2014 sees the end of another busy year here at the Faculty of Fine Arts, where there was always something afoot. Five departments and hundreds of annual concerts, theatrical productions, readings, exhibits and lectures by visiting artists, academics and professionals means Fine Arts is always one of the busiest faculties on campus when it comes to community engagement. Here’s a quick wrap-up featuring some—but certainly not all—of the leading Fine Arts stories of the year.
“Hear us roar!”
To the cheers of a tight game and the applause of a packed house, the winner of the School of Music / Vikes Nation Rally Song Contest was decided at the Vikes men’s basketball game way back on January 10—and first prize went to the School of Music’s own songwriting instructor Colleen Eccleston. With 18 submissions from across campus—including entries by students, faculty and administration alike—the top three finalists were performed live at half-time by fourth-year Music student Josh Lovell. Eccleston picked up a brand new iPad for her winning song, “Vikes Nation” (“We are Vikes Nation, hear us roar!”) as chosen by judges UVic President Jamie Cassels, Director of Athletics and Recreation Clint Hamilton, Director of School of Music Dr. Susan Lewis Hammond and varsity athlete Kyle Irvine. Attendees now hear a recorded version of Lovell’s rendition before the starting lineups of each Vikes home game.
On the button blanket
It may have been nicknamed “the big button blanket project” by Art History & Visual Studies, but the creation and subsequent exhibit of Adasla: The Movement of Hands at the Legacy Galley garnered a great deal of attention in the community and the media. Both the blanket’s inaugural dance at the opening ceremonies of UVic’s annual Diversity Research Forum in February at First People’s House and the accompanying exhibit—featuring a special contemporary performance collaboration between Governor General’s Award-winning performance artist Rebecca Belmore, former Audain professor for the Department of Visual Arts, and blanket co-creator, Tahtan Nation artist Peter Morin—represented one of the strongest examples of community engagement of the year.
A name you can trust
It was the kind of news that would warm the heart of any arts supporter when famed CBC Radio host Shelagh Rogers was named the University of Victoria’s 11th Chancellor in May. “To speak in a very non-chancellorian way, I’m thrilled out of my bean,” Rogers said at the time. “I feel like over the last little while I’ve been dating UVic—I’m glad now to be in a relationship with you.” Nominated by Fine Arts Dean Dr. Sarah Blackstone and Associate Dean Dr. Lynne Van Luven, Rogers’ term begins in January 2015. “As UVic’s chancellor, Shelagh Rogers will enhance the excellence of our university,” said Blackstone. “She will bring tremendous energy and great insight to her new role. Her national reputation as an advocate for Canadian arts and culture will serve the university well. UVic could not ask for a better ambassador as we build on our reputation for excellence in teaching, research, and community engagement.”
Getting an A in Queen B
There’s nothing like a little controversy to spark interest in a course, as School of Music instructor Melissa Avdeeff discovered when word broke in July that she’d be teaching a course on the music of Beyoncé at UVic, resulting in some less than positive comments (“I think I just gave up on Western culture!” “Truly a waste of education and money!”). It didn’t take long for media outlets ranging from the CBC, CTV and Macleans to the Globe and Mail and the Huffington Post to jump on the Beyoncé bandwagon. “I don’t see studying popular culture as any less academically or socially relevant than studying other forms of musicology like historical musicology or music theory,” Avdeef told the Globe. “It’s important to have these courses. They get people thinking more critically about how they are engaging with media.”
Art on view
It was a busy year for professors in the Department of Visual Arts, with a number of exhibits and new sculptures being unveiled. Both Jennifer Stillwell and Robert Youds debuted new pieces of public art—Stillwell’s High Five began reaching for the sky in Winnipeg back in August and Youds’ For Everyone a Sunset was unveiled at the Vancouver Art Gallery’s Offsite in October—while departmental chair Paul Walde‘s Requiem For A Glacier installation appeared in Nelson in January, was written up in a Times Colonist UVic Research feature in July, ran from September to November at the Evergreen Cultural Centre in Coquitlam, then ran at Laval University Art Gallery in Quebec City until the end of December. Meanwhile, photographer Vikky Alexander opened two photography exhibitions this fall—a show of new work Theatergarden Bestiarium in Los Angeles and the retrospective The Temptation of St Anthony in Vancouver—and will have two more shows opening in early 2015 in both Calgary and Montreal.
All for Two 4 One
Department of Writing professor Maureen Bradley‘s locally lensed debut feature film, Two 4 One, had its world premiere at the 2014 Calgary International Film Festival in September, before moving on to its BC premiere at the Vancouver International Film Festival in October, and the Eastern Canada premiere at Montréal’s Image + Nation Film Festival in November.
Coming up in February 2015, it will be the opening gala film at the Available Light Film Festival in the Yukon and local audiences will be able to see the film—described as Canada’s first transgendered romantic comedy—as part of the Victoria Film Festival, also in February. Two 4 One is written and directed by Bradley and produced by digital media staffer Daniel Hogg.
The best exotic intergenerational theatre company
Department of Theatre PhD candidate Matthew Gusul attracted attention with his field school to India in October. Gusul and 13 undergraduates spent two months in the Tamil Nadu and Pondicherry regions to create the country’s first intergenerational theatre company. By positively highlighting the life experiences of residents at the Tamaraikulam Elders’ Village and the students of the Isha Vidhya Matriculation School, Gusul and his students worked with a team of Indian directors to encourage these seniors and rural youth to perform their own stories, develop strong community relations and create new lines of dialogue across generations. Stay tuned for an update on their efforts, coming the first week of January.
World War I history mystery
When Art History and Visual Studies professor Marcus Milwright began planning his November exhibit The Arts of World War I, he had no idea that his use of a two-volume leather diary set featuring illustrations of life during the Great War—signed only by the initials “JM”—would generate so much publicity. But Milwright’s search for JM’s identity sparked a flurry of international media attention, which you can read about here. His hunt for JM’s identity also earned Milwright a spot on UVic’s own Top 10 News Stories for 2014. The Arts of World War I continues to March 2, 2015, in the McPherson Library’s Legacy Maltwood Gallery, and will be a featured part of UVic’s IdeaFest in March.
The Faculty of Fine Arts was remarkably well-represented in national awards this year, thanks to the nomination of five Fine Arts faculty and alumni in the 2014 Governor General’s Literary Awards—Writing professor Bill Gaston, Writing alumni Garth Martens & Arno Kopecky, and Department of Theatre aluma & playwright Janet Munsil, as well as eventual Poetry winner and Writing alumna Arleen Paré. But there was also Writing professor Tim Lilburn‘s induction as a Fellow of the Royal Society of Canada, retired Writing professor Patrick Lane receiving the Order of Canada and Department of Visual Arts student Kim Adams winning the 2014 Governor-General’s Award in Visual and Media Arts. “Having so many areas of the Faculty of Fine Arts recognized illustrates the strength and vibrancy of fine arts at the University of Victoria in particular and in British Columbia generally,” says Dr. Lynne Van Luven, Acting Dean of Fine Arts. “Such achievements are all the more impressive given budget cuts for fine arts programs overall.” Add to that new books by Writing professors Lee Henderson (The Road Narrows As You Go), Bill Gaston (Juliet Was a Surprise) and Kevin Kerr (Tear The Curtain).
Fine Arts can be a picnic
Finally, Phoenix Theatre rounded out another busy year of productions in the Department of Theatre with their 1970s revamp of A Midsummer Night’s Dream, directed by professor Fran Gebhard, which followed their latest Spotlight on Alumni production The Lion, The Witch and The Wardrobe—which was so popular that it had to be held over! Both their spring productions—Picnic (directed by professor Peter McGuire) and Unity (1918) (written and directed by Writing professor Kevin Kerr)—were well-received and recently earned nominations and a win for Best Costumes in Victoria’s annual Critic’s Choice Spotlight Awards.
Here’s looking forward to an equally busy 2015!