It’s time again for Victoria’s annual Fringe Festival—the 29th annual Fringe Fest, actually, making it the second-oldest Canadian Fringe (next to the mighty Edmonton Fringe). With over 50 shows from across Canada, around the world and all over Victoria, Fringers are primed for 11 days of indie theatre from August 27 to September 6. Remember, the Fringe only comes once a year, so take in as much as you can! Grab a program, get a button and start seeing whatever strikes your fancy.
As always, Fine Arts is well represented in this year’s Fringe, with a plethora of Phoenix Theatre alumni & students on deck—but there are also a number of Department of Writing alumni active this year too. In no particular order, here’s a quick guide to who’s doing what and when. Just click on the show title and a link will take you to their Fringe page to find out more. Note: any names listed are Fine Arts students or alumni.)
The Dangers of Daphne – Downtown Activity Centre (Venue 2) • Written by Robbie Huebner (Writing MFA), Directed by Melissa Taylor. Projection Design by Max Johnson. Featuring Sarah Cashin, Ian Simms, and Kevin Eade.
The damsel: kidnapped, hogtied, blindfolded, helpless — the old Hollywood standard. Daphne, an aspiring silent film actress, plays the part every day. Sure, she’s getting famous, but what good is fame when you’re always the victim? Nobody loves a woman roped to railroad tracks. If only Daphne could flip the script… A tale of music, celluloid and bigscreen hubris.
Almost a Stepmom – Wood Hall (Venue 4) • Created by Keara Barnes
A true story:Keara moved to Ireland. She fell in love. Then she became a stepmom…almost. A darkly comic tale about the ups and downs of becoming a stepmother. Multiple characters and a murder attempt round off this tumultuous and touching solo show.
Rumpelstiltskin . . . and Other Tales – Metro Studio Theatre (Venue 3) • Created by & featuring Jeff Leard
Classic children’s stories re-imagined by Fringe Festival favourite Jeff Leard—son of Story Theatre founder & fellow Phoenix alumnus Jim Leard. An exciting solo show of family favourites created for kids, their families and everyone else, too. “…a young Robin Williams” – LONDON FREE PRESS. “Do yourself a favour and let Jeff Leard spin you his story…” – BEAT MAGAZINE.
Sperm Wars – Victoria Event Centre (Venue 1) • The other Fringe show created by & featuring Jeff Leard!
Sperm Wars takes place in a brutal, futuristic, utterly absurd universe. As sperm and eggs collide in the battle for Uteran supremacy tales emerge of love, loss, betrayal, spaceships, sword fights, life, and death before birth. The result is gametocidal tragedy, sci-fi hilarity, and one surviving oddly placed robot. “5 stars: an epic masterpiece” – Edmonton Journal
The Workingclass Cafe – Fairfield Hall (Venue 7) • Produced by Emma Hughes and Tristan Bacon. Featuring Nicholas Yee, Alexa Carriere, Logan Mitev, Sean Brossard.
The Workingclass Café is a last-minute Fringe show featuring a different performance lineup every night, providing the opportunity to showcase many different artists and their amazing performance talents. Join this celebrate live theatre, local artists and the last minute chances that are always hoped for!
The Untitled Sam Mullins Project – VCM Wood Hall (Venue 4) • Created by & featuring Sam S. Mullins
Canadian Comedy Award-winner Sam Mullins (This American Life, The Moth, CBC’s The Irrelevant Show) tells the four stories of his four “truths”. “****1/2 God he’s good. Sam Mullins is a master storyteller.” –WINNIPEG FREE PRESS. “****1/2 Equal parts excruciating and hilarious. Mullins knocks it out of the park.” – EDMONTON JOURNAL
The Problem with Facebook – Downtown Activity Centre (Venue 2) • Created by & featuring Ian Simms
Five teenagers struggle to make the best of the awkwardest time of their life. But thanks to the magic of the internet, they are put in touch with an Iranian rebel with some sage, although offbeat, advice. A show about honesty, the subtext that flows through every social media message, and our perspective through the lens of technology.
Lieutenant Nun – Macaulay Point Park (Venue A) • Directed by Mercedes Bátiz-Benét (Writing) & Kathleen Greenfield. Musical Coaching by Sarah Jane Pelzer. Mask Design by Ingrid Hansen, Bátiz-Benét & Greenfield. Puppet Design by Hansen. Mask & Puppet Construction by Hansen & Andrew Barrett. Stage Management by Delaney Tesch. Featuring Keshia Palm.
The creators of Little Orange Man team up with the makers of El Jinete (Summerworks 2014) to re-imagine this 2004 Theatre SKAM smash hit! In the 17th Century, Catalina escapes the convent and sails to the New World dressed as a conquistador. After years of being male, Catalina’s secret sex is revealed. A true story about gender, identity, war and conquest.
The Daughter of Turpentine – Langham Court Theatre (Venue 6)
Written by Leah Callen (Writing MFA). Directed by Chase Hiebert. Featuring Graham Roebuck, Lindsay Curl, Renee Killough, Pascal Lamothe-Kipness, and Brett Hay.
Meet Pin: a fed up, sexually-frustrated tree nymph who just turned sixteen. Burning to get away from her painted sisters and her guardian Gabriel, she falls for turpentine and a passing arsonist. But will she ever break free from Gabriel’s spell? A flammable fairytale for adults. Originally presented as a Phoenix SATCo production.
Two – Metro Studio Theatre (Fringe Venue 3) • Created by Kat Taddei. Directed by Colette Habel. Lighting/set design by Sean Brossard. Sound design by Colette Habel. Featuring Brett Hay, Nicholas Yee, Levi Schneider, Jack Hayes, Sam Lynch.
Ever wondered if out there, in a faraway universe, lives another you? This haunting new work presents two dramatically different versions of one life. Set in parallel worlds, both manipulated by a chorus of mysterious figures, Two blends the unsettling surreal with the familiar hyper-real.
Two – St Andrew’s Gymnasium (Venue 5) • Created by Cameron Fraser
The second show in this Fringe so titled, this Two is an unbridled multidisciplinary show centered around a young couple’s evolution from a budding romance through to an established relationship. Combining physical comedy, acrobatics, dance and object manipulation, Two offers a lighter side to the ups and downs of love, lust and peanut butter sandwiches.
Ian Fleming’s Casino Royale – St Andrew’s Gymnasium (Venue 5) • Directed by Ian Case. Featuring Ellen Law.
Witness the world stage premiere of the first of Ian Fleming’s James Bond novels. Agent 007 declares war on Le Chiffre, French Communist & paymaster of the Soviet murder organization: SMERSH. For incredible suspense, unexpected thrills, and extraordinary danger, nothing can beat James Bond in this, his inaugural adventure.
Band Geeks – St. Michaels University School (Venue 9) • Directed by Cam Culham
Faced with dwindling attendance and funds, a highschool’s beloved marching band is desperate. When a troubled athlete is relegated to their ranks, Elliott, the band captain and Laura, his best friend, must find a way to unite the band, embrace their inner geek, and save the day.
The Wyrd Sisters – Metro Studio Theatre (Venue 3) • Created/Directed by Alannah Bloch. Featuring Colette Habel, Nicola Whitney-Griffiths, Victoria Simpson, Nicolas Yee, Jack Hayes, and Levi Schneider. Costume design by Michelle Bowes. Original sound composition by Carl Keys. Choreographed by Nicola Whitney-Griffiths.
Benevolence and malevolence. Evanescence of smoke whispering across a moor. The glint of a dagger behind a curtain. The Wyrd Sisters is a collective movement theatre piece interpreting the magic of Shakespeare through dance and original sound composition. “Something wicked this way comes…” the Wyrd Sisters are waiting for you.
Fallout – Roxy Theatre (Venue 8) • Written by Shane Campbell (Writing). Featuring Markus Spodzieja, Jenson Kerr.
At the end of the world, two men are trapped in their basement struggling to pull together a forgotten past. Al, who is suffering from amnesia, is stuck with Nate, his roommate. In this dark comedy the two have to come to terms with how to survive the future they find themselves in.
The Most Honest Man in the World – Wood Hall (Venue 4) • Created by & featuring Andrew Wade
A life-long love story about the pursuit of honesty over all happiness. Andrew Wade builds a working lie detector and straps himself in. Using stories, music, apps, and tap shoes, Wade looks at old relationships and insecurities as he tries to learn how to honestly let go. “A brave experiment in both theatre and life. 4 stars! – Saskatoon StarPhoenix
The Best Meal You Ever Ate – Congregation Emanu-El (Venue B) • Featuring Michael Armstrong (Writing MFA)
Avram and his wife are the last two Jews left alive in the ghetto fighting the Nazis and they are starving. To their astonishment a chef, Jean-Paul, brings a wonderful meal complete with wines. He applauds their courage and has persuaded the German commander to allow them one final, sublime meal before they are destroyed. But is it kosher…?
Looking for one final visual arts hurrah before the semester begins? Don’t miss the ninth annual Integrate Arts Festival, running August 28-30 in more than 20 venues around Victoria. Once again, Integrate features students, alumni & instructors of the Department of Visual Arts; among this year’s 20 featured artists are Andrea Soos, Doug Jarvis, Rose Lemonade, Pete Kohut, Yoko Takashima and Ruby Arnold.
Formerly known as “Off the Grid Arts Festival,” Integrate was developed in 2007 and included an en masse art crawl to celebrate the city’s small galleries, artist-run centres and alternative arts venues. Since then, the festival has grown enormously and was re-branded in 2012 as the Integrate Arts Festival—yet it’s focused on providing a unique opportunity to circulate and experience an integrated landscape of the arts in Victoria.
Best of all, everything is free! All participating galleries, parties, events and performances are free during the festival crawl, although some public galleries will revert to admission fees or “by donation” on the festival’s second day.
Don’t miss Doug Jarvis in action at Integrate
All you have to do is pick up or download Integrate’s interactive map, which will guide you to a variety of exhibitions and events at participating galleries, publicly accessible studios, and various sites throughout the city. There’s even a hop on/hop off bus for Saturday evening’s art crawl so participants can easily circulate among the venues—don’t miss Visual Arts instructor Doug Jarvis’ ongoing performance in Limbic Media’s parking lot (#2-740 Discovery) from 6-9pm Saturday night—as well as a family-friendly bike tour for participants on Sunday afternoon.
UVic’s own Legacy Art Gallery is once again among the venues, this year offering an interactive printmaking activity during the art crawl, from 6 to 9pm Saturday at 630 Yates. Based on their current exhibition, unlimited edition, which attempts to construct an art historical framework examining how prints by Aboriginal and Inuit artists represented. Featuring work from the Kamloops Art Gallery, Carleton University Art Gallery and UVic’s Legacy, unlimited edition represent a drive to preserve, portray and popularize oral histories and address social inequities in the medium of printmaking.
Bridge Over Troubled Water (Thomas), 2015, Video stillI
Also on view at Saturday night’s art crawl is Bridge Over Troubled Water, an interactive video & sound installation by Visual Arts instructor and local media artist Yoko Takashima and alumni Ruby Arnold. Check it out from 6 to 9pmat MediaNet’s Flux Media Art Gallery, #110 -2750 Quadra.
Special events this year include the Opening Reception from 7-10pm Friday, August 28 in the the Bay Centre downtown, the Art Crawl itself and the After Party, running from 9:30pm-2am at the Copper Owl (1900 Douglas), which will feature a great range of musical acts and projections, plus performance art by Integrate alum Anna Shkuratoff and Sean Rea. Get all the details here.
Looking for a last-minute Fall elective to replace the course that sounded good in June but now has you scratching your head? (“Uh, did I really intend to register for A History of Molds and Fungi?”) You’re in luck—Fine Arts has you covered with a wide ranging of fascinating electives guaranteed to enhance any degree.
Missy Elliott’s in the house for an Intro to Hip Hop
Check the technique behind An Introduction to Hip Hop (FA 200). As well as looking at the roots of hip hop and groundbreaking originals like Kook Herc, you’ll be doing case studies on artists like Missy Elliot, Kanye West and Jay Z. You’ll also focus on the role of graffiti, turntablism and bboy/bgirl culture. Taught by Melissa Avdeef—the creator of last year’s popular Beyonce course— An Intro to Hip Hop runs 4:30-5:50 pm MW to Dec. 4.
The creation of art has always been a hands-on process, but now you can look back at the historical roots of arts & crafts with How is Art Made? (HA200) Very much a hands-on course itself, this Art History elective with Marcus Milwright examines how people actually make beautiful objects and buildings. From the painting of an icon to the casting of a bronze figure, you’ll have the chance to connect and handle a wide variety of ancient and medieval objects. How is Art Made? runs 3:30-4:20 pm MWR to Dec. 4.
Last year’s Phoenix production of A Midsummer Night’s Dream (photo David Lowes)
Thanks to the likes of the Belfry Theatre, Intrepid Theatre, Theatre SKAM, Theatre Inconnu, Langham Court, UVic’s own Phoenix Theatre and many others, there’s no question that Victoria is a theatre town. But watching—or creating—a stage play can often be daunting if you have no background to it. That’s where An Introduction to Theatre (THEA 101) comes in. Taught by local theatre artist and filmmaker Leslie Bland, you’ll be introduced to practical and theoretical approaches to play analysis, dramatic criticism, theatrical form and to the principles of stage production. Better still, attendance at live performances is required—which means you’ll get to go to plays, for credit! An Introduction to Theatre runs 3:30-4:50 MTH to Dec. 4.–
Ideal for anyone interested in History, Medieval or Italian studies, as well as Art History, consider going for Baroque with the fascinating Baroque Art in Italy 1550-1700 (HA342A). Taught by Anne Williams, this course explores the innovations in Italian art & architecture at a time marked by clashing dogmas of faith, political upheaval and scientific discovery. We will examine in depth selected works of painting, sculpture, and architecture by artists including Caravaggio, Bernini, and the Carracci. Baroque Art in Italy runs 2:30-3:20pm MWR to Dec. 4.
More interested in developing your own artistic skills than studying the legacy of others? Check out Foundation Drawing and Painting
(ART 103), which explores both drawing and painting. Normally reserved for Visual Arts students, ART 103 is now open to general enrollment. Discover how developing basic art skills can contribute to a wide variety of academic pursuits, from anthropology and engineering to law, sciences and more. Through studio exercises and exciting creative projects, you’ll get hands-on with a wide variety of methods and materials. Foundation Drawing and Painting
runs to Dec. 4 at a variety of times.
Experimental photography by Victoria’s own Hannah Maynard
We live in a world ruled by Facebook, Instagram and Snapchat, but how did we get to the point where everyone always has a camera with, or on, them? Find out with the History of Photography (HA369). Taught by Menno Hubregste, you’ll discover how this medium has developed since its invention in 1839, both technically and aesthetically, as well as the different types of images created by artists, journalists and scientists. From travel and documentary photography to Dada, Surrealism and conceptual art, you’ll also look at the rise of women photographers and how photography changed in the age of Postmodernism and advertising. The History of Photography runs 12:30-1:20pm TWF to Dec. 4.
Interested in learning why people practice theatre in places of conflict and war? Want to know how theatre can be used in international development settings? Wondering what kind of techniques work in conflict zones? Back by popular demand, Theatre professor Kirsten Sadeghi-Yekta still has space in her popular Applied Theatre elective, Theatre, Conflict & Development (THEA 394). This exploration into the practice of theatre in places of conflict and war—a topic Sadeghi-Yekta knows well—will include examples from the likes of Cambodia, Sudan, Kosovo, Nicaragua, the Congo and Brazil. Theatre, Conflict & Development runs 9-10:20am MR to Dec. 4. To register, contact the Theatre Department secretary directly at firstname.lastname@example.org.
The School of Music is pleased to announce the appointment of its latest faculty member, Dr. Joseph Salem.
Originally from Cincinnati, Ohio, Salem studied piano at the University of Cincinnati College-Conservatory of Music, and holds a BM in Piano from the University of Texas at Austin and an MA in Music Theory from the University of Wisconsin-Madison. As a lover of new and old traditions, Joe pursues topics at the boundaries of the musicological discourse: musical/intellectual history, analytical studies of post-Wagnerian music and writings, semiotics, music aesthetics, and hermeneutic trends in the arts.
“Dr. Salem comes to us from Yale University, where he completed a doctoral degree with a dissertation on Pierre Boulez,” says Susan Lewis, Director of the School of Music. “A scholar with expertise in music after 1950, he brings a strong analytical focus to his approach to music. He is a passionate teacher who will ignite the classroom and instill a love for music our students.”
French composer, conductor, writer & pianist Pierre Boulez
Salem’s dissertation examines the development of Boulez’s serial techniques between 1948 and 1962, through a close examination of the composer’s manuscripts housed at the Paul Sacher Stiftung. “Recent scholarship on Pierre Boulez has emphasized the rigorous, thoroughly serial nature of the composer’s music during the 1950s and the corresponding shift toward more transparent compositional techniques in later works due to Boulez’s increasing interest in musical perception,” writes Salem in this abstract.
“My paper nuances this perspective by arguing that practical compositional concerns (commissions, deadlines, and the like) led Boulez to reuse compositional material in ways that contradicted his early serial aesthetics while also expanding the expressive range of his compositional style—all well before his post-1970s writings and compositions . . . . Changes to this essential compositional process reveal Boulez’s shifting priorities as a serial composer well before the publication of Boulez on Music Today, such as his changing conception of structural coherence and musical organicism.”
Salem’s previous studies have focused on the manuscripts of Francesco Cavalli and WA Mozart, among others. He will be filling the Assistant Professor position vacated by Jonathan Goldman, who has now moved over to the Université de Montréal.
Joe is also a cat lover and describes himself as being “silly for culinary delights”—so we’re sure he’ll enjoy discovering Victoria’s epicurean treats.
Cedric Bomford joins the Visual Arts faculty
The Department of Visual Arts is proud to announce the appointment of two new members to their acclaimed teaching faculty. Joining Visual Arts from the University of Manitoba is sculptor and photographer Cedric Bomford, and stepping up from her longtime position as a sessional instructor is sculptor Megan Dickie.
“Cedric Bomford is leaving an Assistant Professorship at the University of Manitoba, a position that he has held since 2012, to join us at UVic to teach photography,” notes Visual Arts chair Paul Walde. “Professor Bomford’s career is on a upward trajectory as evidenced by an international exhibition record and his work being recently nominated for the prestigious 2014 Sobey Award.”
Bomford’s elaborate installation Bamberton: Contested Landscape ran locally at Open Space in January 2010. An immersive installation that reused materials from the artist’s building demolitions and previous work, the installation confronted land-use issues on the Vancouver Island site of Bamberton and Malahat Mountain through architectural references in the individual structures—which visitors were able to physically move through, over, under and around, allowing for a tactile interaction with the artists’ interventionist strategies and theme of contested space.
Bomford’s “Bamberton: Contested Landscape” at Open Space in 2010
“We believe Bomford’s high profile projects—most recently in Vancouver—will raise the profile of the Department and attract students to the program,” Walde continues. “Bomford’s practice is rooted in West Coast culture and he often collaborates with the brother Nathan and father Jim who live in on Vancouver Island. Additionally, Bomford is known for his curatorial projects, particularly his work with the collective aedc which produced a number of exhibitions in Berlin.”
And it’s a pleasure to see Megan Dickie move up to a faculty
position, after her many years teaching with the department. “Megan has been teaching with Visual Arts for 10 years now,” says Walde. “She is consistently one of
Megan Dickie teaching the Foundation class in Visual Arts
our most highly ranked instructors and is extremely popular with our students. In the past four years, Megan’s studio research has developed in new and innovative ways bringing her more exhibition opportunities both nationally and internationally.”
Known for her objects and images that are humorous, tactile and interactive, Megan investigates ideas of artifice by making sculptures out of sensuous materials that turn functional forms into exaggerated novelty gadgets. She finds novelty compelling in how it rejoices in excess and is truthful about its moral shortcomings; it’s a form that promotes curiosity over intimidation which allows the viewer to lean in and discover through touch. Through this tactile experience the viewer ends up struggling between their desire for amusement and their desire for reason.
Megan has exhibited her work across Canada and has had recent exhibitions at
Megan Dickie’s “The Gleamer,” last seen at Legacy Gallery
Victoria’s Deluge Contemporary, Vancouver’s Grunt Gallery, the Nanaimo Art Gallery, the Art Gallery of Greater Victoria, the Ministry of Causal Living and Saskatoon’s Kenderdine Art Gallery. She was also the recipient of a Canada Council emerging artist creation grant in 2004 and a BC Arts Council grant in 2007 & 2009. Most recently, she contributed a piece to Legacy Gallery’s In Session: One, an exhibit focusing on UVic’s sessional instructor
“Megan has also curated exhibitions in Victoria, which have contributed to the vibrancy of the community by bringing in the work of national and international artists,” says Walde. “And, for seven years, she has been leading our Foundations Program—we are currently looking to re-design this area, as was recommended by our Academic Program Review. Megan’s experience within the Department makes her a natural fit for this position. She will continue to work and develop our Foundations Program, but also teach video which is an increasingly important part of her practice.”