The creative practice of Department of Visual Arts students and alumni are in the spotlight in a series of street-level artistic initiatives around Victoria right now — a number of which are sponsored by the City of Victoria itself. Hop on your bike or plan a walking tour to catch some of this inspiringly creative work in action.
Integrate Arts Festival
Looking to expand your local artistic boundaries? Don’t miss the 12th annual Integrate Arts Festival, running August 24-26 at various venues around the city—all for free! Visit their site to download the venue map, and be sure to check out the timed events happening over the weekend.
Last year, the Integrate Arts Festival (formerly known as “Off the Grid Arts Festival”) saw over 2,000 people attend art spaces across the city. This year it kicks off with and Opening Reception on Aug 24, where you can catch the first glimpse of the work by their featured artists. Download the Integrate Arts Festival map, which will guide you to a variety of exhibitions and events at 24 different participating galleries, publicly accessible studios, and various sites throughout the city. You can also access the map using the Integrate brochure (found at participating locations), and participants are encouraged to walk or bike to each site.
As always, plenty of Fine Arts students and alumni are involved in the fest, including the likes of Visual Arts students Christian McGinty, Lana Nyuli, Shae Anthony and Mona Hedayati; alumni Taryn Walker, Sadie Nielson, Evan Locke, Eriq Wong and the folks at Theatre SKAM; plus instructor Peter Sandmark at the FLUX media gallery.
Also involved behind the scenes on Integrate’s board to make this all happen are a mix of Visual Arts and Art History & Visual Studies alumni Brin O’Hare, Stephanie Eisenbraun, Libby Oliver, Selina Pieczonka, Olivia Prior, Regan Shrumm, Anna Shkuratoff, and current student Amy Smith. And UVic’s own Legacy Gallery is once again a venue for this event.
See Integrate’s Facebook page for current information.
One of the participating events this weekend is the City of Victoria’s Concrete Canvas project, which features 16 local, national and international artists painting the same number of murals on the walls of 13 sites around Victoria’s Rock Bay neighbourhood—including Visual Arts MFA grad Kerri Flannigan. Watch as a neighbourhood is transformed into an outdoor gallery for street art and creative expression; work will be continuing through August 27.
Concrete Canvas provides a platform for Victoria’s vibrant art scene to contribute to the city’s cultural legacy for years to come. The City of Victoria is collaborating with community members to build social capital, develop a sense of community pride of space, represent diversity, and empower people to make change in their city—and putting their money where their vision is: each participating artist will be paid a fee ranging from $1,250 to $4,000, with an overall budget of $150,000, funded by the City’s Public Art Reserve Fund.
Don’t miss the Concrete Canvas launch party, running 2-11:30pm Saturday, August 25. Hosted by the Victoria Beer Week Society, the free event will include a mural workshop, live music curated by Holy Smokes Music, a food and beverage area for all ages, and walking tours of completed and in-progress murals (3-6pm), an artist panel talk (5pm), and a six different bands (from 6pm), all happening in the Hoyne and Driftwood Breweries parking lot, 450 Hillside Avenue.
“The Commons” by Libby Oliver
And while you’re traveling around the city, keep your eyes open for the Commute: Bus Shelter Art Exhibition, which features work by five different emerging artists — including Visual Arts alumni Libby Oliver and Kerri Flannigan. Oliver’s work “The Commons” can be seen at Yates & Ormond streets, while Flannigan’s “Feeling Measurements – Fathom 09 (Megan)” is on Yates between Camosun & Fernwood Road.
Watch for more work by Visual Arts students and alumni coming up in future rounds of the Commute project, including current student Austin Willis—who was recently selected as the sixth artist to install work in the city’s Commercial Alley Art Gallery, found in the alley between the 500-block of Yates and Bastion Square. His four-panel pieces use bright colours, bold lines, and shapes to create fun, yet intense energy, and will be on display for a year.
“As an emerging artist I have a great interest in public art and creating work that beautifies spaces,” says Willis. Stay tuned for details about an artist’s talk, coming up in September.
Never underestimate the impact a donation can have for students. For many, both undergraduate and graduate, it can make all the difference in their academic career.
“As a student from a rural town and a lower income family, this scholarship will go a long way in making it possible for me to focus on my studies in the coming academic year,” says Lauren, a third-year Theatre student.
For some, it provides opportunities previously undreamt of — “I didn’t think I’d ever have the opportunity to go to university, and the generosity of your gift has already made such a lasting impact on my studies,” says Laura, a third-year Visual Arts student — while for others, it offers the chance to realize their dreams: “My dream to teach music would be much more difficult without the generosity of you and your family,” writes John, a fourth-year student in the School of Music, in a donor thank-you letter.
The Faculty of Fine Arts distributes over $1.5 million annually from more than 200 separate student awards, benefiting students in all five of our departments. Each year, we’re proud to not only distribute funds from previously created or endowed awards, but also to facilitate the creation of new awards — in fact, 2016/17 saw six new awards created.
Here are just a few of them:
Writing professor Maureen Bradley in the active-learning classroom
Technology expands the horizons of literature
A lifelong love of literature, theatre and education has been fused with digital technology, thanks to a $25,000 donation by Dr. Robert Aitken in memory of his mother. Mary Aitken was a well-loved teacher at both Mt. Douglas and Esquimalt Secondary schools who strongly believed in fostering creativity and keeping up with the latest technology. Now, the Mary Aitken Legacy Scholarship will support students in our new Digital & Interactive Media in the Arts minor, enabling future generations of writers to get their start.
New art therapy scholarship established
There’s no doubt art can make you feel better, and now the Centre for Human Science Research and Its Relation to Human Science Association (formerly the British Columbia School of Art Therapy) has donated $32,000 to establish a new award. The Kathleen G. Collis Art Therapy Scholarship will support Fine Arts students with an interest in phenomenological approaches or other forms of community engaged creative activity that contributes to the field of art therapy and the therapeutic use of the arts.
Dean Susan Lewis (left) with Anna & Eunice Lowe
Fundraiser grows Legacy Scholarship
The Faculty of Fine Arts co-hosted an elegant fundraising dinner at the Union Club in June, in support of the Stephen and Eunice Lowe Legacy Scholarship. A silent auction of over 80 items of art and sculpture from Eunice Lowe’s private collection raised over $18,000 for the scholarship, which is awarded to an undergraduate in either Art History & Visual Studies or Visual Arts. Widow of the late celebrated artist, Stephen Lowe, Eunice has tirelessly and graciously sought ways to support our students with her generosity of time and financial support and as an arts ambassador for our community.
New Music award commemorates CFUV host
For over 30 years, Eric LeBlanc’s blues show Let the Good Times Roll appeared weekly on UVic’s CFUV radio. While he spent 25 years as the Dominion Astrophysical Observatory’s librarian, Eric was also a self-taught blues scholar: his collection of thousands of recordings was donated to CFUV after his death in 2015, and over 300 music-related books were donated to the McPherson Library. Now, friends and family have created the Eric LeBlanc Memorial Scholarship for School of Music students with a passion for jazz and blues.
Making the most of a century
Samantha Krzywonos (far right) marks the
98th birthday of longtime donor Tommy Mayne in 2016, with three Theatre student recipients of his scholarship
When noted teacher, philanthropist and lifelong theatre devotee Tommy Mayne passed away in April at the remarkable age of 99, he had already begun to see the impact of his legacy: the Thomas and Elizabeth Mayne Bursary in Theatre, established in 2010, has benefited a number of students, many of which Tommy was able to meet. “I was filled with admiration at his generosity,” said Theatre professor Brian Richmond on his passing. “The city—and the arts community—has lost a wonderful man.”
New awards this year
Indeed, the impact of these kind of gifts lingers long after students graduate. “This award comes at a crucial moment in my studies,” noted one Masters candidate in Theatre. ”Simply put, I don’t know how I would be able to graduate [without it].”
We are grateful to these and our other donors who expanded the range and breadth of awards available to our students by establishing new awards this past academic year:
Sarah Blackstone Endowed Scholarship in Theatre
Dave Ian Dunnet Music Education Scholarship
Eugene Dowling Scholarship Fund in Music
Roger J. Bishop Writing Prize
As Miriam, a second-year Writing student, puts it, “This award has lit me with the confidence I need to take risks and trust my voice and my visions.” It’s hard to not feel good about making this kind of a difference in a student’s life.
To learn more about our giving initiatives, please contact Fine Arts Development Officer Samantha Krzywonos at 250-721-6305 or firstname.lastname@example.org.
When Art History & Visual Studies professor Carolyn Butler-Palmer received an email from the Bank of Canada back in 2017, she didn’t put much stock in it. “To be honest, I thought it was a scam email,” she laughs, “but in fact they wanted to speak to me as an art historian.”
While it’s no secret now that Canada’s new vertical $10 bill features Nova Scotia civil libertarian Viola Desmond, Butler-Palmer was under a strict confidentiality order for several months starting in summer 2017 while she was consulted by the Bank of Canada about the proposed design. One of a number of experts contacted, Butler-Palmer came to their attention due to the Globe and Mail coverage of her early 2017 exhibit Ellen Neel: The First Woman Totem Pole Carver at UVic’s Legacy Gallery.
“They knew I had an interest in women and issues of diversity,” she says. “And while they’d already determined Viola Desmond would be on the front side of the bill, they were trying to get different regional perspectives on options for the flip side—including what they ended up with, the Canadian Museum of Human Rights.”
Carolyn Butler Palmer with one of Ellen Neel’s masks in the Legacy Gallery exhibit
Often described as Canada’s Rosa Parks, the 32-year-old Desmond refused to leave her seat in the “whites only” section at the Roseland Theatre in New Glasgow, Nova Scotia, back in 1946. As a result, she was dragged out of the theatre by police and then jailed; it wasn’t until 1954 that segregation was legally ended in Nova Scotia, partly due to the publicity around Desmond’s case.
While over 450 iconic Canadian women met the initial qualifying criteria, that list was then narrowed down to a dozen candidates by an independent advisory council for possible inclusion on the $10 bill; Desmond was eventually selected by the Minister of Finance and the Governor of the Bank of Canada from a shortlist of five (including poet E. Pauline Johnson (Tekahionwake), engineer Elsie MacGill, athlete Bobbie Rosenfeld and suffragette Idola Saint-Jean) in December 2016. “It was long overdue for a banknote to feature an iconic Canadian woman,” said Stephen Poloz, Governor of the Bank of Canada, when the new bill was unveiled in March 2018. (Butler-Palmer says she “had, in fact, already voted for Viola.”)
And while we now know the new $10 bill features the exterior of the Canadian Museum of Human Rights in Winnipeg, as well as an excerpt from the Charter of Rights and Freedoms and an eagle feather representing the continuing struggle for recognition of the rights of Canada’s Indigenous people, the question of what was going to appear on the reverse of the bill was still up in the air during Butler-Palmer’s consultation. But does she like the final design?
“To be honest, I’m not sure I would’ve gone with what they selected—without going into specifics, there were other objects I thought were more favourable,” she says with a chuckle. “But I understand why they went in that direction—it’s a new museum and suits the broader issue of human rights. And the vertical design does have more impact.”
All in all, it was a unique experience for Butler-Palmer, who also teaches an AHVS elective titled “Fakes, Forgeries and Fraud” (returning in January 2019), which deals specifically with art forgery and theft—both of which are popularly associated with money. “It certainly was interesting to be contacted by a federal agency and be asked your professional opinion,” she says.
Now that’s news you can take to the bank!
Ever taken a course where you study — and play — video games? Or watch Pixar movies? What about the acting experience, public speaking, humour writing, art forgery, or the cultural impact of film music or the history of fashion & body modification?
From the cultural impact of Star Wars to the inside track on making it as a young adult writer, it’s tough to beat Fine Arts when it comes to cool electives. With over 100 electives open to all students on campus, we’ve got something that will boost your creative and critical thinking skills regardless of your faculty or major.
Each of our five departments offers an exciting range of electives designed to broaden your creative experience. From Music and Writing to Theatre, Visual Arts and Art History & Visual Studies, most of our courses are designed as hands-on experiential learning opportunities — like Vikes Band, where you play live game-day music, Magazine Production, where you conceive of and create your own magazine, or Photography & Video Art, where you put your skills to use behind the camera.
Other courses take a broad approach to cultural studies — like the Asian Identity in Popular Culture or Indigenous Peoples & Music — and look at shifts in society and artistic practice and production over hundreds of years.
Whatever your interest or program, Fine Arts has an elective that will enhance your degree — and your life.
What compels someone to study art history? It could be a passion for the life and work of a certain artist, like Frida Kahlo, or a fascination with a specific period of visual history, like the Renaissance. But for Josie Greenhill, graduating this month with a BA Honours in Art History & Visual Studies (AHVS), her inspiration came from a movie about Jack and Rose.
Josie Greenhill at UVic’s Library
“I’ve always liked museums, but when it comes to liking history, that was from watching way too many period dramas when I was growing up—specifically Titanic. I was next-level obsessed with James Cameron’s movie, which I used to watch every single day,” laughs Greenhill. “Can this interview just be about Titanic?”
Alas, no, but the legacy of that great ship is a good metaphor for what drives an emerging art historian like Greenhill. “I’ve always liked art, history and culture, and this is an area that mixes them all together,” she says. “I like what objects and material culture can communicate to you; it’s a different approach than just looking at historical texts.”
Born and raised in Nanaimo, Greenhill admits she started out as a “mediocre student” at UVic, but that clearly didn’t last long. Beyond completing an AHVS honours thesis, she’s also taken on leadership roles in student governance, was awarded a JCURA for undergraduate research, had a work-study position, held a co-op placement as a curatorial assistant at Legacy Art Galleries—where she also curated an exhibit about local architects—was hired as an archival assistant in Special Collections, launched her own digital exhibition for UVic’s Electronic Textual Cultures Lab, earned numerous awards and scholarships, presented and published numerous academic papers, and is one of the “faces of art history” in new AHVS recruitment material.
She has also been accepted into the University of Toronto’s highly-competitive art history master’s program, for which she also won a CGS Master’s SSHRC grant—a rare feat for a first-year MA student.
“Josie represents everything UVic stands for,” notes AHVS chair Dr. Erin Campbell. “She is a well-rounded, high-achieving, brilliant, civic-minded, thoughtful and compassionate student who has been shaped by her UVic experience.”
Not that the self-effacing Greenhill would describe herself in such glowing terms. “People think I’m really busy all the time, but I spend a lot of time listening to podcasts and watching Netflix,” she admits. “It’s partially about time management—I wake up early every day—but it’s also about taking risks. Sometimes you just have to take the leap and apply for things you may not have all the qualifications for; it’s surprising how many opportunities will come your way.”
Greenhill in Special Collections
One of Greenhill’s favourite aspects of studying art history has been the sense of discovery that comes through working with archival material. “An object can be your only insight into a time period—if you can hold history or really see it, it has more impact than just reading a document.”
For example, she was thrilled to be able to access a pair of books by Christina and Dante Gabrielle Rossetti through UVic’s Special Collections. “She did the poetry and he did the binding and illustrations,” she explains. “My honours thesis is about Pre-Raphaelite book art—the binding designs, illustrations—which directly ties into why I’m interested in art history. The Pre-Raphaelites were so multi-faceted; they were poets, designers, painters, illustrators . . . there are so many aspects they bring together, and I like studying all those different parts.”
One of her favourite projects was curating a Pride Month exhibit in the lobby display case in UVic Library (seen above)—which she feels doesn’t get the attention it deserves. “People don’t necessarily connect with the lobby case. I often see people just leaning on it with their coffee and I want to say, ‘There’s such cool stuff in here!’”
With her time at UVic coming to an end, how does it feel knowing her face and voice will continue to have a presence on the department’s recruitment material? “It’s kind of intimidating,” she admits. “I’m pretty shy, but I do think it’s cool that I can reach people who I won’t ever meet in person and help motivate them to study art history. I’m grateful that people trust me enough to be a face for the department.”
And is there any wisdom she’d like to share with those future students? “You get out of your degree what you put in to it,” she concludes. “If you get involved, you’ll feel so much better.”
The Faculty of Fine Arts and Ocean Networks Canada at the University of Victoria in British Columbia, are sponsoring an Artist in Residence program. The concept strengthens connections between Art and Science to broaden and cross-fertilize perspectives and critical discourse on today’s major issues such as the environment, technology, oceans, cultural and biodiversity and healthy communities. This program is open to local, national and international applicants.
The Artist in Residence will interact with Fine Arts faculty members and scientists at Ocean Networks Canada as well as with other individuals using the world-leading ocean facilities to ignite cross-disciplinary exchanges. Open to artists working in any visual, written, musical or performance discipline, this residency is suitable for an early- or mid-career artist.
The Artist will learn from and engage with the current research, connecting it to the Artist’s own practice, and to wider societal and cultural aspects, creating a body of work to be presented at the end of the residency. The selected Artist will actively engage with researchers on a variety of ocean science themes, that may include:
The ONC Artist in Residence program is established to:
- explore arts or alternative cultural practices’ potential in the area of the visions, challenges, philosophical, aesthetic, and ethical aspects of the ocean and the impacts humans have on it;
- add a complementary artistic and creative perspective to ocean science, the societal ramifications of its exploitation, and its cultural aspects; and
- help envision the potential long-term impact of ocean changes on humanity.
The residency period can start any time between May and December 2018 and last for up to eight months. A cost-of-living stipend of up to CAD $2000/month will be paid to the selected Artist. Following the residency, a public exhibit of the resulting art will be displayed, performed and promoted by ONC and the Faculty of Fine Arts.
Please note: the application period closes on 27 April 2018.
If interested, please send your application to email@example.com at Ocean Networks Canada with the subject line “Artist in Residence Ocean Program.” The application should include your CV, a concise portfolio of previous relevant artistic work, and a letter of motivation outlining your project proposal for the residency. Applications will be reviewed by representatives of Fine Arts and Ocean Networks Canada, and artists may be contacted for an interview or to supply further information.
About Ocean Networks Canada: Established in 2007 as a major initiative of the University of Victoria, Ocean Networks Canada operates world-leading ocean observatories for the advancement of science and the benefit of Canada. The observatories collect data on physical, chemical, biological, and geological aspects of the ocean over long time periods, supporting research on complex Earth processes in ways not previously possible. The observatories provide unique scientific and technical capabilities that permit researchers to operate instruments remotely and receive data at their home laboratories anywhere on the globe in real time. These facilities extend and complement other research platforms and programs, whether currently operating or planned for future deployment.
About the Faculty of Fine Arts: With experiential learning at its core, Fine Arts provides the finest training and learning environment for artists, professionals, and students. Through our departments of Art History and Visual Studies, Theatre, Visual Arts, Writing and School of Music, we aspire to lead in arts-based research and creative activity and education in local, national, and global contexts. We integrate and advance creation and scholarship in the arts in a dynamic learning environment. As British Columbia’s only Faculty exclusively dedicated to the arts, Fine Arts is an extraordinary setting that supports new discoveries, interdisciplinary and diverse contributions to creativity, and the cultural experiences of the students and communities we serve.