In Memoriam: Dr. Anthony Welch

It is with great sadness we mark the passing of Dr. Anthony Welch, noted art historian, scholar and academic leader. Dr. Welch had a long and distinguished career at the University of Victoria, beginning in 1971 as a lecturer with the Department of History in Art (now Art History & Visual Studies) and progressing to full professor in 1980. Dr. Welch also served as Associate Dean (1982-1985) before becoming the longest-serving Dean of the Faculty of Fine Arts for a remarkable 13 years (1985-1998).

Accomplished dean

As author Ian MacPherson noted in his history of UVic, Reaching Outward and Upward, “Under the leadership of the Dean of Fine Arts, Anthony Welch, the faculty enjoyed remarkable success. Each of its schools — Visual Arts, Theatre, Music, Writing and History in Art — flourished; each possessed faculty members with international accomplishments and excellent reputations as teachers.”

Indeed, a number of professors who came to be synonymous with UVic were added under Dr. Welch’s leadership, including Canadian arts icon Mavor Moore, conductor János Sándor, poet Lorna Crozier and the Lafayette String Quartet.

“Tony’s contribution to the university, the faculty and the department was a major one,” recalls professor emeritus Martin Segger, a longtime colleague and close friend who first met Dr. Welch in 1971 when they were both young academics. “Tony was a serious and dedicated scholar but he loved teaching. His passion for the arts of Islam was infectious.”

Remarkable scholar

Among his many accomplishments as Dean, Dr. Welch established the Orion Artists-in-Residence in Asia program, pioneered the establishment of what would become the Studios for Integrated Media as well as interdisciplinary programs in film studies and cultural resource management, and helmed the expansion of the Fine Arts complex with the construction of both the Visual Arts and Fine Arts buildings. He later worked as the first executive director of the Office of International Affairs, was on the board of directors for UVic’s Innovation and Development Corporation, and was Vice President of the board of the McPherson Foundation.

Dr. Welch was a remarkable scholar, who was equally at home studying architecture, epigraphy and the arts of the Islamic book. His areas of specialism encompassed Iranian painting, Mughal painting in India, Islamic calligraphy and Sultanate architecture in medieval India. He was the author of several books, including Shah ‘Abbas and the Arts of Isfahan, Artists for the Shah: Late Sixteenth Century Painting at the Imperial Court of Iran and, with Stuart Carey Welch, Arts of the Islamic Book: The Collection of Prince Sadruddin Aga Khan. He was also a visiting professor at the universities of Minnesota, Washington and Chicago.

Committed to teaching

Throughout his career he remained committed to teaching, particularly enjoying the supervision of graduate students—many of whom went on to have successful careers as teachers or curators of Islamic art in North America, Europe, and Asia.

“Tony took his student papers very seriously and spent hours reviewing them and in the individual conversations that resulted,” recalls Segger. “He earned the admiration and respect of several generations of students whom he mentored through both undergraduate and graduate studies.”

Dr. Welch’s generosity, kindness and gentle humour will be deeply missed by all of those who worked with him during his long and illustrious career.

Tony Welch with AHVS graduate student Fahime Ghorbani in 2015

Orion Series presents scenographer Rachel Hann

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Dr. Rachel Hann

Cultural scenographer

 

“For Atmospherics: Designing Feeling
in an Era of Climate Crisis”

12:30 – 1:30 pm (PST)
Tuesday, February 23, 2021 

Free & open to the public via Zoom

Presented by UVic’s Department of Theatre
For more information on this lecture please email: theatre@uvic.ca 

The material culture of scenography

Dr. Rachel Hann is a cultural scenographer and senior lecturer in performance and design based at Northumbria University, Newcastle, UK. Her research is focused on the material cultures of scenography, climate crisis and trans performance.

Rachel is author of Beyond Scenography (Routledge 2019), which was shortlisted for the Prague Quadrennial 2019 Publication Prize. In 2013, she co-founded the research network Critical Costume and in 2014 co-edited a special issue of Scene (Intellect Books) on costume. Rachel’s work in the formation of this network was shortlisted for the Theatre and Performance Research Association (TaPRA) Early Career Prize 2017 for “leadership in costume and practice research”. Rachel holds a PhD in theatre architecture from the University of Leeds and BA in Drama from the University of Hull.

 

Designing feeling in an era of climate crisis

Atmospheres are vital to the practice of scenography. Blending emotion and feeling with technologies and materials, atmospheres confuse established models of binary aesthetics (of human and world, artifice and nature) that reflect a materialist uncertainty in an era of climate crisis. Rachel’s presentation will offer a proposal for “atmospherics” as a process-based, non-binary approach to stage aesthetics.

Put simply, it is high time to rethink binary stage aesthetics—such as stage-auditorium, character-actor, female-male, Western-Other—to offer models of designing feeling that celebrate the indeterminacy of atmospherics as a model for future eco-decolonial scenographies.  

 

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Seating is limited (500 Zoom connections) |  Visit our online events calendar at www.uvic.ca/events

Orion Series presents poet Louise Halfe

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Louise Bernice Halfe

Parliamentary Poet Laureate

 

3:30 – 5:00 pm (PST)
Wednesday, February 24, 2021 

Free & open to the public
Register at writingevents@uvic.ca  

Presented by UVic’s Department of Writing
For more information on this lecture please email: writing@uvic.ca 

 

A process of reconciliation 

Louise Bernice Halfe was born in Two Hills, Alberta. Her Cree name is Sky Dancer. She was raised on the Saddle Lake Indian Reserve and attended Blue Quills Residential School. In February 2021, she became Canada’s first Parliamentary Poet Laureate to come from an Indigenous community. “Being selected as the poet for Parliament is, in fact, a process of reconciliation,” Halfe said in an interview on CBC Radio’s The House. “It’s a step forward for sure. There is no doubt about that.”

Earning acclaim 

Halfe’s first published poetry appeared in Writing the Circle: Women of Western Canada and she has since published five collections: 1994’s Bear Bones & Feathers received the Canadian People’s Poet Award and was a finalist for the Spirit of Saskatchewan Award; 1998’s Blue Marrow was a finalist for the Governor General’s Award for Poetry, Pat Lowther Award and Saskatchewan Book of the Year Award. The Crooked Good was published in 2007.

Her most recent collection, Burning in this Midnight Dream (2016) details Halfe’s personal response to the Truth and Reconciliation process, how the experiences of residential school children continue to haunt those who survive and how the effects are passed down for generations. The book won three Saskatchewan Book Awards and the League of Canadian Poets Raymond Souster Award. 

Her latest poetry collection, awâsis – kinky and dishevelled, is forthcoming from Brick Books in April 2021. 

Sharing her teachings

Halfe has served as poet laureate of Saskatchewan, the Elder of the University of Saskatchewan and is widely recognized for weaving Cree language and teachings into her works. A collection of Halfe’s work, Sohkeyihta, containing poems written across the expanse of her career, was published by Wilfrid Laurier Press in 2018.

Halfe has a Bachelor of Social Work, and received a Honorary Degree of Letters from Wilfrid Laurier University. She currently works with Elders in an organization called Opikinawasowin (“raising our children”). Halfe lives outside of Saskatoon with her husband. 

 

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Seating is limited (500 Zoom connections) |  Visit our online events calendar at www.uvic.ca/events

Orion Series presents art historian Ruba Kana’an

The Orion
Lecture Series in Fine Arts

Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present:

Ruba Kana’an

Assistant Professor of Islamic Art & Architecture

“What can Islamic Law teach us
about Islamic art and architecture
?”

Q&A facilitated by AHVS PhD candidate Zahra Kazani

4:00 – 5:30 pm (PST)
Thursday, February 25, 2021 

 

Free & open to the public via Zoom

Presented by UVic’s Department of Art History & Visual Studies

Co-sponsored by UVic’s Faculty of Law and the Middle East & Islamic Studies Consortium of BC

For more information on this lecture please email: arthistory@uvic.ca 

 

Exploring the intersections between art, artists, art production & law

A noted historian of Islamic art, Dr. Ruba Kana’an is an assistant professor of Islamic art and architecture at the University of Toronto Mississauga and was the 2018-2019 Barakat Senior Fellow in Islamic Art, University of Oxford.

Dr. Kana’an’s primary research focuses on the Intersections between art, artists, art production and law in historical and contemporary contexts. She uses archival, textual and field-based research in her work, and has conducted research in Jordan, Palestine, Turkey, Yemen, Oman, East Africa, Egypt and Syria. In theoretical terms, her research engages with Bruno Latour’s object-networks and Henri Lefebvre’s production of space, among other frameworks. Her publications address questions about the formation and meanings of mosque architecture, metalwork and civic space in pre-modern Muslim societies.

Spanning worlds

Dr. Kana’an’s professional experience spans the worlds of academia, architectural practice, museums and community-based art education. Before joining the Department of Visual Studies at UTM, she taught various aspects of Islamic art and architecture at the graduate and undergraduate levels in both the UK and Canada. In 2007, she pioneered the online teaching of Islamic art at Oxford University by developing and teaching Oxford’s first accredited online course in Islamic Art and Architecture.

Between 2011 and 2017, she worked at the Aga Khan Museum in Toronto, was a founding member of the AKM’s leadership team and worked closely with the museum’s Islamic art collection in the areas of museum management, research, education for all levels of learners, scholarly programs, publications and community engagement and programming.

“I am passionate about teaching and learning,” she says, “and believe that the arts provides students opportunities to explore many different world views and think critically about contemporary and historical questions concerning the diverse and changing contexts in which art is produced, consumed and imagined.”

 

Blacas ewer, made in Mosul in 1232. Brass inlaid with silver. British Museum: 1866, 1229.61

About the Orion Fund

Established through the generous gift of an anonymous donor, the Orion Fund in Fine Arts is designed to bring distinguished visitors from other parts of Canada—and the world—to the University of Victoria’s Faculty of Fine Arts, and to make their talents and achievements available to faculty, students, staff and the wider Greater Victoria community who might otherwise not be able to experience their work.

The Orion Fund also exists to encourage institutions outside Canada to invite regular faculty members from our Faculty of Fine Arts to be visiting  artists/scholars at their institutions; and to make it possible for Fine Arts faculty members to travel outside Canada to participate in the academic life of foreign institutions and establish connections and relationships with them in order to encourage and foster future exchanges.

Free and open to the public  |  Seating is limited (500 Zoom connections) |  Visit our online events calendar at www.uvic.ca/events

Reading Break student wellness message

With the Winter 2021 Reading Break now upon us, the faculty and staff of Fine Arts offer this short message as a way to remind our students to pause, breathe and consider their own sense of wellness in a very stressful year. As School of Music professor Adam Con tells us all, “happy body, happy mind—happy mind, happy spirit”.

Students, please take some time to rest and recover this Reading Break.