Writing students mark fatal heat dome anniversary

To mark the fifth anniversary of BC’s fatal heat dome in 2021, a group of UVic Writing students trained to take climate-survivor testimonials are now seeing their work run in the online news outlet The Tyee in a new five-part series with created in partnership with the Climate Disaster Project. 
“Some of what they share can be difficult to read. But the survivors want you to know what happened to them for a reason,” says CDP founder and Writing professor Sean Holman. “So we can be closer together. So we can feel less alone. So you know what to do when one of the worst days of your life happens, without warning.”

The human cost of BC’s heat dome was catastrophic: over 600 people died between June 25 and July 1 2021, making it the deadliest weather disaster in Canadian history. Over 100 all-time heat records were shattered as temperatures across the province soared 20° above typical summertime averages in a brutal reminder of how warm our world is becoming.

The Tyee series offers the stories of five heat-dome survivors, as told in their own words:

  • a Surrey mother whose newborn was struggling, and so was her ailing cat
  • a Vancouver homeowner who had to find a new home when her condo turned into a greenhouse
  • a Lower Mainland firefighter who answered emergency calls as extreme heat buckled the province’s health-care system
  • a retired school principal who was forced to evacuate when that heat turned to flame in Lytton
  • and a Kamloops councillor who could do little but watch as fire scorched one of the city’s outer neighbourhoods.
“These stories aren’t just an account of the harm caused by an environment we have harmed and are still harming,” says Holman, explaining how the CDP’s climate-survivor testimonies differ from traditional news stories. “They are early warning systems and emergency preparedness plans. Because the survivors of past climate disasters carry with them knowledge and wisdom needed to help us confront the extreme events that have now become seasonal. Reading their testimonies now isn’t just about memorialization. It’s about preparation. An opportunity to change what will happen today and tomorrow.”
The Climate Disaster Project was established in 2022 by Sean Holman — UVic’s donor-funded Wayne Crookes Professor of Environmental & Climate Journalism — and has since grown into an award-winning international teaching newsroom with partners in multiple countries around the world, tackling projects ranging from journalism and documentaries to a theatrical play, museum exhibit and a pending literary anthology. It also gives our students the chance to see their work appear in professional media like The Guardian UK & The Tyee, among many others.

Aaron Richmond named new JRSP resident artist

The Jefferey Rubinoff Foundation and the Faculty of Fine Arts are pleased to announce that Canadian artist, scholar and curator Aaron Richmond has been selected as the 2026 Recipient of the UVic/Jeffrey Rubinoff Sculpture Artist-Scholar Residency.

Aaron’s practice situates in the intersection of visual art, architecture and performance studies. With a PhD in Art & Architectural History from McGill University, a Masters in Intellectual History from Cambridge University and a Masters in Painting from Maryland Institute College of Art, Richmond holds an extensive record of awards and residencies. He is currently an affiliated assistant professor with Concordia University’s Faculty of Fine Arts.

Aaron Richmond

During his July 5-26 residency at Hornby Island’s JRSP, Richmond will develop a body of work that moves, like a relay, from landscape-architectural drawings to the creation of lightweight temporary sculptures. With this work, Richmond hopes to engage the park’s sculptural environment as a living archive, while also treating it as a prompt for the continued exploration of material practices, ideas and gestures. He is interested in art’s continued relevance as a space for experimentation and its dynamic interplay between graphic, formal, textual and performative modes of attention, and about the kinds of fleeting scenography suited to this moment of social and environmental uncertainty.

While at the JRSP, Richmond will share his working process with visitors at the sculpture park and offer limited select guided attentional walks: an embodied on-site demonstration of the relays, prompts and curiosities that animate it. Then, from November 17-20, he will visit UVic’s campus, where he will offer guest lectures, artist talks, a workshop and studio visits for Fine Arts students, staff and faculty members. An exhibition of the works he  creates at the JRSP will also be on display and open to the public in November (venue TBA).

Following his JRSP residency, Richmond will be the 2026-2027 Leonard A. Lauder Fellow in Modern Art at the Metropolitan Museum of Art, where he will be working on Cotyledons: A Catalogue of Exchanges between the graphic and performing arts. This project asks: when does the mapping of a situation — whether in the form of an architectural projection, a conceptual schema, or a choreographic score — become an experimental prompt for bodies in motion? And what kinds of artworks or artifacts give evidence of this dynamic interplay between graphic form and performative play?

We are very much looking forward to welcoming Aaron this July for his three-week residency at the Jeffrey Rubinoff Sculpture Park on Hornby Island. Stay tuned to follow his body of work develop as he responds to the interplay between continued exploration and the Park’s sculptural environment.

Established in 2025, the annual UVic/JRSP Artist-Scholar Residency was created as a competitive inter-institutional partnership based around an unwavering belief in cultivating the arts. Find out more about this partnership.

This residency is for artists and scholars seeking space to focus on creating a work for exhibition or publication that is in some way informed by their investigation of Jeffrey Rubinoff’s work and their experience working at the sculpture park.

The successful applicant enjoys a 2-5 week  residency at the Jeffrey Rubinoff Sculpture Park with an additional week at UVic to engage with Fine Arts faculty and students.

Eeman Masood’s digital tree grows in New York City

New York City’s “Midnight Moment” is the world’s largest and longest-running digital public art program. Since 2012, over 100 contemporary artists have presented their work to millions of viewers on one of the most iconic public canvases: the electronic billboards of Times Square. There, for three minutes nightly and 364 nights a year (except for when the ball drops on New Year’s Eve), the ads are dimmed on 95+ screens from 41st to 49th Streets, and the art takes over.

For the month of February, a hand-painted animation of a banyan tree by Eeman Masood (Visual Arts MFA 2025) titled There is a voice that doesn’t use words, Listen — which was her MFA thesis project — transformed Times Square from one of the world’s most technological and chaotic boulevards into a poetic, immersive experience, reflecting on the silent languages of nature and the endurance of the natural world.

Born in Lahore, Pakistan, Masood earned her BFA from Lahore’s National College of Arts (NCA) in 2021 with a major in miniature painting before coming to UVic to pursue her graduate work on a fully funded scholarship. While at UVic, she was the recipient of several notable awards, including the Elizabeth Greenshields Foundation Grant, the Jeffrey Rubinoff Graduate Scholarship, the Jessie Allan Forsyth Scholarship and the Canwest Global Scholarship in Video Arts.

Masood’s work explores the emotional and spiritual connections between nature, solitude and ecological awareness. Combining traditional techniques with contemporary mediums, she expands classical miniature painting through intricate works and hand-painted animations. We caught up with her recently for this Q&A.

What does it mean to you to have your work shown on such an enormous canvas as Times Square? Did people literally stop and “listen,” as the title encourages?

“It was a magical moment, truly, and I feel very grateful to have had this opportunity,” says Masood. “My work features the banyan tree, under which many gatherings and discussions used to take place. Bringing that tree to the busiest street in the world and projecting it above people kind of recreated the same sense of gathering—but in a very different way. I would go there every midnight to quietly stand among the audience, and it was so moving to see people stop, sometimes filming at first, but then pausing and just absorbing the work fully.”

MFA grad Eeman Masood stands in front of her hand-painted animation of a banyan tree,
spreading nature & calm across chaotic Times Square (all photos: Michael Hull/Times Square Arts)

Your thesis project specifically focused on the banyan tree: why choose that as your subject matter? And why did you choose to create a hand-painted animation?

“The banyan tree is one of South Asia’s most prestigious trees, often called the mother tree or the walking tree because it keeps expanding,” she says. “It’s also endangered, and I wanted to raise awareness about that. But the work goes deeper, reflecting on how we are part of nature and connected to the universe. The title of the work is a quote by the Persian mystic Sufi poet Maulana Rumi, asking us to reflect within. Being trained in traditional miniature painting, I wanted to translate the detailed, meditative connection between breath and brush into hand-painted animation, expanding the world of my paintings naturally into motion: in the video, the leaves move slowly and naturally align with the breath.”

You received a number of awards and funding during your graduate studies: what did that amount of donor support mean to you, and what did it enable you to do?

“I am deeply grateful to all the donors who supported me during my MFA studies,” she says. “As an international student, it’s very challenging to manage living expenses while producing work and investing in materials: these awards gave me financial relief, allowing me to focus fully on my creative practice without constant stress. They also enabled me to buy materials I needed and take risks in my work. Beyond the practical support, it felt encouraging to know people believed in what I was doing. I honestly couldn’t have completed my projects without their support.”

How did your time in the Visual Arts department impact your creative development? How much of an influence was your grad advisor, Kelly Richardson?

“My time at UVic will always be one of my most memorable periods. Moving to Canada, it became my first home, and I felt supported by faculty, staff and students. Facilities like private studios, editing rooms and scanners allowed me to experiment and work freely, which was crucial for my creative growth. Professor Richardson has been such a positive influence: when I arrived at UVic, I hadn’t imagined moving from painting into animation, and much of that transition happened because of her encouragement and support. She always pushed me to do better, and her own work was a constant inspiration. We connected on many ideas, and I’ve learned a lot from her practice and journey as an artist. She helped me believe in myself and my work, especially during difficult moments, and I’m deeply grateful for her support.”

What’s next for you?

“I recently completed an artist residency at the Banff Centre, where I began a new animation project that I plan to continue developing. Alongside that, I’m preparing a new series of paintings. Moving forward, I want to explore how animation and painting can continue to inform each other, expanding the worlds I’ve been building in my work. It’s an exciting time to experiment, take risks and grow my practice—I’m looking forward to seeing how these new projects develop over the coming months and years!”

This story appears in the UVic Torch alumni magazine

New competition prize for School of Music

Let’s say it’s 1912 and you’re a young, musically inclined girl who enjoys whistling . . . but your father says it isn’t “ladylike“ to whistle: what do you do? If you’re Eleanor Gray, you embrace the song in your heart and pursue singing lessons instead.

Fast-forward 113 years and that lifelong love of music has now become the foundation for the School of Music’s new $40,000 Eleanor Gray Memorial Piano & Voice Duo Competition Prize — an addition to the overall $2 million bequest created by donor Douglas Gray (LLB) to honour his mother.

The inaugural competition starts at 8pm Tuesday, March 31 in Music’s Phillip T Young Recital Hall and is free to attend. If you can’t make it, you can listen to it live here.

About Eleanor

Eleanor Gray was a talented pianist, singer and Royal (then Toronto) Conservatory of Music alumna who ensured that all five of her children were also part of the RCM piano program.

A lifelong singer and pianist, Eleanor remarkably sang in a choir and played piano for church services up to the age of 100, stopping only before her passing at 101.

About the prize

Beginning in the 2025/26 academic year and running through 2028, the Eleanor Gray Prize will be earmarked for School of Music students who take part in an annual art song competition for piano and voice, with cash prizes awarded for the duo winners in both first ($1,500 each) and second place ($1,000 each).

The remarkable Eleanor Gray at 92

A portion of this bequest will also go towards the existing donor-funded Collaborative Piano Endowment, which ensures that our 63 Steinway pianos remain concert-ready — a huge benefit to our status as the only All-Steinway School in Canada, thanks to the efforts of critically acclaimed pianist and professor Arthur Rowe. “Maintaining our excellent instruments is crucial, so these funds will help ensure the longevity and excellence of our Steinways,” says Rowe.

A piano and voice competition prize is ideal for our School of Music, given the enviable reputation of our Voice program — anchored by the likes of tenor Benjamin Butterfield, soprano Anne Grimm, mezzo-soprano Marion Newman and acclaimed vocal coach Kinza Tyrrell, plus an ever-increasing number of alumni stars like Isaiah Bell, Josh Lovell and Newman herself.

Marion Newman leading a voice recital (photo: Beth Bingham)

Had Eleanor Gray been a student a century later, her infectious enthusiasm, intellect and energy would have made her an ideal student at our School of Music. Given her deep appreciation for piano and voice duets, as well as her encouraging attitude and natural caring and warmth for others, we’re sure Eleanor would appreciate this new competition prize.

A longtime resident of Victoria who truly loved life and lived it to the fullest, Eleanor was always young at heart and was full of joy. She now rests in Ross Bay Cemetery, ensuring her spirit remains close to the city she so loved.

Win $1,000 in the Community Impact Award!

Who wants to win $1,000? You do, of course!! Since 2021, we’ve given out over $15,000 to 13 students in our annual donor-funded Fine Arts Community Impact Award! If you’re a UVic Fine Arts undergrad (any year) who has been creatively active outside of your classes, then you qualify to enter the 2026 Fine Arts Community Impact Award.

This sixth annual, entry-level, juried award is designed to reward Fine Arts students who have demonstrated outstanding creative activity with Victoria’s larger creative community. The award is open to any full-time current or graduating undergraduate student registered in Art History & Visual Studies, Music, Theatre, Visual Arts or Writing. (Sorry, Fine Arts must be your declared major, not just an elective you’re taking.)

Entry deadline: A completed submission package — including the submission form and all supporting materials — must be received by 5pm Thursday, April 30.

Enter here: https://finearts.uvic.ca/forms/award/

What qualifies?

  • Any kind of art exhibit or curation project
  • Public readings or literary projects
  • Plays or performances
  • Concerts or recitals
  • Educational, digital or administrative work
  • Fundraisers or drag shows
  • Etc etc etc (we’re all about the etc!)

It doesn’t matter if you were paid or volunteered, organized or participated, are a continuing or graduating student — if you did something creative in Greater Victoria (between Sidney and Sooke) between Jan 2025 & April 2026 and it wasn’t for course credit, then you qualify!

Helpful hints

Our first helpful hint is simple: enter! We usually get less than 15 entries for this award, and give out two $1,000 prizes, so your odds are very good! Other suggestions:

  • if you’ve applied before but didn’t win, you can apply again (as long as your project falls into the current timeframe)
  • you can nominate yourself or be nominated by an organization or other person
  • speak to the awards criteria in your application
  • capture the immediate & overall impact of your project (remember, the jurors don’t know you or what you did, so make sure it’s clear)
  • include reference letters that speak about your involvement (rather than the overall organization or event)
  • help the jury get to know you as a student: what you’re studying, how this project fits into your creative practice or academic journey
  • include some photos of your nominated activity
  • if you received a grade for your activity, it probably doesn’t qualify for this award
  • read about our previous winners: 2025, 2024202320222021.

Previous winners

Previous students have won for a wide variety of projects, including:

  • directing plays for Sooke Youth Theatre
  • working with the Early Music Society of the Islands
  • creating & painting a large-scale mural for the Island Medical Program
  • producing shows with Timetheft Theatre Society
  • mounting art exhibits at Xchanges Gallery & the fifty-fifty arts collective
  • coordinating youth workshops for Music Discoveries
  • setting up a livestream system for Christ Church Cathedral
  • creating The Vault Gallery at the Rockslide Studios
  • organizing an art show for the ArtSea Community Arts Council
  • working with the Victoria Children’s Choir
  • performing with Pacific Opera’s “Pop-Up Opera” initiative
  • volunteering with VOS Musical Theatre Society
  • interning with Open Space Artist-Run Centre

The fine print

Entry deadline: A completed submission package — including the submission form and all supporting materials — must be received by 5pm Thursday, April 30.

Enter here: https://finearts.uvic.ca/forms/award/

What you’ll need:

  1. A description of your community-engaged creative activity (maximum 500 words), including a title page with your contact information & declared program as of April 30 (ie: Writing, Visual Arts, etc)
  2. A letter from the organization or individual explaining how you were involved (maximum 300 words)
  3. Two letters of endorsement of the project (maximum two pages and from different people than #2: letters must be written by people who are not related to the nominee)
  4. Your resume, CV or short portfolio.

Questions? Email johnt@uvic.ca

About the award

Fine Arts has been the city’s artistic incubator for well over 50 years, helping to produce creative and scholarly talents across the cultural spectrum. Our campus community continues to contribute to the arts locally, nationally and internationally — with many of our students, alumni and teaching faculty now working in forms and mediums undreamt of when we were established in 1969. Thanks to the generosity of our donors, our Community Impact Awards put the spotlight on current students who are reaching beyond their full-time studies.

Read about our previous winners here: 2024202320222021.

The awards will be presented as part of the ProArt Alliance’s annual Greater Victoria Regional Arts Awards gala in fall 2026. Winners are expected to attend and receive their awards in person from the Dean of Fine Arts.

2025 Impact Award winners Sophie Hillstrom (left) and Sage Easton-Levy (right) with Fine Arts Dean Allana Lindgren

T’uy’t’tanat Cease Wyss speaks at Activism & the Arts lecture series

Save the date for our annual donor-funded Lehan Family Activism & the Arts Lecture Series: this year, we present ethnobotanist, artist and community-based educator T’uy’t’tanat- Cease Wyss speaking on the topic of “Diaspora of Ancient Technologies and the Future Herstory of IndigiFuturisms”.

Technology has been part of humanity since the earth was formed, yet many people have lost their connectivity to “temexw” or “earth” and have attempted to find their way through digital technologies. But the connections have always been there on both ends of the technological spectrum: how we play and create today reflects this, and how we interact is our connection to the beginning.

All are welcome to join us for this free public talk in UVic’s gorgeous new Indigenous Law Wing: 5pm Wednesday Feb 25, in room B142 of the Fraser Building.

T’uy’t’tanat-Cease Wyss (Sḵwx̱wú7mesh/Sto:Lo/Hawaiian/Swiss) is an Indigenous matriarch and interdisciplinary artist who works with digital media, writing, performance and land-based remediations in her multi-disciplinary arts practice. A community-engaged public artist, Indigi-Futurisms developer and ethnobotanist/permaculture designer, for more than 30 years her works have focussed on sustainability, permaculture techniques and Coast Salish cultural elements, including themes of ethnobotany, Indigenous language revival, Salish weaving and digital media technology. She currently holds the MST Fieldhouse artistic residency in Vancouver’s Stanley Park.

Wyss is currently working on bridging the healing sounds of plants and fungi with Indigenous languages, and creating conversations between them all using biosonification with modular synthesizers. During her time on campus, she will also be visiting various classes and engaging with our students.

Wyss and her IM4 Media Lab — which cultivates Indigenous innovation at the intersection of tradition and technology — will also be holding a ReciprociTea & VR Workshop from 1-4pm Tuesday, Feb 24, in UVic’s Taqsiqtuut Indigenous Research-Creation Lab in the Visual Arts building. Come experience her storytelling told through a ceremony of tea and seen through an oculus lens.

Previous guests in our Activism & the Arts series include Charles Campbell, Gord Hill and d’bi.young anitafrika, and you can watch their public talks here.