Sometimes the most inspiring work occurs while students are still enrolled in university. Consider MFA Connect, an inter-institutional visual arts exhibit that literally connects UVic Visual Arts MFA candidates with fellow graduate students at UBC Okanagan.
Works by Conner Charlesworth & Crystal Przybille
Organized by second-year UVic MFA candidate Marina DiMaio, MFA Connect runs November 6-10 in UVic’s Audain Gallery in the Visual Arts building; the first part of the exhibit ran October 10-20 in the FINA Gallery at UBC Okanagan’s campus in Kelowna.
“MFA Connect is like a conference for visual arts,” says DiMaio. “Other departments make these kind of ‘connections’ all the time, but when we get together we share a visual language. This is about challenging each other’s research, getting our research out into the world, creating our own opportunities, establishing communities, and continuing the larger conversation of the place of the visual arts in an academic institution.”
As emerging artists and creative researchers, it’s essential for MFA candidates to connect with both local and international art centers, and to encounter and share visual methodologies. With that in mind, MFA Connect aims to deepen and challenge graduate student practices, as well as equip the larger academic communities with new records of interdisciplinary understanding.
David Michael Peters helps install the exhibit at UVic
“The academic community we are temporarily placed in while being in an MFA is perhaps the most valuable part of being here,” she says. “We have an immediate network of support, of individuals striving towards similar goals with a common passion for creative research.”
The first in what’s hoped to be a series of MFA art exchanges, MFA Connect will showcase the work of six UVic MFAs — Conner Charlesworth, Leah McInnis, David Michael Peters, Evelyn Sorochan-Ruland, Xristia Trutiak, and Di Maio herself — and five UBCO MFAs: Steven Thomas Davies, Jessica Dennis, Joe Fowler, Crystal Przybille and Meg Yamamoto.
“Conceptually, we are all working in very different ways,” DiMaio explains. “You will find some similarities in the general tendencies of each program toward materiality, craft, and the handmade — the show is filled with objects pointing toward a physical human experience — but this show ultimately finds its affinities in the ongoing conversation of visual art as a form of research.”
Pieces on display will tackle concepts ranging from discussions of labour and conversations with the history of art to investigations into process and material politics, explorations of internal and external gender identity, studies of soundscapes and perceptual experience, the mapping of place and possessions, and an examination of Indigenous rights and truths.
“We’re only in our MFAs for two years,” DiMaio concludes. “That goes by fast and we need to make the most of our time here and take advantage of all the opportunities that are available to us.”
MFA Connect runs 10am-4pm Monday-Friday, November 6-10 in the Visual Arts Building’s Audain Gallery, with a closing reception beginning at 4:30pm on Thursday, November 9
Following a series of on-campus solo exhibitions in the Audain Gallery this spring, this year’s graduating MFA artists have taken their work downtown for their final public exhibit.
Titled In Toto, the annual Visual Arts MFA graduation exhibition runs May 4 to May 14 at 821 Fort Street, between Quadra and Blanshard, with a special opening reception at 7pm on Friday, May 4.
Update: the MFA show will now return for one day only, 11am-2pm Sunday, May 27, as part of the City of Victoria’s Fort Street Celebrations. The MFA show will be used as the venue for a public drop-in session discussing the use of vacant store fronts as art spaces. Live music & refreshments will also be on hand to celebrate the opening of the bike lanes,
Featuring the work of David Michael Peters, Marina DiMaio, Leah McInnis, Connor Charlesworth and Evelyn Sorochan-Ruland, In Toto offers 10 different pieces, ranging from painting and sculpture to installation and media works.
Interestingly, the same storefront was home to the HeARTspace exhibit in the fall 2017, a pop-up art gallery featuring the work of people who have died from overdoses, as well as tributes to them; that exhibit was organized by UVic interdisciplinary PhD candidate Marion Selfridge.
The free exhibit is open noon to 4pm daily.
In addition to this exhibit, MFA candidate Marina DiMaio has also organized the second in the MFA Connect exhibit series. Running May 13-19 in the Audain Gallery in the Visual Arts building, this second iteration reconsiders the long-standing tradition of Mail Art through an entirely digital correspondence. This conception of MFA Connect integrates the work of six MFA students from Newcastle University in England and six UVic MFA students in a group show that will then travel to the Ex Libris Gallery in northeast England.
“MFA Connect is like a conference for visual arts,” says DiMaio in this article about the inaugural MFA Connect exhibit in November 2017. “Other departments make these kind of ‘connections’ all the time, but when we get together we share a visual language. This is about challenging each other’s research, getting our research out into the world, creating our own opportunities, establishing communities, and continuing the larger conversation of the place of the visual arts in an academic institution.”
In addition to Marina DiMaio, MFA Connect also features work by UVic’s Connor Charlesworth, Leah McInnis, David Michael Peters, and Evelyn Sorochan-Ruland, plus Xristia Trutiak. Participating artists from Newcastle U include Shaney Barton, Elizabeth Green, Peter Hanmer, Paul Jex, Hania Klepacka and Gill Shreeve.
Could this be the beginning of ongoing creative alliances between Newcastle University and UVic? Only time—and inspiration—will tell.
Together with the new class of grads, you are part of an expansive network of over 8250 alumni. Given that you’re graduating on the cusp of Fine Arts celebrating our 50th anniversary as a faculty, there are many reasons to stay connected.
We are always interested in hearing about alumni accomplishments—please do keep in touch as your career develops, and let us know if you have any events or honours to celebrate.
We had another creatively inspiring year in Fine Arts. Here are just a few of the highlights:
Nathan Medd (photo: Andrew Alexander)
A cultural non-profit leader whose work is devoted to developing the performing arts in Canada, Nathan Medd (BFA ’01) is currently Managing Director of Performing Arts for the Banff Centre for Arts and Creativity, the nation’s largest arts training institution and incubator of new works. This year, he was honoured with the 2019 Distinguished Alumni Award. Read more
Celebrated novelist and Writing grad Esi Edugyan (BFA ’99) soared to new literary heights this year by becoming only the second author in Canadian history to win two Giller Prizes — first for 2011’s Half Blood Blues and now for 2018’s Washington Black, which is also currently in development as a limited run TV series. Read more
Laura Gildner in her studio
Graduating Visual Arts student Laura Gildner was shortlisted for the Lind Photography Prize, mounted a solo photography exhibit at Vancouver’s Polygon Gallery and staged work at the Art Gallery of Greater Victoria. She also won the Victoria Medal for the highest undergraduate GPA in the faculty. Read more
Members of the School of Music’s Vocal Jazz Ensemble were thrilled to have the opportunity to sing the music of iconic rock band Queen when the Victoria Symphony presented their Best of Queen concert this spring. Read more
Using her paintings as inspiration, graduating Visual Arts MFA Claire Scherzingerteamed up with School of Music students to create the new science-fiction podcast projectArca-45672. Scherzinger used her paintings as inspiration for the nine-episode sci-fi audio drama, which cracked the top-100 arts podcasts on iTunes Canada its first week. “The reason I do what I do is I’m interested in the future and thinking about the future,” Scherzinger told CBC Arts in this interview. “How can we use metaphors to think about how we exist today as colonizers, as destroyers of the environment? That’s really important to me.”
Kirk McNally (School of Music) oversaw the installation of the new CREATE Lab and recording studio for music technology students, dedicated to the art and science of listening. Read more
Carey Newman (Visual Arts) made history twice this year by seeing his Residential School memorial sculpture The Witness Blanket entered into the permanent collection of the Canadian Museum for Human Rights, and in seeing the piece designated as a living entity that honours the stories of the survivors. Read more
Bill Gaston (Writing) won the City of Victoria Butler Book Prize for his story collection, A Mariner’s Guide to Self-Sabotage — one final honour before he retires at the end of this academic year. Read more
Cast of The Drowsy Chaperone
Jacques Lemay (Theatre) led the student team behind The Drowsy Chaperone to create a smash hit show that resulted in a sold-out, held-over run — and one of the most popular Phoenix shows in recent memory! Read more
Carolyn Butler-Palmer (Art History & Visual Studies) consulted on the new $10 bill featuring Canadian civil rights leader Viola Davis, which means you can see the influence of our faculty whenever you get one of the new bills. Read more
Our generous donors gave over $1.8 million in 2018/19, with 45% of that coming from Fine Arts alumni. Overall, we distributed $709,621 to students last year via donor-funded scholarships and bursaries.
Theatre student Emma Leck became the inaugural recipient of the Spirit of the Phoenix Award, named for the late Phoenix student Frances Theron.
With the 50th anniversary of the Faculty of Fine Arts coming up in 2019/20, we would love to hear your thoughts on how we can continue to engage with our alumni in significant ways. Convocation is a day for making meaningful memories—we hope that the culmination of your student years marks the start of our new relationship as alumni and colleagues.
Anyone looking for the continued impact of Fine Arts alumni on Victoria’s vibrant arts scene needs look no further than the winners of the 2019 ProArt Regional Arts Awards—all three of whom are Fine Arts alumni.
Matthew Payne (left) with Colton Hash
On May 9, members of the Greater Victoria arts community and the Professional Arts Alliance of Greater Victoria (ProArt) gathered at Pacific Opera Victoria’s Baumann Centre to acknowledge and honour three artists working in the region.
Department of Theatre alum Matthew Payne recieved the PARC Retirement Living Mid-Career Artist Award, while Visual Arts MFA alum Lindsay Delaronde received the inaugural ProArt Early-Career Artist Award, and recent Visual Arts alum Colton Hash was honoured with the new Witness Legacy Award for Social Purpose and Responsibility Through Art, presented by Audain Professor Carey Newman.
Matthew Payne is the Artistic and Managing Producer at Theatre SKAM, possibly the most successful alumni company to ever emerge from the Theatre department. Since graduating in 1993, Payne has regularly worked professionally in Canadian theatre, taking on a variety of roles and spending time in Victoria, Vancouver and Toronto as a writer, performer, carpenter, director, production manager, stage manager and administrator. Locally he has worked with a myriad of companies, including the Belfry Theatre, Pacific Opera Victoria, The Other Guys, Theatre Inconnu, Story Theatre, Kaleidoscope Theatre, Giggling Iguana Productions and, of course, Theatre SKAM (for whom he is the “M”); nationally, he has worked with Nightswimming, Crow’s Theatre, and Production Canada in Toronto, and a dozen peer companies based in Vancouver. He has also served on the executive of IATSE Local 168.
Carey Newman (left) with Colton Hash
Nominated by the Theatre SKAM Board of Directors for the ProArt Award, Payne was the jury’s strong choice demonstrating a comprehensive practice that represents excellence in the Mid-Career category. The jury was unanimous in its support of Payne’s commitment to his performing arts practice and the significant contribution that he makes to local theatre and the regional arts community.
“Matthew dedicates his professional career to dreaming up inspirational and innovative projects that tour the world, to the development of new work—primarily by Victoria writers—and to building community,” noted his nomination letter.
Audain Professor in the Visual Arts department Carey Newman initiated a new award this year: the Witness Legacy Award for Social Purpose and Responsibility, which he presented to artist Colton Hash. Hash, the inaugural artist-in-residence with Ocean Networks Canada for 2018/19, was presented with this award to recognize the significant impact that artists can have on issues relevant to the Capital Region.
“Colton Hash is doing ground-breaking work combining digital and physical artforms to create installations that bring the forward the reality of data in a visceral manner,” said Newman. “His efforts to draw focus to environmental and climate issues through his practice are not only worthy of recognition, they are an excellent example of what it means to use art for social purpose and responsibility.”
And while she was unavailable to attend the awards ceremony, Lindsay Delaronde was announced as the winner of the ProArt Early-Career Artist Award. Created to recognize an artist who is showing dedication and promise in the early stages of their career, Delaronde’s recent role as the City of Victoria’s inaugural Indigenous Artist-in-Residence was highlighted by Newman in his remarks.
Lindsay Delaronde supported by dancers during the ACHoRd performance during her time as Indigenous Artist in Residence (Photo: Peruzzo)
“I selected Lindsay for this award to recognise the incredible work she has done as Victoria’s Indigenous Artist in Residence,” he said. “Her way of raising awareness around critical social issues and engaging community through her art and curation is something to celebrate. The power of her performances and work are a reflection of her strength and resilience and a testament to her potential.”
Each of these recipients does contributes excellent creative work to the regional arts community, and all are representative of the dynamic arts and cultural community Fine Arts has long supported and encouraged in Victoria.
The Professional Arts Alliance of Greater Victoria was formed to advance the important role the arts play in the life of our community, and to advocate for public sector support. ProArt believes that, by working in partnership with our legislators and government agencies, we can sustain and build our region’s vibrant cultural sector for the benefit of all of our residents and visitors.
It’s definitely a time of change in UVic’s celebrated Department of Writing, due in large part to this year’s retirement of both award-winning novelist Bill Gaston and acclaimed playwright Joan MacLeod. But with change comes opportunity, as seen by the hiring of not one but two noted writers as incoming faculty members: new associate professor Gregory Scofield and new assistant professor Danielle Geller.
Scofield is a Red River Metis of Cree, Scottish and European descent whose ancestry can be traced to the fur trade and to Metis community of Kinosota, Manitoba. Geller is is a member of the Navajo Nation: born to the Tsi’naajinii, born for the bilagaana.
“Gregory and Danielle are transformational hires who will help the department build on nearly 50 years of literary excellence and lead the university into a future of new and diverse creative possibilities,” says department chair David Leach. “Both will expand the national reputation of our creative writing program and establish the University of Victoria as an international centre of excellence for Indigenous writing and writers.”
Meet Gregory Scofield
One of the most important poets and memoirists writing today, Scofield bridges several generations of Indigenous authors, with an extensive publishing history across multiple genres and years of mentoring and editing young writers—not to mention two new books coming out shortly: a re-release of his first memoir, Thunder Through My Veins (Doubeday Canada/Anchor Books) coming fall 2019, and his second memoir, Sitting with Charlotte: Stitching my History Bead by Bead (Doubleday Canada) due to be published in 2021.
“âcimowina. Stories. The power of stories. The spirit of stories. The bones of stories that need to be sung and invited to dance. I am so very excited to bring my stories and energy to the Writing department at the University of Victoria, to work with the students and the university community to Indigenize the creative writing curriculum,” says Scofield. “I am deeply honoured to be welcomed in the territories of the Lkwungen peoples, and to listen to their stories while sharing my own. âcimowina. Stories. There will be such a good feast.”
An award-winning poet with eight volumes published, Scofield has been an associate professor in the Department of English at Laurentian University for the past five years, and has taught creative writing and First Nations and Metis literature at Brandon University, Emily Carr University of Art + Design, and the Alberta University of the Arts. He has also served as writer-in residence at the universities of Manitoba and Winnipeg, and Newfoundland’s Memorial University. He is the recipient of the Queen’s Diamond Jubilee Medal (2012), and the Writers’ Trust of Canada Latner Poetry Prize (2016); he is also a skilled bead-worker and creates in the medium of traditional Metis arts. He continues to assemble a collection of mid to late 19th century Cree-Metis artifacts, which are used as learning and teaching pieces.
“Gregory brings academic leadership, versatility as a literary artist and innovative ways of learning and teaching to our department,” says Leach. “He will lead writing workshops and teach courses in Indigenous storytelling based on Cree traditions, and Indigenous women’s resistance writing through the practice of Métis beadwork.”
Introducing Danielle Geller
Danielle Geller is a writer of memoir and personal essays; her debut memoir, Dog Flowers, is forthcoming from One World/Random House in 2020. She received her MFA in creative writing (nonfiction) at the University of Arizona, and is a recipient of the 2016 Rona Jaffe Writers’ Awards. Her work has appeared in The New Yorker, Brevity, and Arizona Highways Magazine and has been anthologized in This Is the Place (Seal Press, 2017).
“I am delighted to be joining the talented community of writers, storytellers, and artists in UVic’s Writing Department,” says Geller. “I hope to enhance Indigenous perspectives and voices in the curriculum and pedagogy . . . [and] I am looking forward to sharing my enthusiasm and commitment to the craft of writing and art-making with the students.”
Geller writes and teaches across multiple genres with interests and expertise in contemporary forms such as slipstream fiction, Indigenous futurism and video games. Along with her MFA, she has an MS in Library and Information Science and experience as an archivist, which will deepen our students’ research skills and the Writing department’s connection to the many resources of UVic’s library.
“We can’t wait for Danielle to meet our students—and vice versa,” says Leach. “When Random House releases her debut memoir about rediscovering the diaspora of her Navajo family, the rest of the world will also discover one of the most exciting new voices in literary prose.”
Both positions will begin in July 2019.
A commitment to reconciliation
“UVic recognizes that colonization and associated attitudes, policies and institutions have significantly changed Indigenous peoples’ relationship with this land. And for many years those same things served to exclude Indigenous students from higher education. We’re committed to redressing those historical and continued barriers,” says university president Jamie Cassels.
“As part of our commitment to reconciliation we’re building better and meaningful partnerships with Indigenous communities, developing new programs, and working to bring our university into better harmony with Indigenous cultures, beliefs and ways of being. Indigenous people and communities are an important part of building our university for the future.”
We acknowledge with respect the Lkwungen-speaking peoples on whose traditional territory the University of Victoria stands, and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day.