UVic theatre grad headed to London for MFA

El Newell receives the Spirit of the Phoenix Award from professor Peter McGuire (photo: Sadie Kupery)

With over 200 students graduating from Fine Arts on June 12, we’re not able to profile everyone but Theatre student El Newell is an outstanding representative of her grad year. A  self-directed theatre major originally from Ottawa, Ontario, El’s studies focused on playwriting, design and directing, along with American Sign Language (ASL). After four years, El will be graduating with both a Bachelor of Fine Arts as well as an ASL certificate. El also received the annual Spirit of the Phoenix Award this year, recognizing both her outstanding  involvement in the Theatre department and academic excellence.

Here, El shares a few of her student memories.

A scene from El’s play Horse Girl, produced by timetheft theatre at the SKAM Satellite studio in August 2023 

What is your favourite memory from your time at UVic?

“Getting my original work produced by UVic’s Student Alternative Theatre Company (SATCo). SATCo chose to produce my play Horse Girl in my first year of university. This was a huge moment for me as an artist, and a stepping stone into producing my plays through timetheft theatre, a theatre company started with my peers for which I am now playwright-in-residence. Through timetheft, I’ve had my work produced independently at SKAMpede and the Victoria Fringe Festival.”

Where did you love to study, hang out, or unwind on campus?

“The design room in the Phoenix Theatre saw more hard work, more laughter and more tears from me than any other spot on campus — it was a room where I did some of my best work, and where I made some of my favourite memories.”

El discussing her 2024 JCURA research project

Was there a course or professor who had an impact on you?

“Dr Alexandra Kovacs is the most impactful teacher I have ever had. Beyond her amazing theatre history classes, Dr. Kovacs supervised my JCURA (“The Well-Made Porn: Dramaturgies of Erotic Webcamming”). She allowed me a space in her master’s-level theatre research and theory classes in my last two years, and supported me through it all. She is an immense source of inspiration for me as a woman in academia and theatre.”

What activity or experience outside the classroom meant the most to you?

“I was the Theatre Course Union (TCU) president for the ’24/’25 school year, as well as serving as the first-year student representative, treasurer and vice-president of the TCU in previous years. Being a part of a student union that works with the theatre department to make our program the best it can be for students, as well as rewarding bursaries, planning events and holding weekly meetings, was a deeply fulfilling experience — year after year.”  

El (right) building a cardboard puppet as a part of UVic’s design cohort at the 2023 Prague Quadrennial 

Is your current path what you envisioned for yourself growing up?

“In September I will be starting my MFA at the Royal Central School of Speech and Drama in London, England! I’d always expected I would go into theatre, but the breadth of knowledge, experience and confidence that I’ve gained at UVic has been beyond my wildest dreams — and I would have never dreamed I could pursue graduate studies if not for the support given to me by the faculty and my peers at the Phoenix.”

UVic in one word?

“Boundless!”

El directing her play Our Lady, Star of the Sea for the 2024 Victoria Fringe Festival 

Climate Disaster Project play wins award

Congratulations go out to the Climate Disaster Project on winning Silver in the “Environmental and Climate Change” category at the Canadian Association of Journalists Awards on June 1 for Eyes of the Beast:Climate Disaster Survivor Stories, a documentary play about the experiences of British Columbians during the extreme fires, heat and flooding of 2021. This co-production with Neworld Theatre marks the first time a play has ever been recognized for reporting excellence at these prestigious annual journalism awards.

The timing is perfect too, as Eyes of the Beast will be remounted June 18-22 at Simon Fraser University’s Goldcorp Centre for the Arts in downtown Vancouver — but they won the CAJ award for the show’s world premiere at UVic’s own Phoenix Theatre back in September 2024.

“This award comes just as we approach the four-year anniversary of the extreme heat, fires, and floods in Western Canada the play portrays,” says Climate Disater Project founding director Sean Holman, UVic’s Wayne Crookes Professor of Environmental and Climate Journalism.

“It’s also a testament to the 117 people who worked to bring it to the stage, including our partners at Neworld Theatre, our students at the University of Victoria, the University of British Columbia, Kwantlen Polytechnic University, Mount Royal University, MacEwan University, and First Nations University of Canada, and — most importantly — the survivors who worked with them.”

Eyes of the Beast creative team (@helenecyrfotos)

About the play

Adapted from the award-winning journalism of the Climate Disaster Project — an international newsroom based out of UVic’s Writing department but now with over 35 educational, media and cultural partners worldwide — Eyes of the Beast is a verbatim production pulling from hundreds of testimonies of people across Canada who have lived through climate change together. It was created through the efforts of a number of UVic alumni, including Beast director and Neworld artistic director Chelsea Haberlin plus co-creator Sebastien Archibald.

As with when it debuted at UVic, each performance of the Vancouver run of the play will be followed by a facilitated talkback, featuring a BC or Vancouver political leader, who will engage with the audience and reflect on ways to support impacted communities.

The Vancouver premiere of Eyes of the Beast is co-created by Sebastien Archibald, Gavan Cheema, and Kelsey Kanatan Wavey.

Performance Details

Eyes of the Beast runs 90 minutes (including intermission and facilitated talkback) at SFU’s Goldcorp Centre for the Arts, Fei and Milton Wong Experimental Theatre. General admission $10. Performances run 7:30pm June 18-21, plus 2pm matinees on June 21-22.

Neworld managing director Alen Dominguez (right) with artistic director Chelsea Haberlin (left) plus CDP managing editor & Writing alum Aldyn Chwelos + Sean Holman (Kimberly Ho)