Welcome to issue seven of the Fine Arts Connector, your biweekly listing of news, resources, activities and other shareable content from the Faculty of Fine Arts, specifically compiled for distribution during the current health crisis.
As Premier John Horgan announced on May 6, we’re now looking at a phased-in “restart plan” over the next few weeks in BC, which will ease some of the current restrictions on our lives. But while some sectors will be opening later this month, the ban on gatherings of more than 50 people is expected to remain in place throughout the summer, which will present some creative challenges for the arts sector.
President Jamie Cassels also released his latest campus update on May 11, which notes UVic will be offering programming predominantly online for the fall term. “Where health and safety permits, we are also exploring opportunities for in-person instruction to support essential experiential learning, graduate education and work-integrated learning; the fall timetable will be available later this month.” Watch for more details pending, and how that will affect us in Fine Arts.
As always, please enjoy—and circulate—this collection of material featuring our faculty, students, alumni, staff and guests as a way of both sharing what our creative community is up to and keeping us connected in this difficult moment in history.
You can also help by keeping us in the loop if you’re working on a live-streaming project, have online material to share or are involved in something you’d like people to know about: just email either firstname.lastname@example.org or email@example.com.
Finally, you can sign up here to receive automatic notice of each issue of The Connector.
A sense of belonging & community
The first Monday of May is always a celebration of Music Education in Canada. Last year saw a few hundred people singing and playing at the BC Legislature, but this year everything went online instead with a series of live coast-to-coast performances.
As the principal researcher on a 2020 national study on the state of music education in Canada, School of Music professor and Acting Associate Dean Adam Con appeared throughout the entire 12-hour stream promoting the importance of music education.
“Have you noticed the news on TV and in social media constantly sharing how music plays an important role in how we express our feelings and how music creates a sense of belonging and community?” says Con in this YouTube message that ran throughout the entire broadcast. “The skills that allow us to share these musical moments are directly linked to the strength of our Canadian music education programs.”
School of Music professor and Acting Associate Dean Adam Con in his Music Monday message
The City of Victoria is proposing a restart of their Create Victoria initiative—including the hiring of a new staff position, a new Cultural Infrastructure Grant fund and a $5,000 grant to the ProArt Alliance of Greater Victoria for the creation of a City of Victoria sponsored award at the annual ProArt Regional Arts Awards in the fall.
Acknowledging that the COVID-19 pandemic and the associated economic crisis has had a profoundly negative impact on the arts and cultural sector in Victoria, city councillor and poet Jeremy Loveday is bringing this forward to City Council meeting on May 14, with an eye to how the arts & culture sector can help fuel regional recovery and supporting the mental health and well-being of area residents . . . following provincial guidelines, of course.
“Investment in arts and culture and support to the struggling sector should be a key recovery priority for the City,” says Loveday. “This will help to drive the recovery of our local economy. It will also provide much-needed opportunities for residents to experience the benefits of engaging with arts and culture opportunities—albeit in new and creative ways—after being cooped up at home during the pandemic. In addition to economic stimulus, investing in arts and culture as part of the City’s recovery strategy is also good for the mental health and well-being of our residents.”
Livestreaming this week
Fine Arts alumni continue to be active in National Arts Centre’s ongoing #CanadaPerforms series: appearing this week are Theatre alumni Laura Anne Harris, Kathleen Greenfield and Ingrid Hansen.
Destiny USA: Seen briefly at the Belfry’s SPARK Festival in March before its run was shut down, Laura Anne Harris‘s solo production captures the true daily drama of her job as a relay operator for the deaf and hard of hearing—but when Laura moves from Toronto to Syracuse, New York, she certainly wasn’t expecting to be living in Trump’s America. Can she discover the hidden humanity of the American people? Find out at 5:30pm PST on Wednesday, May 13.
SNAFU in Epidermis Circus: This is a collection of new and experimental works by the legendary SNAFU artists, who create live theatre, puppet theatre and dance theatre here in Victoria, while also touring across Canada to theatres and festivals. Led by artists Kathleen Greenfield and Ingrid Hansen, get ready for anything when Epidermis Circus debuts at 7pm PST Thursday, May 14. Note: all tips and donations will go to Victoria’s Our Place Society, who help people who are homeless.
Laura Anne Harris in Destiny USA
Shelagh Rogers keeps good company
As if her long-running CBC Radio show The Next Chapter and her duties as UVic Chancellor weren’t enough, Shelagh Rogers is now launching a new online show: Good Company with Shelagh Rogers debuts at noon Thursday, May 14, on UVic’s Facebook page.
The first episode features Department of Writing professor emeritus and iconic Canadian poet Lorna Crozier, who will talk about poetry and art in the age of COVID.
DIY cycling adventure
While it’s not part of the #CanadaPerforms series, Theatre alum Keshia Palm has received financial support from the National Theatre School of Canada’s Art Apart program, an emergency fund for emerging artists who are affected by physical distancing, to create Make Me An Alleycat a step-by-step guide to making your own adventure.
Now Toronto-based, Palm has created this interactive digital community arts project where individuals are invited to share stories and locations with their community during this time of social distancing as a way to be together while apart. It’s a collection of little journeys, and a window into secret worlds, where you go for a bike ride with your friends!
Using the Make Me an Alleycat email template, you create a one-of-a-kind bike route generated by 10 of your friends. They pick the location, you go for the ride. Each stop has a story behind it, and on this alleycat, you get to listen in. Find out more here.
SNAFU’s Epidermis Circus
Theatre in the dark
Theatre alum Mackenzie Gordon is mounting Three Stories Up—a murder mystery staged entirely in a pitch black room—for two weekends only, May 14-16 and May 21-23. Gordon originally wrote the play in 2014, and it’s been mounted twice since, including a production with Chicago’s aptly-named Theatre in the Dark. With just two actors playing dozens of characters, plus strong foley work and an original score, Gordon felt it would be ideal for a live digital delivery.
“We thought it was perfect, in these times, to stage again as a live audio performance,” he says. “We’ve IT’d the hell out of Zoom and gotten professional microphones to make sure the production is so much more than just filmed theatre.”
Keshia Palm’s Make Me An Alleycat
Each year, Leadership Victoria celebrates community leadership and recognizes people who have made a lasting contribution to the communities that make up Greater Victoria.
Among this year’s recipients of the Victoria Community Leadership Awards is Department of Visual Arts Audain Professor Carey Newman, who was named one of 2020’s “Inspiring Changemakers” and honoured with the Extending Reconciliation Award.
Newman, whose traditional name is Hayalthkin’geme, is a multidisciplinary Indigenous artist, master carver, filmmaker, author and public speaker. “As a leader he demonstrates his ability to bring together community members from different backgrounds through specific activities,” notes the award citation. “Carey believes in collective responsibility, learning from the past and creating art based on accumulated knowledge, experiences and traditions . . . He also works with young and at-risk populations, where carving is central for Indigenous people and for whom this kind of activity is considered a responsibility. Throughout his work, Carey believes the process has to model the goal.”
In other news, two Fine Arts alumni have been selected for the prestigious Writers’ Trust of Canada Rising Stars program: recent Writing MFA graduate Troy Sebastian/Nupqu ʔa·kǂ am̓ and Theatre grad Carleigh Baker.
Sebastian, a Ktunaxa writer who has also just been nominated for a pair of National Magazine Awards, and was selected by acclaimed novelist Lynn Coady. “Everything about the work of Troy Sebastian feels original,” says Coady. “His unpredictable structure, his extraordinary characters, his way with a completely unanticipated metaphor. You get the sense of a writer burrowing deep inside his own experience, history, and culture, fitting together the discarded fragments and treasures he finds along the way, until he emerges with something familiar yet utterly fresh—utterly dazzling.”
Baker, a nêhiyaw âpihtawikosisân/Icelandic writer, was a finalist for the Rogers Writers’ Trust Fiction Prize, the Emerging Indigenous Voices Award for fiction and won the City of Vancouver Book Award in 2017 for her debut short story collection Bad Endings. She was selected by noted writer Thomas King. “Carleigh Baker is one of those writers who can look at humanity and tell you where the bodies are buried,” King says. “And she’s happy to dig a few up, dust them off, and send them on their way to find a story . . . . [she is] a rare talent who can make you smile and cringe and think in the same sentence.”
The Writers’ Trust Rising Stars program is a multi-faceted career development program that recognizes talented authors in the early stages of their careers with $5,000 and highlights their work with an endorsement from a proven, influential author. The Rising Stars will attend a two-week, self-directed writing residency at the Banff Centre in Alberta.
Troy Sebastian, Carleigh Baker
Call for local poster art
What does the city’s leading concert poster creator and distributor do when there are no events to promote? If you’re Metropol—the good folks who have been postering daily on the downtown cylinders for nearly two decades—you decide to change those poles into instant art galleries.
“While COVID-19 has shuttered cultural, athletic and social gatherings in communities worldwide, it does not hold back creative spirit and outreach,” Metropol announced. “We are calling on local artists and image-makers to submit colourful works that we can print and post around town once a week—free of charge.”
Yep, all you have to do is email firstname.lastname@example.org to submit your digital files (artwork sized to 11″x17″, high-quality-print PDF 300dpi or Vector), plus your name and/or Instagram handle, and you’ll see your work on poster poles around the city.
“Art is a calming and inspiring force,” says Metropol. “Let’s keep our community vivid, bright and alive.”
Movies, books & cats—oh my!
While UVic’s legendary movie theatre Cinecenta is closed, they’ve decided to take a step into the streaming universe by partnering with indie film distributor Kinosmith to offer a pair of documentaries to enjoy from the comfort of your home.
DW Young’s The Booksellerswas an audience favourite at festivals this year, and sure to excite bibliophiles and history buffs alike. This 99-minute feature documentarytakes viewers inside the small but fascinating world of antiquarian booksellers, whose owners are part scholar, part detective and part businessperson . . . and whose clients offer an assortment of obsessives, intellects, eccentrics and dreamers. Watch The Booksellers here.
Cinecenta is also offering the very popular Kedi, a brilliantly shot, charming and family-friendly documentary that will delight anyone who enjoys all things feline. Shot throughout the streets of Istanbul, Kedi takes the inherent appeal of its subject and goes beyond the call of duty, isolating the profound relationship between people and cats by exploring it across several adorable cases in a city dense with examples. Watch Kedi here.
Your ticket for these films ($9.99 for The Booksellers, $6.99 for Kedi) will help support Cinecenta during these strange times.
If you’re yearning to get out of the house and a short turn around the block just isn’t working anymore, why not go on somevirtual walking tours around the globe instead?
The Open Culture website is offering a free collection of point-of-view walks through a variety of locations (the streets of Tuscany), weather (rain or shine), times of day (an afternoon in Venice, a night in Tokyo’s Shinjuku) and density (crowds in Bangkok and NYC, empty forest paths).
Some of the walks are as short as 20 minutes, while others are over an hour—more than enough time to fill your need for travel distancing.
This week, we offer you a pair of shot-at-home performance videos featuring School of Music graduate student Lea Fetterman accompanying herself in a violin trio. In the first video, she’s performing Edward Elgar’s “Salut d’Amour, Op. 12”.
Given that she is now working without a pianist, Fetterman decided to act as her own accompanist in this video—which marks the first time she has ever created something like this.
“I arranged the piano accompaniment into two violin parts and a bass line,” she explains. “I left the third violin part out because it muddled the melody too much. Due to all the rubato in this piece, I could not use a click track, so I first recorded the solo violin part, and then played the other parts along with that video.”
These videos were created using her MacBook Air and iPad, plus a Zoom Q4n microphone, the Symphony Pro 5 app and her Skullcandy Crusher wireless headphones.
“I hope this piece brings you some joy during these difficult and uncertain times.”
Then, buoyed by her success with the first video, Fetterman then created three violin duets from Bartók’s “44 Duos for Two Violins” — fusing “Tót Nóta (Slovakian Song )” with “Magyar Nóta (Hungarian Song )” and “Oláh Nóta (Wallachian Song)”.
“I hope you enjoy this pocket-sized concert. Be well!”
Look and see
Unless you live in or near a high-rise, one of the casualties of living in a lockdown situation is the ability to easily watch other people—a popular human pastime, whether one admits to it or not.
Department of Visual Arts MFA alum and sessional instructor Laura Dutton explores themes of looking and watching in her works. To better explain her practice, she has created this new video for The Connector, which offers her thoughts on two of her recent works: the multi-channel video installation Night Comes On (2016) and the photography exhibit Nearness To or Distance From (2018).
Described as a “meditation on the process of looking, and being looked at”, Night Comes On “allows the viewer to become a voyeur, peering into private space while navigating around imposing structures of flickering, hypnotic light”.
In contrast, Nearness To or Distance From offers a series of abstracted, candid portraits of tourists visiting the Grand Canyon—photographed from about a kilometre away and then further zoomed in during post-production. “It’s as if these people could have been stolen from the background of a Seurat painting, where they had been forgotten,” says Dutton.
Dutton’s work has been exhibited across Canada at the likes of the Esker Foundation Project Space (Calgary), Legacy Gallery and Deluge Contemporary (Victoria), PAVED Arts (Saskatoon), VU Photo (Quebec City), and as part of the Capture Photography Festival (Vancouver).
Laura Dutton’s “Night Comes On” (2016)
Laura Dutton’s “Nearness To or Distance From” (2018)
An offbeat comedy about human isolation
This week, we bring you the Department of Writing student-made short film Godhead. Written and directed as an MFA project by now-sessional instructor Connor Gaston, Godheadtells the story of Gary, who, rendered mute by his autism, spends his days racing remote-control boats with his little brother—which creates stress for the boy’s father, a single parent who just wants his eldest son to get a job. However, Gary’s condition conceals a powerful gift that goes beyond words.
“To me, Godhead is an offbeat comedy about human isolation, particularly passing judgment on each other, especially people who are different. Intelligence can take many forms, which is something people too often forget,” says Gaston. “Gary, our mute autistic protagonist, embodies this notion and reminds us that a person can be more than what meets the eye. The film also mixes the micro with the macro, contrasting a dysfunctional family unit with the unknowable cosmos.”
An official selection in 2014’s Toronto International Film Festival, Vancouver International Film Festival, Calgary International Film Festival, Whistler Film Festival and Rimouski Festival de Film, plus 2015’s Victoria Film Festival, Godhead was nominated for a Leo Award (Student Production) and won the Student Short Work award at the Whistler Film Festival.
In addition to his teaching duties, Gaston has since gone on to complete his first feature film, The Devout, which premiered at the Busan International Film Festival—one of Asia’s premiere film festivals. The Devout also earned Gaston the BC Emerging Filmmaker Award at the Vancouver International Film Festival in 2015 and won Best Motion Picture and Best Screenwriting at the 2016 Leo Awards.
Stay home, get quizzy
Had your fill of jigsaw puzzles? Tired of doing crosswords? If you’re ready for a serious visual challenge, why not tackle the new Stay-at-Home Art History Quiz?
Brought to you by Art History & Visual Studies department chair Marcus Milwright, and based on the same concept he’s been doing for his semi-annual Christmas quizzes, the Stay-at-Home quiz offers 10 composite visual images sourced from throughout art history.
“Our family was always keen on quizzes, from crosswords to tests of general knowledge,” says Milwright. “There used to be a quiz in a newspaper that asked readers to identify a painting from a little section. This provided the inspiration for the original AHVS Christmas Quiz, although I wanted to add some new elements.”
Your job, should you choose to accept the challenge, is to not only identify the art or artist (depending on question) but also solve the cryptic puzzle buried within. Complete instructions can be found on the quiz page.
Answers will be posted on the new Gateway to Art site on July 1. Good Luck!
Reclaming First Nations culture & history
What does it mean to dedicate your life to honouring the dead? Harold Joe has spent his adult life following a tradition that has been handed down in his family for generations: the discovery, preservation and rededication of human remains and artifacts, and with them, a reclamation of First Nations culture and history.
As chronicled in the alumni-created documentary Dust n’ Bones, Joe is a revered archaeological consultant, filmmaker and former gravedigger, who has been challenging cultural and spiritual appropriation by museums, universities and private collectors for over 40 years.
Dust ‘N Bones is a 2018 documentary that brings to light the legal, political, historical and spiritual challenges faced by First Nations leaders and archaeologists as they fight to give disinterred ancestors their proper reverence.
Framed around the pending transfer of artifacts from the Royal British Columbia Museum to traditional Cowichan territory, Dust n’ Bones takes us through the discovery, preservation and rededication of human remains and artifacts—and, with them, a reclamation of First Nations culture and history.
Created by Less Bland Productions, Dust n’ Bones is produced, co-directed and co-written by Department of Theatre alum and sessional instructor Leslie Bland, also features the musical talents of fellow alum Alexander Brendan Ferguson (composer and arranger).
Originally commissioned by Telus, APTN and US broadcaster FNX, Dust n’ Bones has since been acquired by NITV Australia, Télé Québec, Knowledge Network, Zoomer Media and CHEK TV. It’s now being used as a tool to help facilitate reconciliation locally between settler society and local First Nations.
Aysal is one of two UVic researchers named as a finalist, alongside Erynne Gilpin of UVic’s Indigenous Governance program. Each receives $3,000 and the opportunity to compete in the Storytellers Showcase in 2021.
The Storytellers challenge strives to show Canadians—in up to three minutes or 300 words—how social sciences and humanities research is affecting our lives, our world and our future for the better. The 2020 Top 25 Storytellers represent 19 postsecondary institutions across Canada. Their research stories include topics that are a priority for Canadians and have wide-reaching implications: climate change, the situation for refugees, the stigma of mental illness and Indigenous communities.
“This year’s 25 Storytellers competition finalists show exceptional creativity in communicating the relevance of social sciences and humanities research to the daily lives of Canadians,” says SSHRC President Ted Hewitt. “I commend each of them for their outstanding talent and ability to convey concisely and with great impact, why such research matters. Congratulations to the finalists!”
Community collaboration supports Hul’q’umi’num’ language and culture
Applied Theatre professor Kirsten Sadeghi-Yekta and her students are collaborating with the Hul’q’umi’num’ Language and Culture Society to use tools from theatre to reclaim an endangered Coast Salish language. For the last four summers, the group has met to improvise theatre games to improve fluency and to develop plays performed for the Hul’q’umi’num’ community.
“Working together on plays reinforces traditional values, such as building consensus, overcoming fear, and sharing knowledge with others,” says interdisciplinary PhD student, actor and voice coach, Thomas Jones, Kweyulutstun (theatre and linguistics). “Performing the stories brings out messages and meanings that are not understood when reading from a page.”
Last summer’s performance, “hw’i’ttsus lhqel’ts’—Jealous Moon”, was directed by Applied Theatre PhD candidate Lara Aysal. A video documenting the project, Indigenous Performance and Language Revitalization, produced by One Island Media, was entered into the SSHRC Storytellers competition (below).
“Stories have been the guiding principle to take language learning out of the conventional classroom environment and into a theatrical space where it can be practiced in an everyday life setting,” says Aysal, who has worked on applied theatre projects around the world.
Voices of Indigenous women form narrative of self-determination
Guiding conversations with 17 Indigenous women, 21-to-60 years of age from 10 different nations, Gilpin explored definitions of leadership in their everyday lives, their wellness, community well-being and their relationships with land and water.
Gilpin explains, “my research defines wellness within a Cree-Metis framework. These concepts inform what I define as an embodied governance framework of self-determination.” Determined to interrupt the Indigenous story as one of constant crisis, Gilpin proposes new thinking, “which begins with the body as a site of regeneration, resurgence and renewal.”
Gilpin is an Indigenous Learning Specialist with UVic’s learning and teaching unit, and is an instructor with the Indigenous Studies program.
The 2020 Storytellers finalists are invited to participate in the Storytellers Showcase at the 2021 Congress of the Humanities and Social Sciences, which will take place in May 2021 at the University of Alberta. Given the exceptional circumstances caused by the global COVID-19 pandemic, and the nature of the Storytellers competition, where the finalists must learn to effectively communicate their research in front of a live audience, SSHRC decided to postpone the Storytellers Showcase that was to have taken place at the 2020 Congress of the Humanities and Social Sciences at Western University in London, Ontario, which was cancelled.
The Final Five winners chosen at that event will be featured at SSHRC’s Impact Awards ceremony, to be held in fall 2021. See SSHRC’s Storytellers website for more details.
This story originally appeared on the UVic News page
Coordinated through The Farquhar at UVic, this is a special opportunity to watch the Victoria actor and active Theatre alum condense 12 hours of cinema into a 75-minute re-enactment of the plots of three Star Wars films (Star Wars IV, V and VI) while raising money to support students.
UVic theatre alumnus Charles Ross will livestream his popular interstellar romp through Star Wars on May 4 to help support an emergency bursary fund for students affected by the coronavirus pandemic. Image: Courtesy of Charles Ross.
The UVic COVID-19 Emergency Bursary was established in April to help domestic and international students, at the graduate and undergraduate level, who are in financial need as result of the COVID-19 pandemic.
Money raised will go toward students who have lost their jobs, face housing issues or have trouble paying for food, tuition or the technology needed for online or remote learning. The fund also supports mental health services, child care and transportation costs for students affected by the pandemic.
The emergency fund was established with $200,000 from the university and $140,000 from the BC government. Other contributions include $67,000 from the UVic Students’ Society, $50,000 from the UVic Alumni Association and $98,000 in individual donations from hundreds of alumni, faculty, staff and friends of the university.
So far, more than 2,000 students have applied to the emergency bursary, and UVic anticipates the demand will exceed $1 million. Fundraising is continuing and all gifts are welcome. Viewers are asked to donate to the UVic COVID-19 Emergency Bursary.
The livestream performance coincides with the popular annual “May the Fourth be with you” celebration of the Star Wars series. Ross has toured his world-famous production around the globe, entertaining more than a million fans in London’s West End, at the Sydney Opera House and off-Broadway in New York. Performed with permission of Lucasfilm Ltd, the show is fast-paced, funny and suitable for ages six to Yoda.
He’s written in almost every genre imaginable and seen his work adapted for film. He’s won multiple awards and inspired a new generation of writers. He’s been a student and a teacher, and now internationally renowned storyteller and best-selling author Richard Van Camp can add the designation of Distinguished Alumni of the Faculty of Fine Arts to his list of accolades.
No stranger to UVic since his graduation with a BFA in 1997, the Edmonton-based Van Camp returns to campus during Alumni Week to offer the public talk “My Life As An Author”, receive his Distinguished Alumni Award, visit undergraduate classes and have a frank conversation with current grad students. But before all that happens, he took time to chat with us about his life in words.
2020’s Distinguished Alumni Award winner Richard Van Camp (photo: William Au)
A proud member of the Dogrib (Tlicho) Nation from Fort Smith, NWT, Van Camp came to UVic’s acclaimed Writing department as a graduate of the En’owkin International School of Writing in Penticton, before later getting a Master’s in Creative Writing at UBC. But his original intention was not to become a writer, but to go into politics instead.
“I was studying land claims at Aurora College in Yellowknife but had started writing book and music reviews for the Yellowknife newspaper, The Prss Independent,” he recalls. “I was also writing poems and short stories that my English instructor, Ron Klassen, was reading in his spare time. I owe Ron so much because he told me not to get into politics because I was a writer.” (Ron, the Canadian literary scene owes you a debt!)
It was Klassen who encouraged him to attend the En’owkin Centre: not only has their program specialized in Indigenous writers and artists for the past 30 years, but En’owkin also has a vibrant partnership with UVic, which smoothed the path to Victoria for Van Camp.
Once here, he studied with some of the department’s literary legends like WD Valgardson, Marilyn Bowering, Jack Hodgins and Stephen Hume, but was also inspired by his fellow students — many of whom went on to literary acclaim themselves, including Billeh Nickerson, Aislinn Hunter and Teresa McWhirter.
A story for every genre
Given his vast — 24 books in 24 years — and diverse literary output — including two novels, five collections of short stories, two children’s books, four baby books (the first of which, Welcome Song for Baby: A Lullaby for Newborns was given to every newborn baby in BC in 2008), six graphic novels and four seasons with CBC TV’s North of 60, plus a feature film adaptation of his novel, The Lesser Blessed, which premiered at the Toronto International Film Festival — Van Camp seems to revel in taking on new challenges. Was that something he learned as a student?
“It was the En’owkin Centre that encouraged all of us to work in every genre,” says the award-winning writer. “I am continually surprised that so many creative writing institutions limit you when selecting the genres you wish to explore. The one thing I always mention when I teach is, ‘The story is the boss.’ It’s up to you to help decide if the story that’s chosen you is best relayed as a short story, novella, graphic novel, movie, poem, prose piece, mind blur, photo, video, etcetera.”
Between writing contracts, Van Camp has taught creative writing at UBC, Emily Carr University and has held writer-in-residence positions at the University of Alberta and MacEwan University. He’s also been quite diverse in the delivery of his works: all of his children’s books are available in Braille for free, anywhere in the world, and his baby book, Little You, was published in Bush Cree, Dene and South Slavey.
And while many of his works feature strong characters mentoring youth — notably his graphic novels, which have tackled issues ranging from gangs, sexual health, restorative justice, peace-making, mental health and suicide prevention — Van Camp also feels it’s important to give back himself.
“Alumni should be looking out for and promoting other alumni,” he says. “We’re a family and we deserve to help new writers the same way I was helped while on campus. I’m also grateful for [UVic’s Torch] alumni magazine that arrives to our home in Edmonton. I find I’m starving to see what everyone’s up to.”
With his latest short story collection, Moccasin Square Gardens, released in 2019 from Douglas & McIntyre, and his public DAA talk titled “My Life As A Writer”, does Van Camp have any advice for current Writing students?
“With 24 books out these past 24 years and five books on the way, working with 12 different publishers and working with two different literary agencies, I feel I can share my experience of how to make a great living as an author today and, at the same time, talk about the challenges writers can face balancing family, touring, writing and deadlines,” he chuckles. “I can’t wait to share the story about how I was fired by one of my publishers . . . only to return years later with a book that changed all of our lives forever.”
And what does it mean to him, personally and professionally, to be named a Distinguished Alumni?
“I wouldn’t be the writer or human being that I am today had it not been for UVic,” he admits. “I’m so grateful for the mentorship, the friendships and the guidance I received while there. I will always say yes when UVic calls me to return to help.”
The concept strengthens connections between art and science to broaden and cross-fertilize perspectives and critical discourse on today’s major issues such as the environment, technology, oceans, culture, biodiversity and healthy communities.
This program is open to all current graduate students who have completed most of their course requirements in UVic’s Fine Arts faculty, with practice in any visual, written, musical or performance media.
For the previous 2018-2019 residency, emerging artist Colton Hash produced a series of interactive art applications centred on the Salish Sea.
Colton Hash with his “Resonant Disintegration” sculpture
About the position
The Artist-in-Residence intern will interact with Fine Arts faculty members and scientists at ONC as well as with other individuals using the world-leading ocean facilities to ignite cross-disciplinary exchanges. The artist will learn from and engage with the current research, connecting it to their own practice, and to wider societal and cultural aspects, creating a body of work to be presented at the end of the program. Regular interaction with scientists at ONC will be arranged, and the interaction with ONC will inform their graduate work (MA, MFA or PhD program).
The selected artist will actively engage with researchers on a variety of ocean science themes that may include:
understanding human-induced change in the northeast Pacific Ocean
life in the environments of the northeast Pacific Ocean and Salish Sea
interconnections among the seafloor, ocean and atmosphere
or seafloor and sediment in motion.
The ONC Artist-in-Residence program is established to:
explore arts or the potential of alternative cultural practices in the area of the visions and challenges around oceans, as well as philosophical, aesthetic, and ethical aspect of the ocean and the impacts humans have on it
add a complementary artistic and creative perspective to ocean science, the societal ramifications of its exploitation, and its cultural aspects
reveal interconnections between indigenous ways of knowing, scientific research and the arts
and help envision the potential long-term impacts of ocean changes on humanity.
The period of the residency will be from September to December 2020, or January to April 2021. A cost-of-living stipend of $2,000/month CDN ($8,000 total) is currently available to be paid to the selected artist, and can be held in conjunction with other graduate funding.
During the residency, academic supervision will continue with the regular supervisor(s) in the Faculty of Fine Arts. Following the residency, a public exhibit or performance of the resulting art will be displayed or performed in summer / fall 2021. This showing/performance will be promoted by ONC, UVic and the faculties of Fine Arts and Science.
Please send applications to ONC’s Dwight Owens at (email@example.com) with the subject line “Ocean Networks Canada Artist in Residence Program.”
The application should include your CV, a concise portfolio of previous relevant artistic work, a letter of motivation for the residency and a 500-word project proposal with a separate project-costs budget (up to $2,000 currently available). The application period closes on February 28, 2020.
Applications will be reviewed by representatives of UVic’s Faculty of Fine Arts and Ocean Networks Canada, and students may be contacted for an interview or to supply further information.
About the residency partners
About ONC: Established in 2007 as a major initiative of the University of Victoria, Ocean Networks Canada operates world-leading ocean observatories for the advancement of science and the benefit of Canada. The observatories collect data on physical, chemical, biological, and geological aspects of the ocean over long time periods, supporting research on complex Earth processes in ways not previously possible. The observatories provide unique scientific and technical capabilities that permit researchers to operate instruments remotely and receive data at their home laboratories anywhere on the globe in real time. These facilities extend and complement other research platforms and programs, whether currently operating or planned for future deployment.
About the Faculty of Fine Arts: With experiential learning at its core, Fine Arts provides the finest training and learning environment for artists, professionals, and students. Through our departments of Art History and Visual Studies, Theatre, Visual Arts, Writing and School of Music, we aspire to lead in arts-based research and creative activity and education in local, national, and global contexts. We integrate and advance creation and scholarship in the arts in a dynamic learning environment. As British Columbia’s only Faculty exclusively dedicated to the arts, Fine Arts is an extraordinary setting that supports new discoveries, interdisciplinary and diverse contributions to creativity, and the cultural experiences of the students and communities we serve.
From our amazing alumni and stellar students to new creative spaces, a $1 million-plus donation and the passing of a literary legend, here are the final five top Fine Arts stories of 2019.
It was a good year for Fine Arts alumni, with School of Music alumni composers Linda CatlinSmith and Cassandra Miller both making venerable UK newspaper The Guardian’s “Best Classical Music of the 21st Century” list .
In Writing, alumni Eve Joseph won the Griffin Poetry Prize, Jenny Boychuk won the CBC CNF Prize, Steven Price was shortlisted for the Giller Prize, and Jenny Manzer and Esi Edugyan were nominated for the City of Victoria Book Prize. Recent Art History & Visual Studies PhD alumna Atri Hatef was awarded a postdoc at MIT’s Aga Khan Program for Islamic Architecture.
That’s Theatre alum Ingrid Hansen as the big orange creature, Heart
And three Fine Arts alumni received all the ProArt awards in 2019, including two from Visual Arts—MFA Lindsay Delaronde received the inaugural Early-Career Artist Award, and Colton Hash was honoured with the new Witness Legacy Award for Social Purpose and Responsibility Through Art—while Theatre alum and Theatre SKAM artistic producer Matthew Payne picked up the Mid-Career Artist Award.
Of course, no one in Fine Arts has to wait to graduate to start succeeding: current Visual Arts undergrad Austin Willis was named the only Canadian winner of the US-based International Sculpture Centre’s 2019 student achievement awards for his piece, “Framed Landscape”. With 325 nominations from 139 institutions in 4 countries, Willis— a painter and sculptor due to graduate in spring 2020—was one of the 11 overall winners. Current Visual Arts MFA candidate Danielle Proteau was named one of five recipients of the inaugural Audain Foundation $7,500 travel awards in September.
Austin Willis with his “Framed Landscape” at the ISC conference in Portland
It was exciting to see current Writing undergrad Kai Conradi make the top-three finalists in the annual Writers Trust Journey Prize, while current Writing MFA candidate Troy Sebastien received the inaugural Roger J. Bishop Writing Prize and fellow MFA candidate Ellery Lamm picked up a pair of Pick of the Fringe Awards at the Victoria Fringe Festival for the debut run of her new play, Summer Bucket List. And a passion for Indigenous arts and activism led Art History & Visual Studies undergrad Melissa Granley to a seven-month position at downtown’s Legacy Art Gallery; she will also be curating two exhibits for First Peoples House in 2020.
Current Theatre undergrad Tallas Munro had the honour of taking the lead role in the historic Phoenix Theatre production of Shakespeare’s Othello—performed for the first time in the Theatre department’s 53 year history. A number of Theatre students also mounted productions during the Victoria Fringe Festival, including the new play Summer Bucket List which won Favourite New Work and Favourite Drama for not only student playwright Ellery Lamm and alumni director Anna Marie Anderson, but also the talents of current Theatre students Aaron Smail, Hina Nishioka, Devon Vecchio, Arielle Parsons, Emily Hay, Willa Hladun and Isaiah Adachi.
Theatre student Tallas Munro in the lead role of Othello (photo: Dean Kalyan)
Three School of Music undergraduates were named winners of the annual UVic Concerto Competition: Anna Betuzzi (oboe), Jeanel Liang (violin) and Xheni Sinaj (piano). Liang performed Brahms’ Violin Concerto in D Majorwith the UVic Orchestra in November, while Betuzzi was a featured performer at the December Orchestra concert, performing the Oboe Concerto by Richard Strauss, and Sinaj will be performing Tchaikovsky’s Piano Concerto No. 2 in B-flat Major with the Orchestra on January 21, 2020.
Creating the new CREATE Lab
Whether it’s Queen recording their iconic title track in Bohemian Rhapsody or Will Ferrell’s hilarious “More Cowbell” sketch on Saturday Night Live, what happens in the recording studio has long been mythologized in popular culture. Now, students and faculty are able to activate that knowledge first-hand in the School of Music’s new Create Lab: a dedicated, state-of-the-art recording studio where music technology professor Kirk McNally and his students explore the role of sound recording engineers and music producers.
Kirk McNally in the School of Music’s Create Lab, with music student Ayari Kasukawa (UVIC Photo Services)
Completed in early 2019, the half-million-dollar Create Lab is already being booked 15 hours a day by student composers, musicians, engineers and sound artists in the undergraduate Music and Computer Science program—unique in Canada—and with Master of Music Technology students.
“It all comes down to listening,” says McNally. “Our job as engineers is to communicate something—either through technical or verbal means—in a way that’s understood by the person on the other side of the glass. That’s the importance of having a space where you can understand exactly what the sound is.”
Roger Bishop’s $1.6 million donation
If the name Roger J. Bishop rings a bell, it’s likely from his namesake theatre space in the Theatre building. But future students will also know the late local scholar, avid book collector and lifetime supporter of the arts at UVic better as the creator of a series of new student scholarships and prizes—thanks to a $1.6-million donation from Bishop’s estate to UVic in September.
“Roger Bishop’s generosity, as represented by this gift, will directly and positively contribute to the success of our students and continue the great legacy of excellence in the Theatre department which he helped to found,” says Theatre chair Anthony Vickery.
UVic alumnus Brian D. Young, estate executor and close family friend of the Bishops, with UVic Music student Emily Markwart, one of the first recipients of the new Roger and Ailsa Bishop Travel Award in Music, outside the Bishop Theatre (UVic Photo Services)
Over $300,000 of the estate gift goes specifically to Fine Arts for the creation of three new endowments: the Ailsa and Roger Bishop Entrance Scholarship in Theatre, the Roger J. Bishop Writing Prize, and the Ailsa and Roger Bishop Travel Award in Music.
Remembering Patrick Lane
When award-winning poet, novelist and former Writing instructor Patrick Lane passed away in March, he was described as “one of Canada’s most renowned writers” — a claim few would argue.
“BC’s poetry power couple”: Lane & his wife, Lorna Crozier
His distinguished career spanned 50 years and 25 volumes of poetry, as well as award-winning books of fiction and non-fiction, published in over a dozen countries. The winner of numerous accolades — including the Governor General’s Award for Poetry, the Lieutenant Governor’s Award for Literary Excellence, the Canadian Authors Association Award and three National Magazine Awards — Lane was named an officer of the Order of Canada in 2014.