87 10 1498 https://finearts.uvic.ca/music/archive/files/original/c072f6e5498c15de17256c8e5383ccb5.pdf 98a2b4537756642e44200efd5b6e5292 PDF Text Text STUDENT COMPOSERS CONCERT Music by students from the composition program FRIDAY, MARCH 13, 2020 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Coronary Crystallis Ian Sirias Ian Sirias, synthesizer Candles in the Snow Amanda Steinemann Jorge Flores Carrizales, piano Hauptsatz Luke Stevenson Channing Mar, clarinet Katherine Forster, clarinet Rachel Burtman, double bass Colwyn Lewis, double bass WD40-1A Deborah Baynes Ensemble 561 Emily Morse Tiess McKenzie Richard Charter Luke Stevenson Joseph Chiu Trio for Khene Instrument Lea Fetterman Luke Stevenson Tiess McKenzie Tiess McKenzie �Obed at Bodega - Second Tile Cashton McGillivray Cashton McGillivray, keyboard 1 Simeon Westeijn, keyboard 2 Brandon Bronson, percussion 1 Colin Malloy, percussion 2 Hazarai Richard Charter & Tiess McKenzie Tiess McKenzie Richard Charter I NT E R M I S S I O N Refraction Leon Fei, Bottle Drive Nick Koep Chorale for a Good Time Liam Mulligan Salty Surf Leif Bradshaw I am Alive Ethan Kopy, Binary Fission Luc Faris, Wings Megan Bibby, Dust Colwyn Lewis sleepjcncnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn bees buzzing ‘round, buzzing ‘round town Ensemble 105 Leif Bradshaw, voice Ethan Kopy, flute Brendan Wong, trumpet Liam Mulligan, euphonium Megan Bibby, violin Julian Glover, viola Colwyn Lewis, double bass Nick Koep, melodica Leon Fei, piano Luc Faris, piano EPILOGUE Julian Glover, Brendan Wong � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_1.mp3">Track 1 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_2.mp3">Track 2 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_3.mp3">Track 3 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_4.mp3">Track 4 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_5.mp3">Track 5 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_6.mp3">Track 6 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_7.mp3">Track 7 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_8.mp3">Track 8 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_9.mp3">Track 9 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_10.mp3">Track 10 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_11.mp3">Track 11 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_12.mp3">Track 12 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_13.mp3">Track 13 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_14.mp3">Track 14 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_15.mp3">Track 15 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031320-StudentComposers/031320-StudentComposers_16.mp3">Track 16</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student Composers Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 13, 2020 Contributor An entity responsible for making contributions to the resource Ian Sirias, synthesizer Jorge Flores Carrizales, piano Channing Mar, clarinet Katherine Forster, clarinet Rachel Burtman, double bass Colwyn Lewis, double bass Ensemble 561 Emily Morse Tiess McKenzie Richard Charter Luke Stevenson Joseph Chiu Lea Fetterman Cashton McGillivray, keyboard 1 Simeon Westeijn, keyboard 2 Brandon Bronson, percussion 1 Colin Malloy, percussion 2 Leon Fei Nick Koep Liam Mulligan Leif Bradshaw Ethan Kopy Luc Faris Megan Bibby Colwyn Lewis Julian Glover Brendan Wong https://finearts.uvic.ca/music/archive/files/original/7b1bae7a51b37778cd68d5cfe4c0f4f1.pdf 8e76ebf0ade9b4775274a27879bd3ab9 PDF Text Text G RADUATE R ECITAL Emily Morse, Flute Charlotte Hale, Piano Wednesday March 11, 2020, 12:00pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Andante et Allegro Scherzo Mel Bonis (1858-1937) Mel Bonis (1858-1937) D’un Matin de Printemps Sonata in F-Sharp Minor Lili Boulanger (1893-1918) Mel Bonis (1858-1937) I: Moderato II: Presto III: Lento IV: Final Emily Morse is from the class of Dr. Suzanne Snizek This recital is presented in partial fulfillment of the requirements for the Master of Music (Musicology with Performance) program. Please turn off all cell phones. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031520-GradComposersConcertCharterChiu/031520-GradComposersConcertCharterChiu_1.mp3">Track 1 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031520-GradComposersConcertCharterChiu/031520-GradComposersConcertCharterChiu_2.mp3">Track 2 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031520-GradComposersConcertCharterChiu/031520-GradComposersConcertCharterChiu_3.mp3">Track 3 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031520-GradComposersConcertCharterChiu/031520-GradComposersConcertCharterChiu_4.mp3">Track 4 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031520-GradComposersConcertCharterChiu/031520-GradComposersConcertCharterChiu_5.mp3">Track 5 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031520-GradComposersConcertCharterChiu/031520-GradComposersConcertCharterChiu_6.mp3">Track 6 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031520-GradComposersConcertCharterChiu/031520-GradComposersConcertCharterChiu_7.mp3">Track 7 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031520-GradComposersConcertCharterChiu/031520-GradComposersConcertCharterChiu_8.mp3">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Title A name given to the resource Degree Recital - Joseph Chiu and Richard Charter Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 15, 2020 Contributor An entity responsible for making contributions to the resource Richard Charter, piano Ensemble 561: Emily Morse Joseph Chiu Richard Charter Tiess McKenzie Luke Stevenson Allie Bertholm, horn Ben Parker, flugelhorn Tiess McKenzie, trombone Scott Gordon, tuba Ian Sirias, Rhodes piano Dana Wenzel, Serena Bodi, violins Judith Gaston, viola Rachel Burtman, double bass Christopher Dlouhy, conductor Emily Morse, flute Kaitlyn Cumberland, oboe Tiess McKenzie, trombone Cashton McGillivray, vibraphone Serena Bodi, violin Marianne Ing, trumpet I Tark Kim, trumpet II Allie Bertholm, horn Will Quinn, trombone Scott Gordon , tuba Serena Bodi, violin I Dana Wenzel, violin II Judith Gaston, viola Rachel Burtman, double bass Lea Fetterman, conductor Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031520-VogtFaculty/031520-VogtFaculty_01.mp3">Track 1 </a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031520-VogtFaculty/031520-VogtFaculty_02.mp3">Track 2 </a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031520-VogtFaculty/031520-VogtFaculty_03.mp3">Track 3 </a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031520-VogtFaculty/031520-VogtFaculty_04.mp3">Track 4 </a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/031520-VogtFaculty/031520-VogtFaculty_05.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Recital - Vogt Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 15, 2020 https://finearts.uvic.ca/music/archive/files/original/f03a5e822f37f77d571541dc56919fa8.pdf df28a144243fd3253923e38a6f299e80 PDF Text Text DEGREE RECITAL Anna Betuzzi, Oboe Kelly Charlton, piano 18 March, 2020, 8pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Sonata in G Minor, BWV 1030b I. II. III. Johann Sebastian Bach (1685-1750) Andante Siciliano Presto Kelly Charlton, piano Cinq Pieces Pour Le Hautbois I. II. III. IV. V. Antal Doràti (1906-1988) La Cigale et le Fourmie Lettre d’amour Fugue à trois voix Berceuse Légerdemain Parable for Solo English Horn, Op.128 Vincent Persichetti (1959-1987) — INTERMISSION — Please turn off all cell phones. �Six Metamorphoses after Ovid I. IV. Benjamin Britten (1913-1976) Pan Bacchus Sonata for Oboe and Piano I. II. III. Francis Poulenc (1899-1963) Elégie Scherzo Déploration Anna Betuzzi is from the class of Professor, Mr. Russell Bajer This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Please turn off all cell phones. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031820-ABetuzziOboe/031820-ABetuzziOboe_1.mp3">Track 1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/031820-ABetuzziOboe/031820-ABetuzziOboe_2.mp3">Track 2 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031820-ABetuzziOboe/031820-ABetuzziOboe_3.mp3">Track 3 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031820-ABetuzziOboe/031820-ABetuzziOboe_4.mp3">Track 4 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/031820-ABetuzziOboe/031820-ABetuzziOboe_5.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Anna Betuzzi - Oboe Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 18, 2020 Contributor An entity responsible for making contributions to the resource Anna Betuzzi, oboe Kelly Charlton, piano https://finearts.uvic.ca/music/archive/files/original/c45a3ff3e74f44f9a638f58c64b04c9e.pdf 672eb0c39584a83c101eee111f79237e PDF Text Text DEGREE RECITAL Jonathan Li, Piano March 21, 2020, 1pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Prelude and Fugue in D major, WTC II J.S. Bach (1685–1750) Preludes XIII. Illumination X., Spoof Jean Coulthard (1908-2000) Sonata in C minor; op. 111 I. Maestoso—Allegro con brio ed appassionato II. Arietta—Adagio molto semplice e cantabile Ludwig van Beethoven (1770-1827) Fantasie in C major, op. 17 I. Durchaus phantastisch und leidenschaftlich vorzutragen II. Massig. Durchaus energisch III. Langsam getragen. Durchweg leise ze halten Jonathan Li is from the class of Professor Arthur Rowe This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Piano Performance) program. Please turn off all cell phones. Robert Schumann (1810-1856) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032120-J.LiBMusPianoRecital/032120-J.LiBMUSPianoRecital_01.mp3">Track 1 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032120-J.LiBMusPianoRecital/032120-J.LiBMUSPianoRecital_02_01.mp3">Track 2 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032120-J.LiBMusPianoRecital/032120-J.LiBMUSPianoRecital_02_02.mp3">Track 3 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032120-J.LiBMusPianoRecital/032120-J.LiBMUSPianoRecital_03_01.mp3">Track 4 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032120-J.LiBMusPianoRecital/032120-J.LiBMUSPianoRecital_03_02.mp3">Track 5 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032120-J.LiBMusPianoRecital/032120-J.LiBMUSPianoRecital_04_01.mp3">Track 6 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032120-J.LiBMusPianoRecital/032120-J.LiBMUSPianoRecital_04_02.mp3">Track 7 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032120-J.LiBMusPianoRecital/032120-J.LiBMUSPianoRecital_04_03.mp3">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Jonathan Li - Piano Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 21, 2020 Contributor An entity responsible for making contributions to the resource JonathanLi, Piano https://finearts.uvic.ca/music/archive/files/original/028624b661c1b4fd73d8969162e57a61.pdf c963d374e5ba6c02765e83f290570735 PDF Text Text DEGREE RECITAL Xheni Sinaj, Piano 25 March 2020, 12p.m Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Sonata in B-flat Major D.960 I. Molto Moderato II. Andante Sostenuto III. Scherzo. Allegro vivace con delicatezza-Trio IV. Allegro ma non troppo F. Schubert (1797-1828) — INTERMISSION — Harmonies poetiques et religieuses S. 173 F. Liszt (1811-1886) III. Benediction de Dieu dans la Solitude 5 Klavierstucke S.192 F. Liszt (1811-1886) Romance Oubilee S.527 F. Liszt (1811-1886) Xheni Sinaj is from the class of Professor Arthur Rowe. This recital is presented in partial fulfillment of the requirements for the Master of Music (Piano Performance) program. Please turn off all cell phones. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_01_01.mp3">Track 1 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_01_02.mp3">Track 2 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_01_03.mp3">Track 3 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_01_04.mp3">Track 4 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_01_05.mp3">Track 5 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_02.mp3">Track 6 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_03.mp3">Track 7 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_04_01.mp3">Track 8 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_04_02.mp3">Track 9</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_04_03.mp3">Track 10 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032520-X.SinajMMusRecital/032520-X.SinajMMUSPiano_04_04.mp3">Track 11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Xheni Sinaj, Piano Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 25, 2020 Contributor An entity responsible for making contributions to the resource Xheni Sinaj, Piano https://finearts.uvic.ca/music/archive/files/original/7ab4415c0bb0f808ced68f0d995327ad.pdf 89e740cd74b03db87fa56243ef8d0a18 PDF Text Text DEGREE RECITAL Jeanel Liang, violin Jonathan Li, piano Thursday, March 26th, 2020 | 8:00PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Partita No. 2 in D minor, BWV 1004 V. Ciaccona J.S. Bach (1685 – 1750) Violin Concerto No. 1 III. Passacaglia – Cadenza IV. Burlesca D. Shostakovich (1906 – 1975) — INTERMISSION — Sonata for Violin and Piano No. 3, Op. 108 I. Allegro II. Adagio III. Un poco presto e con sentimento IV. Presto agitato Jonathan Li, piano Jeanel Liang is from the class of Professor Ann Elliott Goldschmid. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance program. Please turn off all cell phones. J. Brahms (1833 – 1897) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032620-JLiangViolin/032620-JLiangViolin_01.mp3">Track 1 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032620-JLiangViolin/032620-JLiangViolin_02.mp3">Track 2 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032620-JLiangViolin/032620-JLiangViolin_03.mp3">Track 3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Jeanel Liang - Violin Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 26, 2020 Contributor An entity responsible for making contributions to the resource Jeanel Liang, violin Jonathan Li, piano https://finearts.uvic.ca/music/archive/files/original/b4b1a48405bda202ae9b87a0e2982a1c.pdf 4a4cf5a411e75528ea95a73dceb16ebb PDF Text Text Todd Morgan March 27th, 2020. 3pm Phillip T. Young Recital Hall, MacLaurin Building Live-Streamed & Recorded PROGRAM Balafon from Neuf Etudes pour Saxophones Christian Lauba (b.1952) Todd Morgan, alto saxophone Tango Etude No. 3 Astor Piazzolla (1921-1992) Emily Markwart, piano Tableaux de Provence I. Farandoulo di chatouno II. Cansoun per ma mio III. La Boumiano IV. Dis Alyscamps l’amo souspire V. Lou Cabridan Paule Maurice (1910-1967) Yousef Shadian, piano — INTERMISSION — Fantasia II. I. Heitor Villa-Lobos (1887-1959) Lent Anime Todd Morgan, tenor saxophone Emily Markwart, piano Please turn off all background applications/videos/films/streaming platforms, and whatnot. �Prelude, Cadence Et Finale Alfred Desenclos (1912-1971) Abridged/Unaccompanied Todd Morgan, alto saxophone Images II. David Biedenbender (b. 1984) Still Emily Markwart, Piano Todd Morgan is from the class of Professor Wendell Clanton This recital is presented in potential fulfillment of the requirements for the Bachelor of Music (Performance) program. Note: Though the daily structures of our lives seem to always be changing, thank you all for tuning in this afternoon! Despite much rescheduling, it is a true honour to still have a chance to present with and for the people I love. Attending music school has been one of the highlights of my life, and I cherish the time and lessons many of us shared together. Keep on smilin’ - Todd Please turn off all background applications/videos/films/streaming platforms, and whatnot. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032720-TMorganSax/032720-TMorganSax_01.mp3">Track 1 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032720-TMorganSax/032720-TMorganSax_02.mp3">Track 2 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032720-TMorganSax/032720-TMorganSax_03.mp3">Track 3 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032720-TMorganSax/032720-TMorganSax_04.mp3">Track 4 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032720-TMorganSax/032720-TMorganSax_05.mp3">Track 5 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032720-TMorganSax/032720-TMorganSax_06.mp3">Track 6 </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Todd Morgan - Saxophone Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 27, 2020 Contributor An entity responsible for making contributions to the resource Todd Morgan, alto and tenor saxophones Emily Markwart, piano Yousef Shadian, piano https://finearts.uvic.ca/music/archive/files/original/214305c50a33696538f35e2801cf1fff.pdf 2997366a8ffe43b465b9afccb8fa3773 PDF Text Text GRADUATE RECITAL ECHOES OF MEXICO National Airs Jorge Eduardo Flores Carrizales Piano 30 March 2020, 20:00 Phillip T. Young Recital Hall, MacLaurin Building Admission by donation �Mural Dream of a Sunday Afternoon in Alameda Central, 1946-1947. Diego Rivera Introduction Echoes of Mexico is an anthology of works by Mexican composers that synthesizes more than a century of the history of piano music in the country. The variety of styles presented in this program takes us from Porfirio Díaz's pre-revolutionary Eurocentric Mexico, to a country in search of a national identity, and finally to the variety of modern styles of the present. Tonight's program invites you to travel through the diverse landscapes of Mexico, giving you not only a musical perspective, but also broader cultural experience. Biography Jorge Eduardo Flores Carrizales was born in Nuevo Laredo, Mexico. At the age of seventeen Jorge met the pianist Sergio Peña with whom he started to study music. Seven months after initiating his piano lessons, Jorge performed his first piano recital at the Ted Sadlowski music hall. In 2010, and after the passing of Sergio Peña, Jorge was given a special award to pursue a formal music education in the interior of Mexico. In 2016, Jorge obtained a Bachelor of Music with honours from the University of Guanajuato, where he studied with Elena Podzharova. During his career, Jorge has given recitals in Mexico, Canada, and the United States. He is currently about to graduate from the Master’s program in piano performance at the University of Victoria, where he studies under Arthur Rowe. �Program (Translation of the titles in program notes) Días de Mar y Río Arturo Márquez (b. 1950) Estampas Marítimas I. II. III. Eduardo Hernández Moncada (1899 – 1995) Jugando en la playa Crepúsculo Son de Huapango Muros Verdes José Pablo Moncayo (1912 – 1958) Páramo Pétreo Federico Ibarra (b. 1946) Balada Mexicana Manuel María Ponce (1882 – 1948) ~ INTERMISSION ~ Paisajes Frederic Mompou (1893 – 1987) I. II. III. La fuente y la campana El lago Carros de Galicia Danzas para Piano III. V. VI. La guacamaya pinta La Güarecita Los Muleros Las Frías Montañas Ecos de México Domingo Lobato (1920 – 2012) Mario Ruíz Armengol (1914 – 2002) Julio Ituarte (1845 – 1905) �Program notes Days of Sea and River (1997) Días de Mar y Río Born in a small town near the northwest coast of Mexico called Álamos, Arturo Márquez´s music reflects a bucolic joy, and a sensual understanding of rhythm, harmony, and melody influenced by his greatest passion: Danzón. Days of Sea and River is an impression of the memories of the hot wind, the burning sun, and the water flowing at the banks of Mayo River in the Gulf of California. Maritime Estampes (1969) Estampas Marítimas These contrasting miniatures take place in the port of San Juan de Ulúa, Veracruz. Hernández Moncada, an irremediable jarocho, describes his music as regionalist rather than nationalist. Playing on the beach uses impressionist harmonies combined with folkloric rhythms. The taciturn Twilight is a dissonant semi-vernacular chant. Huapango emulates the characteristic accompaniment of the jarocha harp, interrupted by the singing voice of a town caller. Green Walls (1951) Muros Verdes Inspired in the nurseries of Coyoacán Mexico City, Green Walls was a gift for pianist Clara Rodríguez del Campo to celebrate her graduation from the National School of Music. Internationally known for his Huapango, a work with nationalistic qualities commissioned by Carlos Chávez, Moncayo preferred to see himself as an ordinary Mexican who was born and raised in Mexico, with a style and a language defined by this fact. Rocky Wasteland (2006) Pàramo Pétreo Bleak and dry, this work portrays the fictional Comala, an ethereal town in Pedro Páramo, a novel written by Juan Rulfo. The main theme is constructed around a mysterious interval, with a very simple accompaniment gradually progressing through variations of rage and desolation. This work was commissioned by Ana Cervantes for her album Solo Rumores, to commemorate Rulfo’s life. Mexican Ballade (1918) Balada Mexicana At a time when salon music was still the norm after the regimen of Porfirio Diaz, Ponce parted with the tradition of writing glamorous music for the elites. Written just a few years after the revolution, this ballad encases two vernacular tunes: The Peach (sung in the northern troops of Pancho Villa), and Remember Me (sung in the heart of Mexico). The expanded harmony and a complex structure distinguish Mexican Ballade from the compositions made before the revolution. �Landscapes (1942-1960) Paisajes The intimacy of Landscapes is oneiric. Mompou defines himself as a man of few words and a musician of few notes. His music is the voice of silence. The Fountain and the Bell (1942), inspired in the cathedral of Barcelona, was composed after the return to his homeland after a twentyyear exile. The Lake (1947) is an impression of the aroma and sensation of the water in Montjuic Park. Cars of Galicia (1960) glimpses the evolution of a new and modern language. Dances for Piano (1965) Danzas para Piano Lobato's impressionist influence, combined with the use of Hispanic and Creole elements, give his work a regional identity. Six Dances for Piano is a programmatic work alluding to animals, places, people, professions, instruments, and more. The Coloruful Macaw (III) is an allegro in the Huapango style that transports us to the jungle of the Chimalpas, home of the beautiful bird. The bucolic Güarecita (V) portrays a Purépecha woman in her traditional dress in Uruápan. The Mule Drivers (VI) has a lively rhythm to represent the Spanish profession inherited from the conquest of caring for and carrying mules to transport items. The Cold Mountains (1964) Las Frías Montañas A prolific composer and popular musician, Armengol builds his sound with soft harmonies, formal structure, and Latin American rhythms. The Cold Mountains is not set in a specific location; however, it could have been inspired by the inactive and snowy volcano of Puebla known as Iztaccíhuatl. Local Mixtec mythology tells that Princess Iztaccíhuatl died of love when she learned that Popocatépetl was killed in the Oaxaca war. The warrior, who actually had not died, returns to search for his beloved only to find her corpse. He takes Iztaccihuatl up the mountain to seek the favor of the gods, who immortalize her by turning her into a snowy volcano, at the same time that they turn him into an active volcano near her. Echoes of Mexico (1880) Ecos de México From a privileged family during the Porfiriato, Julio Ituarte received a formidable academic and musical education. However, in Echoes of Mexico (Capriccio concertante) the apparently opposite of the Mexican bourgeoisie with the tunes of the poor people of the town is reconciled. Ituarte’s use of vernacular songs like El Guajito, El Palomo Miahuateco, Las Mananitas, El Murciélago, and El Butaquito, allowed to the elites to revive in a recital hall what they used to hear in their childhood from the mouth of their wet nurses and servants. Being one of the first composers to fuse these elements into a defined concertante style, Ituarte was considered by Ponce as the true precursor of the nationalist movement, appearing in the pages of history among the greatest Mexican musicians. �Jorge is from the class of Prof. Arthur Rowe This recital is presented in partial fulfillment of the requirements for the Master of Music in piano performance program. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032620-J.CarrizalesMMUSPiano%20Recital_01.mp3">Track 1 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032620-J.CarrizalesMMUSPiano%20Recital_02%201.mp3">Track 2 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032620-J.CarrizalesMMUSPiano%20Recital_03%201.mp3">Track 3 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032620-J.CarrizalesMMUSPiano%20Recital_04.mp3">Track 4 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032620-J.CarrizalesMMUSPiano%20Recital_05.mp3">Track 5 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032620-J.CarrizalesMMUSPiano%20Recital_06.mp3">Track 6 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032320-J.CarrizalesMMUSPianoRecital_07.mp3">Track 7 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032620-J.CarrizalesMMUSPiano%20Recital_08.mp3">Track 8 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032620-J.CarrizalesMMUSPiano%20Recital_09_01.mp3">Track 9 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032620-J.CarrizalesMMUSPiano%20Recital_09_02.mp3">Track 10 </a><a href="https://finearts.uvic.ca/music/archive/uploads/student/032320-J.CarrizaleMMusPianoRecital/032620-J.CarrizalesMMUSPiano%20Recital_09_03.mp3">Track 11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Jorge Carrizale MMus Piano Recital Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource March 30, 2020 Contributor An entity responsible for making contributions to the resource Jorge Eduardo Flores Carrizales, Piano https://finearts.uvic.ca/music/archive/files/original/afe35dafdb43f39626be6d49e77228f6.pdf 7798dd5a885d247c601657cbc2b1aca2 PDF Text Text VIOLIN STUDIO RECITAL UVIC Students from the studio of Sharon Stanis SATURDAY, NOVEMBER 21, 2020 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building University of Victoria PROGRAM Sonata No. 1 in G Minor, BWV 1001 I. Adagio II. Fuga. Allegro Leonardo Maekawa, violin J. S. Bach (1685-1750) Sonata No. 3 in C Major, BWV 1005 III. Largo Noah Mellemstrand, violin J. S. Bach Isaac Albéniz (1860-1909) Arr. Mischa Elman (1891-1967) Tango Keelyn Chu, violin Mela Cheung, piano Tempo di Minuetto in the style of Pugnani Emily Fenske, violin Bailey Lehmann, piano Concerto No. 1 in G Minor, Op. 26 II. Adagio Partita No. 3 in E Major, BWV 1006 VI: Gigue Cleo Yong, violin Kinza Tyrrell, piano Fritz Kreisler (1875-1962) Max Bruch (1838-1920) J. S. Bach Jas Schweitzer, violin Nocturne for Violin and Piano Jas Schweitzer, violin Lucas Hung, piano Malagueña, Op. 21 Claire Sparrow-Clarke, violin Kayla Nguyen, piano Sonata No. 9 in A Major (“Kreutzer”), Op. 47 II. Andante con variazioni Carl Fung, violin Jinyeoung Cho, piano Lili Boulanger (1893-1918) Pablo de Sarasate (1844-1908) Ludwig van Beethoven (1770-1827) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112120-ViolinStudio/112120-ViolinStudio_01.mp3">Track 1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/112120-ViolinStudio/112120-ViolinStudio_02.mp3">Track 2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/112120-ViolinStudio/112120-ViolinStudio_03.mp3">Track 3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/112120-ViolinStudio/112120-ViolinStudio_04.mp3">Track 4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/112120-ViolinStudio/112120-ViolinStudio_05.mp3">Track 5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/112120-ViolinStudio/112120-ViolinStudio_06.mp3">Track 6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/112120-ViolinStudio/112120-ViolinStudio_07.mp3">Track 7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/112120-ViolinStudio/112120-ViolinStudio_08.mp3">Track 8</a> <a href="https://finearts.uvic.ca/music/archive/uploads/student/112120-ViolinStudio/112120-ViolinStudio_09.mp3">Track 9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin Studio Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2020 Contributor An entity responsible for making contributions to the resource Leonardo Maekawa, violin Noah Mellemstrand, violin Keelyn Chu, violin Mela Cheung, piano Emily Fenske, violin Bailey Lehmann, piano Cleo Yong, violin Kinza Tyrrell, piano Jas Schweitzer, violin Lucas Hung, piano Claire Sparrow-Clarke, violin Kayla Nguyen, piano Carl Fung, violin Jinyeoung Cho, piano