Welcome the fall breezes with this special Faculty Chamber Music concert on Saturday, October 13. Wind and Song will highlight the School of Music’s brass, woodwind and voice faculty, along with some special guests, with a bold and surprising lineup of pieces.
From duos to large chamber works, the diverse and entertaining program features Fisher Tull’s Concerto da Camera for alto saxophone and brass quintet, Sonatine en trio by Florent Schmitt, James Barnes’ Divertissement, Op. 50 for brass quintet, and Partita in G by Don Sweete. Tenor Benjamin Butterfield will also sing a few favourites from the songbook of contemporary American composer Randy Newman, including “Marie” and “Lonely At The Top.”
The impressive line-up of performers also includes faculty members Merrie Klazek (trumpet), Scott MacInnes (trombone), Paul Beauchesne (tuba), Suzanne Snizek (flute), Shawn Earle (clarinet), Wendell Clanton (saxophone), Alex Olson (bass), and Arthur Rowe (piano), plus guests including current Masters candidate Marianne Ing (trumpet), alumnus Kelby MacNayr (percussion), and guests Yoomi Kim (piano). Allison Zaichkowski (horn) and Simon MacDonald (violin).
You can learn more about the music on the program in a special pre-concert talk at 7pm.
Wind and Song starts at 8pm Saturday, October 13, in the Phillip T. Young Recital Hall (UVic’s MacLaurin Building B-wing). Tickets range from $10-$25.
Prize-winning flutist Suzanne Snizek has a dedicated practice of bringing lesser-known and previously suppressed music to the concert stage. In a noon-hour Faculty Concert on Tuesday, October 9, Dr. Snizek will present a rare selection of music by Czech, Korean, Jewish and Soviet composers.
Dr Suzanne Snizek
The concert will be rich in quality, diverse in musical styles and includes challenging solo flute pieces by Korean composer Isang Yun and Soviet composer Edison Denisov. “Both works are highly expressive although the styles differ greatly,” says Snizek.
She compares Denisov’s writing to that of Shostakovich’s “angularity and melancholy, with hints of humour,” while Yun’s work is explosive and daring and challenges the flutist to play at the extreme ranges of dynamics and colour.
Her concert was previewed in this October 4 Times Colonist article.
Snizek is an expert in suppressed music, has published on the topic and performed this repertoire extensively. She is the 2017 REACH award recipient for Excellence in Creative Expression at UVic, where she recently recorded her first CD devoted to suppressed music, titled Chamber Music (Re)Discoveries.
Guest pianist Yoomi Kim will join Snizek in works by Sylvie Bodorová and Gunter Raphael. A Jewish composer who survived the Holocaust, Raphael’s music suffered as a result of the political suppression he experienced during that time.
Kim is a pianist, conductor, composer and teacher at the Victoria Conservatory of Music.
The Faculty Concert Series featuring Suzanne Snizek (flute) and Yoomi Kim (piano) runs from 12:30–1:20 pm Tuesday, Oct. 9, in the Phillip T. Young Recital Hall in UVic’s MacLaurin Building B-wing. Admission is by donation.
From Jedi knights and gold-rush explorers to doomed puppets and romantic clowns, over the past 15 years Phoenix Theatre’s annual Spotlight on Alumni has presented a range of shows as diverse and accomplished as the graduates themselves. But this month, Phoenix is entering a world as strange and terrifying as any yet imagined: motherhood.
Just ask Department of Theatre alumna Nicolle Nattrass, whose solo show, Mamahood: Bursting Into Light, courageously chronicles the journey of becoming a mother at age 40 . . . complete with a rock ‘n roll soundtrack.
“I don’t like to be bound by restrictions like ‘comedy’ or ‘drama’,” Nattrass explains. “I really believe life is full of both, so I’ve always written to connect with the audience, using comedy to talk about more serious things.”
This is the first time Mamahood — running October 9 to 20 at the Phoenix — will be fully mounted in Victoria, following a staged reading in 2014. “I’m so glad I get to come back to my alma mater to perform this,” says Nattrass, who graduated in 1991. “UVic has been a big part of my journey as an artist and I’m constantly collaborating with other Phoenix alum, including this show’s director, TJ Dawe.”
Life into art
With nine plays and a busy life as an actress, director, dramaturge, certified addiction counselor and parent, Nattrass is a great example of how Fine Arts alumni can transform life experiences into art. Indeed, with Mamahood, she’s using her own story to reach out to other moms (and dads and grandparents) and deconstruct some prevailing motherhood myths.
“Parenting is really an individual experience: the only one who can define how you’re going to be as a mother is you,” she says. “We’re told it should look like a Pamper’s commercial — all the right outfits, everything is good — but that excludes a lot of moms. It’s okay to not have an ideal experience every day of the week . . . or at all. Whether you’re a co-parent, step-parent or foster parent, it’s all about accepting your own story.”
Like so many alumni, Nattrass birthed Mamahood through her fusion of teaching and creative practice. “I was asked to teach a course on ‘Mama Memoirs’ at Camosun College and I realized I hadn’t written down my own story yet,” she says. “There’s this romantic idea that we only write at perfect times — four hours with a latte at your favourite coffee shop — but the reality of motherhood is getting up at 4:30 in the morning when you’re exhausted from breast feeding and trying to get inspired.”
The realities of the birth experience
Nattrass also doesn’t hesitate to talk about postpartum realities in her play, which sets it apart from straight-up comedies like the Mom’s The Word series. “The postpartum experience can be anything from anxiety, fear and sleep deprivation to issues surrounding the pregnancy or birth itself.”
With that in mind, she makes a point of connecting with local birth educators and support networks wherever Mamahood tours — in Victoria, she’s working with Mothering Touch Centre — and builds that into the theatrical experience. “I always do a talkback session at the end of each show, so people can not only ask me questions but also connect with resources in their community.”
Not just for moms
Not that Mamahood is only for mothers. “The biggest surprise to me are the men’s reactions,” says Nattrass of her audiences that frequently include partners, grandparents, teenagers, doctors, midwives, nurses, doulas and dudelas. “The director isn’t a dad, and a lot of men who come to the show aren’t dads, but they’ve all been so supportive.” Nor is the play only for laughs. “I’ve had people come out who are dealing with issues other than parenting — like anxiety and depression — and they can really relate to the show, because it’s funny but it’s also talking about serious issues.”
The public is also invited to a free preshow lecture with UVic English professor Sheila Rabillard on “Motherhood Out Loud”, discussing the changing face of motherhood in theatre (7pm Friday, October 12).
Ultimately, Mamahood is a comedic story about her own journey . . . so far. “The core message is that motherhood is a rock ‘n roll ride,” she laughs. “My son is nine now and the ride is definitely not over! My whole journey really has been about bursting into light.”
Mamahood: Bursting into Light runs October 10 – 20, 2018 at UVic’s Phoenix Theatre. Tickets are $16 – $26 at 250-721-8000 or phoenixtheatres.ca. Note: there is also an October 9 preview, offering $8 tickets only after 5pm on the day-of the show.