Distinguished Alumni Award: Crystal Clark

Indigenous Community Alumni Award recipient Crystal Clark is a Cree/Dene and Métis mother, an artist and an Indigenous education specialist who has worked within First Nations and public schools. She holds a Master of Educational Technology, Bachelor of Education, Bachelor of Fine Arts, New Media Diploma and a Native Creative Writing and Visual Arts Diploma. Her teaching experience includes working with the Tsimshian Nation in Lax Kw’alaams, BC, O’Chiese First Nation and Sunchild First Nation, AB. 

“I had a unique experience with the University of Victoria back in the 1990s,” she recalls of her time in the Department of Visual Arts, where she received her BFA in 2002. “UVic has a relationship with Penticton First Nations’ En’owkin Centre, founded by [Fine Arts alumna] Jeannette Armstrong… It allowed me a creative way to enter the field of post-secondary, but in a kind way for an Indigenous person to connect with other Indigenous scholars and artists… Fine Arts became a tool to express who I am and how I was feeling in relation to my identity as an Indigenous person trying to navigate society.”

Along with teaching, Clark has gained experience as a vice principal and First Nations Student Success Program coordinator as well as an Indigenous Education Consultant with the Alberta Teachers Association, College of Alberta School Superintendents, Canada Sports Hall of Fame: Indigenous Sports Heroes, National Film Board of Canada and Pearson Education. 

She has received a Prime Minister’s Teaching Achievement Award, Esquao Award for Education Service with the Institute for Advancement of Aboriginal Women and is a two-time Peace Hills Trust Art Award Recipient. Her public has been displayed in downtown Vancouver, Red Deer, Edmonton and Calgary. Her most recent work can be seen at Red Deer Polytechnic’s Indigenous Student Centre.

A bigger world

Born in Treaty 8 Territory in Fort McMurray, Alberta, Clark is currently living in Treaty 6 Territory in Rocky Mountain House, Alberta. 

“It was particularly challenging, the high schools that I went to, moving a lot and not feeling a sense of belonging as an Indigenous person, also going through a lot of family trauma,” she recalls of her early years. “I learned that post-secondary education in a university setting, if designed to nurture and celebrate Indigeneity, was meant for me. I felt like I belonged and was able to connect with Indigenous and non-Indigenous peoples from across Canada and around the world. I felt a sense of belonging. It was an opening to a bigger world that’s out there and that I could make my way in. I felt comfortable.”

One thing that’s helped her over the year’s is what she describes as having a “smudge mindset.” “That’s a term I made up . . . it’s like smudging with sage or sweet grass and what I’m thinking and feeling when I smudge. I can’t always take smudge into every situation I’m in to help me in ways like calming down or being grounded, but I can think those thoughts, like ‘Please help me be patient and kind in this situation, help me see the world in a good way and with kindness and walk in a good way.’ We live in a reactionary society these days, and sometimes it’s important to remind myself to not always jump the gun and to have that sense of patience and gratitude.”

What I’ve learned with age

“Aging has taught me not worrying and not to be as anxious as much about the little things. So, stopping being so hard and critical of myself, and not always worrying about what other people might think. As one of my cousins says comparison can be the killer of joy. I have come to know that I’m valued and needed, and as an Indigenous person that I do belong.”

With aging, however, also comes perspective. “We’re all lifelong learners,” she says. “School can be a beautiful place to expand our minds, practice and learn, but after that it’s the work that you get into where you really start to put what you’ve learned into practice. And that’s where I think you grow the most is learning that you don’t stop learning once you graduate. That’s just the beginning.” 

All my relations

“When I went to En’owkin, the satellite of the UVic campus, I learned a concept from my Anishinaabe friend and poet Vera Wabegijig called ‘all my relations,’ which I’ve always carried with me. In Cree, the concept is called Wahkohtowin. Rather than saying goodbye, you can say ‘all my relations.’ It’s essentially saying that everybody in this world, we’re all connected to each other… not only to each other as humans, but we’re related to the land, the natural world, the sun, the moon, the stars, the water, the air, the trees, the animals and plants. We all need each other to exist. It’s not so much advice, but more of a worldview that’s helped me maintain good relationships with people and the land that I’ve encountered and work with, and in my everyday life to know that we need to all love and respect each other.”

 

Speed round!

Something that brings me joy:

“Nature. I love being out on the land. And art.” 

If I had an extra hour of free time: 

“I always need time to do more art. I think most artists would say that.”

A concert I attended recently:

“The Looney Tunes Symphony in Edmonton.”

 Secret talent: 

“Aging gracefully. Some call it great genes, others call it a mystery—I just call it my secret superpower!”

 One skill I wish I possessed: 

“Being part of a community with so many great examples of living with the land has shown me the beauty of self-sufficiency—something I wish had been part of my upbringing. There’s something deeply fulfilling about knowing how to grow your own food, raise animals, identify indigenous plants and medicines and sustain your way of life. I often find myself longing for that connection, not just to the land but also to my roots—especially the ability to speak one of my Indigenous languages.”

 My go-to karaoke song: 

“Proud Mary” by Tina Turner. I would bring the house down with that song.”

 Read more about UVic’s 2025 Alumni Awards here

 

New Indigenous student listserv

Xʷkʷənəŋistəl | W̱ ȻENEṈISTEL | Helping to move each other forward
—UVic’s Indigenous Plan 

Are you an Indigenous student in any of our Fine Arts units (Art History & Visual Studies, Music, Theatre, Visual Arts or Writing)? If so, you may like to sign up for our new Indigenous Student listserv.

The list is run by Fine Arts Indigenous Resurgence Coordinator Karla Point — whose traditional Nuu chah nulth name is Hii nulth tsa kaa — and will provide you with information about student support, networking, events, workshops and other opportunities of specific interest to Indigenous Fine Arts students.

Over the past few years, Karla has run a series of workshops ranging from land acknowledgements and knowledge sharing to more hands-on things like traditional drum-making and cedar-bark weaving, and we also often share news from our colleagues on campus and in the community.

Karla Point

The new Indigenous Student listserv is Karla’s latest way of keeping us all connected! Please consider signing up here.

UVic is committed to offering a range of academic programs enriched by opportunities to engage with diverse forms of knowledge and to take learning and teaching beyond the classroom. In addition to integrating Indigenous ways of knowing and being, languages and teachings, we prioritize accessible programming that responds to community interests and needs. Read more in UVic’s Indigenous Plan.

Distinguished Alumni Awards: Cassandra Miller

We are thrilled that Cassandra Miller is the recipient of one of the 2025 Presidents’ Alumni Awards. Born in Victoria, Cassandra received her Bachelor of Music in Composition and Theory from UVic in 2005; her brother, the award-winning graphic designer Emrys Damon Miller, is also a Fine Arts alumni (Visual Arts). 

An acclaimed Canadian-British composer who has been living in London, England, since 2018, Cassandra’s composition methods incorporate a unique practice of meditation-based uncontrolled singing to learn about melody and repetition. She uses these vocal exercises together with creative transcription processes to transform pre-existing musical sources (from both within and outside the classical tradition) to magnify their expressive, personal, or fragile qualities.

“Music this uncalculatedly beautiful leaves you almost desperate with gratitude,” wrote Alex Ross of her work in The New Yorker, while The Guardian hailed her “Duet for Cello and Orchestra” as among the top 20 “Best Classical Music Works of the 21st Century.” Over the past year, her works have appeared internationally at the BBC Proms, GöteborgsOperans Danskompani and on tour with the Australian Chamber Orchestra. She has twice received the Jules Léger Prize for New Chamber Music, Canada’s highest honour for composition, and in 2025 she will be a visiting scholar for three months as lecturer at Stanford University.

Endless possibility

“I originally went to UVic to study my instrument—the harp,” Cassandra recalls. “On the first day of classes I took a composition elective and then realized, ‘Oh gosh, this is what I do now.’ It was life changing.” 

She recalls the School of Music as the kind of place where, as far as creativity goes, “anything was possible… You were taught that to be an artist was to be a bit of a weirdo. It was so freeing and so important. I learned about myself… how to be that kind of creative, how to be free and playful by being myself… At the time I just thought that was good education, but afterwards I realized that it was also artistically incredibly unique and important. It was a very special place.”

Over the years, she has been invited as a visiting teacher and lecturer at many institutions including Stanford, Columbia, CalArts, London’s Royal Academy of Music, Birmingham Conservatoire, McGill University, the University of Manitoba and the Orkest de Ereprijs Young Composers Meeting. From 2010 to 2013, she held the post of Artistic and General Director of Innovations en concert, Montreal, and from 2018 to 2020, Miller was Associate Head of Composition at London’s Guildhall School of Music and Drama, leading the undergraduate program.

Cassandra Miller with the BBC Philharmonic at the 2023 Aldeburgh Festival (BPA/The Guardian)

Collaboration and listening

Cassandra says she finds the art and practice of composing “extremely collaborative. On the surface, it looks like I’m sitting at home staring at my computer, but because I’m writing music for other people to play, even the least collaborative project is extremely collaborative. And then there’s the idea of making space for another person, and it’s a skill that I’m continuously learning. Every opportunity to interact with somebody is an opportunity to learn how to listen better. And the other side of that is listening to oneself and making the space to listen to what’s going on inside and what needs to happen and how to make space.”

What I’ve learned

“I’ve learned how to gather around me the support that I need. This was something I learned late in life… I have pretty strong ADHD, and I need to hire an assistant. I need to hire a personal trainer. I need to have a therapist at all times. I also need to keep my family and friends close, and I always need to live with somebody. There’s a lot of things I need that I’m getting better at asking for and putting into place.”

“A friend of mine used the mantra ‘Try less hard,’ and I took it on… It’s about making that space for listening. Often when you’re trying too hard for something, you’re not making the space to listen to what’s really going on. Often the solution is to change a situation or try something a bit differently. But if you’re already trying hard, trying harder usually isn’t the thing that’s going to make it work.”

Speed round!

Something that brings me joy: 

“Bird song… London has parakeets, which are a huge part of the soundscape of the city. They’re an invasive species, but they have this wonderful chatter and they’re very loud at sunrise and sunset. It’s a way to mark the time in the city, and they fly around in these huge flocks and they’re bright green. They’re lovely.” 

One food I can’t resist: 

“My family makes these traditional Lebanese Christmas cookies.  We call them Sticky Fingers because they’re roughly the shape of a finger and they’re dipped in honey, filled with almonds and orange blossom water. And they have little bits of aniseed in the dough.”

Something great I’ve watched recently: 

“A movie called The Cassandra Cat. It’s this absurd, surreal movie from the Czech Republic in the early ’60s. I sort of recommend it, but you have to be in the right mood.”

A cool thing about where I live: 

“London has so many trees in it that it’s classified as a forest.”

Secret talent:

“I am incredibly patient, and I don’t mind waiting, and it’s very extreme. If a friend is three hours late to meet me, no problem. I just love waiting around.”

A talent I wish I possessed: 

“I wish I could dance better. I think it’s an important thing in life. I think life is probably about eating, sleeping, singing and dancing.”

 Read more about UVic’s 2025 Alumni Awards here

Phoenix Theatre is seeing double with Twelfth Night

 

Running March 13-22, the final mainstage production of Phoenix’s 24/25 season is Shakespeare’s Twelfth Night. Shipwrecked and separated from her twin brother Sebastian, Viola disguises herself as a young man to serve Duke Orsino. What follows is a whirlwind of romantic entanglements, mischievous pranks, mistaken identity and hilarious misunderstandings.

Director and Theatre professor Fran Gebhard reimagines this classic comedy in a post-climate change future inspired by BC’s rugged coastline. Expect a mix of mistaken identities, love triangles and the delightful chaos of reality and illusion.

 “I set this play in late summer 2037 on Vancouver Island’s West Coast, where climate-related catastrophes—wildfires, extreme rainfall, hurricanes, flooding and earthquakes—have impact the region,” explains Gebhard. “Olivia’s father and brother have perished in these disasters, and the character we meet are rebuilding their lives in Illyria, where their summer homes once stood.” 

Samantha Frew (photo: Dean Kalyan) 

And, in fact, this production has a unique twist—our real-life identical twins, Makayla and Mariah Madill (above) take the stage as twins Viola and Sebastian. Audiences will have fun trying to tell these fourth-year acting students apart! Makayla and Mariah are so alike that their teachers even ask them to wear different hairstyles to class. Subtle differences include one being slightly taller and the other having a small eyebrow scar. Let’s see if you can spot who’s who, especially when Viola is disguised as a boy! Don’t miss this playful and inventive take on one of Shakespeare’s best-loved comedies.

“I am so grateful to have worked with such an inventive and adaptable cast and crew of students and staff,” says Gebhard. “Our talented students have designed an engaging environment, striking costumes, evocative lighting and sound. We even have a student musician who composed some of their own music . . . . We have had such fun realizing our production of Shakespeare’s timeless play! My only hope is that the audience’s enjoyment exceeds our own!”  

 

Orion Lectures: Jerry Ropson Artist, Writer, Educator, Community Organizer

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Jerry Ropson


Artist, Writer, Educator, Community Organizer

7:30 pm Wednesday , March 26
Room A162, UVic’s Visual Arts Building

Free & open to all
Presented by UVic’s Visual Arts Department.
For more information, please email visualarts@uvic.ca

Through the generous support of the Orion Fund in Fine Arts, UVic’s Faculty of Fine Arts is pleased to present Jerry Ropson, Visiting Artist. All are welcome to attend this free event.

 

“Preface for a Liturgy (Blood Ledger)”, 2021
Site-specific video installation with hand-sewn textiles, carpenter pencils & brass plumb bobs. Photo by Brian Ricks

ABOUT THE ARTIST

 Jerry Ropson is an artist, writer, educator and community organizer raised in the Ktaqmkuk (Newfoundland) outport re-settlement of Pollards Point. In acknowledging the settler and indigenous history of his community, he combines images, objects, text and narrative to focus an artistic practice within site-specific installation and performative storytelling. Having exhibited throughout Canada and abroad, he makes class-conscious work often seeking non-traditional sites and outcomes. 

Ropson holds a BFA (2001) from Memorial University: Grenfell Campus, and an MFA (2009) in Studio Arts: Fibres and Material Practices from Concordia University. Ropson was listed for the Sobey Art Award in 2016 and 2018. He has been awarded grants from The Canada Council for the Arts, The New Brunswick Art Board, The Conseil des arts et des lettres du Québec, and The Newfoundland and Labrador Arts Council. He has participated in artist residencies at The Banff Centre, The Atlantic Centre for the Arts, St. Michael’s Printshop, Fogo Island Arts, NSCAD University, and Union House Arts. Ropson divides his time between rural communities in Ktaqmkuk, and Mi’kma’ki (Sackville, New Brunswick), where he teaches in the Department of Fine Arts at Mount Allison University.

Free and open to the public | Find more at www.events.uvic.ca

For more information on this lecture, please email visualarts@uvic.ca

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca