The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

“Virtuosic Technologies:

Indigenous and European

musical storytelling in the

17th century”

Featuring
Jonathon Adams, baritone
Chloe Kim, violin
Tom Foster, harpsichord/organ

79pm Monday, October 21 

Free & open to all

Presented by UVic’s Department of Art History & Visual Studies

For more information on this lecture please email: arthistory@uvic.ca

About the event 

 

Part conversation, part listening circle and open rehearsal, this session will approach works from this virtuosic European oeuvre, sharing specific technical challenges, comparing resources, and revealing moments of personal joy. They will also share early recordings of florid Cree singing, and examples of other highly ornamented traditional storytelling mediums, illuminating similarities between Indigenous modes of storytelling and the “geistliches Konzert” form.

As an ensemble, they consider the following questions: What technologies do we rely on to learn and share stories of deep spiritual resonance in a good way? What curatorial accountability do we accept when programming ancient European repertoires today, on stolen land? As we share these 350 year old sonic gems of world-bending grief, world-making ecstasy, world-affirming faith with you, can we do so in a musically curious and generative way? Inviting any voice, any body, any way of knowing into the circle?

About the artists

 

Jonathon Adams is a Cree-Métis two-spirit baritone from amiskwaciwâskahikan  (Edmonton, AB). They have appeared as a soloist under Masaaki Suzuki, Philippe Herreweghe, Laurence Equilbey, and Alexander Weimann, among others, with the New York Philharmonic, National Symphony, San Francisco Symphony, and Toronto Symphony Orchestras, the Washington Bach Consort, Tafelmusik, Ricercar Consort, B’Rock, Vox Luminis, the Netherlands Bach Society, and il Gardellino. In 2021 they were named the first artist-in-residence at Early Music Vancouver. They have lectured and led workshops at the Universities of Toronto, Manitoba, British Columbia, Alberta (Augustana), Bard College, Festival Montréal Baroque, and the Juilliard School. Jonathon was featured in Against the Grain Theatre’s 2020 film MESSIAH/COMPLEX, in Sidi Larbi Cherkaoui’s MEA CULPA with Ballet Vlaanderen, and on Jessica McMann’s most recent album ‘Prairie Dusk’. They attended the Victoria Conservatory of Music, the Royal Academy of Music, and the Conservatorium van Amsterdam, studying with Nancy Argenta, Emma Kirkby and Rosemary Joshua.

Praised as a “rising superstar” (The Georgia Straight) who performs with “passion and intensity to electrifying effect” (The Vancouver Sun), CBC’s 30 under 30 violinist Chloe Kim (UVic BMus ’18) has performed internationally with leading ensembles such as Voices of Music, Philharmonia Baroque Orchestra, and The English Concert. Chloe has shared the stage with celebrated figures including Rachel Podger, Masaaki Suzuki, and Pablo Heras-Casado. She is the recipient of several awards, most recently including the 2021 American Bach Society Grant, 2020/21 Mercury-Juilliard Fellowship, as well as nominations for Canada’s prestigious Sylva Gelber Award and the 2024 WMCT Career Development Award. Chloe has served on the panel for the BC Arts Council and is also a Fellow of The English Concert in America, elected in 2021. Collaborations with William Christie and Les Arts Florissants have brought her to concert venues across France. In the summer of 2019, Chloe performed across Scandinavia with Yale’s Schola Cantorum and served as concertmaster of Juilliard415 for multiple productions of Purcell’s Dido and Aeneas in London’s Holland Park and the Opéra Royal de Versailles. Chloe is indebted to her dear friends and mentors Elizabeth Blumenstock, Jeanne Lamon, Christina Mahler, and Heilwig von Königslöw.

Praised for his “dazzling virtuosity” (The Spectator), Tom Foster has a busy career as a continuo player on organ and harpsichord and as a harpsichord soloist. Respected for his sensitive and inventive continuo playing, Tom is the principal keyboard player of the English Concert and is a regular guest with The Academy of Ancient Music, Arcangelo, The Dunedin Consort, Early Opera Company, The Mahler Chamber Orchestra, The Orchestra of the Age of Enlightenment, The Scottish Ensemble and The Sixteen. These collaborations have taken him to concert halls throughout Europe, the United States, Australia, Russia and South Korea. He has performed concertos at the Edinburgh International Festival and made his US solo-debut at Carnegie Hall in 2020. Tom began his musical education as a choirboy at Manchester Cathedral, then as a pianist and harpsichordist at Chetham’s School of Music. He holds a first-class degree in Music (BA) from St. Catherine’s College, Oxford and gained a Distinction in Performance (MA) from the Royal Academy of Music under the tutelage of Trevor Pinnock.

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

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