Fourth year Department of Writing student Grace Annear was recently announced as the only Faculty of Fine Arts student named to the 2014 University of Victoria Vikes Honour Roll. Annear specializes in cross-country running and track, and was one of 69 student-athletes honoured at the November 19 event at the University Club.
4th year Writing student Grace Annear has been named to the Vikes Honour Roll
“I was recruited out of high school, but I came to UVic because of the Writing program and the varsity athletics,” says Annear.
Student-athletes can only earn a place on the Vikes Honour Roll by achieving a minimum of a 6.6 GPA (80%) during the school year, while training and competing at the highest level of sport. This is Annear’s third year being named to the Honour Roll—and, since she is also a Canadian Interuniversity Sport athlete, she was awarded a CIS Academic All-Canadian Certificate signed by His Excellency, the Right Honorable David Johnston, Governor General of Canada.
“It’s a lot of work,” she admits. “I have to be really focused with my time management—and my time management skills have increased dramatically, especially as the word counts increase in my upper-level courses. As an athlete, you’re used to doing a lot of homework on Friday and Saturday nights, so I don’t have as much of a social life as most university students might have. I guess my training is my social life.”
But while running may be the athletic passion of this Hampton, New Brunswick native—her athletic achievements include Canada West First Team All-Star, CIS First Team All-Canadian and a trio of gold-medal wins for both 400- and 800-meter races—Annear’s writing focus is clearly set on fiction. “Ian McEwan’s Atonement was the book that made me want to be a writer,” she says. “I read it when I was 13 and it was my first real ‘adult’ book. Before that I was reading things like Twilight, but Atonement was my immediate launching point into the world of real literature.”
Annear with Acting Dean of Fine Arts, Dr Lynne Van Luven at the Honour Roll luncheon (photo: Armando Tura, APShutter.com)
Annear sees a lot of parallels between her athletic and creative pursuits. “Being a distance runner is like being a writer—you have to be completely self-motivated,” she explains. “With running, it’s all about what you can do within yourself and then bring to the table on race day; with writing, it’s about how much you can pound out a good story. You don’t rely on anyone else, it’s just what you can do. If you’re motivated, and you want it bad enough, you can achieve in both areas.”
And has her running crossed over onto the page yet? “Every time I have a new professor, they ask, ‘Oh, have you written about running?’” she says with a laugh. “And I have—for every single prof—so now I’m trying to write other stuff.”
Annear says there is definitely a running/writing niche, but it’s not one to which she’s particularly drawn. “A lot of time it’s about marathoners and the self-reflection and peace and flow that comes with running—which is kind of true, but it’s very different than being a track athlete,” she says. “That’s a lot more intense, a lot more about launching yourself into the mind-numbingness of pain, to postpone that eternal struggle while you’re slogging through it.”
She can only point to one book that parallels her own experiences. “There is an iconic book called Once A Runner by John L. Parker Jr., which is basically about an American university miler during the 1960s, so it has a lot of historical context—but it’s more about what every college runner wants, this journey we all undergo. It’s the only book I’ve ever read that has captured what it actually feels like to be in a race, to undergo months and months of long training.”
This year marks the 10th annual Vikes Honour Roll Luncheon, but only the second time an associated $500 Vikes Honour Roll Award has been associated to each award, thanks to the generous support of UVic and the on-campus partnership between Nike, T. Litzen Sports and the UVic Bookstore.
In 2013-14, a record 2,863 CIS student-athletes across Canada achieved the prestigious Academic All-Canadian status, eclipsing the previous mark of 2,695 set a year ago.
Department of Writing alumna Arleen Paré has been announced as the winner of the 2014 Governor General’s Literary Award for Poetry for her newest book, Lake of Two Mountains (Brick Books). On top of national recognition and a trip to Ottawa’s Rideau Hall to receive the award on November 26 from His Excellency the Right Honourable David Johnston, Governor General of Canada, Paré also receives a cash prize of $25,000.
Arleen Paré accepts her award from the Governor General
“We are all thrilled with this national recognition for Arleen’s unique poetic vision and her commitment to the craft of writing,” says Writing chair David Leach. “The fact that the Writing department had four nominees this year for Governor General’s Awards—three alumni and a faculty member—emphasizes how UVic is an incubator of literary excellence in Canada.”
The other Faculty of Fine Arts representatives nominated include Department of Writing professor Bill Gaston, Writing alumni Garth Martens (BFA and MFA) and Arno Kopecky (Harvey Southam diploma grad), plus Department of Theatre aluma and playwright Janet Munsil—each of whom will receive $1,000. In all, Fine Arts had five out of 18 nominees in the Fiction/Poetry/Non-fiction/Drama categories of this year’s awards.
“Having so many areas of the Faculty of Fine Arts—poetry, with Arleen’s win; poetry again with Garth’s nomination; fiction with Bill Gaston’s and drama with Janet Munsil’s— illustrates the strength and vibrancy of fine arts at the University of Victoria in particular and in British Columbia generally,” says Dr. Lynne Van Luven, Acting Dean of Fine Arts. “Such achievements are all the more impressive given budget cuts for fine arts programs overall. Wonderful news all around!”
“A poem of sustained beauty”—jury comment
The jury praised Lake of Two Mountains as being “a poem of sustained beauty, an almost monastic meditation on the overlapping centres of human and natural reality. Whether she is describing the Oka Crisis, bullfrogs, sunbeams or religion, ‘anything that passes through [this shape-shifting landscape] is transformed,’ including the reader.”
Paré’s first book, Paper Trail, won the City of Victoria Butler Book Prize and was shortlisted for BC Books Dorothy Livesay Prize in Poetry. She has also written the novel, Leaving Now (Caitlin Press, 2012). Her fourth book, a collection of poetry titled Face in the Funeral Car,, is forthcoming from Caitlin Press in fall 2015. Her writing has also appeared in numerous literary journals and anthologies in Canada.
Department of Writing poetry professor—and fellow Governor General’s Literary Award winner—Tim Lilburn fondly recalls Paré’s time as both an undergrad and graduate student, working on early drafts of what would become her now award-winning poetry collection. “I remember working on some of those poems with her in workshop, and I think that’s where the idea for this book started,” says Lilburn. “Lake of Two Mountains is essentially her thesis that she’s added onto.”
Fellow GG nominated poets Kevin Paul (left), Melanie Siebert & Garth Martens
Lilburn is also quick to point out the success of the Department of Writing’s MFA program. “We’ve had uncanny success in terms of the Governor General’s Awards since we started the MFA program in 2008,” he says. “We’ve had four GG nominations—Melanie Siebert, Kevin Paul, Garth Martens and Arleen Paré—and now one winner. All have been poets, and all four of them were undergrads, too.”
Lake of Two Mountains is a praise poem in 45 parts that contemplates landscape and memory, officially described as “a portrait of a lake, of a relationship to a lake, of a network of relationships around a lake. It maps, probes and applauds the riparian region of central Canadian geography that lies between the Ottawa and the St. Lawrence Rivers. The poems portray this territory, its contested human presences and natural history: the 1990 Oka Crisis, Pleistocene shifts and dislocations, the feather-shaped Ile Cadieux, a Trappist monastery on the lake’s northern shore. As we are drawn into experience of the lake and its environs, we also enter an intricate interleaving of landscape and memory, a reflection on how a place comes to inhabit us even as we inhabit it.”
Retired Writing professor Patrick Lane lauded Paré’s poems as being “monastic prayers of forgiveness, intense simplicities that praise all we have lost, all we have left. She is a gift the world has given us. Read her and then in deep quiet read her again.”
Originally from Montreal, the 68-year-old Paré lived for many years in Vancouver, where she worked as a social worker. She is currently the director of Victoria’s Cool Aid Society, which works to end homelessness in the Capital Region.
She told the local Times Colonist newspaper in this interview that she was “amazed” to learn of her win. “It was actually shocking in that way you find yourself at the end of a parachute or something,” she said. “I felt weightless.” When asked what she’ll do with the prize money, Paré said she’ll use it to buy a heat pump for her cottage on Mayne Island.
“I love using language and trying to make it sparkle off the page,” Paré says in this Victoria News interview
. “I love trying to use the right word in the right place. This is the puzzle that I work with all the time, and I enjoy that challenge very much.”
Paré will also join in a public reading with the other English-language winners at the Canada Council in Ottawa on November 26.
Patricia Kostek with Chancellor Murray Farmer at the Long Service Awards (Photo Services)
The annual Long Service Awards were once again held in October, and Fine Arts was well-represented among the faculty and employees being honoured for 25 years or more at UVic.
This year, congratulations go out to five Long Service Recognition recipients in Fine Arts. From faculty, recognitions went out to Visual Arts professor and alumnus Robert Youds, School of Music professor Patricia Kostek and Art History & Visual Studies professor Victoria Wyatt, each clocking in at 25 years—and seen here with outgoing Chancellor Murray Farmer.
For staff, Visual Arts building caretaker Cheryl Crooks—previous winner of the President’s Distinguished Award for Excellence in Service—celebrates 25 years, and the School of Music’s Anthony Booker clocks in with an impressive 30 years under his belt as the accompanist for the UVic Chorus.
Victoria Wyatt (Photo Services)
“You are the backbone of this university,” said Chancellor Farmer at the event. “It is your talent, hard work and dedication that make UVic’s accomplishments possible . . . that is what sets UVic apart: great people, people like you. On behalf of President Cassels and myself, I extend our deep gratitude for your years of service. We are all fortunate to be part of a university that has such caring, committed and enthusiastic faculty and staff. You have made UVic what it is today.”
“‘All the changes they must have seen,’ I was thinking as I attended the recent long-service awards,” noted Acting Dean Dr. Lynne Van Luven. “Twenty-five years, 30 years, all dedicated to one employer. The University of Victoria is a good place to work, and we attract good people. I’d like to say congratulations on your perseverance and dedication to all the Fine Arts staff and faculty who have served us all these years. Our campus is a better place because of you.”
Cheryl Crooks (Photo Services)
First held in 1988 to commemorate the 25th anniversary of the university, the awards have been presented each year since then, with the university president presenting each recipient with a special gift or silver pin crafted for the occasion. The event was expanded in 1999 to recognize long service beyond 25 years, in increments of five years.
“Dream” director Fran Gebhard on CTV
Media coverage of Phoenix’s new production of A Midsummer Night’s Dream has been brisk, with both previews and reviews praising director and Department of Theatre professor Fran Gebhard‘s 1970s revamp of Shakespeare’s much-loved romantic comedy fantasy.
Gebhard talks about her New York experiences that influenced her revisioning of the play in this Times Colonist preview article. She also spoke with the Oak Bay News, explaining that, “We’ve all seen traditional productions of it. I just started listening to the music of the ’70s [and] the idea that rather than being fairies, I would think of those gals as sisters in a white which coven.”
Gebhard also has a conversation with Fine Arts alumnus and CTV Vancouver Island A&E mainstay Adam Sawatsky in this video, talking about the various music themes for each group of characters in the play. (Starts at the 3:00 mark.)
And, based on the reviews so far, it looks like Gebhard has mounted another strong production to follow up her award-winning 2013 staging of You’re A Good Man, Charlie Brown.
“Shakespeare in NY rocks!” exclaims this Times Colonist review, which goes on to describe the play as “an energetic, music-stuffed romp . . . smartly directed by Fran Gebhard . . . in this show, music—mostly rock, jazz and pop—is almost a character unto itself . . . used cleverly to accentuate characters and themes rather than serving as aural wallpaper.”
Monica Prendergast of CBC Radio’s On The Island also offered this enthusiastic review, noting that it would make a great introduction to Shakespeare for young audiences. And in this review local arts blogger Janis Lacouvee said, “Once again the University of Victoria theatre department spares no effort in bringing an extraordinary spectacle to the stage . . . you won’t go wrong with this production.”
Cheers to good reviews of Phoenix’s Dream (photo David Lowes)
The Marble Theatre Review declares Gebard’s Dream to be “the best play I’ve seen come out of the Phoenix in a decade . . . the choice to set the play in 1978 New York City amidst the contrasting bands of Oberon’s punks and Titania’s hippies was a conceit so beautiful that I refused to believe it could work. Until it did, over and over, until the applause was done.”
Camosun College’s Nexus newspaper came out saying, “The Bard would be proud” and declaring Dream a “big win . . . [which] should appeal to Shakespeare novices and stalwarts alike. Strong performances, excellent costumes, and a few surprising and delightful musical numbers make for terrific theatre.”
A Midsummer Night’s Dream runs to November 22 at Phoenix Theatre. Evening performances run 8pm Tuesday to Saturday, with a 2pm matinee on Saturday, November 22. The Phoenix Box Office is currently open for single ticket sales, and three-play subscription packages are still available for just $36!
Fran Gebhard, Department of Theatre professor and director of the new Phoenix production of A Midsummer Night’s Dream, remembers New York City in 1978: the Ramones were rocking CBGB’s nightclub in Greenwich Village and the flower-power generation was on its way out, being pushed into the past by a new punk attitude. New York was changing: the music, the fashion, the underground culture . . . it was one amazing summer to be there.
Phoenix Theatre’s A Midsummer Night’s Dream (photo David Lowes)
All these memories turned into inspiration when Gebhard began researching her Dream. “Our students in the Department of Theatre were really looking forward to working on this show,” says Gebhard. “My challenge was to find a way to recontextualize Shakespeare’s centuries-old romantic comedy into an environment that would be fun and challenging for all the actors and designers involved.” And New York circa 1978 fit the bill perfectly.
“When I first started thinking about Hermia [Shakespeare’s feisty and defiant female character, one of the four young lovers in Dream], she seemed like a feminist woman right out of the late ’70s,” says Gebhard. “We had just passed the Charter of Human Rights in Canada, and everywhere there was a new wave of ‘women’s lib.’ I thought of my own adventurous trip with my sister to NYC in 1978 and it was all a great fit with Shakespeare’s story.” Hear more of Gebhard’s insights in this podcast of her pre-show lecture, along with fourth-year student and Dream costume designer Dallas Ashby.
Get back to the ’70s with Phoenix’s Dream (photo David Lowes)
Referencing many prominent areas of NYC, Gebhard’s Dream sees the two pairs of lovers—Hermia and Lysander, Helena and Demetrius—as preppie socialites from Park Avenue who elope into the woods of Central Park. Here they find themselves at the mercy of powerful forces . . . and their own ridiculous passions. Where fairies reign in Shakespeare’s original forest, Gebhard’s Titania is now a gypsy queen with a hippie coven and Oberon a rebel king with a punk gang.
“In the late ’70s, the 700 acres of Central Park could be dangerous to some, but enticingly exciting to others,” recalls Gebhard. “I thought, here was an environment where Titania, Oberon and the lovers, fleeing the tyranny of conservative parental rules, could all believably coexist—and collide—throughout one bewitching evening.”
A glimpse of Allan Stichbury’s set for Phoenix’s Dream (photo David Lowes)
Theatre design professor Allan Stichbury creates an abstract version of the park on the Phoenix’s Chief Dan George Theatre, complete with rolling grass, manhole covers and a graffiti wall which will be tagged with spray paint live during the show. Lighting designs by Theatre students Imogen Wilson and Clare Mathison will light up NYC’s historic skyline and help create the illusion that the audience is dreaming through the night.
Of course, the late ’70s also marked some amazing fashion trends. Fourth-year student Dallas Ashby was excited to research and design the costumes for the many divergent but co-existing styles of the time—especially the hippies and punkers. “The fashion of this time really spoke to me,” says Ashby, both a mature student and mom. “In high school my personal style was an amalgamation of both hippie and punk . . . well, a 1990’s West-coast version. It was a satisfying challenge to research the East coast ’70s approach to a style that I found nostalgic.”
Some of Dallas Ashby’s costume designs for Phoenix’s Dream (photo David Lowes)
But her vision for Dream encompasses more than just the hippies and punkers. For characters like the four lovers, she drew inspiration from New York’s more conservative, tennis-playing socialites; and for Hippolyta, Theseus’ wife-to-be, Ashby looked towards the high glam fashionistas of Studio 54. Be sure to check out her costume designs on Pintrest.
And then there’s the music. Third-year student Kieran MacNaughton‘s sound design takes us through from the feel-good likes of The Turtles’ “Happy Together” and James Taylor’s “Fire and Rain” to disco like the Village People’s “YMCA” and early punk with The Ramones’ “I Wanna Be Sedated.”
“It’s been great introducing this music to the students,” says Gebhard. “Many of the songs were previously unknown to this generation, but the rest of us will be singing along!”
A Midsummer Night’s Dream runs November 6-22 at Phoenix Theatre. Evening performances run 8pm Tuesday to Saturday, with a 2pm matinee on Saturday, November 22. There will be a special Friday Lecture Series at 7pm November 7 featuring director Fran Gebhard and costume designer Dallas Ashby discussing the process of recreating New York in the late 1970s. The Phoenix Box Office is currently open for single ticket sales, and three-play subscription packages are still available for just $36!