As I put together my syllabus for the coming year I am actively thinking about how to tie in career development and our weekly lessons/masterclass…so with this goal in mind, during first term 2019-20 we will be having guest flutist/ speakers talk with us about different career paths in music.
I also came across this article which I thought folks might find interesting and helpful:
Auditions for the 2019-2020 season of the Greater Victoria Youth Orchestra for Strings, Woodwinds, Brass and Percussion will take place by appointment during the following dates:
April 15 – 17, 2019
May 24 – 27, 2019
Qualifications: candidates must be taking private lessons on their instrument. Prospective players should have achieved a minimum standard of Royal Conservatory of Music Grade 8.
· solo piece (accompaniment not required)
· orchestral excerpts (selected passages only), available from the GVYO office
· for string players: specified scales are included in the excerpts, to be played as written.
· an audition fee of $20 (first time applicants only)
Audition Packages are available by email; contact us at email@example.com, or phone 250-360-1121. We also have an informative website at www.gvyo.org.
Regular rehearsals of the GVYO take place from September through April on Saturday mornings 9:15 am – 12:15 pm in the Baumann Centre, 925 Balmoral Road.
We encourage your students to attend the GVYO Season Finale at the University Centre Farquhar Auditorium on April 14, 2019 Sunday at 2:30 pm. (Student Group rates are available – email or phone for details by Tuesday, April 2) See www.gvyo.org for concert information.
We also invite you and your students to attend our Open Rehearsal Saturday morning, April 6 at the Baumann Centre, 925 Balmoral Road, 9:15 am – 12:15 pm. Meet the GVYO players and music director, and ask any questions as you join the orchestra for snacks at the rehearsal break.
Sonata for flute and
guitar (1975) by Einojuhani
Works by Edison Denisov
Sonata for solo
flute op. 71 by Vagn Holmboe on
Vagn Holmboe’s Primavera op. 55 (wind chamber work) on orderh
Ian Clarke: ‘Curves’ for three flutes
De Middeleeuwen : voor sopraan, alt, fluit, klarinet en strijkers by Rosy Wertheim
Trois chansons pour chant, flute et harpe ou piano by Rosy Wertheim
Gunter Raphael: Trio for fl, violin and viola in B flat major, op.48 and his fantastic Sonata in e minor !!
Elsa Barraine: Ouvrage De Dame
Isang Yun’s ‘Sori’ for solo flute
Isang Yun Inventionen for two oboes (or flute/oboe)
Synchronie for two flutes by Yoshihisa Taira (on order)
Sonata by Eduard Tubin
Here is a musical event in Victoria you might want to attend:
18 November at 7 pm at St. Mary’s Church 1701 Elgin Rd. in Oak Bay BC
See https://www.eventbrite.ca/e/flute-spectacular-tickets-50613928623 for tickets
Great article by Times Colonist (Victoria BC) arts writer Kevin Bazzana highlighting my research and the upcoming concert at UVic in PTY recital hall 1230 Tuesday 9 October: https://www.timescolonist.com/entertainment/classical-music-uvic-prof-gives-expression-to-suppressed-music-1.23451871
I am very excited to be visiting Ecuador 16-29 October, where I will be performing “Sojourners,” a double concerto for flute and guitar by Jose Lezcano (Cuban American composer based at Keene University in the US) at the Loja International Music Festival- Ecuador. Loja is in the southern part of the country, and I hear that it is quite beautiful. Another plus: they grow coffee and chocolate there! 🙂
Hello UVic flutists,
In second term we will be expanding our repertoires! For this second term MC project I would like everyone to perform a solo (preferably unaccompanied, but if you prefer to do something with piano that is perfectly fine too, if you can arrange for the pianist) 10 min or less piece, or mvt from a larger piece, written by a composer that is ENTIRELY new to you and is relatively unknown. Part of your assignment is to introduce us as a class to your piece and composer, and to this end I would like everyone to prepare a short 5 min. background presentation (either orally or via power point) in addition to your assigned performance. You could choose a newly emerging contemporary composer, or a historically neglected composer from an earlier period, or someone who falls outside of the conventional repertory and is unfamiliar to us (hint: look for works from non- Western European parts of the world…there is a tremendous wealth of good music out there!). Bill Blair in the main music library might be a good source of research help with this project should you get stuck for ideas. There are so many wonderful but unknown pieces out there! Please come to me with your ideas either in my office hours or via email. To ensure we have a wide variety of music I will need to confirm all pieces/composers in advance. Everyone needs to confirm their selections with me by 15 November.
Thank you and happy researching!
I really appreciated Leo Babauta’s column “Leave Yourself Wanting More.” This approach applies beautifully to practice sessions (and working towards the technical exam, for example!): https://zenhabits.net/want/