Two students win 2025’s Community Impact Awards

Sophie Hillstrom (left) with Dean Allana Lindgren and Sage Easton-Levy

Congratulations go out to the recipients of our fifth annual Faculty of Fine Arts Student Community Impact Awards: just-graduated School of Music student Sophie Hillstrom and current Theatre student Sage Easton-Levy — each of whom receives $1,000 for their work with local community organizations.

Each was chosen from a field of applicants and selected by a juried committee based on their nomination packages. The awards were presented live as part of the annual Greater Victoria Regional Arts Awards gala on November 26. “The recipients of these awards are definitely talents to watch,” says Fine Arts Dean Allana Lindgren. “Over the past five years, it’s been exciting for us to see previous winners further their creative achievements locally, with some continuing their artistic development as graduate students farther afield.”

“Winning one of the Student Impact Awards is a great honor,” says Sophie. “I always enjoyed being an active member of the arts community in Victoria and never expected to be recognized for it . . . I’m incredibly grateful to all who have contributed and made it possible for me to win this award. It is truly incredible.”

“I’m incredibly appreciative and excited by this opportunity,” Sage says. “This award is not only financially helpful as a student but speaks to the recognition that art and theatre are important and beneficial to communities as a whole.”

Alumni winners at the 2025 GVRAAs included Kathleen Greenfield and Ingrid Hansen for their work with SNAFU Dance Theatre, and Tiffany Tjosvold for her work with Embrace Arts

Essential additions to the community

A second-year theatre student at UVic with the goal of obtaining her MFA, Sage Easton-Levy earned her prize for her work as director of the Sooke Youth Theatre Company — specifically for their 2024 production of Disney’s Newsies Jr., but her involvement with the company goes back to 2019. As artistic director, choreographer and costume designer — or often all three — Sage has been described as both “the backbone and the fire” behind 13 different productions.

As board member Melanie Nelson points out I the nomination package, “Sage’s impact has been nothing short of extraordinary. Since joining the company, her growth as a director has been evident in the increasing quality of our productions — not only to myself as both a board member and a parent of a participating child, but also to the wider audience and our cast members themselves. Sage has a rare ability to identify and showcase each child’s unique strengths. Her productions shine not only because of her talent but also because she fosters an environment where young performers can thrive and feel valued. It is truly special to witness Sage’s work.”

Music’s Sophie Hillstrom is recognized not only for her work as the Student Director with the Early Music Society of the Islands during their recent 40th anniversary season but also for her enthusiastic “I can do anything I put my mind to” attitude. As EMSI’s Student Director, Sophie participated in board meetings, volunteered at concerts, drove performers to hotels, connected with audiences and donors, helped plan media engagement strategies, and organized outreach to other UVic students and professors.

As Society president Joanne Whitehead notes, “Sophie has demonstrated a keen interest in engaging her fellow students — and the community at large — in the wonderful sounds of early music. As an active participant in all aspects of the Society’s workings, Sophie is developing a strong sense of the importance of the social context required to support a thriving arts scene, alongside her growth as a performer of baroque music. I am confident that she will become a strong positive contributor not just to the early music world, but also to the broader music and arts ecosystem.”

About Sage Easton-Levy

Sage is a second-year theatre student at UVic with the goal of obtaining her MFA in directing. She recently moved to Victoria from Sooke, which she’s called home for over 10 years. Sage has been a director and choreographer for the Sooke Youth Theatre Company since 2018, enabling her to follow her passion of working with children in performance.

In addition to her work with SYTC, Sage also volunteers with the Sooke Harbour Players as secretary of the board, as well having recently directed her first adult-cast show, Frankenstein, with the group; she was also recently onstage for the second time with VOS at the McPherson Playhouse in their production of Legally Blonde.

Sage is profoundly grateful to be honoured for her staged production of Newsies with this award and the ability to encourage and uplift youth performers and curate a positive experience showcasing theatre in her town.

“Connecting and networking in the greater arts community is so important,” she says. “There are plenty of opportunities off-campus and, in a city like Victoria, there is a lot of crossover in these fields. I’ve made some wonderful friendships and memories being involved in many groups by performing, volunteering and reaching out.”

Immediate future plans for her include directing and choreographing SYTC’s production of Grease: School Edition in January 2026, before mounting Singin’ in the Rain in June. “I would also love to get back onstage, as I am equally enthusiastic about acting,” she says. “I’m very excited for the prospects ahead!”

About Sophie Hillstrom

Before moving to Victoria to attend UVic, Sophie grew up in nearby Seattle and graduated in June 2025 with a Bachelor of Music in Musical Arts. Currently, she is continuing her involvement in the Victoria music community, teaching, performing and volunteering. She continues to serve on the board for the Early Music Society of the Islands, ushering at concerts, sharing her wisdom, putting up posters and doing anything she can to help cultivate a community of early music lovers in Greater Victoria.

“As a student, it’s quite easy to get swept up in everything happening on campus and forget there is a world outside of UVic that is also interesting, informative and fun,” says Sophie. “But one of the greatest benefits for students being involved in an off-campus community is simply getting to interact with a wider net of people — especially for a niche interest like early music . . . I’ve been meeting hundreds of people who all have unique perspectives and a love of early music, which is incredibly special.”

Future plans include continuing to serve on the board of EMSI and teaching strings with Harmony Project Sooke. She also teaches private students, and is freelancing as a performing violist. “I intend on continuing my education in either a performance certificate program or a Master’s of Music in Viola Performance,” she says. “All I really hope for my future is that it is full of inspiration, love, and my ‘I can do anything I put my mind to’ attitude!”

About the awards

Fine Arts has been the city’s artistic incubator for well over 50 years, helping to produce creative and scholarly talents across the cultural spectrum. Our campus community continues to contribute to the arts locally, nationally and internationally — with many of our students, alumni and teaching faculty now working in forms and mediums undreamt of when we were established in 1969. Thanks to the generosity of our donors, our Community Impact Awards put the spotlight on current students who are reaching beyond their full-time studies.

Since 2021, we’ve awarded over $15,000 to 13 students from across Fine Arts for projects ranging from murals, theatre productions, music performances, art shows, curatorial projects and more, all within the regional boundaries of Greater Victoria (Sidney to Sooke).

As the name implies, the Community Impact Awards highlight the efforts of undergraduate Fine Arts students who have demonstrated an outstanding effort by engaging with Victoria’s wider creative community over and above their course work.

Read about our previous winners here: 2024202320222021.

Nominations for next year’s Community Impact Awards will be live in early 2026. Stay tuned to the Fine Arts Instagram account for the announcement.

Writing students engage with COP30 climate summit

The COP30 UN Climate Change Conference may be convening in Brazil this month but that doesn’t stop our students from getting involved. A series of climate survivor testimonials taken by Department of Writing students Ashley Ciambrelli, Raamin Hamid and Fernanda Solorza are running in the UK’s Guardian media outlet this month as part of a partnership with the Climate Disaster Project.

“This is an unprecedented career-defining opportunity for undergraduate students to have their classroom research reach a global audience with one of the most prestigious news media outlets in the world,” says CDP founder Sean Holman. “We’re training students to work on the frontlines of climate change — which is changing from a future threat to a lived experience. And this ongoing partnership with The Guardian represents the importance of those skills.”

Writing student Raamin Hamid (photo: Gouchen Wang)

Learning from traumatic experiences

Raamin Hamid captured Ruchira Gupta’s harrowing account of surviving a devastating 2005 flood in India and Ryan Kirkham’s experience with the 2023 Maui fires. Fernanda Solorza spoke with Peruvian mountain guide Saúl Luciano Lliuya about his landmark lawsuit against German energy firm RWE and its role in increasing glacial melt. And Ashley Ciambrelli connected with Jaguar Identification Project founder Abbie Martin about the impact of fires in Brazil’s Pantanal region in 2020, which killed at least 17 million animals and burned 27% of the vegetation cover. Find out what this opportunity meant to our students in this blog story about their experiences.

“Until [I got involved with] the Climate Disaster Project, I never realized that the majority of our planet’s population has experienced a climate disaster — whether they know it or not,” says Hamid, who was moved by Gupta’s experience with the flood that killed over 900 people. “The effects of a climate disaster can vary on a very long scale, and it is important to bring those effects to light to cultivate community and encourage action.”

As an international student from Mexico, Solorza’s account of Lliuya’s lawsuit was especially meaningful. “I was determined to write his story with care, and the more I wrote, the more I could see the struggles of my own people and country through him,” she says. “I hope that readers will engage with Saúl’s testimony and reflect on whose voices are often left out of global climate conversations, even when they bear the heaviest consequences of the crisis.”

Ciambrelli feels that this experience has changed how she sees the world. “Hearing these stories firsthand helped me learn that numbers only tell part of the story, and that hearing human experiences makes it real,” she says. “We are all vulnerable to the effects of the climate crisis. After conducting these interviews, I realize we all play a part in these events, and each of us has something to contribute to make a difference.”

 

Writing student Ashley Ciambrelli  (photo: Chad Hipolito)

A new kind of journalism

Ciambrelli feels the trauma-informed perspective of the Climate Disaster Project had a real impact on her writing. “Part of our process was re-learning how to use empathy to connect with our storytellers,” she explains. “It sounds simple, but being able to trust and support each other throughout such a vulnerable storytelling process was crucial to this project’s success. Practising empathy is a lesson I will carry forward in both my writing and my life.”

Similarly, Solorza says her CDP training will impact her work going forward. “I’ve learned the importance of holding people’s stories gently. Stories are people, and people are stories. By getting to know someone, asking questions and listening, they share a vulnerable part of themselves that must be held with care. The CDP taught me that gentleness in storytelling is collaboration, not extraction. I’ll carry that forward into all my future writing.”

Hamid also realizes how unique the CDP training is when it comes to treating people’s personal stories with the utmost care and empathy. “In my future writing, I will never compromise on the amount of care which the CDP has taught me to handle my stories with.”

Writing student Fernanda Solorza (photo: Chad Hipolito)

A rare opportunity for students

All agree that having their work published by such an internationally respected media outlet is a rare opportunity. “The Guardian is a source I’ve always respected and admired as a young journalist, so being featured by them is an honour,” says Ciambrelli. “It inspires me as a writer to see what else I can accomplish when I set my mind to it. I hope this also inspires other young writers to take chances.”

Solorza describes this as “both an honour and responsibility . . . . I hope readers will reflect on those whose voices are often left out of global climate conversations, even when they bear the heaviest consequences of the crisis.” And Hamid says the whole opportunity has been extremely rewarding. “It doesn’t feel real! I never thought that I would get such a prestigious opportunity.”

For Holman, the ongoing partnership with The Guardian is an essential part of the Climate Disaster Project’s work.

“People who have lived through climate disaster today have the knowledge needed to help us survive a warmer tomorrow — but too often their knowledge isn’t shared and their experiences are forgotten,” he says. “That’s why the kind of work our students is doing with The Guardian is so important.”

Robert Amos receives Honorary DFA

An artist, art historian, author and arts writer, Robert Amos has dedicated most of the past four decades to documenting — both journalistically and visually — Victoria’s visual arts scene, whether with the Art Gallery of Greater Victoria, the Times Colonist newspaper or in his own many books. But he has also spent over 15 years working with the Artist Archives in UVic’s Special Collections, making him an ideal choice to receive an Honorary Doctor of Fine Arts during the Fall Convocation ceremony. As Dr. Cedric Littlewood, Associate Dean of Graduate Studies, noted in his introduction, “By bringing people, buildings and neighbourhoods to life, Robert’s contributions to BC’s art history is the very fabric of Victoria’s history.”

“Art history isn’t all about the distant past: in fact, art history is all around us. If we reflect on and understand the times we live in, we may come to understand ourselves a bit better,” said  Amos during his 10-minute talk. “I’m passionate about sharing stories with students, art lovers and the general public and while the internet provides instantaneous global reach to any information we may want to look up, unless we who live and work here create and tell our own local stories, and find a way to preserve and safeguard those for the future, there won’t be anything there for anyone to look up and access.”

Amos noted how UVic students are surrounded by art, mentioning the Salish banners, sculptural panels, ceremonial furniture and pieces from the University Art Collection displayed across campus. “Art really is part of our life here on campus and it’s more than just decoration,” he said. “Art is a form of communication . . . and if you find a way to communicate the reality of your own time and place, history will be interested in what you have to say.”

Watch Robert’s convocation address here

Writing professor wins Bill Good Award

Congratulations go out to UVic Writing professor Sean Holman on winning the Bill Good Award at the 2025 Webster Awards on Nov 3!

The Bill Good Award is presented to a BC individual or organization that makes a significant contribution to journalism in the province, or addresses a community’s needs & benefits via journalism — and, as the Wayne Crooks Professor in Environmental & Climate Journalism and founder of the Climate Disaster Project, Holman certainly qualifies on many fronts.

An award-winning investigative journalist before joining UVic’s teaching faculty (and also a UVic Alumni as well), Holman’s words to the awards audience were appropriately insightful.

“We are becoming a fact-resistant society, where experience is more important than the evidence, where what we believe is more important than what is real — and that means it’s a troubling time to be a journalist,” he said.

“We are activists for the truth at a time when the truth is hard to find, and even harder to tell. I’m so honoured to be part of that community.”

Holman keeps fighting the good fight as he trains the next generation of journalists in the Climate Disaster Project, teaching his students to use a trauma-informed approach and building a model of cooperation that can be replicated in newsrooms as they shrink.

Read the full award citation here