Five for Fine Arts in GG list

When it comes to the really big awards, we always hope there will be at least one name on the list associated with our faculty—or, if we’re really lucky, sometimes even two. Colour us amazed then that this year’s list of the English-language finalists in the Governor General’s Literary Awards includes five people associated with the Faculty of Fine Arts: one Department of Writing faculty member, two former grad students, one Harvey Southam diploma grad plus one Theatre alum!

That’s five, count ’em, five from Fine Arts out of 18 nominees in the Fiction/Poetry/Non-fiction/Drama categories of the Governor General’s Literary Awards, which are funded and administered by the Canada Council for the Arts.

GG finalist Bill Gaston 9photo Jen Steele)

GG finalist Bill Gaston
9photo Jen Steele)

Congratulations go out to Writing professor Bill Gaston (Fiction) for his new short story collection Juliet Was a Surprise; MFA alumni Garth Martens (Poetry) for his debut collection of poems Prologue for the Age of Consequence and Arleen Paré (Poetry) for her latest volume, Lake of Two Mountains; Harvey Southam grad Arno Kopecky (Non-fiction) for his timely investigation The Oil Man and the Sea: Navigating the Northern Gateway; and Department of Theatre alum Janet Munsil for her recently published play That Elusive Spark, which was mounted here at Phoenix Theatre in 2005.

“It was quite a surprise,” Martens told the local Times Colonist in this interview with the local nominees. “I was half asleep . . . I was really quite jubilant.” And you can click here to listen to an interview with local CBC’s On The Island.

The Governor General’s Literary Awards are Canada’s oldest and most prestigious literary awards program with a total value of $450,000. Each winner will receive $25,000. The publisher of each winning book will receive $3,000 to support promotional activities. Non-winning finalists each receive $1,000.

“This year’s list of finalists contains powerful novels and poems, imaginative children’s books, skillful translations, entrancing dramas and enlightening non-fiction,” says Canada Council Director and CEO, Simon Brault. “They are all meaningful books in which we can, as readers and Canadians, lose ourselves and find ourselves.”

His Excellency the Right Honourable David Johnston, Governor General of Canada, will present the 2014 GG Literary Awards at 6pm Wednesday, November 26 at Rideau Hall in Ottawa.

India field school spotlights intergenerational theatre

University of Victoria – India Intergenerational Theatre for Development Field School from Matthew Gusul on Vimeo.

The buildings may have been repaired, but two key segments of the population in the southeastern coastal region of India are still struggling to overcome the effects of the 2006 tsunami: seniors and rural youth. Now, a new UVic field school hopes to bring a sense of joy to these marginalized people by creating India’s first intergenerational theatre company.

Matthew Gusul (centre) during a field trip to the region last year

Matthew Gusul (centre) during a field trip to the region last year

Led by PhD candidate Matthew Gusul, 13 Department of Theatre students will be traveling to Tamil Nadu and Pondicherry, India, to participate in the two-month field school. Gusul, an applied theatre practitioner who has done similar fieldwork in Mexico and Guatemala, has been working with the 80 people in Tamil Nadu’s Tamaraikulam Elders’ Village (TEV) for the past two years.

By positively highlighting the life experiences of TEV residents and the 750 young students of the Isha Vidhya Matriculation School—both of which were created after the 2006 tsunami to address issues of displacement and vulnerability—Gusul will work with a team of Indian directors to encourage these seniors and rural youth to perform their own stories, develop strong community relations and create new lines of dialogue across generations.

Matthew Gusl_India8_smMany of the seniors at TEV were alive at the time of India’s independence in 1947 and offer rare opportunities for living history. But the idea of meeting the needs of seniors is still relatively new in India; in 1947, life expectancy was about 42 years, while today it’s closer to 64.

“India has a new population they don’t know how to deal with—they don’t have old age pensions or facilities for seniors,” says Gusul. “And when disasters happen, seniors are the last in the pecking order of importance. Often seniors tend to get put off to the side in what are commonly referred to as ‘granny dumps.’”

Intergenerational Theatre for Development is one example of the kind of community-engaged research happening at UVic, where undergraduates have the opportunity to take dynamic hands-on learning experiences beyond the traditional classroom and into communities around the world.

Matthew Gusl_India4_sm“Our students are there to bear witness to the process of getting this company up and running and creating the first performance,” says Gusul. He is working with the NGO HelpAge India, which will act as the organizational home for the theatre company. Once Gusul and his students arrive, the company will begin rehearsing with intergenerational theatre techniques used by the GeriActors and Friends in Edmonton, and Roots and Branches in New York City. The first performance will be on November 27, 2014.

Matthew Gusl_India3_sm“I really want to look at how the community is affected by this process—the performance and process leading up to it should be absolutely wonderful, filled with fun and joy and laughter,” says Gusul. “We really use the idea of intergenerational playfulness. You see it on the bus all the time: a young person will sit next to an old person, and the first thing the old person does is make a joke, then they start laughing together. It’s the same with seniors and their grandchildren. That’s what the company works with.”

Following the field school, the company’s Indian directors—Pondicherry University’s Dr. Bala Pazani and Sugantha Lakshmi, along with Dean of Performing Arts Dr. K.A. Gunasekaran as Creative and Cultural Consultant—will take what they learned from UVic’s theatre artists and adapt the model to be culturally appropriate for India.“Even though we have this desire to help, there have been a lot of projects with the exact same motivations that have really gone awry,” says Gusul. “Often times theatre projects with NGOs and in development situations can almost become tools for teaching or message giving—and you can see that in India right now. But we view theatre as more of a process, more about the celebratory nature.”

Matthew Gusl_India2_smKey to the whole project is its ability to survive and grow after Gusul and his students return to UVic in December. “Part of what I’m trying to do is make sure we’re as little involved as possible with the actual theatre work,” he says. “We’re there to support the idea getting generated and going; then it’s about the India community taking it on. Ultimately, it’s up to them—I can’t be too much of a cook in their kitchen.”

While Gusul notes success can be difficult to measure when it comes to theatre for development (“it’s a struggle for our entire discipline,” he admits), he’ll know the field school will have done well by the smiles on the participants faces. “The most important thing is to have one of the best days TEV has ever had, where the entire community is laughing and sharing a generational experience.”

No rest for Paul Walde’s Glacier

New departmental chair Paul Walde is participating in the October 4 dusk-to-dawn contemporary arts celebration that is Nuit Blanche Toronto. His recent video installation Requiem for a Glacier will be screened at University of Toronto’s Hart House as part of the choral exhibit All Together Now. All Together Now will consider the renewed interest in the choir format and its capacities for inspiring feelings of togetherness, communicating shared memory and history, and—occasionally—provoking less than harmonious results. Nine video installations and sound works by Canadian and international artists will resonate throughout Hart House, accompanied by on-the-hour performances by 10 choirs from the Toronto community.

Paul Walde recording on Farnham Glacier (photo: Pat Morrow)

Paul Walde recording on Farnham Glacier (photo: Pat Morrow)

Says Nuit Blanche: “Paul Walde’s massive video installation Requiem for a Glacier will engulf visitors in a panoramic portrait of BC’s Jumbo Glacier area, serenaded by a four-movement oratorio written to respond to the imminent threats of global warming and resort development.”

Walde’s piece is presented alongside acclaimed UVic Visual Arts alumnus Althea Thauberger’s sound piece Murphy Canyon Choir, a documentation of a choral performance developed by the artist and a group of spouses of active-duty soldiers in the largest military housing complex in the USA.

Originally conceived in Paris in 2002, Nuit Blanche is a 12-hour event with a mandate to make contemporary art accessible to large audiences, while inspiring dialogue and engaging the public to examine its significance and impact on public space. Nuit Blanche is both a “high art” event and a free populous event that encourages celebration and community engagement.

nuit-blancheFrom sunset to sunrise city spaces and neighbourhoods are transformed into temporary exhibitions: unusual or forbidden spaces become sites of contemporary art open for all-night discovery and rediscovery, and cultural institutions—from museums to galleries to artist run centres—open their doors and offer free access to contemporary art. Now universally translated as “Sleepless Night,” Nuit Blanche has expanded its reach beyond Paris to more than 25 cities across the globe, each offering its own version of the all-night art extravaganza.

Fellow Visual Arts professor Vikki Alexander‘s photographs were a highlight of the 2012 Nuit Blanche Toronto.

A little closer to home, Requiem for a Glacier is also currently on view through to October 25 at the Art Gallery at Evergreen Cultural Centre in Coquitlam BC, and from there will appear at Université Laval’s visual arts gallery in Quebec City until the end of December.

You can read more about Walde’s Requiem in this UVic KnowlEDGE feature.

Walde's "Interdeterminacy" offers art from mushroom spores

Walde’s “Interdeterminacy” offers art from mushroom spores

In other Paul Walde news, his work Interdeterminacy (for John Cage)—seen locally as part of last year’s Visual Arts faculty exhibit Paradox—is part of Open Sound 2014: Sonorous Kingdom at the Surrey Art Gallery in Surrey, BC. That exhibition runs until December 14, but Walde will perform with EMU: Experimental Music Unit from noon to 5pm on Saturday, November 15, at the Surrey Art Gallery. Elements from the concert Music for Mycologists will be on the program, including Interdeterminacy.

New book for Writing professor Lee Henderson

From Blondie to Doonesbury, comic strips have been a mainstay of the newspaper industry for the better part of a century. Now, Department of Writing professor Lee Henderson has crafted an insider’s look at the world of comics in his highly anticipated new novel The Road Narrows As You Go (Penguin/Random House).

Lee Henderson

Lee Henderson

Henderson will be launching the book locally at a special event: 7:30pm Saturday October 4 at Munro’s Books, 1108 Government Street. Admission is free and everyone is welcome.

A young woman growing up in sleepy 1970s Victoria dreams of becoming a successful cartoonist like Peanuts creator Charles Schultz, and when she winds up in hedonistic 1980s San Francisco she finds herself competing for newspaper space with the likes of ‘80s stalwarts Garfield, Calvin and Hobbes—even Peanuts itself. But is US President Ronald Reagan really her father? Henderson deftly explores all this and much more in a book that he also rounded out by illustrating his main character’s fictional comic strip, Strays.

book-U6-A146-B319-R493“The way it started for me is just living out a vicarious dream that I had when I was a kid in the eighties to be a comic-strip artist,” says Henderson in this Globe and Mail interview. “As soon as I knew that my next book would be about a comic-strip artist, [I had] the idea that I would learn how to draw them at a professional level. It was an ambition to take [on] something I did as a kid.”

Named one of “the 25 most anticipated Canadian books of 2014” by the National Post, The Road Narrows As You Go is the follow-up to Henderson’s BC Book Prize-winning novel The Man Game—which he also illustrated. A two-time Journey Prize nominee, he is also the author of the short story collection The Broken Record Technique.

Henderson will also be teaching a special Writing department course in January 2015: “Inside the Comic Artist’s Studio,” an in-depth and insider’s look at how comics and graphic novels are made. A study of the early stages on sketchbook with pencil to final inked pages laid out as digital files, the class will look at the unique challenges and opportunities for comic artists when telling a story using sequential illustrations. Not just superheroes, the semester will focus on a range of comics including Chris Ware’s groundbreaking graphic novel Jimmy Corrigan: The Smartest Kid on Earth.

History mystery central to First World War exhibit

It’s a history mystery worthy of its own exhibition.

Art History & Visual Studies professor Marcus Milwright with JM's diaries

Art History & Visual Studies professor Marcus Milwright with JM’s diaries (UVic photo services)

When Art History and Visual Studies professor Marcus Milwright began planning his upcoming exhibit The Arts of World War I, he knew there was one item in the university library that he just had to use: a beautiful two-volume leather diary set illustrated with watercolours and pen-and-ink drawings of life during wartime. There’s only one problem: he has no idea to whom it actually belonged.

JM’s World War I sketchbooks, housed within UVic Special Collections and University Archives for more than three decades, contain approximately 130 sketches and drawings ranging from caricatures to sombre images, by a British soldier based in France and Belgium in 1917 and 1918.

“The dedication on the first page says, ‘To my daughter, Adele’ and it’s signed simply J.M.,” says Milwright. “Other than that, there is only the emblem of the Royal Regiment of Artillery, with whom I assume he served. We do know that J.M. survived the war, as there’s a painting dated 1920, and we know he saw active service in the areas of Ypres and Menin, as the paintings are dated and named. But that’s about it.”

diary G&MMedia attention to this story has been brisk, with most major news outlets giving Milwright’s search for J.M. prominent play. Recent stories have appeared in the Globe and Mail, the Times Colonist, Vancouver’s Metro news, the Saanich News and on CBC Radio’s On The Island, CFAX radio, CTV-Vancouver Island, plus pieces on CBC Television, Global TV, Shaw TV and a Canadian Press story that was picked up by the National Post, Vancouver Sun and the Province newspapers.

Skype interviewed from Belgium!

Skype interviewed from Belgium!

Milwright was even interviewed for this article that  appeared in the famed French international publication Le Monde. And he was interviewed via Skype by Belgian blogger Rudi Rotthier, who runs the Knack—if your Flemish is good, you can read it here. Plus, France TV picked up the story, which you can read (in French) here.

In addition, a Postmedia website dedicated to stories about The Great War is now showcasing a special segment on the diary and UVic’s hunt for the missing diarist. There are also pieces pending on Shaw television and the Saanich News.

Milwright has attempted to track J.M. down through brigade records—but those require at least one name to search, not just initials—and UVic Libraries has no record of where the diaries came from, just that they were purchased from a private seller in Victoria, likely between the early 1970s and mid-1980s.

diary2The library has been trying for some time to solve this mystery as well and is hoping the centennial of the First World War this year will spark some new leads.

Milwright’s theory is that the diary set was sold by a family member, possibly through an estate sale following the death of Adele herself, and he’s hoping someone will recognize either the diaries or the artwork and be able to help solve the mystery. “They’re fantastic images,” he says.

WWI exhibitThe diaries and their illustrations will be a central feature of a new exhibition, The Arts of World War I, curated by Milwright and running November 7 to March 2 in the Legacy Maltwood (at the Mearns Centre – McPherson Library). The exhbiit will offer examples of books, prints and trench art from Europe and the Middle East drawn from the Legacy Art Galleries, the university’s archives and private local collections. Milwright hopes J.M.’s identity will come to light either before or during the exhibition’s four-month run.

“There is one preparatory sketch, which indicates these images weren’t just spontaneously drawn but actually planned,” says Milwright. “They look to me like book illustrations, so it’s probable that J.M. was a trained painter or illustrator before going into the army.”

If anyone has any information about either J.M., Adele M. or the diaries themselves, please contact Marcus Milwright at mmilwrig@uvic.ca.

Arts of WWIMilwright is also organizing a series of weekly lectures—Cultures of the First World War—which will run throughout October and November. Featuring a wide variety of speakers, the lectures will reflect upon dimensions of the arts, intellectual activities, and political life in countries involved in the “Great War.”

• October 2—”World War One and the Remaking of the Modern Middle East,” with Martin Bunton, Department of History

• October 16—”Revolutionary Violence and the War against War,” with Allan Antliff & “The Contrary Experience: Herbert Read and the Cultural Memory of the First World War,” with Matthew Adams, both of the Department of Art History and Visual Studies

• October 30—”The First World War in Film,” with Mitch Parry, Department of Art History and Visual Studies

• November 13—”Daughter of Empires: The Archaeological and Political Activities of Gertrude Bell in Mesopotamia, 1909-1926″ with Lisa Cooper, UBC’s Department of Classical, Near Eastern & Religious Studies. (This lecture is sponsored by the University of Victoria branch of the Middle East and Islamic Studies Consortium of British Columbia – MEICON).

• November 27—”From Ithaca to Number 31328: Greek Literature of the First World War,” with Evanthia Baboula, Department of Art History and Visual Studies

 All lectures run 4:30-6:00pm in room C118 of UVic’s David Strong Building

—A version of this article originally ran in UVic’s newspaper, The Ring