Orion Masterclass with Barbara Hannigan & Bertrand Chamayou

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Orion Masterclasses:

Barbara Hannigan &

Bertrand Chamayou


Barbara Hannigan, soprano
Bertrand Chamayou, piano

2:30pm Tuesday, December 3
UVic’s Phillip T. Young Recital Hall

Free & open to all

Presented by UVic’s School of Music and The Orion Fund in Fine Arts. Barbara and Bertrand’s visit is made possible in part with support from Pacific Opera Victoria.

For more information, please email music@uvic.ca

SCHEDULE OF EVENTS
2:30PM: Voice Masterclass
Soprano Barbara Hannigan coaches UVic School of Music voice students.

3:30PM: Piano Masterclass
Pianist Bertand Chamayou coaches UVic School of Music piano students.

4:30PM: Q&A
UVic voice professor, Benjamin Butterfield hosts a Q&A with Barbara and Bertand on the topic “IMPACT: What does it take?”

All events are free and open to the public to attend.

 

ABOUT THE ARTISTS
Embodying music with an unparalleled dramatic sensibility, soprano and conductor Barbara Hannigan is an artist at the forefront of creation. More than 30 years since her professional debut, the Grammy and Juno Award-winning Canadian musician has worked extensively with directors and conductors including Simon Rattle, Sasha Waltz, Esa Pekka Salonen, Antonio Pappano and Katie Mitchell, and with composers such as Pierre Boulez, John Zorn, György Ligeti, Henri Dutilleux, Hans Abrahamsen and George Benjamin. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. Her operatic appearances include iconic productions of Lulu (Brussels, Hamburg), La Voix Humaine (Paris Opera), Pelléas et Mélisande (Aix-en-Provence, Ruhrtriennale), Die Soldaten (Munich), and Written on Skin (Royal Opera House and international touring). Recent conducting engagements include The Cleveland Orchestra, Royal Concertgebouw Orchestra, and Munich Philharmonic. She also holds positions including Principal Guest Conductor of Gothenburg Symphony Orchestra (since 2019), Première Artiste Invitée of Orchestre Philharmonique de Radio France (since 2022), Associate Artist of London Symphony Orchestra (since 2022), Principal Guest Conductor of Lausanne Chamber Orchestra (since 2024), and will begin her tenure as Chief Conductor and Artistic Director of Iceland Symphony Orchestra in 2026. Barbara’s dedication to the younger generation of musicians led her to create the mentoring initiative Equilibrium Young Artists in 2018.

Bertrand Chamayou stands as one of today’s most brilliant pianists, acclaimed for his virtuosic and deeply imaginative performances. Renowned for interpreting French music, he has explored major works by Ravel, Liszt, and Messiaen. Chamayou’s collaborations with contemporary composers demonstrate his passion for innovation. Performing worldwide at esteemed venues and festivals, he has graced stages with the world’s most renowned orchestras and conductors. His acclaimed recordings, including Messiaen’s Vingt Regards sur l’enfant-Jésus, have garnered numerous awards and accolades, showcasing his mastery. His most recent releases are CAGE2 on Erato, a masterful interpretation of John Cage’s works for prepared piano, and together with Barbara Hannigan the album Messiaen presenting Messiaen’s two major song cycles from the 1930’s on Alpha Classics. Chamayou’s artistic endeavors extend beyond performance, as he co-directs the Festival Ravel, a prominent celebration of Maurice Ravel’s legacy in France. With a multi-award-winning discography and an unparalleled dedication to musical innovation, Bertrand Chamayou continues to captivate audiences around the world.

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca

Orion Lecture: “Composing for Voice” with Barbara Hannigan

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Composing for Voice with Barbara Hannigan


Barbara Hannigan, soprano

Bertrand Chamayou, piano

12pm Tuesday, December 3
UVic’s MacLaurin Building, B Wing, room B037

Free & open to all 

Presented by UVic’s School of Music. Barbara and Bertrand’s visit is made possible in part with support from Pacific Opera Victoria.

For more information, please email music@uvic.ca

Barbara Hannigan and Bertrand Chamayou speak to UVic School of Music composition students. Using John Zorn’s Jumalattaret as a launching point — which they will be performing in concert on December 2 — the duo will discuss techniques and approaches to composing for the voice.

Zorn’s modern and genre-defying piece is a masterwork in the avant-garde. It boldly presents a complex tapestry of sound that explores the boundaries of traditional and contemporary music.

All are welcome to attend this free event.

 

 

ABOUT THE ARTISTS
Embodying music with an unparalleled dramatic sensibility, soprano and conductor Barbara Hannigan is an artist at the forefront of creation. More than 30 years since her professional debut, the Grammy and Juno Award-winning Canadian musician has worked extensively with directors and conductors including Simon Rattle, Sasha Waltz, Esa Pekka Salonen, Antonio Pappano and Katie Mitchell, and with composers such as Pierre Boulez, John Zorn, György Ligeti, Henri Dutilleux, Hans Abrahamsen and George Benjamin. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. Her operatic appearances include iconic productions of Lulu (Brussels, Hamburg), La Voix Humaine (Paris Opera), Pelléas et Mélisande (Aix-en-Provence, Ruhrtriennale), Die Soldaten (Munich), and Written on Skin (Royal Opera House and international touring). Recent conducting engagements include The Cleveland Orchestra, Royal Concertgebouw Orchestra, and Munich Philharmonic. She also holds positions including Principal Guest Conductor of Gothenburg Symphony Orchestra (since 2019), Première Artiste Invitée of Orchestre Philharmonique de Radio France (since 2022), Associate Artist of London Symphony Orchestra (since 2022), Principal Guest Conductor of Lausanne Chamber Orchestra (since 2024), and will begin her tenure as Chief Conductor and Artistic Director of Iceland Symphony Orchestra in 2026. Barbara’s dedication to the younger generation of musicians led her to create the mentoring initiative Equilibrium Young Artists in 2018.

Bertrand Chamayou stands as one of today’s most brilliant pianists, acclaimed for his virtuosic and deeply imaginative performances. Renowned for interpreting French music, he has explored major works by Ravel, Liszt, and Messiaen. Chamayou’s collaborations with contemporary composers demonstrate his passion for innovation. Performing worldwide at esteemed venues and festivals, he has graced stages with the world’s most renowned orchestras and conductors. His acclaimed recordings, including Messiaen’s Vingt Regards sur l’enfant-Jésus, have garnered numerous awards and accolades, showcasing his mastery. His most recent releases are CAGE2 on Erato, a masterful interpretation of John Cage’s works for prepared piano, and together with Barbara Hannigan the album Messiaen presenting Messiaen’s two major song cycles from the 1930’s on Alpha Classics. Chamayou’s artistic endeavors extend beyond performance, as he co-directs the Festival Ravel, a prominent celebration of Maurice Ravel’s legacy in France. With a multi-award-winning discography and an unparalleled dedication to musical innovation, Bertrand Chamayou continues to captivate audiences around the world.

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Visit our online events calendar at www.events.uvic.ca

Pacific Opera Victoria Presents Barbara Hannigan & Bertrand Chamayou

Do not miss this one-night-only event! 7:30pm December 02 at McPherson Playhouse. An evening of music with renown artists soprano Barbara Hannigan & pianist Bertrand Chamayou, with special guest appearances by Terrence Tam (Principal Violin of Victoria Symphony) and Benjamin Butterfield (Head of Voice, UVic School of Music). The duo will present a concert at the McPherson Playhouse featuring Messiaen’s Chants de Terre et de Ciel, Scriabin’s Poème-nocturne and Vers la flamme, and John Zorn’s Jumalattaret. Barbara and Bertrand’s visit is made possible in part with support from Pacific Opera Victoria.

 

With a musical programme featuring Messiaen’s Chants de Terre et de Ciel, Scriabin’s Poème-nocturne and Vers la flamme, and John Zorn’s Jumalattaret, be ready to be whisked away on a fascinating and eclectic journey through diverse musical landscapes.

Messiaen’s mystical and nature-inspired compositions – rich with complex rhythms, vibrant colors, and mystical themes – create an ethereal and contemplative atmosphere. Scriabin’s metaphysical and harmonically adventurous works is dreamy and dramatic, brimming with sensuous textures, innovative harmonies, and a sense of transcendence. Zorn’s modern and genre-defying piece is a masterwork in the advent-guarde. It boldly presents a complex tapestry of sound that explores the boundaries of traditional and contemporary music.

Barbara Hannigan

Barbara Hannigan, an unparalleled artist, embodies music with remarkable dramatic sensibility. Collaborating with luminaries like John Zorn, Simon Rattle, and Sasha Waltz, she’s at the forefront of musical creation. Her commitment to contemporary music is evident in premiering over 90 new works and collaborations with composers like Boulez and Ligeti. Recently, she debuted Poulenc’s La Voix Humaine, blending singing and conducting with live video. Her conducting debut with the Royal Concertgebouw Orchestra and ongoing collaborations with esteemed orchestras mark her as a leading figure in the music world. Her recordings, including the Grammy-winning Crazy Girl Crazy, showcase her exceptional talent. Barbara’s dedication to mentoring young artists led to initiatives like Equilibrium Young Artists and Momentum. Recognized with prestigious awards like the Gramophone Magazine’s Artist of the Year, Barbara Hannigan continues to inspire and innovate in the world of music from her home in Finistère, France.

Bertrand Chamayou

Bertrand Chamayou stands as one of today’s most brilliant pianists, acclaimed for his virtuosic and deeply imaginative performances. Renowned for interpreting French music, he’s explored major works by Ravel, Liszt, and Messiaen. Chamayou’s collaborations with contemporary composers demonstrate his passion for innovation. Performing worldwide at esteemed venues and festivals, he’s graced stages with renowned orchestras and conductors. This season, he’s featured in an ‘Artist Portrait’ series with the London Symphony Orchestra and anticipates the release of his forthcoming album, “Satie-Cage.” His acclaimed recordings, including Messiaen’s Vingt Regards sur l’enfant-Jésus, have garnered numerous awards and accolades, showcasing his mastery. Chamayou’s artistic endeavors extend beyond performance, as he co-directs the Festival Ravel, a prominent celebration of Maurice Ravel’s legacy. With a multi-award-winning discography and an unparalleled dedication to musical innovation, Bertrand Chamayou continues to captivate audiences worldwide.

Explore UVic on Nov 30

Considering a future as a student in UVic’s Faculty of Fine Arts? Join us on Saturday, Nov 30, as we open our doors as part of Explore UVic—UVic’s free, all-day open house. We’ve created a fun-filled day of student panels, sample lectures, presentations, tours and more. Check out the schedule of events, plan ahead and make the most of your visit! (Free parking too!)

This is your chance to discover what it’s like to be part of BC’s only stand-alone fine arts faculty, which means you’ll be learning as part of a dedicated arts-specific community. On Saturday, we’ll be hosting an open house (10am-3pm in the lobby of the Fine Arts building) with representatives from our departments of Art History & Visual Studies, Theatre, Visual Arts, Writing and the School of Music who can answer your program questions.

We’ll also be offering behind-the-scenes tours of our facilities at these times and locations:

  • Art History & Visual Studies: 11:15, 11:45, 12:15, 12:45, 1:15, 1:45, 2:15 & 2:45 (meet in the Fine Arts building lobby)
  • Fine Arts/Writing: 11am-3pm, with live student readings at 11:30, 12:30 & 1:30 + a loop of student films (meet in the Fine Arts building lobby)
  • School of Music: 11:30, 12:30 & 1:30 with a special info session & audition demo at 12 & 1pm (meet in Music’s upstairs lobby, MacLaurin B-Wing)
  • Theatre: 11:00, 12:00, 1:00 & 2:00  (meet in the Phoenix Building lobby)
  • Visual Arts: 10:30, 11:30, 12:30, 1:30 & 2:30 (meet in the Visual Arts building lobby)

You can also catch a sample lecture looking at how your brain responds to art & creativity with Art History & Visual Studies  professor Catherine Harding from 1:45-2:30pm in Sngequ House room 131. Find out how your brain reacts to paintings, music, poetry and performances: is your response to beautiful things different from your response to ugly ones?

Dr. Harding will share the latest research on how art and experiences in theatres, concerts and galleries can change the way you think and feel. You will learn how new technology in images, sounds and spaces affects your mind, body and emotions. By understanding how your brain connects with creativity, you can discover new ideas and tackle challenges. This can help you see exciting links between different things in the world around you.

Register in advance now for Explore UVic — or just drop by on Saturday: we’d love to meet you! 

UVic Symphony Orchestra: From Darkness to Light

When the UVic Symphony Orchestra, under the direction of Maestro Giuseppe Pietraroia, presents the captivating evening of music From Darkness to Light on November 29, they’ll not only be  blending  drama, passion and rhythmic vitality, but will also feature a memorable performance by our 2024 student Concerto Competition winners.

As part of the concert, Jiran Miao — a fourth-year piano student at UVic studying under Music professor and esteemed concert pianist Arthur Rowe — will perform Brahms’ Piano Concerto No. 1 in D Minor, op. 15 with the UVic Orchestra. Originally from Shaoxing, China, Jiran started playing piano at age five and has since dedicated herself to her craft, winning awards from the CDMF, Vienna International Classical Music Competition, Don Chrysler Concerto Competition, and Rocky Mountain Music Competition. She has also performed in cities around the world, including Vienna, Salzburg, Shanghai, and Vancouver, and has given solo recitals in her hometown.

When Professor Rowe first suggested she take on Brahms’ concerto, Jiran was hesitant due to the short preparation time ahead of the competition date. However, her love for Brahms and his “gentle portrait of Clara Schumann” in the second movement motivated her to complete the work. Jiran expresses deep gratitude for the support of her UVic professors, especially the mentorship of Professor Rowe, which has greatly shaped her growth as a musician. “From the day I first stepped into UVic for my audition, I knew I wanted to study here,” she explains.

Looking ahead, Jiran plans to pursue advanced studies, aiming to blend her musical insights with composers’ intentions and, as an international student, to eventually share her knowledge and experiences with other musicians in China. Her performance of the Brahms’ Piano Concerto — considered a masterpiece of the Romantic era — will offer powerful orchestral textures and intricate piano passages that will take you on a memorable journey from turbulent passion to serene introspection.

The concert will also include Franz Schubert’s Fierabras, D. 796: Overture and will conclude with Antonín Dvořák’s lively Slavonic Dances, Op. 72. Inspired by the folk traditions of Dvořák’s homeland, these dances brim with infectious rhythms, vibrant melodies, and the spirit of Czech folk music, promising a joyous and exuberant finale to the evening. Also, be prepared for turn at the baton by Arturo García Cuéllar, our Graduate Assistant Conductor.

Don’t miss this unforgettable concert that showcases the beauty and power of orchestral music and emerging student performers at their finest!

Coming up in 2025 will be two more performances by our other two Concerto Competition winners: second year Master of Music soprano Olivia Charette, performing W.A. Mozart’s Exsultate, jubilate (Exult, rejoice), K. 165 with the UVic Symphony Orchestra on February 13, 2025; and second-year music education student Spencer Leong Cowie, who will perform his winning concerto with the UVic Wind Symphony in our 2025-26 season.