s newest Faculty.

With our 60th anniversary coming up in 2029, Fine Arts is currently doing a short survey of our community, and student opinions and experiences are an essential part of this process. We invite you to add your voices with this anonymous survey: it only has eight questions and should take you less than 15 minutes.

Take the survey here: https://www.surveymonkey.ca/r/GRDP8LX

You’ll also see an option to enter to win one of ten $50 ONECard top-ups on the final page. Your prize entry will be totally separate from your anonymous survey responses.

Deadline for entries is April 7.

Orion guest artist Hulleah Tsinhnahjinnie

All are welcome to hear visiting Orion Series visiting artist Hulleah Tsinhnahjinnie, a professor at the University of California, speak on “The Concreteness of Imagination”: 6:30pm Thursday, March 12 in room A162 of the Visual Arts Building. Free & open to all. This talk is presented by our Art History & Visual Studies department.

She’ll also be leading the 2-day workshop Printing Resistance on March 10 & 11 (10am–5pm) at the Taqsiqtuut Indigenous Research-Creation Lab (room A134) in our Visual Arts building.

For the workshop, you’ll get to design an image for printing based on social issues based on protest, activism & Indigenous resistance + learn a grassroots technique used in protest movements. You’ll keep their printing press after the workshop. Register here. 

Hulleah J. Tsinhnahjinnie is a Professor in the Native American Studies Department, and Faculty Director of the Gorman Museum of Native American Art at University of California Davis, known for photography, social commentary and video. Her presentation will include recent photo projects and portraits.

Tsinhnahjinnie’s work is held in several collections including National Museum of the American Indian (New York and Washington DC), Museum of Modern Art (New York), Eiteljorg Museum (Indianapolis), Fred Jones Jr. Museum of Art (Norman), Museum Volkenkunde (Leiden, Netherlands), International Centre of Bethlehem, Dar Annadwa Addawliya (Bethlehem, Palestine) and the National Museums of Scotland (Edinburgh).

Tsinhnahjinnie was born into the Bear clan of the Taskigi Nation, born for Tsi’naajinii of the Dine’ Nation, adopted into the Eagle House of Metlakatla, adopted into the Killer Whale Fin House of Klukwan.Hunka to Muriel Antoine of Mission South Dakota. For the past 22 years, Tsinhnahjinnie has been living and working on Wintun land, located in Northern California.

Makareta & Moana: mentor & mentee,
Tūranganui-a-Kiwa (2026), Hulleah J. Tsinhnahjinnie photo

Black History Month in Fine Arts

From left: Shane Book, Junie Desil, Wayde Compton

February is Black History Month. It provides an important opportunity to explore and celebrate the historical and current contributions of Black people in Canada. At UVic, we recognize the many achievements of Black faculty, staff and students.

We also acknowledge ongoing work is needed to support racial equity, diversity and inclusion. In December 2021, UVic signed the Scarborough Charter on Anti-Black Racism and Black Inclusion in Canadian Higher Education. Work is underway to meet commitments outlined in the Scarborough Charter through community engagement, the collaborative efforts of the Scarborough Charter Steering Committee and committeed actions through the Equity Action Plan. There are also many individuals and groups across campus working toward these goals. Learn about Black inclusion and flourishing at UVic.

Among the many UVic events celebrating Black History Month in February, a number feature members of the Fine Arts community, including both students and professors:

Before the Rain Falls immersive exhibition
Feb 4 & 5 in the SUB Upper Lounge.

Experience art, reflect and engage in discussions of migration, heritage, identity, memory and home via pieces of art by five Visual Arts students, as organized and curate by Theatre student Divine Mercy Ezeaku as part of the Phoenix mainstage production A Sudden Violent Burst of Rain (running Feb 12-21).

 

My Black History is Poetry, is Jazz
7:30pm Tues, Feb. 10 at the School of Music’s Phillip T. Young Recital Hall

Sonnet L’Abbé will offer an experience more musical than a poetry reading, more literary than a jazz vocal performance, sharing some of the Afro-diasporic music and poetry that helped shape them into the artist they are today. Nick Peck will play jazz piano. Presented by The Malahat Review, with the departments of English, History, and Writing.

 

Celebration of Black Authors
1:30-2:30pm Wed, Feb. 25 in Fine Arts room 103

The UVic Writing department is hosting a reading and discussion from a favourite Black author, open to faculty, staff and students to participate or simply attend as audience.

 

Between Weight and Witness
7-9pm Wed, Feb. 25 online via Zoom

Acclaimed poet and Writing professor Shane Book (All Black Everything) together in conversation with current Writing graduate student Junie Désil (Allostatic Load): two powerful voices in contemporary Black Canadian literature reflecting on on their writing practices, the intersections of art and activism, and what it means to tell Black stories in the current moment.

 

 

BC Black History Awareness Society Keynote
7-9pm Fri, Feb 27 at the Baumann Centre, 925 Balmoral

Join Writing professor Wayde Compton in conversation with current Writing graduate student Junie Désil at this free public event, also featuring a musical performance by Caleb Hart. Compton co-founded Vancouver’s Black-led Hogan’s Alley Society and also Commodore Books, Western Canada’s first Black Canadian literary press, while Désil is an award-winning poet and author.

Mixing myth & reality on the Phoenix stage

One mother’s determination. One child’s future. One extraordinary world. What can you expect from a mythic tale where sheep’s wool becomes rain clouds? Though it may sound whimsical, A Sudden Violent Burst of Rain is a bold and haunting fable that confronts the systems shaping our lives today. Running February 12–21, Phoenix Theatre presents Sami Ibrahim’s contemporary play  as directed by current graduate student Sophia Treanor.

Coming from New York City, Treanor will bring a sense of magical realism to A Sudden Violent Burst of Rain. Given the current events in the US regarding immigration, this mainstage production intertwines that reality with myth to create a haunting tale, that also serves as Treanor’s MFA thesis project. The author of the play, British Palestinian playwright Sami Ibrahim, often writes about ordinary people finding their place in a complex society, and wrote this play after being inspired by his father’s journey to citizenship. The play follows Elif, an undocumented immigrant, who begins her journey to citizenship after becoming a mother. Ibrahim writes a powerful story that follows this determined mother who hopes to reshape her child’s future.

 

A politically important story

When Treanor first read Burst of Rain in 2023 (following its world premiere at 2022’s at Edinburgh Festival Fringe), she considered it beautiful and playful. “I found it really captivating and, politically, a very important story to bring forward,” she says in relation to the US issue of their ongoing Immigration & Customs Enforcement (ICE) raids. Treanor will be placing the audience on three sides of the action in UVic’s Chief Dan George Theatre to intentionally draw people into Elif’s world and experience, rather than observe, from a distance.

Treanor describes the play as “a searing look into what the experience of an undocumented person is like,” and is hoping to give the audience the opportunity to live inside these troubles with it being considered news. “ICE is horrifying theatrics of terror,” she says. “We’re at this point where there’s so much devastation, it’s hard to wrap our minds around it.” On stage, Elif’s journey will use imagery and storytelling to deepen the emotional impact and invite the audience to connect with the character in a deeply personal way. With this production, Treanor says she feels “excited to be working on something that I hope helps give people an opportunity to live inside this trouble.”

“The playwright is quite brilliant,” she continues. “He somehow takes us through this really devastating story with quite a playful sense of imagination. There’s a lot of playfulness and that’s sort of a hallmark of magical realism.” For Treanor, she says Burst of Rain helps locate the humanity of the person moving through this experience. “Being inside of a situation, day in and day out, having to make something of your own experience of your life, is quite a heroic act on its own.” She says this narrative of feeling shattered is challenged in this play, which “helps us sit inside of this woman’s life.”

Never-ending creative freedom

A director, performer, educator and biodynamic craniosacral therapist, Treanor has performed in a number of US-based private and public spaces, theaters and galleries including the Living Theater, the Gene Frankel Theater, the Stella Adler Center for the Arts and many others, as well as serving on the faculty of the Stella Adler Studio of Acting and the Harold Clurman Center for New Works in Movement and Dance Theater.

This will be Treanor’s first time directing a play for both UVic’s Phoenix Theatre and on a stage like this. With a bigger budget than her previous experiences, she’s looking forward to what direction the production will go in. “It’s like I got to experience my imagination expanding,” she says when it comes to her creativity. “We don’t need to cut much because of the limits of my abilities or imagination, and that’s been really fun.”

Ibrahim wrote the play to fit three actors, but Treanor wanted to get as many students involved in the production as possible, so she broadened the cast to include 12 student actors. “My favourite thing about the performing arts is something becoming much bigger than any one person, and I’m really experiencing that in this process.” Even the sound and lighting teams for this production are student designers [including Emma Brown (sets), Jolie Cree (costumes), Sasha Pisiak (lighting) and Gordon Geddes (sound)] and the director is enjoying working with this level of production value.

“I’ve never gotten to play with this kind of a design element before,” she says about toying with the storytelling element of the narrative. “I’m not hiding the theatrics — because it’s not realism — and that’s been really fun to give more space for the designers to play too.”

Director & MFA candidate Sophia Treanor

Chasing a dream

Originally from California but having spent the last 17 years in New York City, while Treanor calls the Big Apple “one of [her] soul’s home,” she admits to feeling “dried out” from the environment there. One night, she dreamt about a coastline that felt “like a distant call.” She says it was “the most beautiful narrative dream I’ve ever had in my life,” which spurred her desire to take action. When she saw photos of Vancouver Island, she knew this was where her dream was set.

When first visiting the Island, she says it felt like she was on a retreat, as she was able to reconnect with the planet. “Natural forces of the earth have always been a subject in my work and a big part of the way I relate to the creative process,” she says. Those feelings combined with having tutelage, a revisiting scholarship, and being free from time and money limitations solidified that Vancouver Island — and UVic’s Theatre program — was the place for her.

Looking ahead, she’s hoping to bridge the gap between her family locale and her creative life. Whether it’s applying for jobs, teaching or working on a project, she “would love to stay” on the Island when she’s completed her thesis on this project.

“My favorite thing about the performing arts is how something becomes much bigger than any one person, and I’m really experiencing that in this process,” she says.

—Claudia Phillips, with files from John Threlfall

A Sudden Violent Burst of Rain runs February 12-21, 2026, at UVic’s Phoenix Theatre. Tickets available via the box office at 250-721-8000

Small data Gen-AI workshop

Training the Muse: A workshop on small data Gen-AI for artistic practices

Generative AI tools have become increasingly visible in artistic practice, however, most artists encounter AI through large-scale corporate platforms trained on massive, opaque datasets. These systems often obscure authorship, flatten aesthetic diversity and embed cultural biases. This workshop offers an alternative approach: a small-data, artist-centred methodology that emphasizes control, transparency, and cultural specificity. Participants will work with their own datasets, gaining creative autonomy while learning ethical and technically accessible AI workflows grounded in personal and situated artistic practice.

Join us February 28-March 1 for a no-cost, two-day workshop on the Autolume software, a visual AI system from SFU’s Metacreation Lab. Led by lab director Philippe Pasquier, participants will craft personal datasets, sculpt custom GANs and explore real‑time generative play, gaining creative control impossible with corporate, large‑scale platforms. Past editions include Toronto, Montréal, Berlin, and online.

Register here to join this growing movement of artists redefining authorship, cultural specificity and artistic agency in AI. Bring your images, your vision and your curiosity! Maximum registration for this workshop is 32. Watch this November 2025 UVic talk with Philippe Pasquier.

This workshop is made possible through the generous support of UVic’s Office of the Vice President Research & Innovation, Kula: Library Futures Academy and the Canada Research Chair in Emergent Digital Art Practices with the Faculty of Fine Arts.

Sounding Grounds festival debuts

Sounding Grounds is a gathering of new music, experimental sound and interdisciplinary art. Running Jan 30-Feb 1 at UVic’s School of Music, this multi-day festival is a meeting place for UVic’s most adventurous creators. Featuring student and faculty composers, improvisers, builders, thinkers, and listeners, Sounding Grounds invites you to explore the curious and ever-evolving terrain of contemporary sound.

Schedule of events:

Fridaymusic: New works by student composers

A concert of bold new works by UVic student composers that spans acoustic, electronic and hybrid forms. Expect unexpected sounds!

12:30 – 1:20pm Friday, Jan. 30 • Phillip T. Young Recital Hall • Admission by donation • More info

 

UVic Orchestra: Nobles, Smetana, Schumann

Conductor Yariv Aloni leads the UVic Symphony Orchestra in a dynamic program that journeys through vivid musical landscapes, from operatic drama to symphonic grandeur. Featuring Jordan Nobles’ Apollo—an evocative, contemporary work exploring light and motion.

8pm Friday, Jan. 30 • Farquhar Auditorium, Jamie Cassels Centre • Tickets $15-$28, free for UVic students • More info

 

Sonic Improvisation Workshop

Bring your instrument, voice, or just your curiosity. A low-pressure, high-reward space for spontaneous sonic exploration. No experience necessary.

1:30-3pm Sat, Jan. 31 • room B037, MacLaurin Building • Free • More info

 

Faculty Concert Series: Local Currents

UVic faculty and staff share original works that highlight the depth, range, and individuality of our community’s artistic voices. The program features Anthony Tan’s bound/woven for electronics; a collaborative laptop and video performance by Megan Harton & Isaiah Doyle; Taylor Brook’s Hypha for electric guitar with electronics and video projections; Sarah Belle Reid’s Brittle Stars for voice and electronics; Lauren McCall’s work for flute and electronics; Ajtony Csaba’s Wind Drumming for piano and live electronics; and Kristy Farkas’s In this light for piano.

7:30pm Sat, Jan. 31 • Phillip T. Young Recital Hall • By donation • More info

 

VR Experience: The Witness Blanket

Explore Carey Newman’s powerful national monument through virtual reality. Inspired by a woven blanket, the Witness Blanket is a large-scale work of art. It contains hundreds of items reclaimed from residential schools, churches, government buildings and traditional and cultural structures from across Canada. This is a space for listening, remembering, and honouring truth and reconciliation.

2-5pm Sunday, Feb. 1 • CReaTeLab, room B004, MacLaurin Building • More info • Free, but reservations recommended: book a time here

 

Shapes for Sounds Vol. 04 Oooooooooooooooooooooooo

Part gallery, part playground, this annual variety throwdown transforms space through sculpture, sound art, noise, and performance. A tribute to the Merz art movement, the evening brings together action painting, voice, video, power electronics, and embodied performance—exploring the relationships between sound, the body, materials, and architecture. Featuring the Puppets Forsaken troupe: Hermit, Agnes, Alex Taylor-McCallum, Edith Skeard, Kegan McFadden, Ciel Boehme, John Boehme, Paul Walde, Grace Salez, Evan Locke, Mitch Renaud, Derk Wolmuth, and Lesley Marshall.

2-5pm Sunday, Feb. 1 • Phillip T. Young Recital Hall • By donation • More info