Dr. Susan Lewis, Dean of Fine Arts, has been appointed UVic’s new Associate Vice-President Academic Planning, effective January 1, 2020.
“It has been a privilege to work with such a talented and dedicated group of instructors, faculty and staff, not to mention the pride we all feel in our students and alumni,” says Lewis. “Thank you for the honour of serving as your Dean. I look forward to supporting creative activity, research, teaching and community engagement through the role of AVP Academic Planning.”
Dean Susan Lewis
Lewis—the ninth Dean since Fine Arts became a faculty in 1969—was formerly Director of the School of Music where she was also a professor of musicology; she became Dean of Fine Arts in 2016, following a one-year period as Acting Dean.
She has been on secondment with VPAC since July 2019, with Associate Dean of Fine Arts Dr. Eva Baboula functioning as the Acting Dean during this time.
“Susan has a distinguished record of fostering innovative teaching and research, with a strong record in course design and delivery, experiential and work-integrated learning, mentorship and publication in the field of musicology,” says UVic’s Vice-President Academic and Provost, Valerie Kuehne.
“The Appointment Committee was impressed with Dr. Lewis’ depth of academic and administrative experience as a faculty member, Director of the School of Music, Dean of the Faculty of Fine Arts and, most recently, while serving as the Acting Associate Vice-President Academic Planning.”
Acting Dean Eva Baboula
The Dean’s Office will now move into a transition period as a new Dean is sought. With Acting Dean Eva Baboula already scheduled to take an academic leave for the 2020 calendar year, this necessitates the appointment of a new Acting Dean for a period of six to 12 months while a search for the next Dean of Fine Arts commences.
Consistent with the Procedures for the Appointment and Re-Appointment of Deans, the university will consult with faculty members and work collaboratively with the Faculty to appoint an Acting Dean during the search for a new Dean.
UVic’s Director of Faculty Relations, Pamela Richards, will lead this consultation and seek feedback on potential candidates for the position of Acting Dean, who will be announced before the end of 2019. The search for a new Dean will begin in early 2020, with more information following the appointment of the new Acting Dean.
Faculty members with any questions or concerns are welcome to email Pamela Richards directly at email@example.com.
“Both Dr. Lewis and I recognize the need for a smooth and efficient transition over the coming weeks and months,” says Kuehne. “I would also like to express my sincere thanks to Dr. Baboula for serving as Acting Dean of Fine Arts since July 2019.”
We are proud to announce that Dr. Susan Lewis has been selected as the new Dean of the Faculty of Fine Arts for a five-year term beginning July 1, 2016. She will be the ninth Dean since Fine Arts became a faculty in 1969, and has already been serving as Acting Dean for the 2015/16 academic year.
New Dean of Fine Arts, Dr. Susan Lewis
“I know the Faculty will continue to benefit from her leadership and I am sure will join me in congratulating Dr. Lewis,” says Dr. Valerie S. Kuehne, UVic’s Vice-President Academic and Provost.
Prior to stepping into the role of Acting Dean, Dr. Lewis was the Director of the School of Music, and the School’s Acting Director in 2010 and 2012; she originally joined the School as an Assistant Professor in 2001. She holds a PhD in Musicology from Princeton University, a Master of Fine Arts (Princeton), Master of Music (University of Arizona), and Bachelor of Arts and Bachelor of Music degrees from Queen’s University. Her international experience includes a year of study at the University of Glasgow and University of Edinburgh, and active research networks that span North America and Europe.
“I was honoured to be appointed to the role of Acting Dean and to work together on key priorities of enhancing student success, highlighting research and creative activity, and building community this past year,” says Lewis.
“I had the privilege of learning more about the excellence that’s happening in every department and school, and the topics and methods of the Faculty’s research and creative practice — whether informally at monthly Fine Arts cafes, at research networking events, in individual and group meetings, and by attending productions, concerts, readings, and exhibits. What an amazing group of talented artists, practitioners, and scholars we have.”
One of the highlights of her term as Acting Dean was connecting with students, faculty, and staff, as well as advocating for Fine Arts across campus and in the greater community. With a distinguished record of achievement as a researcher, teacher and administrator, Lewis has a successful track record of arts advocacy, leadership, and support with a strong emphasis on student success, teaching excellence, creative activity, experiential learning, and research-inspired teaching.
Dr Lewis presiding at Fine Arts convocation in June 2016, with double-medal winner Kelsey Wheatley
Her extensive experience serving on a number of regional, national, and international organizations — including the American Musicological Society, Canadian University Music Society, Society for Seventeenth-Century Music, the Canadian Association of Fine Arts Deans, and Council of Colleges of Arts and Sciences — will benefit the Faculty in the years to come.
Looking ahead to her five-year term as Dean, Lewis finds strength in our history. “With Fine Arts being one of only a few freestanding faculties in the country whose focus is entirely devoted to performance, arts scholarship, and creative expression, this gives us an edge as we look to enhance synergies across the faculty, campus and into the community.”
Already a very familiar face in classrooms, meetings and at events across campus, Lewis expects a smooth transition to her new role.
“Since I joined the Faculty in 2001, I’ve found deep satisfaction in my work with students, instructors, and staff, in my own creative engagement as a scholar of music and performance practice, and in my service as Director of the School of Music and Acting Dean of the Faculty of Fine Arts. I am deeply invested in the UVic community and delighted to begin my term as Dean of Fine Arts.”
The entire Faculty of Fine Arts formally welcomes Dr. Lewis to her new role, and looks forward to working together in the coming years.
2019 was another exciting year in Fine Arts, with the spotlight turned on our faculty, students and alumni locally, provincially, nationally and internationally. Here are just a few of the top stories from the year that’s gone by.
Orontes Quartet completes their fellowship
At the time of their arrival on campus as Artist Protection Fund fellows in November 2018, the Orontes Guitar Quartet—Gaby Albotros, Orwa Alsharaa, Nazir Salameh and Mohammed Mir Mahmoud—offered a remarkable message about the power of music, hope and determination in the face of the ongoing violence of the Syrian civil war. And while their time at UVic is now complete, in the year since their arrival as School of Music visiting artists, they continued to spread that message with appearances on campus and performances across Canada.
The Orontes with Dr Alexander Dunn (centre) at UVic’s Phillip T Young Recital Hall (UVic Photo Services)
While in Canada, the Orontes took their universal message of peace through music to cities large (Vancouver, Calgary, Winnipeg), small (Port Alberni, Salmon Arm, Gibsons) and in-between (Kingston, Sudbury, Red Deer). “We were surprised at how huge is Canada, and how long it takes to travel from one part to another,” says Alsharaa. “Everyone was friendly and welcoming, but the beauty of each city and its own character was the most beautiful thing.”
In addition to their travel and concerts, the Orontes also met with students, faculty and other professional musicians, and recorded some new material using the School of Music’s facilities—which, says guitar instructor and fellowship organizer Alexander Dunn, was all part of their APF experience.
“They learned that a high degree of musicianship and learning is the norm here,” he says. “They were exposed first-hand to a stream of virtuoso players that showed not only how inspiration could directly affect their craft, but that international standards and expectations—which may not have been a part of their everyday experience at home—are readily available here.”
As for the future, the guitarists are hoping for extensions to their work permits while they apply for study permits and Canadian citizenship. “The most important experience for every musician is to perform as much as possible, which is something we were able to do thanks to the APF, Alexander Dunn and, of course, UVic,” says Alsharaa. “We want to thank all the people who made our trip to Victoria possible. We are really lucky to be here in Canada, especially in Victoria—which is one of the most beautiful places on earth.”
Faculty award round-up
Speaking of Alexander Dunn, he was one of two recipients of UVic’s 2019 Advocacy & Activism Awards for his hard work and commitment in bringing the Orontes Guitar Quartet to campus. Through his efforts partnering with Remember the River.org—a non-profit organization that brings guitars to refugee camps in the Middle East and, as a Canadian associate, sees Dunn sending guitarists into First Nations and impoverished communities—and the NYC-based Institute for International Education, Dunn was able to secure the Orontes Quartet an IIE fellowship to UVic.
REACH Award winner Patrick Boyle, School of Music (UVic Photo Services)
Also honoured this year at UVic’s 2019 REACH Awards in October were Drs. Patrick Boyle (Music) and Kirsten Sadeghi-Yekta (Theatre). The third annual awards celebrate UVic scholars for their extraordinary contributions in research and teaching, showcasing how recipients lead the way in dynamic learning and make a vital impact at UVic, both in the classroom and beyond.
REACH Award winner Kirsten Sadeghi-Yekta, Theatre (UVic Photo Services)
“It is an honour for Fine Arts to be represented by colleagues whose work affects people’s lives—from students in the classroom to communities around the world,” says Acting Dean Eva Baboula.
Two of UVic’s nine 2019 Strategic Framework Impact Fund recipients were also in Fine Arts.
Theatre professor Warwick Dobson received funding for the project, “Theatre for Education: Re-examining the child welfare system with current and future gatekeepers”—a one-year initiative with PhD candidate Lauren Jerke that uses theatre to encourage decolonization and address systemic racism among law students, lawyers and judges. And Communications & Special Projects officer John Threlfall received funding to mark the upcoming Fine Arts 50th anniversary with a 30-minute documentary, Cultural Capital: 50 Years of Creating Victoria with UVic’s Faculty of Fine Arts, being created with current Writing Masters candidates Ellery Lamm and Guochen Wang.
This year’s Faculty of Fine Arts Teaching Awards went to Writing professor Kevin Kerr and Music instructor Alexander Dunn. Music professor Benjamin Butterfield was honoured this fall with one of The Rubies—the annual Opera Canada awards—for “Success in Authenticity”, and Theatre design professor Mary Kerr was honoured as a “living legend” with a showcase at the prestigious Prague Quadrennial.
“I would like to congratulate all of our awards recipients in 2019,” says Baboula. “Our instructors continue to inspire!”
Fine Arts expands international agreements
As a celebration of global contemporary art, the opening of the Venice Biennale provided the ideal backdrop for the signing of a three-year research agreement between Fine Arts and La Fondazione Morra, a major art centre in Naples. The first formal agreement between the Faculty and an Italian cultural institution, it also paved the way for further engagement, collaboration and exchange between institutions.
Visual Arts chair Paul Walde with Fondazione Morra founder Giuseppe Morra in Venice’s Piazza San Marco
“This moment creates an unprecedented joint venture that allows us to focus the attention of the Foundation on students by offering them a unique and intense experience made of crossings, connections, journeys and intersections,” said Morra director Teresa Carnevaleas, as the agreement was signed in Venice’s Piazza San Marco with Visual Arts chair Paul Walde, La Fondazione Morra founder Guiseppe Morra (above) and Dean Susan Lewis in May 2019.
This new agreement is a vivid example of the Faculty’s efforts to engage globally, promote student mobility and exchange, and share the impact of its research and creative practice on a world scale. Part of this involves visits to UVic by international partners like China’s Yunnan University (above), while Fine Arts is also being added to the more than 200 active international agreements with UVic’s Office of Global Engagement that support faculty and student exchanges.
“We have established and developed new student-focused partnerships with universities in Europe and Asia, such as the University of East Anglia and the East China Normal University,” says Acting Dean Eva Baboula. “The new Fine Arts Student Travel Fund is one example of how the great fundraising success we had will help enhance student excellence.”
This international focus also provides opportunities for more colleagues to further their research and creative goals, and deepen the impact of our activities on a global scale.
Fine Arts is in an ideal position to pursue these endeavours thanks to our Orion Endowment, which both funds faculty travel outside of BC and assists in bringing a number of guests to campus from across Canada and around the world each year.
The year of Newman
Would it have been possible for Audain Professor Carey Newman to have had a busier year in 2019? In addition to his Audain professorship teaching duties in Visual Arts, Newman’s big news was that his Witness Blanket installation would not only be part of the permanent collection at Winnipeg’s Canadian Museum of Human Rights but also mark the first time in Canadian history that a federal Crown Corporation has ratified a legally binding contract through Indigenous traditions, specifically October’s traditional ceremony at Kumugwe, the K’ómoks First Nation Bighouse on Vancouver Island.
CMHR CEO & President John Young (left) with Carey Newman (centre) & CMHR Head of Collections Heather Bidzinski (Photo: Media One)
But this year also saw Newman launch his new book Picking Up the Pieces: Residential School Memories and the Making of the Witness Blanket, written with former Writing instructor Kirstie Hudson, and present multiple screenings of his Witness Blanket documentary.
Newman was also commissioned to create three ceremonial paddles that were presented to the hosts of the fifth annual Building Reconciliation Forum, held at Algoma University in Sault Ste Marie in October. The paddles symbolize our connections to the past, present and future, and represent Coast Salish canoe teachings of everyone paddling together and encourage post-secondary institutions to work together to honour truth and reconciliation.
As if that’s not enough, he also received $50,000 in Storyhive funding to create a short documentary about carving a totem pole at Oaklands elementary school; unveiled his Saanich 150 commissioned installation, “Earth Drums”, at the Cedar Hill Park; hosted a Visual Arts student exhibit at Saanich Arts Centre; established the new Witness Legacy Award for Social Purpose and Responsibility Through Art with the Professional Arts Alliance of Greater Victoria; designed a new T-shirt image for UVic’s Orange Shirt Day (and fought off copyright infringement and illegal internet sales of the knock-off shirt); and was interviewed by CBC Radio’s Unreserved in October, as well as by Shelagh Rogers for a future episode of The Next Chapter.
Newman is also working on various projects for 2020, so stayed tuned for news about those!
Susan Lewis steps down as Dean
The end of 2019 brings a change in leadership for Fine Arts, as Dean Susan Lewis steps up to a new position as UVic’s new Associate Vice-President Academic Planning—a position she has been on secondment with since July 2019.
“Susan has a distinguished record of fostering innovative teaching and research, with a strong record in course design and delivery, experiential and work-integrated learning,” says Vice-President Academic and Provost, Valerie Kuehne.
“It has been an honour serving as Dean and a privilege to work with such a talented and dedicated group of instructors, faculty, and staff,” says Lewis, the ninth Dean since Fine Arts became a faculty in 1969 and former School of Music Director.
“Fine Arts students and alumni are an inspiration to us all, and we’re so proud of them. I look forward to supporting creative activity, research, teaching and community engagement in my new role.”
Dean Susan Lewis (left) with Fine Arts alumna Anna Lowe, and donor & dedicated Fine Arts supporter, Eunice Lowe
Watch for part two of our 2019 roundup!
As a celebration of global contemporary art, the opening of the Venice Biennale in May 2019 provided the ideal backdrop for the formal signing of a three-year research agreement between UVic’s Faculty of Fine Arts and La Fondazione Morra, a major art centre in Naples. The first formal agreement between the Faculty and an Italian cultural institution, it also paves the way for further engagement, collaboration and exchange between institutions.
“Our association with Fondazione Morra creates new opportunities for UVic scholars and artists to explore contemporary art from a multidisciplinary and global perspective,” says Susan Lewis, Dean of Fine Arts and current Acting Associate Vice-President Academic Planning. “The partnership will inform our faculty’s research and creative practice, and enhance the impact of our work abroad.”
Visual Arts chair Paul Walde with Fondazione Morra founder Giuseppe Morra in Venice’s Piazza San Marco
Preeminent archives and collections
Founded in 1969, the Foundation—along with its 2016 addition of the purpose-built museum, Casa Morra—is one of the most important archives of contemporary artistic and cultural production in the region and beyond. The Morra Foundation houses preeminent archives and collections documenting post-1945 theatre, painting, photography, sculpture, music, sound and concrete poetry, and conceptual and performance art.
Fine Arts will support faculty travel to Naples—including through the Orion Endowment in Fine Arts—where the Fondazione Morra will provide apartments and access to its rich archives and collections. A related agreement to support student activities was signed earlier this year. The agreement builds on collaborations initiated by Dr. Allan Antliff of UVic’s Art History & Visual Studies department, and includes plans to establish a field school and symposia. Fine Arts also plans to host a visit by Fondazione Morra director Teresa Carnevale and founder Giuseppe Morra over the next year.
“This moment creates an unprecedented joint venture that allows us to focus the attention of the Foundation on students by offering them a unique and intense experience made of crossings, connections, journeys and intersections . . . with a perspective on the future,” noted Morra director Teresa Carnevaleas the agreement was signed in Venice’s famed Piazza San Marco.
A transformational partnership
Fondazione Morra founder Giuseppe Morra and director Teresa Carnevale with UVic’s Susan Lewis in Venice’s Piazza San Marco
These agreements are a key example of the Faculty’s efforts to engage globally, promote student mobility and exchange, and share the impact of its research and creative practice on a world scale. Dean Susan Lewis first visited the Fondazione Morra in June 2018 to explore a potentially transformative faculty-wide partnership, and Visual Arts chair Paul Walde will be the first faculty member to visit the Fondazione Morra under the new agreement.
“Giuseppe Morra is a key figure in the presentation, promotion and development of international contemporary art in Italy,” says Walde. “The Morra collection and archive is world-class and this ground-breaking agreement provides our faculty and students unprecedented access to these extraordinary materials.”
Describing the new partnership as of “great cultural value,” director Carnevale says she sees the Fondazione Morra as “a driving and support element for students from all over the world,” and is excited to make the archives and collections of Casa Morra available to UVic’s faculty and students.
Award-winning poet and novelist Patrick Lane passed away on March 7 at age 79, the result of a heart attack. His publisher, McClelland & Stewart, made the announcement, calling Lane “one of Canada’s most renowned writers” — a claim few would argue.
Patrick Lane, 1939-2019
Lane’s distinguished career spanned 50 years and 25 volumes of poetry, as well as award-winning books of fiction and non-fiction, published in over a dozen countries. The winner of numerous accolades — including the Governor General’s Award for Poetry, the Lieutenant Governor’s Award for Literary Excellence, the Canadian Authors Association Award and three National Magazine Awards — he was named an officer of the Order of Canada in 2014.
His passing made headlines in media outlets nation-wide, including (but not limited to) CBC News, the Globe & Mail, CBC Radio’s As It Happens and On The Island, the Toronto Star, Radio-Canada, Times Colonist, the Vancouver Sun, CHEK TV, CTV, Victoria News, The Tyee, CBC Radio’s The Next Chapter and North By Northwest (skip to the 00:56 mark to hear Writing professor Bill Gaston and alum Carla Funk, and 2:07 for alum Steven Price, and then jump to the 2:08 mark to hear this March 10 archived interview with Patrick Lane himself).
An influential member of the Department of Writing from 1992 to 2004, Lane was also famously married to Writing professor emerita Lorna Crozier; indeed, the Globe and Mail once described the beloved pair as “BC’s poetry power couple” and, in her acclaimed poetry collection The Book of Marvels, Crozier wrote of her husband, “We are at home with one another; we are each other’s home.”
Crozier herself reflects on Lane’s legacy in this March13 Canadian Press interview: “He brought beauty into even those places that do not have beauty on their own, and into the lives of people who are struggling,” she said. “He gave them a voice, and he gave them a place in letters. And I can’t think of many other poets who have done that.”
A free community gathering to honour and remember Patrick will be held from 7-9 pm Saturday, April 20, in UVic’s David Lam Auditorium (MacLaurin Building). This event will replace a previously scheduled ceremony to present him with the George Woodcock Award, originally slated for April 27 at the sxʷeŋxʷəŋ təŋəxʷ James Bay branch of the Greater Victoria Public Library.
Organizers are expecting a capacity crowd for this limited-seating event; please arrive early to avoid disappointment.
There will also be a second public memorial on May 19 at Langham Court Theatre.
A writer to remember
An editor, anthologist and frequent media commentator about poetry and Canadian culture in general, Lane was also a much sought-after teacher, having held positions at the University of Saskatchewan and as writer-in-residence at the universities of Toronto, Alberta, Manitoba and Concordia University. In recognition of his service to Canadian literature, he received a Doctor of Letters (honoris causa) from UVic in November 2013, as well as honorary doctorates from UBC, McGill University, UNBC and VIU.
“BC’s poetry power couple”: Lane & his wife, Lorna Crozier
“Patrick inspired several generations of new writers with his poetic vision and generous spirit,” says David Leach, current Writing chair. “He would mentor and champion his students long after they had graduated from his classroom, and UVic. And while he was known as one of our country’s greatest poets, he was also a masterful and incisive prose stylist in fiction and personal essays with a voice unique to Canadian literature.”
He was also honoured to be one of the few poets to see his work gathered and published as a collected works in his lifetime: 2011’s The Collected Poems of Patrick Lane included more than 400 poems, dating back to 1962.
“What makes this career even more remarkable is that Patrick’s formal education stopped with the completion of high school. However, through wide reading and dogged perseverance, he became one of the best educated and unconventionally brilliant people I have ever encountered,” wrote noted Canadian author Guy Vanderhaeghe in support of Lane’s honorary doctorate.
Remembered by students, colleagues
Formal awards and designations aside, Lane was admired and well-loved by colleagues and former students, many of whom have gone on to influential literary careers themselves.
Patrick Lane (right) with Esi Edugyan & Bill Gaston at the 2013 BC Book Prizes
“No one can sum up adequately what a major figure like Patrick contributed,” says Writing professor Tim Lilburn, a literary colleague and close friend of Lane’s. “I can’t think of anyone who has had a more profound impact on Canadian poetry over the last 50-plus years. He was a great poet and an extremely generous mentor.”
That’s a sentiment with which double Giller Prize-winning author Esi Edugyan clearly agrees; having studied under Lane at UVic, she has described him as “my first great teacher.”
Carla Funk — the City of Victoria’s inaugural poet laureate — credits Lane with her future path; he was her first poetry instructor when she first enrolled at UVic when she was just 18 years old. “It was my very first creative writing class,” she told CBC Radio’s As It Happens in this interview from March 8. “He was the instructor who pushed me toward that, coaxed me and guided me and encouraged me toward this way of poetry, which was a different way of looking at the world, a different way of being in the world.”
Fellow alumni including acclaimed novelist Steven Price and former Victoria poet laureate Yvonne Blomer also fondly recalled Lane as an influential teacher, supportive mentor and close friend, when they spoke to both CBC Radio’s North By Northwest and the Times Colonist, respectively.
“He was a giant of Canadian letters, one of our most essential writers,” wrote UVic Chancellor Shelagh Rogers upon the news of Lane’s passing. The long-time host of CBC Radio’s The Next Chapter, Rogers well knows Lane’s esteemed place in the world of Canadian literature. “He was also a mensch. #RestinPoetry.”
Lane’s first book (1966), and his last (2018)
Born in 1939 in Nelson, BC, Lane earned early praise for his poems based on his “working man” experiences, and helped spearhead a new generation of Canadian poets by co-founding the small press Very Stone House in 1966. His first poetry collection, Letters From The Savage Mind, debuted that same year, and his final novel, Deep River Night, was published in 2018. His frankly honest 2005 memoir, There Is A Season, chronicled his rehabilitation from alcoholism, and earned him both the Lieutenant Governor’s Award for Literary Excellence and the BC Award for Canadian Nonfiction.
He was, as Vanderhaeghe notes, “a writer’s writer, universally respected and applauded by his peers as one of the most significant and gifted Canadian poets of the last half-century.”
Honoured by UVic
“We express our condolences to Lorna and their family for this deep loss,” says Susan Lewis, Dean of Fine Arts. “Patrick is a legend in the field of Canadian poetry. I was deeply moved by his 2013 convocation address when we honoured him as Doctor of Letters.”
During that address which can be read in its entirety here, Lane poetically encapsulated 65 years of his life, reflecting on the changes he had seen both in the world and himself during that time. It seems only fitting to offer these final words from the poet himself:
Lane receiving his Honorary Doctorate in Nov 2013 (UVic Photo Services)
“I stand here looking out over this assembly and ask myself what I can offer you who are taking from my generation’s hands a troubled world. I am an elder now. There are times many of us old ones feel a deep regret, a profound sorrow, but our sorrow does not have to be yours. You are young and it is soon to be your time. A month ago I sat on a river estuary in the Great Bear Rain Forest north of here as a mother grizzly nursed her cubs. As the little ones suckled, the milk spilled down her chest and belly. As I watched her I thought of this day and I thought of you who not so long ago nursed at your own mother’s breast. There in the last intact rain forest on earth, the bear cubs became emblems of hope to me.
Out there are men and women only a few years older than you who are trying to remedy a broken world. I know and respect their passion. You too can change things. Just remember there are people who will try to stop you and when they do you will have to fight for your lives and the lives of the children to come.”