With classes ending and the semester wrapping up, it’s a good time to pause and take a breather—and what better time to check out some art? There’s a fresh batch of exhibits coming up this and next month, all of which showcase the work of both UVic artists and art historians.
First up is the PUB(lic) Crawl happening Saturday, April 12. Part walking tour and part film screening and discussion, the PUB(lic) Crawl offers an active, participatory tour of several interarts projects in the public sphere. Led by Art Gallery of Greater Victoria educators, Open Space and visiting artists—including Jackson 2Bears, the current Audain Professor for the Department of Visual Arts, who will be screening a new multimedia work at the end of the tour. This freewheeling appraisal of public space runs rain or shine. Meet outside the Art Gallery of Greater Victoria (1040 Moss) at 3pm for the two-hour walking tour, which will reach the Garrick’s Head Pub (1140 Government) at 5pm, where the screening and discussion will continue till 7pm. Admission is by donation.
The Pub(lic) Crawl is just one of the many exciting events leading up to the April 25-26 event Reclaim the Streets: A Symposium on Art and Public Space.
Already open is Chris Lindsay‘s latest exhibit, I like the wind at Xchanges Gallery. A recent Visual Arts MFA alumnus and the current workshops technician for the Department of Visual Arts, Lindsay presents new work exploring the non-conventional mark-making possibilities of the rust process. The inventive attitude of the artist and the dynamic physical character of the rust process are captured, reflecting our connection to the world outside of our selves and our relationship to that which we imagine and bring physically into this world.
Curious about how rust influences the artistic process? Don’t miss Lindsay’s artist talk at 2pm Sunday, April 27. I like the wind continues to April 27 at Xchanges Gallery, 6E-2333 Government St. The gallery is open Saturdays & Sundays noon to 4pm.
The Visual Arts BFA graduation exhibit is always one of the most anticipated events of the Fine Arts academic year. This year’s exhibit is titled Split and will feature the diverse work of 36 graduating BFAs—including painting, photography, sculpture, drawing, installation and extended media works. Split not only offers a glimpse into the future of visual art but also shows the originality of vision that comes with being mentored by some of Canada’s top contemporary artists. Supervised by Visual Arts professors Jennifer Stillwell and Robert Youds Split will fill the entire Visual Arts building and also offer an exhibit catalogue created by the students themselves.
Split also carries on Visual Arts’ enviable tradition of producing some of Canada’s most notable contemporary artists—such as 2014 Governor General’s Award winner Kim Adams, as well as the likes of Jessica Stockholder, Gwen Curry, Bill Burns, Marla Hlady, Phyllis Serota, Barbara Fischer, Christian Giroux and many, many others. If you want to brush up on the future of Canadian art, look no further than the Department of Visual Arts.
Split opens with a 7pm reception on Thursday, April 17, and continues 10am to 6pm daily to April 26 in the Visual Arts Building.
Just in time for Easter weekend is Windows Into Heaven: Religious Icons from the Permanent Collection. Opening April 23 at the Legacy Downtown, this exhibition is curated by History in Art graduate student Regan Shrumm as the result of a directed studies course under the supervision of History in Art professor and exhibit co-curator Dr. Evanthia Baboula.
These 18th and 19th century icons—created from egg tempera, enamel and silver metalwork—are from the eastern Christian tradition and show how religious imagery maintained a central role in orthodox Christianity. Icons were venerated in churches, private homes or during a journey to provide protection to body and spirit. Images of saints, Christ and the Virgin that date back to the Byzantine tradition, the medieval empire of Constantinople, are also a concrete remnant of how the religious communities of imperial Russia built on these traditions to create a recognizable, yet distinctive and lively art. “The icons in this exhibition are similar in age and importance to others found in major galleries and museums worldwide, including the Metropolitan Museum, the British Museum, and the Ashmolean,” says Baboula.
Learn more about the historical and cultural significance of these icons with the curator’s talk and tour at 7pm Thursday, April 24. The exhibit runs to August 9 at the Legacy Art Gallery Downtown, 630 Yates. Admission is free and the gallery is open 9am to 4pm Wednesday to Saturday.
It’s also worth noting that your last chance to see the Legacy exhibit Adasla: The Movement of Hands is coming up fast—the exhibit must close on Friday, April 25. Featuring the world’s biggest button blanket, Adasla is the culmination of work done by History in Art professor Carolyn Butler-Palmer, HIA sessional instructor Peter Morin and their fall 2013 class. Find out more about the project here, and be sure to see the exhibit before it closes.
Also of note on the Legacy Galleries front are two upcoming on-campus exhibits: Honoris Causa: University of Victoria First Nations Artist Honorands, which runs to the end of May at First Peoples House, and Margaret Peterson: A Search In Rhythm which runs to August 9.
Honoris Causa features the work of First Nations artists who have received honorary degrees from the university. Twice yearly at convocation, UVic awards honorary degrees to those who have demonstrated distinguished and extraordinary achievements—and, during its 50-year history, UVic has granted honours to seven First Nations artists who have contributed not only to the arts but also to the community at large as leaders, activists, visionaries, role models, and groundbreakers. Honoris Causa features works from UVic’s art collection and an excerpt from the citation that was read at the occasion of granting the degree. It continues to May 9 at First Peoples House.
Meanwhile, A Search In Rhythm features the artworks and personal papers of groundbreaking mid-20th century abstract painter, Margaret Peterson. Peterson had a big vision: to search for the spiritual realm, in rhythm with the artistic aims of Indigenous peoples across the world. Peterson’s main medium was egg tempera on plywood panels—striking in size, colour, and form.
This is the first in an upcoming series of exhibitions presenting UVic’s Artist Archives and Legacy Art Galleries joint holdings which demonstrates the rich research potential of this recently acquired material. This exhibit runs April 11 to August 9 in the Legacy Maltwood at the Mearns Centre in the McPherson Library.
There will also be a lively panel discussion of the artists’ archives and this exhibit at 2pm Tuesday, May 13, in room A003 of the Mearns Centre. Titled “Working with Artists’ Archives at the University of Victoria,” it will feature UVic archivist Lara Wilson, local art writer Robert Amos, art historian Nick Tuellie and exhibit curator Justine Drummond.
Finally, we have the much-anticipated MFA Graduating Exhibit in the Department of Visual Arts. Featuring the work of six graduate students in the Master of Fine Arts program, the exhibit—this year titled In Your Eyes—offers contemporary art in a wide variety of disciplines.
In Your Eyes essentially offers six separate solo exhibits in one, as each graduating student—Megan Dyck, Ethan Lester, Neil McClelland, Kaitlynn McQueston, Carley Smith and Jeroen Witvliet—has their own exhibition space in the Visual Arts building. “We look for artists who want to engage with contemporary art dialogue in an environment that really promotes independently driven, rigorous studio investigation in the service of research creation,” says Visual Arts professor and graduate advisor Paul Walde about the MFA students.
The key to contemporary art, says Walde, is to spend some time with the work. “If you walk into a play or open a book and just spend five minutes with it, you’re probably not going to have a good sense of what the total accomplishment is,” he says. “That’s
the same with visual arts—you have to spend some time with the work, maybe do a little reading around it . . . sometimes the content of the art is such that a level of understanding will have to preface it in some way.”
The opening reception for In Your Eyes begins at 6pm, Friday May 2, with opening remarks at 7pm. The exhibit runs 10am to 5pm daily (except Sundays) to May 10 throughout UVic’s Visual Arts Building.