Digital scholarship is one of the big buzzwords on campuses everywhere these days. But how is scholarship being transformed and expanded by digital possibilities? What are the significant challenges in digital scholarship? Those are some of the key questions being explored by the Department of Art History & Visual Studies in the annual Faculty Research Symposium happening on February 27.
“The digital turn is already here,” says department chair and symposium organizer Catherine Harding. “We need to get in there and really claim a presence as Fine Arts—and that’s the hard part. That’s why we need these conversations at the faculty level, to discusses these questions of what digital scholarship looks like for the fine arts.”
Running from 9:15am to 3:45pm in the Haro Room of UVic’s Cadboro Commons building, New Directions in Digital Scholarship offers a range of interdisciplinary presentations from Fine Arts faculty members plus guests from across campus, as well as a keynote address by guest Orion Lecturer Fabrizio Nevola of the University of Exeter.
“The faculty research symposium used to be just for us, but we’ve expanded out in the past few years and it’s been really cool to hear what other people in Fine Arts are doing,” says Harding.
The day is broken into three programs—Digital Initiatives in Fine Arts, Digital Pedagogy and Digital Initiatives in Fine Arts and Humanities—wrapping up with Dr. Nevola’s final presentation, “Seeing and Being in the Renaissance City: Digital Tools for a Context-aware History of Material Culture.”
Among the Fine Arts presenters are Kirk McNally (School of Music) on “Music Archives in Higher Education: A Case Study”, Associate Dean Eva Baboula with student researcher Elsie Mountford (Art History & Visual Studies) on “Design and Process in Building an Online Research Tool: the Ottoman architecture of southern Greece”, Dennine Dudley (Art History & Visual Studies) on “Dr. Strangeworld or: How I Learned to Stop Worrying, and Love the Technology”, Department of Writing chair and gamification expert David Leach on “Enter the Labyrinth: The promise and perils of video games in higher education”and School of Music director Susan Lewis Hammond with student researcher Bradley Pickard on “Searching for Claudio Monteverdi in Cyberspace: Digital Bibliography and Early Music.”
Also presenting are Kim McLean-Fiander (English) on “Something Old, Something New: Digital Innovations in Early Modern Scholarship” and Lisa Goddard (Libraries) with “A Second Look: Library Services to Support Digital Scholarship in the Visual Arts.”
Harding says she was inspired by attending a digital scholarship for departmental chairs seminar last summer, although she does admit that she’s “slower to embrace the potential” than some of the newer faculty members. She also points out that digital scholarship is particularly tricky in Art History, given the dynamic work being done by UVic’s own Dr. Ray Siemens in the Digital Humanities.
“We are working on digital projects in Art History, but we’re a bit shy about it because we don’t feel we’ve done anything really extraordinary yet,” she says. “No question, Digital Humanities is way ahead of us. But I wanted to create a space with this symposium where we could safely explore these issues without any performance expectations. Digital scholarship isn’t owned by any one area, as we see by the involvement of the English department and Libraries.”
Harding is particularly looking forward to the presentation by Lisa Goddard, recently appointed as an associate university librarian specializing in digital scholarship and strategy. “The question really is, how do we embrace multidisciplinary knowledges? I’ll be interested to see whether she means just art history or if she is indeed able to platform in a way that works for visual arts too.”
Another highlight of the day will be Nevola’s presentation. The creator of Hidden Florence, a website and free smartphone app that takes you on a unique tour of the Renaissance city through the eyes of a “contemporary” guide—a 1490s wool worker called Giovanni—Nevola’s intention is to use digital scholarship to allow visitors the chance to engage imaginatively with Renaissance Florence as a lived experience, while going to places that most tourist guides tend to neglect.
Department of Writing professor Kevin Kerr tackled a similar project with his Circa 1948 National Film Board collaboration with multimedia artist Stan Douglas, which allows viewers to virtually explore such former districts and Vancouver landmarks in as Hogan’s Alley and the original Hotel Vancouver in 1948.
“There are digital projects already happening in the fine arts, as evidenced by these presentations,” Harding says. She points to What Jane Saw, a reconstructed digital exhibition based on Jane Austen’s 1813 text of an art exhibit she visited, complete with room diagrams and art. The project was created by the University of Texas at Austin’s Department of English. “It’s extraordinary what people are doing with digital pedagogy.”
Department of Art History & Visual Studies Faculty Research Symposium
9:15am – 3:45pm Friday, Feb. 27, Haro Room, Cadboro Commons
All are welcome • Free • Lunch provided