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                    <text>UVic Vocal Jazz Autumn Showcase 2019

7pm Sunday November 24 / Phillip T. Young Recital Hall
Admission by Donation
1.
2.
3.
4.
5.
6.
7.
8.

The Way You Look Tonight
Wednesday Group
Begin The Beguine
Wednesday Group
Georgia
Clay
When I Get Low I Get High
Allie
Bluesette
Spotlight Combo II
Nature Boy
Monday Group
Words
Spotlight Combo I
Since You’ve Been Gone
Monday Group
Intermission – Concession open in the lounge
9. Sous le Ciel de Paris
Cassidy with Noah
10. Call Me
Wednesday Group
11. Cry Me A River
Lindsey
12. A Child Is Born
Monday Group

uvicvocaljazz.blogspot.ca

�UVic Vocal Jazz Autumn Showcase 2019
13. Take On Me

Monday Group

Aaron Ruddell
Allie Bertholm
Andrew Wolf
Anton Sokalski
Ben Mendes
Brendan Ciccone
Brittnie Spriel
Cassidy Stahr
Clay Dowdell
Chris Clarke
Connie Goetz
Davey Bastin-Decaste
Dilly Cooner

Fionalee Lustado
Ila Zbarsky
Ken Kosowick
Katherine Allen
Lindsey Bellman
Megan Handley
Noah Mellemstrand
Odyn Mulder
Patrick Schjelderup
Sophie Groves
Victoria Jackson
Special Guests
James Waddell
Rachel Burtman – Bass
Wendell Clanton, Director
Noah Mellemstrand – Violin
Allie Bertholm – Trumpet

UVic Vocal Jazz thanks…
Kristy Farkas
Cassidy Stahr
Connie Goetz
Allie Bertholm
Clay Dowdell

Concert Manager
Monday Group Manager
Wednesday Group Manager
Liaison
Technical Assistant

…for their outstanding service!

Spring Showcase
7pm Sunday March 22nd

uvicvocaljazz.blogspot.ca

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_01.mp3"&gt;Track 1&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_02.mp3"&gt;Track 2&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_03.mp3"&gt;Track 3&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_04.mp3"&gt;Track 4&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_05.mp3"&gt;Track 5&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_06.mp3"&gt;Track 6&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_07.mp3"&gt;Track 7&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_08.mp3"&gt;Track 8&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_09.mp3"&gt;Track 9&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_10.mp3"&gt;Track 10&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_11.mp3"&gt;Track 11&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112419-VocalJazzFallShow/112419-VocalJazzFallShow_12.mp3"&gt;Track 12&lt;/a&gt;</text>
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                <text>Aaron Ruddell&#13;
Allie Bertholm&#13;
Andrew Wolf&#13;
Anton Sokalski&#13;
Ben Mendes&#13;
Brendan Ciccone&#13;
Brittnie Spriel&#13;
Cassidy Stahr&#13;
Clay Dowdell&#13;
Chris Clarke&#13;
Connie Goetz&#13;
Davey Bastin-Decaste&#13;
Dilly Cooner&#13;
Fionalee Lustado&#13;
Ila Zbarsky&#13;
Ken Kosowick&#13;
Katherine Allen&#13;
Lindsey Bellman&#13;
Megan Handley&#13;
Noah Mellemstrand&#13;
Odyn Mulder&#13;
Patrick Schjelderup&#13;
Sophie Groves&#13;
Victoria Jackson&#13;
&#13;
Special Guests&#13;
James Waddell&#13;
Rachel Burtman – Bass&#13;
&#13;
Noah Mellemstrand – Violin&#13;
Allie Bertholm – Trumpet&#13;
&#13;
Director - Wendell Clanton</text>
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                    <text>School of
Music

Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
November 26, 2019 • 12:30 p.m.

Le Vent a Travers les Ruins								

Yuko Uebayashi
(b. 1962)

Breanna Morrissette, flute
Sonatina for Flute and Piano								
							

Eldin Burton
(1913-1979)

Charlotte Mason, flute
Charlotte Hale, piano
Suite pour flûte seule									
	
I. Caprice								
	
II. Pavane
	
III. Saltarelle
	
IV. Allemande
	
V. Menuet
	
VI. Marche			
Rhiannon Jones, flute
	
Sonatine for Flute and Piano
								

Jean Françaix
(1912–1997)

Henri Dutilleux
(1916–2013)

Ada Qian, flute
Charlotte Hale, piano
Cello Concerto in D minor
	
I. Prelude, Lento - Allegro maestoso					

Édouard Lalo
(1823–1892)

Liam Epp, cello
Michelle Hoskin, piano

UPCOMING AT THE SCHOOL OF MUSIC
WEDNESDAY, NOVEMBER 27 | 8:00 PM (Free Admission)
Orion Series in Fine Arts: Guest Concert
Carl Petersson, piano
Performing solo piano works by Frédéric Chopin, Niccolò Paganini/Franz Liszt, Einar Englund, Sergei Rachmaninov, and Isaac Albéniz.
Born in 1981 in Lund, Sweden, Petersson began playing the piano at age 15. With an international performance career, he has appeared
at venues such as Toronto’s Glenn Gould Studio, the Shanghai Oriental Art Center and the Kleinhans Music Hall in Buffalo, New York
and has collaborated with orchestras including the Buffalo Philharmonic Orchestra, the Kraków Philharmonic and the Czech National
Symphony Orchestra. In 2013 Petersson received his PhD from the Academy of Music in Kraków. As a lecturer, he has been invited as a
guest speaker to the Royal Swedish Academy of Music, Tel Aviv University, the Hong Kong Academy for Performing Arts, the University of
Ottawa and the New England Conservatory, among others.
Phillip T. Young Recital Hall
THURSDAY, NOVEMBER 28 | 8:00 PM ($10-$20)
Don Wright Symphonic Winds: Out of This World
Michael Keddy, conductor
Students from across campus join together to perform music representative of the human fascination and connection with all things
“extraterrestrial.”
The Farquhar at UVic, University Centre

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                <text>Breanna Morrissette, Flute&#13;
Charlotte Mason, Flute&#13;
Charlotte Hale, Piano&#13;
Rhiannon Jones, Flute&#13;
Ada Qian, Flute&#13;
Liam Epp, Cello&#13;
Michelle Hoskin, Piano</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

ORION SERIES IN FINE ARTS

CARL PETERSSON
PIANO

We acknowledge with respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.

Wednesday, November 27, 2019 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free admission

�PROGRAM
Frédéric Chopin

Grand Valse Brillante, Op. 18
Scherzo in B minor, Op. 20
Prelude in D-flat major “Raindrop” Op. 28, No. 15
Niccolò Paganini/Franz Liszt
Paganini étude No. 5 [caprice No. 9] in E major “La chasse”
Paganini étude No. 6 [caprice No. 24] in A minor “Theme and
Variations”
Einar Englund
Introduzione &amp; Toccata

I NT E R M I S S I O N
Concession open in the lounge

Sergei Rachmaninoff
Prelude in C-sharp minor Op. 3, No. 2
Polchinelle Op. 3, No. 4
Isaac Albéniz
Iberia, Book 1
	
1. Evocation
	
2. El Puerto
	
3. Corpus Christi en Sevilla
Franz Liszt
Hungarian Rhapsody No. 2 in C-sharp minor

�BIOGRAPHY
Born in 1981 in Lund, Sweden, Carl Petersson began playing the piano at the
age of 15. He studied at the Royal Danish Academy of Music in Copenhagen
with José Ribera, and during this time partook in numerous international
masterclasses. Petersson was awarded the Tel-Hai International Piano Master
Classes scholarship four years in succession, studying with Pnina Salzman,
Viktor Derevianko and Emanuel Krasovsky.
Petersson continues to perform internationally, and has appeared at venues
such as the Glenn Gould Studio at the CBC Centre, Toronto, the Shanghai
Oriental Art Center and the Kleinhans Music Hall in Buffalo, New York. He
has collaborated with conductors JoAnn Falletta, Kerry Stratton, Jiří Stárek and
Niklas Willén, and with orchestras such as the Buffalo Philharmonic Orchestra,
the Kraków Philharmonic, and the Czech National Symphony Orchestra. He
has participated in international music festivals including Music and Beyond,
Canada, the International Chopin Festival in Antonin, Poland and the Beethoven
Festival in Teplice.
In 2013 Petersson received his PhD from the Academy of Music in Kraków,
where he assisted Mariola Cieniawa’s class. In 2008 he released an acclaimed
recording of von Flotow piano concertos with the Pilsen Philharmonic on
Sterling Records, recorded Godowsky’s Java Suite in 2011, and the cello and
piano duets of Offenbach and von Flotow in 2012. During his Canadian tour,
he made a live recording of Grieg’s Piano Concerto at CBC Radio, releasing an
album of the composer’s piano concertos, including Helge Evju’s reimagined
version of his unfinished piano concerto, in 2015. In 2016, Petersson released
his second album for Grand Piano of world premiere recordings by Per
Nørgård, the 2016 Siemens Music Prize winner (GP717).
As a lecturer, Petersson has been invited to, among others, the Royal Swedish
Academy of Music,Tel Aviv University, the Hong Kong Academy for Performing
Arts, and the University of Ottawa and the New England Conservatory which
have joint programs with Harvard University.

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                    <text>School of
Music

Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
December 3, 2019 • 12:30 p.m.
Johann Sebastian Bach
(1685–1750)

Cello Suite No. 4 in E-flat Major, BWV 1010				
	II. Allemande									
	
VII. Gigue
Aline Gilbert-Thévard, cello

A Reedy Double				
	I. Andante Cantabile									
	
Anna Betuzzi, oboe
Janie Sinn, oboe
	

Heinz Holliger
(b. 1939)

Divertimento							
	
I. Allegro ma non troppo								
	
Ayari Kasukawa, saxophone
Amber Dayton, piano
	
Histoire du Tango									
	
I. Bordel, 1900								
	
Alex Tiller, saxophone
Christopher Dlouhy, piano

Roger Boutry
(1932–2019)

Violin Concerto No. 1 in D Major, Op. 19	
	
	
	
	
	
I. Andantino								
	
Iryna Peleshchyshyn, violin
Michelle Hoskin, piano

	

Clarinet Sonata No. 2, Op. 120				
	I. Allegro Amabile									
	
II. Allegro Appasionato
Alex Chernata, clarinet
Yousef Shadian, piano
UPCOMING AT THE SCHOOL OF MUSIC
WEDNESDAY, DECEMBER 4 | 8 PM (By donation)
Cello Studio Recital
Featuring UVic School of Music cello students from the studio of Pamela Highbaugh Aloni.
Phillip T. Young Recital Hall
THURSDAY, DECEMBER 5 | 7 PM (By donation)
Trumpet Studio Recital
Featuring UVic School of Music trumpet students from the studio of Merrie Klazek.
Phillip T. Young Recital Hall

Ástor Piazolla
(1921–1992)

      Sergei Prokofiev
(1891–1953)

Johannes Brahms
(1833–1897)

�</text>
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                <text>Aline Gilbert-Thévard, cello&#13;
Anna Betuzzi, oboe&#13;
Janie Sinn, oboe&#13;
Ayari Kasukawa, saxophone&#13;
Amber Dayton, piano&#13;
Alex Tiller, saxophone&#13;
Christopher Dlouhy, piano&#13;
Iryna Peleshchyshyn, violin&#13;
Michelle Hoskin, piano&#13;
Alex Chernata, clarinet&#13;
Yousef Shadian, piano</text>
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                    <text>CELLO STUDIO RECITAL
Students from the studio of Pamela Highbaugh Aloni
WEDNESDAY, DECEMBER 4, 2019 | 8 PM
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation

PROGRAM
Requiem for Three Cellos and Piano, Op. 66 				
	
Andante sostenuto						
			
Bryan Lin, Aline Gilbert-Thévard, Liam Epp, cellos
Michelle Hoskin, piano
Concerto in G Major, WV. 480 for Cello and Orchestra			
	
Allegro	 							
				
Stefan Shandro, cello
Jany Lu, piano
Suite No. 4 in E-flat Major, BWV 1010	
				
	
Allemande							
	
Gigue

David Popper
(1843-1913)

Luigi Boccherini
(1743-1805)

J. S. Bach
(1685-1750)

Aline Gilbert-Thévard, cello
Cello Concerto in D Minor						
	
Prelude – Lento – Allegro maestoso	
			

Édouard Lalo
(1823-1892)

Liam Epp, cello
Michelle Hoskin, piano
Quintet No. 2 in A Major, Op. 81	
	
Allegro, ma non tanto
				

	
	
	
	
					

	

Iryna Peleschchyshyn, violin
Noah Mellemstrand, violin
Logan McNeil, viola
Liam Epp, cello
Michelle Hoskin, piano
I NT E R M I S S I O N

Antonín Dvořák
(1841-1904)

�J. S. Bach

Suite No. 5 in C Minor, BWV 1011					
	
Prelude								
	
Allemande
Bryan Lin, cello

Max Bruch
(1838-1920)

Kol Nidrei, Op. 47							
									
Aline Gilbert-Thévard, cello
Grisha Krivchenia, piano
Cello Sonata in D Minor, Op. 40 					
	
Allegro non troppo						
	
Allegro
				
Bryan Lin, cello
Allie Cortens, piano
La Muerte del Ángel (written for the Boston Cello Quartet)	
	
Allegro fugato – Meno Mosso	 						

			

Dmitri Shostakovich
(1906-1975)

Astor Piazzolla (1921-1992)
Arr. Blaise Dejardin

Aline Thévard-Gilbert, cello
Liam Epp, cello
Bryan Lin, cello
Pamela Highbaugh Aloni, cello

UPCOMING AT THE SCHOOL OF MUSIC
THURSDAY, DECEMBER 5 | 7 PM (By donation)
Trumpet Studio Recital
Featuring UVic School of Music trumpet students from the studio of Merrie Klazek.
Phillip T. Young Recital Hall
SUNDAY, DECEMBER 8 | 7 PM (By donation)
A Holiday “Cellobration”
Hosted by Pamela Highbaugh Aloni, the evening brings together UVic cello students, alumni and cellists
from the community to make music and share their common enjoyment of the cello. Inspired by dear
late colleague Gail O’Riordan, the evening will include performances by community cello ensembles plus
the opportunity for everyone to join at the end in music to ring in the holiday season. All proceeds will
benefit the Gail O’Riordan Memorial Fund.
Phillip T. Young Recital Hall
SATURDAY, DECEMBER 14 | 1–3 PM (By donation)
41st Annual TubaChristmas
The euphonious tones of massed, low-brass instruments can be heard once again when more than 100
tuba and euphonium players from across the region unite for one of Victoria’s favourite holiday traditions.
Donations will be accepted for the Times Colonist Christmas Fund, a charity that assists the people most
in need in the Greater-Victoria community.
Market Square (560 Johnson St.)

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                <text>Bryan Lin, cello&#13;
Aline Gilbert-Thévard, cello &#13;
Liam Epp, cello&#13;
Michelle Hoskin, piano&#13;
Stefan Shandro, cello&#13;
Jany Lu, piano&#13;
Iryna Peleschchyshyn, violin&#13;
Noah Mellemstrand, violin&#13;
Logan McNeil, viola&#13;
Grisha Krivchenia, piano&#13;
Allie Cortens, piano&#13;
Pamela Highbaugh Aloni, cello</text>
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                <text>Marianne Ing, Trumpet&#13;
Talk Kim, Trumpet&#13;
Abha Parmar, Trumpet&#13;
Ben Parker, Trumpet&#13;
Ekaterina Della Vedova, Trumpet&#13;
Ryan Lau, Trumpet&#13;
Xheni Sinaj, Piano&#13;
Bella Zeng, Piano&#13;
Mark Barr, Trumpet&#13;
Luc Faris, Piano&#13;
Alicia Ellis, Trumpet&#13;
Nick Koep, Piano&#13;
Evan McEwan, Trumpet&#13;
Brendan Wong, Trumpet&#13;
Hongkyung Kim, Piano&#13;
Merrie Klazek, Trumpet&#13;
Sydney Hoffman, Trumpet&#13;
Evan Overman, Trumpet</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

GUEST CONCERT

An Afternoon
in Paris
Stéphane Lemelin piano
Axel Strauss violin
With
Lafayette String Quartet
Ann Elliott-Goldschmid, violin
Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello

Sunday, November 17, 2019 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Regular: $25 / Seniors: $20 / Students &amp; UVic alumni: $10

�PROGRAM
We acknowledge with respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.

Lili Boulanger (1893–1918)
Deux Morceaux
	
1. Nocturne
	
2. Cortège
Gabriel Fauré (1845–1924)
Violin Sonata No. 1 in A Major, Op. 13
	
Allegro molto
	Andante
	
Allegro vivo
	
Allegro quasi presto

I NT E R M I S S I O N
Concession open in the lounge

Ernest Chausson (1855–1899)
Concert in D Major for violin, piano and string quartet, Op. 21
	Décidé
	Sicilienne
	Grave
	
Très animé

�BIOGRAPHIES
Pianist Stéphane Lemelin is well-known to audiences throughout Canada and
regularly tours in the United States, Europe and Asia as a soloist and chamber musician.
His repertory is vast, with a predilection for the German Classical and Romantic
literature and a particular affinity for French music, as evidenced by his more than 25
recordings, which include works by Fauré, Saint-Saëns, Debussy, Poulenc and Roussel.
Lemelin is director of the French music series Découvertes 1890-1939 on the Atma
Classique label, dedicated to the rediscovery of neglected early twentieth-century
French repertoire and for which he has recorded works by Samazeuilh, Ropartz,
Migot, Dupont, Dubois, Rhené-Bâton, Rosenthal, Alder, Lekeu and others.
Lemelin studied with Yvonne Hubert in Montreal, Karl-Ulrich Schnabel in New York,
and received both Bachelor’s and Master’s degrees from the Peabody Conservatory
as a student of Leon Fleisher. He holds the Doctor of Musical Arts degree from Yale
University, where his teachers were Boris Berman and Claude Frank. He taught at
the University of Alberta for more than ten years and at the University of Ottawa
from 2001-2013. While there, he served as Director of the School of Music from
2007-2012. He was appointed Professor of Piano and Chair of the Department of
Performance at the Schulich School of Music of McGill University in 2014. A dedicated
pedagogue, he has been invited to give masterclasses around the world.
Equally passionate about teaching and performing, German violinist Axel Strauss
joined the faculty of the Schulich School of Music of McGill University in 2012. Prior
to moving to Montreal he served as Professor of Violin and Chamber Music at the
San Francisco Conservatory of Music.
Strauss won the international Naumburg Violin Award in New York in 1998. Later that
same year he made his American debut at the Library of Congress in Washington DC
and his New York debut at Alice Tully Hall. Since then he has given recitals in major
US cities, including Boston, Chicago, Cleveland, Los Angeles and San Francisco. As a
soloist with orchestras, Strauss has performed in Budapest, Hamburg, New York, Seoul,
Shanghai, Bucharest, San Francisco and Cincinnati, among others. He has collaborated
with conductors such as Maxim Shostakovitch, Rico Saccani, Joseph Silverstein, and
Alasdair Neale. Mr. Strauss has also served as guest concertmaster of the Berlin
Philharmonic as well as the Montreal Symphony Orchestra.
His recordings include the Brahms violin concerto (BPOlive), Mendelssohn’s Songs
without Words, the 24 Caprices by Pierre Rode, the last three violin concertos by
Rodolphe Kreutzer and the complete works for violin and piano by George Enescu
(Naxos). Amadeus Press has issued a DVD featuring Axel Strauss in concert at
Steinway Hall in New York City.
Strauss studied at the Music Academies of Lübeck and Rostock with Petru Munteanu.
In 1996 he began working with the late Dorothy DeLay at The Juilliard School and
became her teaching assistant in 1998. He has also worked with such artists as Itzhak
Perlman, Felix Galimir, and Ruggiero Ricci, and at the Marlboro Music Festival with
Richard Goode, Mitsuko Uchida and Andras Schiff.

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/1117119-GuestConcert/1117119-GuestConcert_1.mp3"&gt;Track 1&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/1117119-GuestConcert/1117119-GuestConcert_3.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/guest/1117119-GuestConcert/1117119-GuestConcert_3.mp3"&gt;Track 3&lt;/a&gt;</text>
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                <text>Ila Zbarsky</text>
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                <text>November 17, 2019</text>
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                <text>Stéphane Lemelin, piano&#13;
Axel Strauss, violin&#13;
With&#13;
Lafayette String Quartet&#13;
Ann Elliott-Goldschmid, violin&#13;
Sharon Stanis, violin&#13;
Joanna Hood, viola&#13;
Pamela Highbaugh Aloni, cello</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

FACULTY CONCERT SERIES

On Winds
of Song
Featuring
Merrie Klazek, trumpet
Alana Despins, French horn
Scott MacInnes, trombone
Paul Beauchesne, tuba
The Sobremesa Saxophone Quartet

&amp;

Harald Krebs, piano

Sunday, January 12, 2020 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Harald Krebs, piano
“Auf Flügeln des Gesanges,” Op. 34, No. 2 Felix Mendelssohn (1809-1847)
“Bei der Wiege,” Op. 47, No. 6
“Nachtlied,” Op. 71, No. 6
Alana Despins, French horn
Scott MacInnes, trombone
“Auf dem See in tausend Sterne,” Op. 14, No. 6
“Nacht ist wie ein stilles Meer”
		
“Nach Süden,” Op. 10, No. 1

Josephine Lang (1815-1880)
Fanny Hensel (1805-1847)

Merrie Klazek, trumpet
“Wie rafft’ ich mich auf,” Op. 32, No. 1
Johannes Brahms (1833-1897)
“Nicht mehr zu dir zu gehen,” Op. 32, No. 2
“Wenn du nur zuweilen lächelst,” Op. 57, No. 2
“O komme, holde Sommernacht,” Op. 58, No. 4
“Es liebt sich so lieblich im Lenze,” Op. 71, No. 1
Alana Despins, French horn
Scott MacInnes, trombone and bass trombone
Lieder eines fahrenden Gesellen
“Wenn mein Schatz Hochzeit macht”
“Ging heut’ Morgen über’s Feld”
“Ich hab’ ein glühend Messer”
“Die zwei blauen Augen”

Gustav Mahler (1860-1911)

Paul Beauchesne, tuba
I NT E R M I S S I O N
Concession open in the lounge.

�“Ferne,” Op. 15, No. 3		
“Der Herbst,” Op. 12, No. 5
“Erinnerung,” WoO
“Fee’n-Reigen,” Op. 3, No. 4

Josephine Lang
(arr. Sharon and Harald Krebs)

Sobremesa Quartet
Ayari Kasukawa, soprano saxophone
Matt Fichter, alto saxophone
Todd Morgan, tenor saxophone
Karsten Brewka, baritone saxophone
“Les deux roses”
“Les berceaux,” Op. 23, No. 1
“Oh, quand je dors”
“Asturiana”
“El paño moruno”

Pauline Viardot (1821-1910)
Gabriel Fauré (1845-1924)
Franz Liszt (1811-1886)
Manuel de Falla (1876-1946)

Merrie Klazek, trumpet and flugelhorn
“In der Nacht,” Op. 74, No. 4

Robert Schumann (1810-1856)

Merrie Klazek, flugelhorn
Scott MacInnes, trombone
“Das Leben”
“Wenn ich ein Vöglein wär,” Op. 43, No. 1
“An den Abendstern,” Op. 103, No. 4
“An die Nachtigall,” Op. 103, No. 3
“Wir drei”

Richard Roessler (1880-1962)
Robert Schumann
R. Roessler

Alana Despins, French horn
Scott MacInnes, trombone
We acknowledge that the land on which we gather is the
traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees)
and Wyomilth (Esquimalt) peoples of the Coast Salish Nation.

�SONG TEXTS
Felix Mendelssohn group
“Auf Flügeln des Gesanges” (On Wings of Song)
My darling, I’ll carry you away on wings of song to the most beautiful place on the
banks of the Ganges, replete with roses, violets, and lotus flowers. We shall rest under
palm trees and dream the blissful dream of love. (Heinrich Heine)
“Bei der Wiege” (At the Cradle)
Sleep and dream of the time to come, and of the power of spring, which shall blossom
and shimmer for you someday! (Karl Klingemann)
“Nachtlied” (Night Song)
The day has gone. Time passes through the night and takes away many a one who
didn’t expect it. Where have friends and bright eyes gone? Nightingale, brightly resounding waterfall, let us praise God together until morning comes! (Joseph von
Eichendorff)
Josephine Lang/Fanny Hensel group
“Auf dem See in tausend Sterne” (On the lake, into a thousand stars)
On the lake, the sun splits into a thousand stars. In the same way, your image sank into
the waves of my life, bringing forth ever new poems. Do you dare to immerse yourself
in this shimmering sea? Come, oh come, and let the glowing waves sweep over you!
(Christian Reinhold Köstlin – a poem addressed to Josephine Lang)
“Nacht ist wie ein stilles Meer” (The Night is like a Quiet Sea)
The night is like a quiet sea; its waves echo joy and sorrow and laments of love. Desires are like clouds moving through silent spaces; who knows if they are thoughts or
dreams? Even if I close my lips, which would like to lament to the stars, the gentle
beating of the waves continues within my heart. (Joseph von Eichendorff)
“Nach Süden” (Southward)
Migrating birds swoop down from the trees. One hears their chorus: Southward,
where flowers bloom forever! When spring comes, we shall return—but now, southward! (Wilhelm Hensel)
Johannes Brahms group
“Wie rafft’ ich mich auf in der Nacht” (I roused myself in the night)
I roused myself in the night and walked through the gates. I leaned over the bridge
and gazed at the billows, rolling onward and never returning. Overhead, far above me,
were the stars. I gaze upward and downward again. Ah, how have you spent your days!
Now try to calm the remorse in your pounding heart! (August von Platen)
“Nicht mehr zu dir zu gehen” (Not to visit you anymore)
I decided, and swore, never to visit you again, and yet I go every evening, having lost
all power and resolve. I long to perish, and yet long to live for you, with you, and never
to die. Ah, speak only one clear word, give me life or death, unveil your true feelings
to me! (Georg Friedrich Daumer)

�“Wenn du nur zuweilen lächelst” (If you only smile occasionally)
If you only smile occasionally, only once in a while fan coolness onto my unbounded
burning—then I shall be patient, and shall let you persist in doing everything that hurts
me. (Georg Friedrich Daumer)
“O komme, holde Sommernacht” (Oh come, sweet summer night)
Oh come, sweet summer night, come quietly. Love has made you for victory! Flowers
slyly open up, the rose bows its head in the twilight—and my beloved shall be mine!
(Melchior Grohe)
“Es liebt sich so lieblich im Lenze” (It is lovely to love in the springtime)
The bright waves flow by. It is lovely to love in the springtime! A shepherdess sits on the
riverbank and weaves wreaths, sighing, “To whom shall I give them?” A man rides by and
greets her! She watches the feather in his hat wave in the distance. She weeps and tosses
her wreaths into the water. The nightingale sings of love and kisses. It is lovely to love in
the springtime! (Heinrich Heine)
Gustav Mahler group
“Wenn mein Schatz Hochzeit macht” (My darling’s wedding day)
My darling’s wedding day is a sad day for me. I go into my dark little room and weep. Blue
flower, sweet bird singing in the meadow—ah, how beautiful the world is! Do not sing,
do not blossom! Spring and singing are over! In the evening when I go to bed, I think of
my sorrow—my sorrow. (Gustav Mahler)
“Ging heut Morgen über’s Feld” (I walked through the field this morning)
I walked through the field this morning. There was still dew on the grass. The merry
finch said to me, “Isn’t it a beautiful world?” The bluebell rang out a morning greeting to
me: “Isn’t it a beautiful world?” And the world began to sparkle in the sunlight. Now my
happiness must surely begin? No, no—the happiness I have in mind can never bloom for
me! (Gustav Mahler)
“Ich hab’ ein glühend Messer” (I have a red-hot knife)
I have a red-hot knife in my breast—it cuts so deeply into every joy. Ah, what an evil
guest—it grants me no peace by day and night. Woe is me! When I gaze into the heavens,
I see two blue eyes. When I walk in the field of yellow flowers, I see blond hair wafting
in the wind. Woe is me! When I start up from my dream and hear her silvery laughter,
oh, woe is me! I wish I were lying on the black bier and could never again open my eyes!
(Gustav Mahler)
“Die zwei blauen Augen” (The two blue eyes)
The two blue eyes of my darling sent me into the wide world. I had to take farewell
from my favourite place. Oh, blue eyes, why did you look at me? Now I must sorrow
forevermore. I walked away by night over the dark heath. Nobody said adieu to me. My
only companions were love and pain! On the street stands a linden tree. It showered
its blossoms on me, and everything was well again—everything: love, sorrow, world, and
dream. (Gustav Mahler)

�Josephine Lang group
“In weite Ferne” (Into the distance)
I would like to dream my way into the distance, where you are—where there is snow,
where there are foaming brooks, mountain goats on ice fields, figs ripening in warm
valleys. I shall continue to love you, and we shall be just as we were, when you return
home. (Johann Gustav Droysen)
“Der Herbst” (Autumn)
Is there rustling in the foliage? Are the grapes turning red? Is autumn coming? How its
approach once oppressed me! But now I wait for its arrival, for when the leaves fall,
my beloved shall come! (Christian Reinhold Köstlin, based on a letter from Josephine
Lang)
“Erinnerung” (Memory)
Every dream shows me my death; no future smiles for me. I hardly know what happiness is; into my life’s spring there descended the blizzard of misfortune. Joy, hope and
love have passed away; would that memory would pass away with them! (Lord Byron)
“Fee’n-Reigen” (Fairy Dance)
The silver bells of May ring out, inviting us to the dance. Come hither, ye fairies, to the
place where moonlight trembles over the primroses; there let the airy round dance be
woven! Humans pass away like leaves and find rest in a small wooden chamber—but
we laugh at the wrinkles of time and remain the same always! (Friedrich von Mathisson)
French and Spanish group
“Les deux roses” (The two roses)
Arise—it is dawn. See these roses in my hand; they are opening under the tears of
morning. Spring is everywhere. At your feet, the rose sheds its tears. Now it is time,
timid lover. For you, I have gathered these flowers of love in the wet grass. Come to
the one who loves you. With my own hands I wish to place these roses on your heart.
(In Russian by Afanasy Fet; translated into French by Louis Pomey)
“Les berceaux” (The cradles)
Along the quay, the ships rocked by the sea take no notice of cradles rocked by
women. The day of parting will come; as the women weep, men will go out toward
delusive horizons. And on that day, the great ships, as they flee from the port, shall
feel restrained by the spirit of the distant cradles. (René-François Sully-Prudhomme)
“Oh, quand je dors” (Ah, as I sleep)
Ah, as I sleep, come to my bed, as Laura appeared to Petrarch. When your breath
touches me, my lips shall part. Let your gaze brighten my face, on which a dark dream
has rested. On my lips place a kiss and change from an angel into a woman. At once,
my soul shall awaken! (Victor Hugo)
“Asturiana”
I approached a green pine tree, seeking consolation. Seeing me weep, it wept too.
(Anonymous)

�“El paño moruno” (The Moorish cloth)
There is a stain on the fine cloth in the store. It sells at a lower cost because it has lost
its value. Alas! (Anonymous)
Duets
“In der Nacht” (At night)
Everyone has gone to sleep except you, for hopeless sorrow chases sleep from your
bed, and your thoughts hover in silent anxiety toward your love. (Anonymous Spanish
poem, translated into German by Emanuel Geibel)
“Das Leben” (Life)
Every morning, I rejoice that I have woken to a new day, and [I rejoice] even more in
the evening that I have completed another day. Thus, my spirit yearns in the evening
for the morning, and in the morning for the evening. Ah heart, you seem to be alive,
and yet you are heading only toward death. (Friedrich Rückert)
“Wenn ich ein Vöglein wär’” (If I were a bird)
If I were a bird, I would fly to you. But since it cannot be, I’ll stay here. Although I am
far from you, I am with you and speak with you as I sleep—but when I wake up, I am
alone. No hour of the night passes in which my heart does not awaken and think of
you—that you have given me your heart! (Anonymous)
“An den Abendstern” (To the evening star)
Soar up into the sky, beautiful evening star! Everyone sees you with pleasure among
the teeming lights. May they rise or set, none of your brothers are as radiantly clad as
you! Their garment is edged with gold, but yours is woven through and through with
diamonds.You shine more gloriously even than the moon, for its shimmer comes from
another source, whereas your radiance is entirely your own. (Elisabeth Kulmann)
“An die Nachtigall” (To the nightingale)
Stay here and sing, oh nightingale. Let your song ring out everywhere. Everything
listens to you; not even a leaf rustles, the other birds fall silent, the brook roars less
loudly. Stay here and sing, oh nightingale. Let your song ring out everywhere. (Elisabeth
Kulmann)
“Wir drei” (The three of us)
Where the brook secretly rushes by, the young spring eavesdropped on us. He
asked what we were doing and nodded lovingly at us; we looked at each other and
laughed—spring and I and you! At his side, we tramped through the wide world,
which was full of blooming and singing. Upon all of our pathways, I called to you
joyously, “We are walking toward happiness, spring and I and you!” The highest hill is
glowing, the deepest valley is shining. Your eyes, bedewed with joy, are like sunbeams.
The lark lifts its wings and strives heavenward, and we sing love songs—spring and I
and you! (Hans Eschelbach)

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_01.mp3"&gt;Track 1&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_2.mp3"&gt;Track 2&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_3.mp3"&gt;Track 3&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_4.mp3"&gt;Track 4&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_5.mp3"&gt;Track 5&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_6.mp3"&gt;Track 6&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_7.mp3"&gt;Track 7&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_8.mp3"&gt;Track 8&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_9.mp3"&gt;Track 9&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_10.mp3"&gt;Track 10&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_11.mp3"&gt;Track 11&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_12.mp3"&gt;Track 12&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_13.mp3"&gt;Track 13&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_14.mp3"&gt;Track 14&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_15.mp3"&gt;Track 15&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_16.mp3"&gt;Track 16&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_17.mp3"&gt;Track 17&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_18.mp3"&gt;Track 18&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_19.mp3"&gt;Track 19&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_20.mp3"&gt;Track 20&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_21.mp3"&gt;Track 21&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_22.mp3"&gt;Track 22&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_23.mp3"&gt;Track 23&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_24.mp3"&gt;Track 24&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_25.mp3"&gt;Track 25&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_26.mp3"&gt;Track 26&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_27.mp3"&gt;Track 27&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_28.mp3"&gt;Track 28&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_29.mp3"&gt;Track 29&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/faculty/011220-Faculty_Krebs/011220-Faculty_Krebs_01_30.mp3"&gt;Track 30&lt;/a&gt;</text>
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                <text>Faculty Recital - On Winds of Song</text>
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                <text>Ila Zbarsky</text>
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                <text>Merrie Klazek, trumpet&#13;
Alana Despins, French horn&#13;
Scott MacInnes, trombone&#13;
Paul Beauchesne, tuba&#13;
The Sobremesa Saxophone Quartet:&#13;
Ayari Kasukawa, soprano saxophone&#13;
Matt Fichter, alto saxophone&#13;
Todd Morgan, tenor saxophone&#13;
Karsten Brewka, baritone saxophone&#13;
&amp;&#13;
Harald Krebs, piano</text>
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                    <text>SAXOPHONE CLASS OF 2020
Ayari Kasukawa

2nd Year Performance

Cole Davis

1st Year Musical Arts

Melissa Holyhead-Miles

1st Year Music Education

Tessa Belhomme

3rd Year Music Education

Karsten Brewka

4th Year Performance

Alex Tiller

2nd Year Music Education

Baylie Adams

3rd Year Performance

Benedict Mendes

2nd Year Musical Arts

Todd Morgan

4th Year Performance

We celebrate the accomplishments of our graduating students:
Karsten &amp; Todd.
Congratulations and best wishes for your continued success!

2020 SAXOPHONE CLASS SOLO RECITAL
3:30PM SATURDAY JANUARY 18TH
Phillip T. Young Recital Hall
University of Victoria School of Music
Admission by Donation

�2020 Saxophone Class Solo Recital
3:30pm Saturday January 18th
Saxophonists from the Class of Wendell Clanton
Assisted by piano students from the classes of Arthur Rowe,
Eva Solar-Kinderman, May Ling Kwok and Bruce Vogt.

Divertimento
by Roger Boutry (1932 – 2019)
I. Allegro ma non troppo
Ayari Kasukawa (Alto) &amp; Amber Dayton
Histoire du Tango
by Astor Piazzolla (1921 – 1992)
I. Bordel 1900
Alex Tiller (Soprano) and Christopher Dlouhy
Scaramouche
by Darius Milhaud (1892 – 1974)
I. Vif
Cole Davis (Alto) &amp; Nick Koep

by Jules Demersseman (1833 – 1866)
edited by Frederick L. Hemke
Baylie Adams (Alto) and Sarah Xu

Intermission
Suite #1
by J.S. Bach (1685 – 1750)
adapted by Jean-Marie Londeix
III. Courante
Benedict Mendes (Baritone)
Concerto for Alto Saxophone and Orchestra
by Paul Creston (1906 – 1985)
II. Meditative
Karsten Brewka (Alto) and Jennifer Mitchell
Fantasia by Heitor Villa Lobos (1887 – 1959)
II. Lento; I. Anime
Todd Morgan (Tenor) and Emily Markwart

-

UPCOMING EVENT

Pièces caractéristiques en forme de suite
by Pierre-Max Dubois (1930 – 1995)
II. A La Russe
Melissa Holyhead-Miles (Alto) &amp; Sebastian Britneff

Saxophone Ensemble Concert

Fantasie sur un Thème Original
by Jules Demersseman (1833 – 1866)
Tessa Belhomme (Alto) &amp; Annika Sauser
Introduction and Variations on Le Carnaval de Venise

Quartets &amp; The University of Victoria Saxophone Ensemble

2pm Saturday February 8th, 2020
Admission by Donation

uvicsaxophone.blogspot.com

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/011820-SaxophoneRecital/011820-SaxophoneRecital_01.mp3"&gt;Track 1&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/011820-SaxophoneRecital/011820-SaxophoneRecital_02.mp3"&gt;Track 2&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/011820-SaxophoneRecital/011820-SaxophoneRecital_03.mp3"&gt;Track 3&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/011820-SaxophoneRecital/011820-SaxophoneRecital_04.mp3"&gt;Track 4&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/011820-SaxophoneRecital/011820-SaxophoneRecital_05.mp3"&gt;Track 5&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/011820-SaxophoneRecital/011820-SaxophoneRecital_06.mp3"&gt;Track 6&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/011820-SaxophoneRecital/011820-SaxophoneRecital_07.mp3"&gt;Track 7&lt;br /&gt;&lt;/a&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/011820-SaxophoneRecital/011820-SaxophoneRecital_08.mp3"&gt;Track 8&lt;/a&gt;</text>
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                <text>Saxophone Studio Recital</text>
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                <text>Ila Zbarsky</text>
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                <text>January 18, 2020</text>
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                <text>Ayari Kasukawa&#13;
Cole Davis&#13;
Melissa Holyhead-Miles&#13;
Tessa Belhomme&#13;
Karsten Brewka&#13;
Alex Tiller&#13;
Baylie Adams&#13;
Benedict Mendes&#13;
Todd Morgan</text>
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