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                    <text>SONIC LAB CONCERT

UVIC

Ajtony Csaba, Director

FRIDAY, MARCH 19, 2021 | 7 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Inventionen 			
	
III. Vorschläge (Apoggiaturas) 	

Isang Yun
(1917–1995)

Baylie Adams, alto saxophone
Emerson Jong, alto saxophone

Dialogue de l’ombre double 				
	
Transition III to IV	
	
Strophe IV
	
Transition IV to V

Pierre Boulez
(1925–2016)

Rachel Cooper, clarinet
Ajtony Csaba, live electronics

Bachianas Brasileiras No. 6 		
	
I. Aria (Chôro)	
	
II. Fantasia
Keren Xu, flute
Rio Lagos Davison, bassoon

Heitor Villa-Lobos
(1887–1959)

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/031921-SonicLab/031921-SonicLab-001.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/031921-SonicLab/031921-SonicLab-002.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/031921-SonicLab/031921-SonicLab-003.wav"&gt;Track 3&lt;/a&gt;</text>
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                <text>Baylie Adams, alto saxophone&#13;
Emerson Jong, alto saxophone&#13;
Rachel Cooper, clarinet&#13;
Ajtony Csaba, live electronics&#13;
Keren Xu, flute&#13;
Rio Lagos Davison, bassoon</text>
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                    <text>UVIC

CELLO STUDIO RECITAL
Students from the studio of Pamela Highbaugh Aloni.
SATURDAY, March 20, 2021 | 2:30 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Cello Suite No 3 in C Major, BWV 1009 	
Johann Sebastian Bach
	
VII. Gigue	(1685–1750)
Liam McDonald-Horak, cello
	
Sonata for Piano and Cello in G Minor, Op. 5, No. 2 	
	
I. Adagio sostenuto ed espressivo 	
	
II. Allegro molto piu tosto presto
Caitlyn Liu, cello
Simi Luttrell, piano

Ludwig van Beethoven
(1770–1827)

Fantasy Pieces, Op. 73 for Cello and Piano 	
Robert Schumann
	III. Rasch und mit Feuer			 						 (1810–1856)
Nicole Phanichphant, cello
Kay Kuang, piano

Sonata for Piano and Cello No.1 in E Minor, Op. 38 	
Johannes Brahms
	II. Allegretto quasi Menuetto									 (1833–1897)
	
III. Allegro
Aline Gilbert-Thévard, cello
Kinza Tyrrell, piano

Sonata for Piano and Cello in G Minor, Op. 65	
Frédéric Chopin
	
I. Allegro Moderato 										 (1810–1840)
	
III. Largo
Bryan Lin, cello
Jany Lu, piano

Concerto No.1 in C Major for Violoncello and Orchestra, Hob. V11b/1 	
	
II. Adagio	
	
III. Allegro molto
Enrico Tauzon, cello
Janu Lu, piano

Franz Joseph Haydn
(1732–1809)

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                <text>Liam McDonald-Horak, cello&#13;
Caitlyn Liu, cello&#13;
Simi Luttrell, piano&#13;
Nicole Phanichphant, cello&#13;
Kay Kuang, piano&#13;
Aline Gilbert-Thévard, cello&#13;
Kinza Tyrrell, piano&#13;
Bryan Lin, cello&#13;
Jany Lu, piano&#13;
Enrico Tauzon, cello</text>
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                    <text>UVIC

UVIC VOCAL JAZZ ENSEMBLE
SPRING SHOWCASE
Wendell Clantor, Director

SATURDAY, MARCH 20, 2021 | 7 PM

Phillip T. Young Recital Hall, University of Victoria

resilience
Quiet Thing by Fred Ebb &amp; Jon Kander, arr. by Dave Barduhn
Butterfly by Mia Makaroff, arr. by Mia Makaroff &amp; Anna-Mari Kähärä
Run To You by Mitchell Grassi, Scott Hoying, Avi Kaplan, Kirstie Maldonado, Kevin Olusola &amp; Ben Bram
It’s A Lovely Day by Irving Berlin featuring Chris Clarke &amp; Liv Duffin
Human Nature by Michael Jackson, arr. Chris Clarke
Light In The Hallway by Audra Mae, Mitch Grassi, Scott Hoying &amp; Ben Bram
Smile by Charlie Chaplin featuring Tamsyn Klazek-Schryer
What A Wonderful World by Bob Thiele and George David Weiss, arr. by Vijay Singh,
ed. by Wendell Clanton featuring Chris Clarke
A Sunday Kind of Love by Barbara Belle, Anita Leonard, Stan Rhodes, and Louis Prima
featuring Dilly Cooner
Unforgettable by Irving Gordon featuring Connie Goetz &amp; Rhys Batstone
Shine by Jeff Williams, arr. by Cassidy Stahr
Firework by Katy Perry, Mikkel Eriksen, Tor Erik Hermansen, Sandy Wilhem &amp; Ester Dean,
arr. Ben Bram featuring Andrew Wolf and Tamsyn Klazek-Schryer
PERSONNEL
			
Liv Duffin – Asst. Director			
Dilly Cooner
			
Tamsyn Klazek-Schryer			
Connie Goetz – Ensemble Manager
			
Lindsey Bellman – Swing			
Sophie Groves			
			
Fionalee Lustado				
Andrew Wolf – Asst. Director
			Benedict Mendes				Chris Clarke	
			Ethan Slogotski				Brendan Ciccone
Matthew Haussmann – Sound Production
Wendell Clanton – Director
Special Guests
Rhys Batstone, alto saxophone
Cassidy Stahr &amp; Jane Waddell
UVic Vocal Jazz thanks… Kristy Farkas, Concert Manager …
for her outstanding service!

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-001.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-002.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-003.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-004.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-005.wav"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-006.wav"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-007.wav"&gt;Track 7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-008.wav"&gt;Track 8&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-009.wav"&gt;Track 9&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-010.wav"&gt;Track 10&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-011.wav"&gt;Track 11&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032021-VocalJazz/32021-VocalJazz-HangingMics-012.wav"&gt;Track 12&lt;/a&gt;</text>
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                <text>Liv Duffin – Asst. Director&#13;
Tamsyn Klazek-Schryer&#13;
Lindsey Bellman – Swing&#13;
Fionalee Lustado&#13;
Benedict Mendes&#13;
Ethan Slogotski&#13;
Dilly Cooner&#13;
Connie Goetz – Ensemble Manager Sophie Groves&#13;
Andrew Wolf – Asst. Director&#13;
Chris Clarke&#13;
Brendan Ciccone&#13;
Matthew Haussmann – Sound Production&#13;
Wendell Clanton – Director&#13;
&#13;
Special Guests:&#13;
Rhys Batstone, alto saxophone&#13;
Cassidy Stahr &amp; Jane Waddell&#13;
&#13;
UVic Vocal Jazz thanks... Kristy Farkas, Concert Manager ... for her outstanding service!</text>
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                    <text>GRADUATE RECITAL
Marina Antoniou, Trombone
22nd March 2021, 7:00 PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Trombone Concerto
I.
II.
III.

Nikolai Rimsky-Korsakov
(1844-1908)

Allegro Vivace
Andante Cantabile
Allegro-Allegretto

Romance

Victor Ewald
(1860-1935)
arr. by Marina Antoniou

Concert Piece No. 5

Vladislav Blazhevich
(1881-1942)
Emily Markwart, piano
— INTERMISSION —

Elegie

Sergei Rachmaninov
(1873-1943)
arr. By Victor Venglovsky
Yuta Takahashi, piano

Russian Sailor’s Dance

Reinhold Glière
(1875-1956)
arr. By Scott MacInnes
Ekaterina Della Vedova, Sydney Hoffman, trumpet
Carling Riley, French horn
Scott Gordon, tuba
Marina Antoniou is from the class of Professor Scott MacInnes.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032221-MAntoniouTrombone/032221-MAntoniouTrombone_01.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032221-MAntoniouTrombone/032221-MAntoniouTrombone_02.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032221-MAntoniouTrombone/032221-MAntoniouTrombone_03.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032221-MAntoniouTrombone/032221-MAntoniouTrombone_04.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032221-MAntoniouTrombone/032221-MAntoniouTrombone_05.wav"&gt;Track 5&lt;/a&gt;</text>
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                <text>Marina Antoniou, Trombone&#13;
Emily Markwart, piano&#13;
Yuta Takahashi, piano&#13;
Ekaterina Della Vedova, Sydney Hoffman, trumpet&#13;
Carling Riley, French horn&#13;
Scott Gordon, tuba&#13;
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                    <text>GRADUATE RECITAL
Lea Fetterman, violin
Zin Cho, piano
March 24, 2021 | 8PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Partita No. 3 in E Major
I. Preludio
II. Loure
III. Gavotte en Rondeau
IV. Menuet I &amp; II
V. Bourée
VI. Gigue

Johann Sebastian Bach
(1685-1750)

Violin Concerto No. 3 in B Minor
I. Allegro non troppo

Camille Saint-Saëns
(1835-1921)
Zin Cho, piano

— INTERMISSION —

Sonata in D for Violin &amp; Piano
I. Allegretto quasi andante
II. Scherzo. Vivace
III. Largo con espressione – Allegro poco sostenuto, ma con fuoco
Zin Cho, piano

Lea Fetterman is from the class of Professor Ann Elliott-Goldschmid.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.
Please silence all electronic devices.

Hans Gál
(1890-1987)

�PROGRAM NOTES
Johann Sebastian Bach was appointed musical director in Köthen, Germany in 1717. This was a time of
great evolution for instruments, particularly for the keyboard with its newly established, equal
temperament tuning. Between 1717 and 1723, many of Bach’s most famous compositions were written,
including the Six Sonatas and Partitas for Solo Violin, Six Cello Suites, Brandenburg Concertos, his
Orchestral Suites, and the Well-Tempered Clavier—this time span has since become known as his
chamber and orchestral period.
The Partita No. 3 in E Major, BWV1006, is the final piece within the set for solo violin, and is also the
most lighthearted and optimistic of the six. It consists of one introductory movement, the Preludio, and
five French dance movements, all in the key of E-Major.

Camille Saint-Saëns wrote his Violin Concerto No. 3 in B-minor in 1880, and dedicated it to the great
violinist Pablo Sarasate. This time in Saint-Saëns’s life was impacted by great loss, from the death of
both his sons in 1878 due to illness, and his wife leaving in 1881.
Saint-Saëns was a child prodigy on the piano, performing his first recital at the age of 11, and began
attending the Paris Conservatoire for organ and composition in 1848. While it took the public many
years to appreciate his compositions, he became quite famous as a virtuoso pianist and organist. He
traveled the world as a well-regarded piano soloist and improvisor on the organ, including composing
full fugues on the spot. He was greatly influenced by Mozart and Beethoven, and had a close friendship
with Franz Liszt, who Saint-Saëns eventually dedicated his Symphony No. 3 “The Organ Symphony” to,
and who inspired him to compose tone poems (an orchestral genre invented by Liszt). His compositional
style is quite conservative compared to his French contemporaries, Debussy and Ravel, both of whom he
disliked, claiming their music was too influenced by emotion, and not composed with correct formal
structure. Saint-Saëns’s talent for orchestral textures can be heard in some of his most famous works:
The Carnival of the Animals, Danse Macabre, and the Suite Algérienne for orchestra (written in the same
year as his Violin Concerto No. 3).
Apart from his music, Saint-Saëns was an amateur astronomer, botanist, and writer. He frequently
wrote and published articles for the press and in journals about astronomy, the natural world, politics,
and his musical observations. He traversed the globe, frequenting Algiers and Egypt, along with visiting
the United Kingdom, North and South Americas, the Middle East, and East Asia. This wealth of
influences can be heard throughout his compositions, which have stood the test of time and continue to
be performed in concert halls worldwide.

Hans Gál’s Sonata in D for violin and piano was composed in July, 1933, but was not premiered until
2001. It was one of the first pieces the Jewish composer wrote after being dismissed from his position as
Music Director of the Conservatory in Mainz, when the Nazis arrived. Hitler banned publication and
performances of Gál’s music in Germany, and Gál and his family were forced to move back to their
homeland, Vienna, out of necessity for work and to escape the impending threat. By 1938, it was clear
that they could no longer stay in Austria, and the family emigrated to London. There, Gál met Sir Donald
Tovey, a fellow musician and scholar at the University of Edinburgh, and was invited to catalogue the
Reid Music Library. Just as life was beginning to look up for the family, Churchill declared that all “enemy
aliens,” including Jewish refugees, were to be arrested and put in internment camps in 1940. Gál was
separated from his family and interned from May until September of 1940. During this time, he wrote
the Huyton Suite for two violins and flute (the only instruments he had available at the time while
interned in Huyton) and What a Life!, a bilingual camp revue for middle voices, flute, clarinet, string
quartet, and piano, composed while interned on the Isle of Man. Gál wrote a diary throughout his time
Please silence all electronic devices.

�in the camps, and since his passing his entries about the experience have been published in the book
Music Behind Barbed Wire (2015).
Up until the rise of Hitler, Gál had a very successful career as a composer, pianist, and scholar.
Throughout the many traumatic experiences that he endured, he never stopped composing. Gál’s body
of work is vast and diverse, including chamber music for a wide variety of instruments, concertos,
symphonies, operas, and cantatas. He also wrote multiple biographies of great composers such as
Brahms, Verdi, Beethoven, and more. Gál’s musical language is quite original, influenced by Brahms,
Schubert, and Bach, and demonstrates great clarity, robust counterpoint, and beautifully optimistic
melodies. While his music has largely been overlooked throughout the last century, there has been a
recent revival of interest, more recordings are becoming available, and many pieces are being published
once again. Through his music, one can hear his authenticity, his respect for the craft, and his deep love
for the world around him.

Program notes written by Lea Fetterman, March 2021

Please silence all electronic devices.

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Zin Cho, piano</text>
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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
March 26, 2021 • 12:30 p.m.

Brass Quintet No.1, Op. 5			
	
		
	
III. Allegro moderato		
	
	
Abha-Marie Parmar, trumpet
Heidi Goetz, trumpet
Gillian Ramage, horn
Owen Knight, trombone
Aaron Kruger, tuba

Victor Ewald
(1860–1935)

Lars-Erik Larsson
(1908–1986)

Concerto, Op. 14	
	
I. Allegro molto moderato	
	
II. Adagio
	
III. Allegro scherzando
Ayari Kasukawa, saxophone
Amber Dayton, piano
Prelude and fugue in A minor, BWV 543	
	
1. Fugue	

Johann Sebastian Bach (1685–1750)
Transcribed by Franz Liszt

Isabel Stanyer, piano
Divertimento for Horn Quartet	
	
1. Prelude 	
	
V. Waltz
	
VII. Finale

The Garden of Love	
	
	
	

Kazutaka Kawai

Gillian Ramage, horn
Tyrell Loster, horn
Maia Copley, horn
Carling Riley, horn
Jacob ter Veldhuis
(b. 1951)

Alex Tiller, soprano saxophone

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                <text>Abha-Marie Parmar, trumpet&#13;
Heidi Goetz, trumpet&#13;
Gillian Ramage, horn&#13;
Owen Knight, trombone&#13;
Aaron Kruger, tuba&#13;
Ayari Kasukawa, saxophone&#13;
Amber Dayton, piano&#13;
Isabel Stanyer, piano&#13;
Gillian Ramage, horn&#13;
Tyrell Loster, horn&#13;
Maia Copley, horn&#13;
Carling Riley, horn&#13;
Alex Tiller, soprano saxophone</text>
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                    <text>STRING CHAMBER MUSIC

UVIC

Students from the School of Music string studios.
FRIDAY, MARCH 26, 2021 | 7 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
George Frideric Handel
(1685-1759)

Trio Sonata in G Major, Op. 5, No. 4		
	
I. Allegro 	
	
II. A tempo ordinario – Allegro, non presto – Adagio
	
III. Passacaille
	
IV. Gigue (Presto)
Joanna Hood, Baroque viola
Keren Xu, Baroque flute
Gabriel Laurence Cayer, Baroque violin
Jacob Culling, viola da gamba
Zin Cho, harpsichord

Dmitri Shostakovich
(1906–1975)

String Quartet No. 1					
	
I. Moderato	
	
II. Moderato
Danna Wenzel, violin
Cleo Yong, violin
Kyran Klazek-Schryer, viola
Liam Epp, cello

Alexander Borodin
(1833–1887)

String Quartet No. 2 in D Major		
	
II. Scherzo 	
	
III. Notturno

Megan Bibby, violin
Libby Wyse, violin
Julian Glover, viola
Caitlyn Liu, cello

String Quartet No. 2 in A minor, Op. 13
	
I. Adagio–Allegro Vivace 	
Plan &amp; Elevation
	
V. The Beech Tree

	

Felix Mendelssohn
(1809-1847)

	

	
Riccio String Quartet
Jas Schweitzer, violin
Noah Mellemstrand, violin
Amanda Steinemann, viola
Nicole Phanichphant, cello

Caroline Shaw
(b. 1982)

I NT E R M I S S I O N

Sonata for Flute, Viola, and Harp 			
	
II. Interlude. Tempo di minuetto 	
	
III. Final. Allegro moderato ma risoluto

Claude Debussy
(1862-1918)

Ada Qian, flute
Maki Yamagata, viola
McKenna Jennings, harp

String Quartet in G Minor, Op. 10
	
I. Animé et très décidé
	
II. Assez vif et bien rythmé
	
III. Andantino, doucement expressif
	
IV. Très modéré – En animant peu à peu – Très mouvementé et avec passion
Talia Sinclair, violin
Bennett Chiu, violin
Danielle Tsao, viola
Bryan Lin, cello

	

Claude Debussy

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                <text>Joanna Hood, Baroque viola&#13;
Keren Xu, Baroque flute&#13;
Gabriel Laurence Cayer, Baroque violin&#13;
Jacob Culling, viola da gamba&#13;
Zin Cho, harpsichord&#13;
Danna Wenzel, violin&#13;
Cleo Yong, violin&#13;
Kyran Klazek-Schryer, viola&#13;
Liam Epp, cello&#13;
Megan Bibby, violin&#13;
Libby Wyse, violin&#13;
Julian Glover, viola&#13;
Caitlyn Liu, cello&#13;
&#13;
Riccio String Quartet&#13;
Jas Schweitzer, violin&#13;
Noah Mellemstrand, violin&#13;
Amanda Steinemann, viola&#13;
Nicole Phanichphant, cello&#13;
&#13;
Ada Qian, flute&#13;
Maki Yamagata, viola&#13;
McKenna Jennings, harp&#13;
Talia Sinclair, violin&#13;
Bennett Chiu, violin &#13;
Danielle Tsao, viola &#13;
Bryan Lin, cello</text>
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                    <text>VIOLIN STUDIO RECITAL

UVIC

Students from the studio of Ann Elliott-Goldschmid.
SATURDAY, MARCH 27, 2021 | 2:30 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
La Campanella

	
Talia Sinclair, violin
Michelle Hoskin, piano

Niccolo Paganini (1782-1840)
(Arranged by Fritz Kreisler)

Violin Concerto in D minor, Op. 47 				
	
I. Allegro moderato
	
Libby Wyse, violin
Michelle Hoskin, piano
	
II. Adagio di molto 			
	
III. Allegro ma non tanto
Iryna Peleshchyshyn, violin
Michelle Hoskin, piano

Jean Sibelius
(1865-1957)

Concerto No. 5 in A Major, K. 219 			
	
III. Rondeau: Tempo di minuetto 	
Dana Wenzel, violin
Christopher Dlouhy, piano

Wolfgang Amadeus Mozart
(1756-1791)

Partita No. 3 in E Major 				
	
V. Giga	
Lea Fetterman, violin
Concerto in F Major, Op. 20
	
I. Allegro
Perpetuum Mobile

				
	

					
Megan Bibby, violin
Kinza Tyrrell, piano

Johann Sebastian Bach
(1685-1750)
Edouard Lalo
(1823-1892)
Ottokar Nováček
(1866-1900)

INTERMISSION
			

Romance in F major, Op. 50

Jade Chu, violin
Kinza Tyrrell, piano
Concerto No. 5
					
	
I. Allegro non troppo 	
Bennett Chiu, violin
Kinza Tyrrell, piano
Sonata No. 1 in G minor
	
I. Adagio
Prelude No. 4	

	

Henri Vieuxtemps
(1820-1881)

J. S. Bach

						
Gabriel Cayer, violin
Kinza Tyrell, piano

Partita No. 2 in D minor
	
Ciaconna (Chaconne)

Ludwig van Beethoven
(1770-1827)

				
Philip Manning, violin

Dmitri Shostakovich (1906-1975)
(Arranged by Dmitri Tsiganov)

J. S. Bach

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                <text>Ila Zbarsky</text>
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                <text>Talia Sinclair, violin&#13;
Michelle Hoskin, piano&#13;
Libby Wyse, violin&#13;
Iryna Peleshchyshyn, violin&#13;
Dana Wenzel, violin &#13;
Christopher Dlouhy, piano&#13;
Lea Fetterman, violin&#13;
Megan Bibby, violin&#13;
Kinza Tyrrell, piano&#13;
Jade Chu, violin&#13;
Bennett Chiu, violin&#13;
Gabriel Cayer, violin&#13;
Philip Manning, violin</text>
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                    <text>UVIC

STRING CHAMBER MUSIC

Students from the School of Music string studios.

TUESDAY, MARCH 30, 2021 | 12:30 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria

PROGRAM
Samuel Barber
(1910-1981)

String Quartet in B minor, Op. 11
		
	
I. Molto allegro e appassionato 	
	
II. Molto adagio
	
III. Molto allegro (come prima) – Presto
Iryna Peleshchyshyn, violin
Claire Sparrow-Clarke, violin
Judith Gaston, viola
Aline Gilbert-Thévard, cello

Dmitri Shostakovich
(1906-1975)

From 5 Pieces For 2 Violins And Piano		
	
I. Prelude 	
	
II. Gavotte
	
IV. Waltz
Keelyn Chu, violin
Jade Chu, violin
Eóghan Bostock, piano
Quartet No. 4 in C Major, K. 157		
	
I. Allegro 	
	
II. Andante
	
III. Presto

	

Wolfgang Amadeus Mozart
(1756-1791)

Rebecca Reader-Lee, violin
Emily Fenske, violin
Andrew Loe, viola
Liam McDonald-Horak, cello
String Quartet No. 2 in A minor, Op. 51			
	
I. Allegro non troppo 	
Carl Fung, violin
Lea Fetterman, violin
Philip Manning, viola
Jose Enrico R. Tuazon, cello

Johannes Brahms
(1833-1897)

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033021-StringChamberMusic2/033021_StringChamberMusic2_01.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033021-StringChamberMusic2/033021_StringChamberMusic2_02.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033021-StringChamberMusic2/033021_StringChamberMusic2_03.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033021-StringChamberMusic2/033021_StringChamberMusic2_04.wav"&gt;Track 4&lt;/a&gt;</text>
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                <text>Iryna Peleshchyshyn, violin&#13;
Claire Sparrow-Clarke, violin&#13;
Judith Gaston, viola&#13;
Aline Gilbert-Thévard, cello&#13;
Keelyn Chu, violin&#13;
Jade Chu, violin&#13;
Eóghan Bostock, piano&#13;
Rebecca Reader-Lee, violin &#13;
Emily Fenske, violin&#13;
Andrew Loe, viola &#13;
Liam McDonald-Horak, cello&#13;
Carl Fung, violin&#13;
Lea Fetterman, violin &#13;
Philip Manning, viola &#13;
Jose Enrico R.Tuazon, cello</text>
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                    <text>DEGREE RECITAL
Baylie Kristina Adams, saxophone
Yousef Shadian, piano
Wednesday, March 31, 2021, 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Deep Flowers

Evan Chambers
(b. 1963)

Ballade

Henri Tomasi
(1901-1971)

Romance

William Grant Still
(1895-1978)

— INTERMISSION —

Concertino da Camera
I. Allegro con moto

Fantaisie Brilliante sur des airs de Carmen

Baylie Adams is from the class of Professor Wendell Clanton.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.

Jaques Ibert
(1890- 1962)

François Borne
(1840-1920)

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033121-BaylieAdamsDegreeRecital/033121-BaylieAdamsDegreeRecital_1.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033121-BaylieAdamsDegreeRecital/033121-BaylieAdamsDegreeRecital_2.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033121-BaylieAdamsDegreeRecital/033121-BaylieAdamsDegreeRecital_3.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033121-BaylieAdamsDegreeRecital/033121-BaylieAdamsDegreeRecital_4.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/033121-BaylieAdamsDegreeRecital/033121-BaylieAdamsDegreeRecital_5.wav"&gt;Track 5&lt;/a&gt;</text>
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Yousef Shadian, piano</text>
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