95
10
1498
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DEGREE RECITAL
Nancy Lin, piano
Monday, April 26, 2021, 7pm
Phillip T. Young Recital Hall, MacLaurin Building
PROGRAM
Prelude and Fugue in A-flat Major, BWV 886
Johann Sebastian Bach
(1685 - 1750)
Sonata in D Minor, Op. 31, No. 2, “The Tempest”
I. Largo - Allegro
II. Adagio
III. Allegretto
Ludwig van Beethoven
(1770 - 1827)
— INTERMISSION —
Fantasiestücke Op. 12
I. Des Abends
II. Aufschwung
III. Warum?
IV. Grillen
V. In der Nacht
VI. Fabel
VII. Traumes Wirren
VIII. Ende vom Lied
Etude No. 4 based on George Gershwin’s “Embraceable You”
Étude No. 5 Pour les octaves
Nancy Lin is from the class of Professor May Ling Kwok.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Robert Schumann
(1810 - 1856)
Earl Wild
(1915 - 2010)
Claude Debussy
(1862 - 1918)
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/042621-NLin_GradRecital/042621-NLin_GradRecital_1.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042621-NLin_GradRecital/042621-NLin_GradRecital_2.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042621-NLin_GradRecital/042621-NLin_GradRecital_3.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042621-NLin_GradRecital/042621-NLin_GradRecital_1_4.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042621-NLin_GradRecital/042621-NLin_GradRecital_5.wav">Track 5</a>
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Degree Recital - Nancy Lin, piano
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Ila Zbarsky
Date
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April 26, 2021
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Nancy Lin, piano
-
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School of Music
MUS C
Faculty of Fine Arts
University of Victoria
�SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA
FACULTY CONCERT SERIES
Buttons
& Brass
MERRIE KLAZEK
trumpet & flugelhorn
WITH
DAVID HAMANN accordion & piano
NIKOLAI OVCHINNIKOV accordion & piano
& SPECIAL GUESTS
We acknowledge and respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.
Sunday, October 24, 2021 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation
�PROGRAM
Sin tu amor
Colin Ovchinnikov, accordion
David Hamann, piano
Asturiana
El Pano Moruno
O vieni al Mare
Miguel Sandoval
Manuel Da Falla
David Hamann, piano
Colin Ovchinnikov, accordion
Vocalise en Forme de Habanera
Gaetano Donizetti
Maurice Ravel
Colin Ovchinnikov, accordion
David Hamann, piano
Toreodor Song
Milonga del angel
David Hamann, accordion
Colin Ovchinnikov, piano
Colin Ovchinnikov, accordion
David Hamann, piano
Georges Bizet
Ástor Piazzolla
Something’s Coming
Maria
Colin Ovchinnikov, accordion
David Hamann, piano
Leonard Bernstein
My Foolish Heart
Washington/Young
Special guest feature
Mare Nostrum
Libertango
David Hamann, accordion
Colin Ovchinnikov, piano
Richard Galliano
Ástor Piazzolla
Colin Ovchinnikov & David Hamann, accordions
�BIOGRAPHIES
Merrie Klazek is active as a performer, teacher and recording artist in orchestral, chamber, solo, traditional and popular music. Her musical travels have
taken her around the globe with performance highlights including the Spoleto
Festival Italy, Musik Contemporaire Strasbourg France, Tokyo’s Bunka Kaikan
hall, Stratford Festival, Hungary’s Niyrbator Festival, the International Trumpet
Guild Conference, and the International Women’s Brass Conference. Klazek’s
solo recording entitled “Songs to the Moon” has been featured on TVO Studio
2 and on CBC Radio. She appears on numerous other recordings including
four JUNO nominated albums and is soon to release a new solo album called
“Dance Around the Sun” on which she has collaborated with artists around
the globe in various styles and genres.
David Hamann started playing accordion at the age of 10 taking lessons
from the Martin Music Center in Fullerton, CA. Later he earned his bachelor’s
degree in Piano Performance from the Bob Cole Conservatory in Long Beach,
CA. He is now continuing his studies with a master’s degree in accordion at
the University of Victoria. David is an accomplished soloist as well as chamber music collaborator. He has accompanied numerous instrumentalists for
degree recitals and fundraisers. He has also performed solo and in the Martin
Music Accordion Orchestra as part of the AFNA music festival. As a member
of the accordion orchestra he performed in the White House lobby and several times at Disneyland.
Nikolay Ovchinnikov has been playing accordion since the age of 6. He
studied at the St. Petersburg State Conservatory and has already won many
prestigious competitions including: first place in the Trophée Mondial in 2014
(Lithuania) and in 2017, placed third at the Internationaler Akkordeonwettbewerb Klingenthal (Germany), Coupe Mondial and Citta di Castelfidardo (Italy),
and Trophee Mondial (France). Nikolay has performed with world-famous jazz
musicians such as Chick Corea, David Binney and Simone Zanchini. He has
toured as a soloist and with his jazz ensemble “Four ever band,” participating
in many international festivals.
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_2.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_3.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_4.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_5.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_6.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_7.mp3">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_8.mp3">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_9.mp3">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_010.mp3">Track 10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_011.mp3">Track 11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102421-FacultyConcertButtonsAndBrass/102421-FacultyConcertButtonsAndBrass_012.mp3">Track 12</a>
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Faculty Concert - Buttons and Brass
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Ila Zbarsky
Date
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October 24 2021
Contributor
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Merrie Klazek - Trumpet and Flugelhorn
David Hamann - Accordion and Piano
Nikolai Ovchinnikov - Accordion and Piano
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FLUTE STUDIO RECITAL
UVIC
Students from the studio of Suzanne Snizek.
SATURDAY, OCTOBER 16, 2021 | 4 PM
Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria
PROGRAM
Tango étude Nos. 4 and 5 for solo flute
Astor Piazzolla
(1921–1992)
Lauren Debeljak
Yuko Uebayashi
(b.1958)
Le Vent au travers les Ruines for solo flute
Ainsley Mercer
El Bachiana for solo flute
Connie Goetz
Poem
Freely, espressivo
Presto
Raimundo Pineda
(b. 1967)
Chi Jen Chang
(b. 1945)
Ada Qian
Bati L’gani (Come into the Garden)
Qinyue Zheng
Meira Warschauer
(b. 1949)
Sigfrid Karg-Elert
(1877–1933)
Appassionata Sonata for solo flute
Hao Guo
Suite for flute and cello
Allegro vivace
Lento
Yuko Uebayashi
(b. 1958)
Ada Qian, flute
José Tuazon, cello
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/101621-FluteStudioRecital/101621-FluteStudioRecital_1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101621-FluteStudioRecital/101621-FluteStudioRecital_2.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101621-FluteStudioRecital/101621-FluteStudioRecital_3.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101621-FluteStudioRecital/101621-FluteStudioRecital_4.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101621-FluteStudioRecital/101621-FluteStudioRecital_5.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101621-FluteStudioRecital/101621-FluteStudioRecital_6.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101621-FluteStudioRecital/101621-FluteStudioRecital_7.mp3">Track 7</a>
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Flute Studio Recital
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Ila Zbarsky
Date
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October 16 2021
Contributor
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Flutes:
Lauren Debeljak
Ainsley Mercer
Connie Goetz
Ada Qian
Qinyue Zheng
Hao Guo
José Tuazon, cello
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School of
Music
fridaymusic
Phillip T. Young Recital Hall, University of Victoria
October 22, 2021 • 12:30 p.m.
Featuring School of Music guitar students
from the studio of Alexander Dunn
L’indispensable Op. 40, No. 4
Allegretto Moderato
Jordyn Hutchings, guitar
Mrs. Winter’s Jump
Allegro
Preludes
1
V
XX
Estudios Inconcluso
Thanksgiving Etude
1. Moderato
Etude 11
Leonard Schulz
(1814–1860)
John Dowland
(1563–1623)
Adam Baines, guitar
Manuel M. Ponce
(1882–1948)
Matthew Gaumans, guitar
Nathaniel Ritter, guitar
Morgan Sheeley, guitar
Agustin Barrios
(1885–1944)
Nathaniel Ritter
(b. 1996)
Heitor Villa-Lobos
(1887–1959)
Prelude V
Heitor Villa-Lobos
(1887–1959)
Appunti Op. 210, Quaderno primo “Gli Intervalli”
Mario Castelnuovo-Tedesco
X. Sulle none. La pioggia nel roseto
(1895–1968)
Etude 8
Giulio Regondi
(1822–1872)
Adrian Chen, guitar
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/20211022-FridayMusicGuitar/20211022-FridayMusicGuitar_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211022-FridayMusicGuitar/20211022-FridayMusicGuitar_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211022-FridayMusicGuitar/20211022-FridayMusicGuitar_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211022-FridayMusicGuitar/20211022-FridayMusicGuitar_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211022-FridayMusicGuitar/20211022-FridayMusicGuitar_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211022-FridayMusicGuitar/20211022-FridayMusicGuitar_6.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211022-FridayMusicGuitar/20211022-FridayMusicGuitar_7.mp3">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211022-FridayMusicGuitar/20211022-FridayMusicGuitar_8.mp3">Track 8</a>
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Fridaymusic - Guitar
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Ila Zbarsky
Date
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October 22 2021
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Jordyn Hutchings, guitar
Adam Baines, guitar
Matthew Gaumans, guitar
Nathaniel Ritter, guitar
Morgan Sheeley, guitar
Adrian Chen, guitar
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236acc1d3c5d6caa3a4cc1aa0636b417
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School of
Music
Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
October 26, 2021 • 12:30 p.m.
Brahms Capriccio Op. 76, No. 1 in F-sharp minor
Johannes Brahms
(1833–1897)
Kay Kuang, piano
Piano Sonata No. 18, K. 576 Wolfgang Amadeus Mozart
1. Allegro
(1756–1791)
Simi Luttrell, piano
Prelude Op. 23, No. 5 in G minor Sergej Rachmaninow
(1873–1943)
Eóghan Bostock, piano
Bati L’Gani (I Came Into My Garden)
Meira Warshauer
(b. 1949)
Qinyue Zheng, flute
Lamento et Rondo
Pierre Sancan
I. Lamento (1916–2008)
II. Rondo
Ayari Kasukawa, saxophone
Simi Luttrell, piano
Sonata Appassionata, Op. 140
Sigfrid Karg-Elert
(1877–1933)
Hao Guo, flute
Killer Tango
Sonny Kompanek
(b.1943)
Abha-Marie Parmar, trumpet
Sydney Hoffman, trumpet
Carling Riley, horn
Fey Trolitsch, trombone
Loraine Brisebois, Tuba
UPCOMING AT THE SCHOOL OF MUSIC
SATURDAY, OCTOBER 30 | 7:00 PM
Violin Studio Recital
A concert featuring UVic School of Music violin students from the studio of Ann Elliott-Goldschmid.
Phillip T. Young Recital Hall
Friday, NOVEMBER 5 | 8:00 PM
Faculty Chamber Music: The art of the duo
Featuring Sharon Stanis (violin) & Pamela Highbaugh Aloni (cello), Benjamin Butterfield (tenor) & Bruce Vogt (piano),
Merrie Klazek (trumpet) & David Hamann (piano). UVic School of Music faculty pair up for a program of duos by Huit Morceaux, John
Ireland, Richard Strauss and Maurice Ravel.
Phillip T. Young Recital Hall
SUNDAY, NOVEMBER 7 | 7 PM
UVic Chamber Singers and Singing for the Stage: In Remembrance
The UVic Chamber Singers and students in MUS 335 performance class (Singing for the Stage) present a concert of vocal music to honour Remembrance Day. Directed by Kinza Tyrrell.
Phillip T. Young Recital Hall
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/20211026-TuesdayMusic/20211026-TuesdayMusic_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211026-TuesdayMusic/20211026-TuesdayMusic_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211026-TuesdayMusic/20211026-TuesdayMusic_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211026-TuesdayMusic/20211026-TuesdayMusic_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211026-TuesdayMusic/20211026-TuesdayMusic_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211026-TuesdayMusic/20211026-TuesdayMusic_06.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211026-TuesdayMusic/20211026-TuesdayMusic_7.mp3">Track 7</a>
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Tuesdaymusic
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Ila Zbarsky
Date
A point or period of time associated with an event in the lifecycle of the resource
October 26 2021
Contributor
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Kay Kuang, piano
Simi Luttrell, piano
Eóghan Bostock, piano
Qinyue Zheng, flute
Ayari Kasukawa, saxophone
Hao Guo, flute
Abha-Marie Parmar, trumpet
Sydney Hoffman, trumpet
Carling Riley, horn
Fey Trolitsch, trombone
Loraine Brisebois, tuba
-
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b5e2738fa56ebb0f413be77e71301937
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fridaymusic
School of
Music
Phillip T. Young Recital Hall, University of Victoria
October 29, 2021 • 12:30 p.m.
Featuring School of Music woodwind students
Phantasy Quintet
1. Prelude
Kate Hanse, clarinet
Kayla Oerlemans, clarinet
Sarah Carey, clarinet
Danica Smith, clarinet
Chris Ollinger, bass clarinet
Duo Concertante in F Major
II. Adagio
Holly Edquist, bassoon
Kiara Hosie, oboe
Quatuor Pour Saxophones
1. Allegro non troppo
Sylvan Wilkinson, soprano saxophone
Madison Wang, alto saxophone
Bethanie Tran, saxophone
Xavier Marican, saxophone
Pastorale for Woodwind Quintet, Op. 151
Kaitlyn Cumberland, oboe
Devin Hawthorne, bassoon
Maeve Calhoun, clarinet
Lauren Debeljak, flute
Tyrell Loster, french horn
Passacaille
Meghan Parker, clarinet
Kiara Hosie, oboe
Holly Edquist, bassoon
Elena Surridge, french horn
Ainsley Mercer, flute
2 Duos for Flute and Clarinet Op. 46, No. 1
1. Allegro
Flutes En Vacances
1. Flute Pastorales
Six Bagatelles
1. Allegro con spirito
II. Rubato. lamentoso
III. Allegro grazioso
Rachel Cooper, clarinet
Qinyue Zheng, flute
Ada Qian, flute
Hao Guo, flute
Qinyue Zheng, flute
Ralph Vaughan Williams
(1872–1958)
Joseph Fiala
(1748–1816)
Alfred Desenclos
(1912–1971)
Amy Beech
(1867–1944)
Adrien Barthe
(1828–1898)
Kaspar Kummer
(1795–1870)
Jacques Castérède
(1926–2014)
György Ligeti
(1923–2006)
Ayari Kasukawa, saxophone
Kayleigh Fancis, alto saxophone
Cole Davis, tenor saxophone
Benedict Mendes, baritone saxophone
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/102921-FridayMusic/102921-FridayMusic8_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102921-FridayMusic/102921-FridayMusic8_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102921-FridayMusic/102921-FridayMusic8_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102921-FridayMusic/102921-FridayMusic8_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102921-FridayMusic/102921-FridayMusic8_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102921-FridayMusic/102921-FridayMusic8_06.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102921-FridayMusic/102921-FridayMusic8_07.mp3">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102921-FridayMusic/102921-FridayMusic8_08.mp3">Track 8</a>
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Fridaymusic
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Ila Zbarsky
Date
A point or period of time associated with an event in the lifecycle of the resource
October 29 2021
Contributor
An entity responsible for making contributions to the resource
Kate Hanse, clarinet
Kayla Oerlemans, clarinet
Sarah Carey, clarinet
Danica Smith, clarinet
Chris Ollinger, bass clarinet
Holly Edquist, bassoon
Kiara Hosie, oboe
Sylvan Wilkinson, soprano saxophone
Madison Wang, alto saxophone
Bethanie Tran, saxophone
Xavier Marican, saxophone
Kaitlyn Cumberland, oboe
Devin Hawthorne, bassoon
Maeve Calhoun, clarinet
Lauren Debeljak, flute
Tyrell Loster, French horn
Meghan Parker, clarinet
Kiara Hosie, oboe
Holly Edquist, bassoon
Elena Surridge, French horn
Ainsley Mercer, flute
Rachel Cooper, clarinet
Qinyue Zheng, flute
Ada Qian, flute
Hao Guo, flute
Qinyue Zheng, flute
Ayari Kasukawa, saxophone
Kayleigh Fancis, alto saxophone
Cole Davis, tenor saxophone
Benedict Mendes, baritone saxophone
-
https://finearts.uvic.ca/music/archive/files/original/cb9f8f4cf19881abe474de3d9cbc68e6.pdf
41c98842c53d023ff34c8a75772f4bf2
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fridaymusic
School of
Music
Phillip T. Young Recital Hall, University of Victoria
November 5, 2021 • 12:30 p.m.
Featuring School of Music brass students
Fanfare pour précéder La Péri
Abha-Marie Parmar, Sydney Hoffman, trumpet
Carling Riley, horn
Fenix Trolitsch, trombone
Lorraine Marshall, tuba
In The Country
The Favourite
Paul Dukas (1865–1935)
Arr. by Barrington
Max P. Pottag
(187–1970)
Maia Copley, Carling Riley, Rachel Lock, Tyrel Loster, horn
Scott Joplin
(1868–1917)
Marc Micu, Luke Thomas, trumpet
Rachel Lock, horn
Tyler Schmit, trombone
Aaron Kruger, tuba
Quintet No. 2, Op. 6
II: Themes and Variations
Killer Tango
Victor Ewald
(1860–1935)
Kyle Bates, Koshi Thompson, trumpet
Maia Copley, horn
Ariana Hall, trombone
Sarah Higginson, euphonium
Sonny Kompanek
(b. 1943)
Abha-Marie Parmar, Sydney Hoffman, trumpet
Carling Riley, horn
Fenix Trolitsch, trombone
Lorraine Marshall, tuba
Heyr Himma Simour
Kolbeinn Tumason (1173–1208)
Arr. by Scott MacInnes
Marina Anoniou, Tyler Schmit, Fenix Trolitsch,
Ariana Hall, Ryan Qu, Amaya Sydor, trombone
Scott MacInnes, conductor
Georg Philip Telemann
(1681–1767)
Chaconne from “Paris Quartet No. 12”
Mark Barr, Ben Parker, Heidi Goetz. trumpet
Scott MacInnes, Amaya Sydor, trombone
Liam Catarina, euphonium
Scott Gordon, tuba
Ave Maria
Jacob Arcadelt (1507–1568)
Arr. by Jim Self
John Lennon (1940–1980)
Paul McCartney (b. 1942)
When I’m Sity-Four
Liam Mulligan, Sarah Higginson, Senora Dunford, Muskan Guglani, euphonium
Scott Gordon, Lorraine Brisebois, Aaron Kruger, Spencer Robinson, tuba
Awakening and Celebration: A Tribute to Live Performance
Ekatrina Della Vedova, Abha-Marie Parmar, Lucas Facca,
Sydney Hoffman, Mark Barr, Alicia Ellis, Brendan Wong,
Marc Micu, Kyle Bates, Heidi Goetz, Koshi Thompson,
Luke Thomas, Elena Surridge, Ben Parker, trumpet
Merrie Klazek, conductor
Merrie Klazek & Scott MacInnes
�
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A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/110521-FridayMusicBrass/110521-FridayMusicBrass_1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110521-FridayMusicBrass/110521-FridayMusicBrass_2.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110521-FridayMusicBrass/110521-FridayMusicBrass_3.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110521-FridayMusicBrass/110521-FridayMusicBrass_4.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110521-FridayMusicBrass/110521-FridayMusicBrass_5.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110521-FridayMusicBrass/110521-FridayMusicBrass_6.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110521-FridayMusicBrass/110521-FridayMusicBrass_7.mp3">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110521-FridayMusicBrass/110521-FridayMusicBrass_8.mp3">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110521-FridayMusicBrass/110521-FridayMusicBrass_9.mp3">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110521-FridayMusicBrass/110521-FridayMusicBrass_010.mp3">Track 10</a>
Dublin Core
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Fridaymusic - Brass
Creator
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Ila Zbarsky
Date
A point or period of time associated with an event in the lifecycle of the resource
November 5 2021
Contributor
An entity responsible for making contributions to the resource
Abha-Marie Parmar, Sydney Hoffman, trumpet Carling Riley, horn
Fenix Trolitsch, trombone
Lorraine Marshall, tuba
Maia Copley, Carling Riley, Rachel Lock,Tyrel Loster, horn
Marc Micu, Luke Thomas, trumpet Rachel Lock, horn
Tyler Schmit, trombone Aaron Kruger, tuba
Kyle Bates, Koshi Thompson, trumpet Maia Copley, horn
Ariana Hall, trombone
Sarah Higginson, euphonium
Abha-Marie Parmar, Sydney Hoffman, trumpet Carling Riley, horn
Fenix Trolitsch, trombone
Lorraine Marshall, tuba
Marina Anoniou,Tyler Schmit, Fenix Trolitsch, Ariana Hall, Ryan Qu, Amaya Sydor, trombone
Scott MacInnes, conductor
Mark Barr, Ben Parker, Heidi Goetz. trumpet Scott MacInnes, Amaya Sydor, trombone Liam Catarina, euphonium
Scott Gordon, tuba
Liam Mulligan, Sarah Higginson, Senora Dunford, Muskan Guglani, euphonium Scott Gordon, Lorraine Brisebois, Aaron Kruger, Spencer Robinson, tuba
Ekatrina Della Vedova, Abha-Marie Parmar, Lucas Facca, Sydney Hoffman, Mark Barr, Alicia Ellis, Brendan Wong, Marc Micu, Kyle Bates, Heidi Goetz, Koshi Thompson, Luke Thomas, Elena Surridge, Ben Parker, trumpet
Merrie Klazek, conductor
-
https://finearts.uvic.ca/music/archive/files/original/8a3afdb7535b45ae2a2d45584e16a726.pdf
aef0d5e0b48e0cbcd648cacd53d6b315
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School of
Music
Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
November 2, 2021 • 12:30 p.m.
Requiem
Kazuo Fukushima
(b. 1930)
Paige Thompson, Flute
Mysterious Morning III
Fuminori Tanada
(b. 1961)
Ayari Kasukawa, soprano saxophone
Friedrich Kuhlau
(1786–1832)
6 Divertissements No. 5, Op. 68
Huaqian Zeng, flute
Tango Etude No. 4
Astor Piazzallo
(1921–1992)
Lauren Dejelbak, flute
Three Kicks for Saxophone Quartet
I. Deco Jibe
Colin Bradley Pridy
(b. 1978)
Ethan Slogotski, soprano saxophone
Hannah Standwood, alto saxophone
Emerson Jong, tenor saxophone
Rhys Batstone, baritone saxophone
UPCOMING AT THE SCHOOL OF MUSIC
Friday, NOVEMBER 5 | 8:00 PM
Faculty Chamber Music: The art of the duo
Featuring Sharon Stanis (violin) & Pamela Highbaugh Aloni (cello), Benjamin Butterfield (tenor) & Bruce Vogt (piano),
Merrie Klazek (trumpet) & David Hamann (piano). UVic School of Music faculty pair up for a program of duos by
John Ireland, Richard Strauss, Maurice Ravel and more.
Phillip T. Young Recital Hall
SUNDAY, NOVEMBER 7 | 7 PM
UVic Chamber Singers and Singing for the Stage: In Remembrance
The UVic Chamber Singers and students in MUS 335 performance class (Singing for the Stage) present a concert
of vocal music to honour Remembrance Day. Directed by Kinza Tyrrell.
Phillip T. Young Recital Hall
MONDAY, NOVEMBER 8 | 8 PM
Faculty Concert: Schubert’s Die schöne Müllerin
Faculty Concert Series Benjamin Butterfield, tenor Kinza Tyrrell, piano Tenor Benjamin Butterfield and pianist
Kinza Tyrrell perform Franz Schubert’s seminal song cycle Die schöne Müllerin.
Phillip T. Young Recital Hall
WEDNESDAY, NOVEMBER 10 - 13
AUDIO+ Workshop
AUDIO+ is a three-day hybrid (in-person and live streamed) workshop gathering established audio engineer-scholars, students and
young graduates, music producers and studio professionals, artists and others to build a community that engages in a critical dialogue
on overcoming gender-, race- and class-based discrimination in the field of music production and audio engineering.
MONDAY, NOVEMBER 15 | 7:30 PM
Clarinet Studio Recital
A concert featuring UVic School of Music clarinet students from the studios of Connie Gitlin and Melissa Goodchild.
Phillip T. Young Recital Hall
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/110221-TuesdayMusic/110221-TuesdayMusic1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110221-TuesdayMusic/110221-TuesdayMusic1_1.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110221-TuesdayMusic/110221-TuesdayMusic1_2.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110221-TuesdayMusic/110221-TuesdayMusic1_3.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110221-TuesdayMusic/110221-TuesdayMusic4.mp3">Track 5</a>
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Title
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Tuesdaymusic
Creator
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Ila Zbarsky
Date
A point or period of time associated with an event in the lifecycle of the resource
November 2 2021
Contributor
An entity responsible for making contributions to the resource
Paige Thompson, Flute
Ayari Kasukawa, soprano saxophone
Huaqian Zeng, flute
Lauren Dejelbak, flute
Ethan Slogotski, soprano saxophone
Hannah Standwood, alto saxophone
Emerson Jong, tenor saxophone
Rhys Batstone, baritone saxophone
-
https://finearts.uvic.ca/music/archive/files/original/3707c0029d8889beb95b367e4394ebfe.pdf
1af5d005e9764c52234165378e4a512c
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Text
School of Music
MUS C
Faculty of Fine Arts
University of Victoria
�SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA
The UVic Music Student Association (MSA) presents
Amplifying Voices:
Integrating Underrepresented
Identities in Music
We acknowledge and respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.
Tuesday, November 16, 2021 • 12 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free admission
�PROGRAM
Petite Suite de Concert
Samuel Coleridge-Taylor
I. Le Caprice de Nannette
(1875-1912)
Members of the University of Victoria Symphony Orchestra
Cleo Yong, conductor
Megan Bibby, Noah Mellemstrand, Dana Wenzel,
Jas Schweitzer, Catherine Hume, Eoghan Bostock, violin
Amanda Steinemann, viola
Jayda Thor, cello
Hao Guo, flute
Kaitlyn Cumberland, oboe
Tenzin Clegg, clarinet
Siobhan Golonka, bassoon
Carling Riley, Tyrell Loster Peitzsche, horn
Mark Barr, trumpet
Scott Gordon, tuba
Ajtony Csaba, Moming Zhang, piano
Mysterious Morning III
Ayari Kasukawa, soprano saxophone
Okukoowoola Kw’Ekkondeere (Horn Call)
Tyrell Loster Peitzsche, french horn
Fuminori Tanada
(b. 1961)
Justinian Tamusuza
(b. 1951)
Petals on the Palette of Vincent
Zihan Zhao
III. A Courtesan Engraved
(UVic music student)
Ran Bi (Alice), piano
‘Cation
Marc Micu, melodica
Jono Devey, keyboard
Brendan Wong, bass guitar
Jesse Johnson, drums
Marc Micu
(UVic music student)
SHORT INTERVAL
Panel discussion:
Building a New Standard: The Future of Music Programming
Hosted by Lucas Hung
�PROGRAM NOTES
Petite Suite de Concert (1898)
Samuel Coleridge-Taylor
Samuel Coleridge-Taylor was born to a white Englishwomen and a black doctor
from Sierra Leone; he identified himself as Anglo-African. He grew up in Croydon
and later London, UK, and became one of the most virtuoso orchestrators and
composers of the fin de siècle in London. A classmate of Vaughan Williams and Holst,
and a protégé of Elgar, Coleridge-Taylor had been published early on by Novello. He
became professor of composition at London Trinity College of Music and Guildhall
School of Music; his contemporaries often compared him to Mahler. Coleridge-Taylor came to international recognition with the trilogy of cantatas Hiawatha’s Wedding
Feast, based on Longfellow’s poem Song of Hiawatha. Hiawatha/Haiëñ’wa’th/ is a
historic pre-colonial First Nation Iroquois leader; Coleridge-Taylor regarded him as a
personal role model; he even named his son after him.
Inspired by the 19th-century Volksmusik-movement, Coleridge-Taylor engaged in
the systematic collection, transcription and publication of African, African-American
and Anglo-African folksong. Much of the music known today as “traditional spiritual”
traces back to his piano arrangements of the collected material. Coleridge-Taylor
noted that he is seeking to draw on African traditional music and do “What Brahms
has done for the Hungarian folk-music, Dvořák for the Bohemian, and Grieg for
the Norwegian [music].” His success in England transpired to the United States and
contributed considerably to the empowerment of African American artists.
Mysterious Morning III
Fuminori Tanada
I would like to acknowledge and respect the lək̓ʷəŋən peoples on whose traditional
territory the university stands and the Songhees, Esquimalt and W̱SÁNEĆ peoples
whose historical relationships with the land continue to this day. As an international
student from a foreign country living in BC for the past 7 years, I recognize that I am
fortunate and honored to live in this beautiful land as a visitor. Throughout my high
school days in Okanagan and for the last 4 years of university in Victoria, I have had
the honor of listening and meeting people from Indigenous communities on many
occasions.
Fuminori Tanada (b.1961), a Japanese born composer, composed Mysterious Morning III which is a Japanese inspired piece. As a 3rd part of his Mysterious Morning
series: Mysterious Morning I (solo harp), Mysterious Morning II (saxophone quartet),
and Mysterious Morning IV (2 harps and ensemble), the piece was commissioned by
French saxophone virtuoso Claude Delangle in 1996. The work explores different
colors, timbres, and improvisation-like freedom that soprano saxophone has to offer
with a wide range of extended techniques such as growling, flutter tongue, multiphonics, and use of quarter tones. The composition was influenced by the recordings
of American jazz saxophonist Charlie Parker and the works of Gérard Grisey and
Tristan Murail, both French composers who are known for acoustic phenomena and
spectral music. The composer once stated “that the reference to Charlie Parker is
�less of a stylistic influence and more an attempt to imitate the saxophonist’s improvisatory freedom and expansion of playing techniques.” As a musician with Japanese
heritage, I feel a deep connection with the work. I believe it is extremely important
to include as many works by underrepresented identities as possible. I hope this
concert will help broaden people’s views and perceptions.
– Ayari Kasukawa
Okukoowoola Kw’Ekkondeere (Horn Call)
Justinian Tamusuza
I would like to acknowledge and respect the lək̓ʷəŋən, Songhees, Esquimalt and
W̱SÁNEĆ peoples whose land we stand on today. I want to recognize that I, a
member of the Syilx (Okanagan) people, am a guest on this land.
Okukoowoola Kw’Ekkondeere is by Justinian Tamusuza, an African composer from
Uganda. He blends western classical and Ugandan traditional styles, incorporating
traditional African folk elements into European music. I think this piece will bring
another culture that is not represented often.
– Tyrell Loster Peitzsche
Petals on the Palette of Vincent: III. A Courtesan Engraved
Zihan Zhao
I acknowledge and respect the Lekwungen peoples on whose traditional territory I
am currently living in. I recognize that I come to this land from a foreign country as a
first-generation visitor.
Most art histories always divide the world into the east and the west, as opposites
to each other. However, I continually found they are influencing each other. The
Japanese Ukiyo-e had a significant impact on Van Gogh, just as how Asian music
influenced western music of that period. My piece uses soundscapes to depict paintings of Van Gogh. Especially in the movement, A Courtesan Engraved, the pentatonic
sounding is used in a most evident way to serve as a tone color leading to a familiar
sensation of east Asia.
– Zihan Zhao
‘Cation
Marc Micu
Transferring to UVic for the first time two months ago on this unceded and unsurrendered territory taught me a lot more than what I thought about Indigenous
land, and I am extremely fortunate to be on a land that is not only shared with the
lək̓ʷəŋən peoples, but a land that encompasses a welcoming and respectful learning
environment.
‘Cation is a jazz pop song I created during the heatwave back in late June, 2021. I was
incredibly frustrated with the heat and the lack of creativity I had, so my sister told
me to record myself singing something random, so I did. I transcribed it the next day,
and here we are. This piece is dedicated to my Douglas College combo band for not
only being open with my creativity to play this first, but accepting me for being me
with open arms, and caring about making great music.
– Marc Micu
�PANELLIST BIOGRAPHIES
Dr. Steven J. Capaldo
Associate Professor, Music Education, Wind Symphony, Conducting
DMA, MPerf, BEd (Mus), AMusA(Distinction)
Dr. Steven Capaldo was born and raised on the traditional land of the Braiakaulung
people of the Gunai/Kurnai nation in the south-east of Australia. First coming to
Victoria in 2004 as an Assistant Professor of Music Education at UVic, he returned to
Australia four years later and worked in music education and conducting positions
at universities in Wollongong and Sydney. Coming back to Victoria in 2018, Steven
is now an Associate Professor of Music Education & Conducting, Wind Symphony
Conductor and Co-Head of Music Education at the University of Victoria.
Steven has extensive conducting experience working with symphony orchestras,
wind orchestras and chamber ensembles. As an active writer, Steven composes, arranges and transcribes music for wind orchestras, symphony orchestras, festivals and
concerts and his works have been performed by groups in Australia, Canada, Japan
and the United States, recorded on Klavier records (US) and published with Brolga
Music and Murphy Music Press. An Assistant Producer and Co-Editor for eight Klavier Records CDs, Steven became a full voting member for the US Grammy Awards
in 2010 and was Chair of the Australian Jury Panel for the 2017 International Eurovision Song Contest.
Distinguishing himself as one of the most respected music educators, wind conductors and conductor educators in Australia, Steven has earned academic and musical
recognition locally, nationally and internationally. Steven is in-demand as a conductor,
clinician and adjudicator, and is committed to providing professional learning opportunities for music educators and conductors in educational settings.
Kenji Fusé
Principal Violist, Victoria Symphony
Kenji Fuse holds the position of Principal Viola with the Victoria Symphony and is
a member of the Musicians Union CFM local #247. Kenji has twice served on the
Negotiation Committee of the Victoria Symphony Musicians Association, and spent
almost a decade as the Victoria Symphony’s delegate for OCSM, the Organization of
Canadian Symphony Musicians.
Kenji values music education in the community and is the viola coach for the
Greater Victoria Youth Orchestra. He taught in several public school music programs
until they were controversially canceled during the first year of Covid. [The chair
of School District #61 resigned in disgrace over this, under allegations of racism by
local Sooke Indigenous spokesperson Carey Newman.]
A strong advocate for green energy, Kenji co-founded the Island Biodiesel Co-op in
2006, which has helped displace hundreds of thousands of kilograms of fossil carbon,
by making and selling renewable fuel to its membership, made from restaurants’
waste cooking oil. This has kept energy dollars in the local community and has effectively boycotted that money from the Canadian oil cartels.
�Kenji supports resistance to colonialization through consensus and solidarity building
efforts, like the labour and cooperative movements. He believes that the current
focus on identity issues is a tool of colonialization and anathema to the eradication
of colonialization, instead fostering and propagating the narcissism that is at the root
of colonialization.
Kenji’s proudest moment is telling his father not to apologize, each time he wiped up
his father’s feces after soiling himself while dying of cancer two years ago. As a mentor said to him, ‘Kenji, it is an honour to take care of your dying parents.’
Rebecca Hass
Director of Community Engagement, Pacific Opera Victoria
Rebecca Hass is a woman of many creative passions. A certified Life Coach and
meditation instructor, she has been a mentor and resource for performing artists
seeking balance and career support since 2007. A graduate of Wilfrid Laurier University with an Honours Bachelor in Music performance and the Canadian Opera
Company Ensemble, Rebecca, a mezzo-soprano, devoted much of the last thirty
years to a professional singing career. Rebecca is well-known in Canada as a resource
for artist-centered health and wellness workshops. She has been a regular staff
member for the last 5 years at the Canadian Opera Company Ensemble and has
been a guest clinician with Manitoba and Calgary Opera and Pacific Opera Victoria,
as well as the Universities of British Columbia, Toronto, Manitoba, Ottawa, Victoria
and Wilfrid Laurier. For over 10 years she has been on staff with the summer programs of Opera Nuova, St. Andrews By the Sea Opera Workshop and most recently,
with Highlands Opera. A writer and broadcaster, she has been a regular guest host
of Saturday Afternoon at the Opera and documentary maker on CBC Radio One and
Two. Currently she is the Director of Community Engagement for Pacific Opera
and was awarded the Creative Builder Award for 2021 for her work behind the
scenes to support artists and art making. Her newest programming includes the
Civic Engagement young artist training program and curating the Residency program
for new work. A proud Métis, and carries two names, Manginoweh (Anishinaabe-Big
Voice) and Huputh-Uksupe (Nu-chah-nulth, Grandmother Moon woman), Rebecca
is currently producing a theatre piece that bridges her European and Indigenous
ancestry musically with songs in English and Anishnaabemowen, titled Manaadjia, and
is a member of the drum group ANSWER. Rebecca lives in Victoria with her family
and rescue pooch, Rye Rye.
Lindani Khoza
UVic Student (BA), BIPOC Community Coordinator at CFUV 101.9 FM
As an artist and musician, I am passionate about the roles music and the arts play in
our society. I am a firm believer in arts education, believing that creative minds are at
the forefront of all innovation.
I’ve been part of several creative and artistic ventures, and I’ve held several representative and leadership positions. I want to use my experience as a young African
to help build the communities that build the youth. As a result I have chosen to
�study business and have a vision to merge knowledge of business strategies with
my knowledge in the arts to develop and transform the entertainment industry in
Africa.
I have led and been part of several initiatives in music and the arts. Between 2015
and 2019, I led and performed with the Waterford Kamhlaba Marimba band. Notable performances include performing for His Majesty King Msawti III and former
Eswatini Prime Minister Barnabas Sibusiso Dlamini. Along with this, I have been part
of several theatre productions, have participated as part of the cast and crew. As a
music producer, I produced several pieces with several artists, having won an award
for ‘Song of the Year’ in the 2018 MTN Swama’s.
Dr. Anthony Tan
Assistant Professor, Composition
ARCT, BMus (Calgary), MMus (McGill), Meisterklasse (Hochschule für Musik Carl
Maria von Weber, Dresden), PhD (McGill)
Composer, pianist, and electronic musician Anthony Tan draws artistic influence from
conceptual metaphors, an attention to the psychophysical experiences of sound, and
a reflection on music’s cultural context. Anthony completed his PhD and MMus from
McGill University, the Meisterklasse from the Hochschule für Musik Carl Maria von
Weber, Dresden, Germany, and BMus from the University of Calgary. In 2016-17, Anthony was a fellow at the Radcliffe Institute for Advanced Study, Harvard University
(RI’17). His teachers include Mark Andre, Franz Martin Olbrisch, John Rea, Stephen
McAdams, Clemens Gadenstätter, Sean Ferguson, Chris Paul Harman, David Eagle,
Allan Gordon Bell, and Hope Lee.
He has presented his music at major festivals including soundON (USA), Warsaw
Autumn (Poland), Kontraklang (Germany), Tonlagen (Hellerau, Germany), Imatronic
(ZKM, Germany), SMC Sound and Music Computing Conference (2014, Sweden),
2013 NYC electroacoustic festival (USA), ICMC - International Computer Music
Conference (2009 Montreal, and 2010 New York), Matrix ‘10, ‘11, and ‘15 at the
Experimental Studio (Germany), Domain Forget (Quebec), the IRCAM Computer
Music workshops at Centre Acanthes (France), the National Arts Centre Composer’s Program (Canada) and the Academie Internationale de Composition du BlancMesnil (France). Commissioned by numerous international ensembles, Anthony has
collaborated with Ensemble Recherche, the Dresden Philharmonie, LUX:NM, Architek Percussion, Ensemble Contemporaine de Montréal, Les Cris de Paris, Ensemble
Cairn, L’Orchestre de la Francophonie Canadienne, Le Nouvel Ensemble Moderne,
the New Orford String Quartet, Turning Point Ensemble, and New Music Concerts
Ensemble.
Awards include the audience and jury prize from the ECM+ Generation 2014 tour,
Stipendiums from the SWR Experimental Studio, the 2011 Giga-Hertz Förder Prize,
the International Competition for live-electronics of the Hamburg Klangwerktage,
and the Gold Medal in piano performance from the Royal Conservatory of Music.
He previously served as Assistant Professor at the University of Colorado, Colorado
Springs, and is currently Assistant Professor of Composition at the University of
Victoria.
�
Hyperlink
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_2.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_3.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_4.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_5.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/20211116-AmplifyingVoices/20211116-AmplifyingVoices_06.mp3">Track 6</a>
Dublin Core
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Title
A name given to the resource
Amplifying voices: Integrating underrepresented identities in music
Creator
An entity primarily responsible for making the resource
Ila Zbarsky
Date
A point or period of time associated with an event in the lifecycle of the resource
November 16 2021
Contributor
An entity responsible for making contributions to the resource
Members of the University of Victoria Symphony Orchestra Cleo Yong, conductor
Megan Bibby, Noah Mellemstrand, Dana Wenzel,
Jas Schweitzer, Catherine Hume, Eoghan Bostock, violin Amanda Steinemann, viola
Jayda Thor, cello
Hao Guo, flute
Kaitlyn Cumberland, oboe
Tenzin Clegg, clarinet
Siobhan Golonka, bassoon
Carling Riley,Tyrell Loster Peitzsche, horn
Mark Barr, trumpet
Scott Gordon, tuba
Ajtony Csaba, Moming Zhang, piano
Ayari Kasukawa, soprano saxophone
Tyrell Loster Peitzsche, french horn
Ran Bi (Alice), piano
Marc Micu, melodica
Jono Devey, keyboard
Brendan Wong, bass guitar
Jesse Johnson, drums
Panel discussion:
Building a New Standard: The Future of Music Programming
Hosted by Lucas Hung
-
https://finearts.uvic.ca/music/archive/files/original/4a953efe0b0f7efeadcf5e11f00b8660.pdf
5a56da31fdf2556a2d29872f72e4afc6
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Text
UVIC
UVic’s 5 Days of Action: 365 Days of Commitment
MUSIC WE LOVE: APPRECIATING A WIDER
SPECTRUM OF FLUTE REPERTOIRE
Featuring School of Music flute students from the studio of Suzanne Snizek
WEDNESDAY, NOVEMBER 17, 2021 | 12:30 PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.
PROGRAM
Le Vent au Travers les Ruines
Ainsley Mercer, flute
Tango études Nos. 4 and 5
Lauren Debeljak, flute
Sori
Ada Qian, flute
Bati l’gani
Qinyue Zheng, flute
Thomas Evoy, percussion
El Bachiana
Connie Goetz, flute
Poem
Ada Qian, flute
Zadji from “Four Macedonian Pieces”
Hao Guo, alto flute
Morgan Sheeley, guitar
Yuko Uebayashi
(b.1958)
Astor Piazolla
(1921-1992)
Isang Yun
(1917-1995)
Meira Warschauer
(b. 1949)
Raimundo Pineda
(b. 1965)
Chang Ji Jen
(b.1945)
Miroslav Tadić
(b. 1959)
WELCOME
Thank you for joining us today! I am the professor of flute at the School of Music at the University of Victoria,
where I also teach an interdisciplinary course called “Issues in Suppressed Music” (MUS391). My own research as
a teacher, scholar and performer over the past decade has frequently focussed on introducing (or re-introducing)
excellent music that was suppressed for racist reasons by the Third Reich. Despite the many years that have passed
since 1945, the immense cultural damage wrought by that political regime persists. My awareness of the enormity
of that historical case of deliberate suppression has fueled an intentional expansion of my own contemporary repertory—an intention that has deepened to become one of my primary objectives as an artist.
Opening the doors to more diverse programming not only enriches the musical soundscape and cultural environment. It benefits everyone: composer, performer, audience and larger society. We hope that today’s concert might
celebrate diversity, stimulate our own awareness as artists and programmers, and serve as an enjoyable introduction to this “music we love,” created by outstanding but lesser-known composers.
Thank you so much for attending this concert!
Dr. Suzanne Snizek, Associate Professor of Music
�PROGRAM NOTES
Born in Kyoto, Japan, Yuko Uebayashi (b.1958) is a distinctive and accomplished female composer of our time. Her music
(described as “Debussy and Ravel meet in Nippon”) often express imagery, symbolism and stories from her life. Based in
Paris since 1998, Uebayashi has experienced both Japanese and Parisian cultures, and her music reflects that unique blend. Le
Vent A Traverse les Ruines (“The breeze around the ruins”) premiered on Uebayashi’s French tour with Jean-Michel Damase
and Nobutaka Shimizu (the piece being written for the latter). You are invited to immerse yourself in the musical imagery of
a peaceful and airy breeze passing through the immortal ruins of an ancient monastery.
– Ainsley Mercer (first-year BMus student)
Originally from Argentina, Astor Piazolla (1921-1992) began his musical career on the bandoneon, a traditional South
American accordion-like instrument. Early in his career, Piazzolla struggled to find success and recognition as a composer.
He played in a number of tango orchestras as well as formed his own tango bands. It was around the time he studied with
renowned composer, conductor and teacher Nadia Boulanger that he found his signature “Tango Nuevo” style. Encouraged
by Boulanger, he fused traditional tango with classical and jazz musical elements and created the new style known as “Tango
Nuevo.” His work began to be recognized and was both praised and ridiculed. His music caused controversy amongst some
more traditional tango musicians and appreciators, although his innovations were also admired. His unique perception of the
tango ultimately influenced many composers and performers and greatly expanded the Tango genre.
– Lauren Debeljak (first-year BMus student)
Korean born German composer Isang Yun (1917-1995) was a highly regarded and innovative composer who wrote many
challenging and expressive works for the flute. Sori is characteristic of his highly ornamental and virtuosic style which employs
numerous extended techniques. Sori, meaning “sound,” explores the expressive range of the flute, from the most delicate
whisper to the raging force of the extreme high register. It is truly a musical and emotional tour de force for solo flutists.
Meira Warshauer (b. 1949) is a female composer from the United States. Her music has been performed in the Americas,
Europe, Asia and the Middle East. Warschauer’s music often expresses a love for the earth and universal spiritual themes as
embodied in Judaism. By playing this work I hope to show people that female composers’ work has equal expressive potential and strong musical power as well.
I have come into my garden,
my sister bride.
I have gathered my myrrh with my spices.
I have eaten my honeycomb with my honey.
I have drunk my wine with milk.
Eat, friends,
Drink and be drunk, beloved ones.
—Song of Songs Ch. 5, vs.1
(Translation by the composer)
Bati l’Gani (“I come into my garden”) is inspired by the above poetic text from the Song of Songs. It can be performed by solo
flute or flute with improvised gentle percussion sounds, e.g., wind chimes to simulate a breeze in the garden before it rains
or finger cymbals to highlight interesting musical points. One thing I love about this piece is that it leads us into a whole new
world where we can forget dreadful things and the pressures from our daily life. The melody flows out of the flute, entrances
your mind and then eventually slips away, along with any unpleasant moods.
– Qinyue Zheng (first-year MMus student)
Raimundo Pineda (b. 1965) is a Venezuelan flutist, composer and conductor, who was instructed by the Venezuelan maestro
Jose Antonio Naranjo. El Bachiano is based on the traditional dance called the Joporo, which can be described as a fast waltz.
The piece is filled with melodic twists and turns in a style that serves as a reminder to the complexity of J. S. Bach’s compositions, while also including vital South American rhythms reflecting the composer’s origins. Pineda dedicated this piece to
Naranjo, who encouraged him to embrace traditional Venezuelan music as an inseparable part of his musical identity.
– Connie Goetz (fourth-year Musical Arts student)
Chi-jen Chang (b.1945) is a Taiwanese composer and conductor. After graduating from Mannes College of Music in 1973,
Chang was the only Taiwanese musician selected for the International Herbert von Karajan Conducting Competition. Chang
later served as the director of National Taiwan Symphony Orchestra from 1975 to 1978.
Inspired by a traditional Chinese bamboo flute piece named Zhe Gu Fei (鹧鸪飞), Chang’s ‘Poem for Flute Solo’ is a
two-movement work intertwined with elements of Chinese traditional music and poetry. The first movement is based on a
poem by Tang Dynasty (618 to 907 ACE) poet Chang Jian. This movement is subtitled “Birds are alive with mountain light, and
the mind of man is touched by the peace of a lake” (山光悦鸟性，潭影空人心). The second poem is from Qing Dynasty (1636-1912) poet Zheng Ban Qiao, with the subtitle: “Only the sound of flute is endless, flying through the sky over the
river”(唯有笛声拦不住，飞满江天).
I am happy to perform this piece and introduce aspects of Chinese traditional music and culture, which is greatly underrepresented in classical music concert programming in North America.
– Ada Qian (second-year MMus student)
Miroslav Tadić (b. 1959) is a Serbian guitarist, composer, improviser and music educator. Zajdi is the first movement from a
larger work. It is inspired by an extremely popular Macedonian folk song that explores universal themes of human mortality:
the passage of time and the imminence of old age. The guitarist is invited in the musical score to make free variations and
improvise accompaniment to an embellished melody played by the flute.
I enjoy the freedom of this music and the way in which it engages the audience’s imagination. The combination of alto Flute
and guitar also promotes a peaceful feeling, a gentle sonic landscape that encourages us to forget about our daily worries and
concerns.
– Hao Guo (first-year MMus student)
�
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_05.mp3">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_06.mp3">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/111721-5DaysofActionMusicWeLove/111721-5DaysofActionMusicWeLove_07.mp3">Track 7</a>
Dublin Core
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Title
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Music we love: Appreciating a wider spectrum of flute repertoire
Creator
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Ila Zbarsky
Date
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November 17 2021
Contributor
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Ainsley Mercer, flute
Lauren Debeljak, flute
Ada Qian, flute
Qinyue Zheng, flute
Thomas Evoy, percussion
Connie Goetz, flute
Hao Guo, alto flute Morgan Sheeley, guitar