Thank you for your interest in the recently released CD of “Suppressed music” (rediscovered chamber works by van Gilse, Eben, Smit, Weinberg and Blacher), which received the following review: Chamber Music (Re)Discoveries Suzanne Snizek; Benjamin Butterfield; Keith Hamm; Joanna Hood; Yoomi Kim; Alexandria Le; Aaron Schwebel University of Victoria (finearts.uvic.ca/music/flute)
Imagine picking up a CD of music by three unknown composers named Bartók, Copland and Shostakovich, listening and wondering how you could not have heard of them. Listening to Suzanne Snizek’s new CD was a bit like this for me except the names of most of the composers really were unknown: Jan van Gilse, Petr Eben, Leo Smit, Mieczysław Weinberg, Boris Blacher. Their music, highly individual and accomplished, has languished forgotten for three generations, because they lived (and three died) in the cataclysms of Nazism and Stalinism.
The music on this CD, as Snizek points out in the notes, does not reveal the tragic and traumatic circumstances of the composers’ lives. The transcendent lyricism of the opening soliloquies of van Gilse’s Trio and Eben’s second Lied, played so simply and movingly by Snizek, speak of another reality, as do the exuberant abandon of the third movement of the van Gilse Sonata, the first and last movements of the Smit Sonata and the third movement of the Blacher.
Snizek’s artistry both as a soloist and as a collaborator is evident throughout, but nowhere more so than in her “dialogues” with tenor Benjamin Butterfield in Eben’s Drei Stille Lieder. She has spent a decade researching this lost, forgotten and neglected generation of composers. Her research, coupled with the artistry of all the performers on this CD, makes it an important addition to our knowledge and the repertoire of the mid- 20th century….
Alan Pulker, Whole Note magazine review (October 2016)
This recording is now available (and FREE!) at http://ssnizek.finearts.uvic.ca/album/