80 10 1498 https://finearts.uvic.ca/music/archive/files/original/889ec5b61c0d45ce053af959973a392c.pdf dd08ae4ed1e565e60fe1123fc95f308e PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria November 8, 2019 • 12:30 p.m. Featuring School of Music woodwind students Scherzo, Op. 40 Mel Bonis (1858–1937) Emily Morse, flute Charlotte Hale, piano Clarinet Sonata No. 2 in E-flat Major, Op. 120 I. Allegro amabile Alex Chernata, clarinet Yousef Shadian, piano Prélude et Rondo français Baylie Adams, soprano saxophone Tessa Belhomme-Orders, alto saxophone Alex Tiller, tenor saxophone Benedict Mendes, baritone saxophone Quintet No. 2 in C minor I. Allegro con brio Andrea Kim, flute Kiara Hosie, oboe Nishant Amatya clarinet Devin Hawthorne, bassoon Tyrell Loster Peitzsche, horn Petit Quatuor pour Saxophones I. Gaguenardise Alex Tiller, soprano saxophone Melissa Holyhead-Miles, alto saxophone Ethan Slogotski, tenor saxophone Cole Davis, baritone saxophone Quatuor pour Saxophones, Op. 102 I. Avec une sage décision Ayari Kasukawa, soprano saxophone Todd Morgan, alto saxophone Sean Maynard, tenor saxophone Karsten Brewka, baritone saxophone Sinfonico for Four Flutes, Op. 12 I. Allegro II. Andante Rhiannon Jones, flute Huaqian Zeng, flute Breanna Morrissette, flute Lisa Matsugu, flute Johannes Brahms (1833–1897) Pierre Vellones (1889–1939) Peter Müller (1850–1926) Jean Françaix (1912–1997) Florent Schmitt (1870–1958) Anton Reicha (1770–1836) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-FridayMusic/110819-FridayMusic_01.wav">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-FridayMusic/110819-FridayMusic_02.wav">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-FridayMusic/110819-FridayMusic_03.wav">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-FridayMusic/110819-FridayMusic_04.wav">Track 4</a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-FridayMusic/110819-FridayMusic_05.wav"><br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-FridayMusic/110819-FridayMusic_05.wav">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-FridayMusic/110819-FridayMusic_06.wav">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-FridayMusic/110819-FridayMusic_07.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Title A name given to the resource Friday Music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 8, 2019 Contributor An entity responsible for making contributions to the resource Emily Morse, Flute Charlotte Hale, Piano Alex Chernata, Clarinet Yousef Shadian, Piano Baylie Adams, Soprano Saxophone Tessa Belhomme-Orders, Alto Saxophone Alex TIller, Tenor Saxophone, Soprano Saxophone Benedict Mendes, Baritone Saxophone Andrea Kim, Flute Kiara Hosie, Oboe Nishant Amatya, Clarinet Devin Hawthorne, Basoon Tyrell Loster Peitzsche, Horn Melissa Holyhead-Miles, Alto Saxophone Ethan Slogotski, Tenor Saxophone Cole Davis, Baritone Saxophone Ayari Kasukawa, Soprano Saxophone Todd Morgan, Alto Saxophone Sean Maynard, Tenor Saxophone Karsten Brewka, Baritone Saxophone Rhiannon Jones, Flute Huaqian Zeng, Flute Breanna Morrissette, Flute Lisa Matsugu, Flute https://finearts.uvic.ca/music/archive/files/original/f0769e9069021ec36f982097f6de8f87.pdf 7cfe77df5961247d53f890c2651144f0 PDF Text Text STRING CHAMBER CONCERT Students from the studios of the Lafayette String Quartet WEDNESDAY, NOVEMBER 20, 2019 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM String Quartet No. 40, Op. 76 Allegro con spirito Leonardo Maekawa, violin Cleo Yong, violin Julian Glover, viola Pamela Highbaugh Aloni, cello/coach Terzetto in C Major, Op. 74 Allegro ma non troppo Larghetto Joseph Haydn (1732–1809) Antonín Dvořák (1841–1904) Serenade for Two Violins and Viola in C Major, Op. 12 Allegramente – Sostenuto ma non troppo Zoltán Kodály (1882–1967) Lea Fetterman, violin Carl Fung, violin Maki Yamagata, viola String Quartet No. 2 in A Minor, Op. 13 Adagio – Allegro vivace Intermezzo. Allegretto con moto – Allegro di molto Felix Mendelssohn (1809–1847) Dana Wenzel, violin Bennett Chiu, violin Judith Gaston, viola Aline Gilbert-Thévard, cello I NT E R M I S S I O N Quartet in C Major, Op. 33, No. 3 Adagio ma non troppo Finale: Rondo – Presto String Quartet No. 15 in A Minor, Op. 132 Molto adagio Piano Quintet No. 2 in A Major, Op. 81 Allegro, ma non tanto Joseph Haydn Libby Wyse, violin1 Jas Schweitzer, violin II Amanda Steinemann, viola Liam Epp, cello Jas Schweitzer, violin I Libby Wyse, violin II Amanda Steinemann, viola Liam Epp, cello Jeanel Liang, violin Talia Sinclair, violin Danielle Tsao, viola Bryan Lin, cello Ludwig van Beethoven (1770–1827) Antonín Dvořák Iryna Peleshchyshyn, violin Noah Mellemstrand, violin Logan McNeil, viola Liam Epp, cello Michelle Hoskin, piano We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112019-StringChamber/112019-StringChamber_1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112019-StringChamber/112019-StringChamber_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112019-StringChamber/112019-StringChamber_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112019-StringChamber/112019-StringChamber_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112019-StringChamber/112019-StringChamber_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112019-StringChamber/112019-StringChamber_6.mp3">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112019-StringChamber/112019-StringChamber_7.mp3">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112019-StringChamber/112019-StringChamber_8.mp3">Track 8<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112019-StringChamber/112019-StringChamber_9.mp3">Track 9</a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112019-StringChamber/112019-StringChamber_10.mp3"><br /></a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Title A name given to the resource String Chamber Concert Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 20, 2019 Contributor An entity responsible for making contributions to the resource Leonardo Maekawa, Violin Cleo Young, Violin Julian Glover, Viola Pamela Highbaugh Aloni, cello/coach Jody Johnson, Bass Colwyn Lewis, Bass Jonathan Bryan, Bass Rachel Burtman, Bass Lea Fetterman, Violin Carl Fung, Violin Maki Yamagata, Violin Dana Wenzel, Violin Bennet Chiu, Violin Judith Gaston, Viola Aline Gilbert-Thevard, Cello Libby Wyse, Violin Jas Schweitzer, Violin Amanda Steinemann, Viola Liam Epp, Cello Julien Haynes, Violin Claire Sparrow-Clarke, Violin Megan Bibby, Viola Keelyn Chu, Viola Bryan Lin, Cello Jeanel Liang, Violin Talia Sinclair, Violin Danielle Tsao, Viola Iryna Peleshchyshyn, Violin Noah Mellemstrand, Violin Logan McNeil, Viola Michelle Hoskin, Piano https://finearts.uvic.ca/music/archive/files/original/a92e3676bd291434d7abdabe1d6d9f44.pdf 965b35e45a7383f605e4dce418f97092 PDF Text Text School of Music Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria November 5, 2019 • 12:30 p.m. Wind Quintet in E-flat Major, Op. 88, No. 2 Anton Reicha I. Lento – Allegro Moderato (1770–1836) Keren Xu, flute Kaitlyn Cumberland, oboe Chensi Liu, clarinet Maia Copley, horn Rio Lagos Davison, Bassoon Divertimento No. 1 in B-flat Major I. Allegro Nicole Murker, flute Kiara Hosie, oboe Nishant Amatya, clarinet Tyrell Loster Peitzsche, horn Devin Hawthorne, bassoon Joseph Haydn (1732–1809) String Quartet No. 15 in A Minor, Op. 132 Ludwig Van Beethoven I. Assai Sostenuto – Allegro (1770-1827) Jeanel Liang, violin Talia Sinclair, violin Danielle Tsao, viola Bryan Lin, cello Sinfonico for Four Flutes, Op. 12 I. Allegro II. Andante Rhiannon Jones, flute Huaqian Zeng, flute Breanna Morrissette, flute Lisa Matsugu, flute Anton Reicha (1770–1836) Serenade for Two Violins and Viola, Op. 12 I. Allegramente Lea Fetterman, violin Carl Fung, violin Maki Yamagata, viola Zoltán Kodály (1882–1967) UPCOMING AT THE SCHOOL OF MUSIC FRIDAY, NOVEMBER 8 | 12:30 PM (By donation) Fridaymusic Take an afternoon break to enjoy a concert of varied repertoire featuring UVic School of Music woodwind students. Phillip T. Young Recital Hall � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/110519-TuesdayMusic/110519-TuesdayMusic_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110519-TuesdayMusic/110519-TuesdayMusic_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110519-TuesdayMusic/110519-TuesdayMusic_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110519-TuesdayMusic/110519-TuesdayMusic_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110519-TuesdayMusic/110519-TuesdayMusic_5.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesday Music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 5, 2019 Contributor An entity responsible for making contributions to the resource Keren Xu, Flute Kaitlyn Cumberland, Oboe Chensi Liu, Clarinet Maia Copley, Horn Rio Lagos Davidson, Bassoon Nicole Murker, Flute Kiara Hosie, Oboe Nishnat Amatya, Clarinet Tyrell Loster Peitzsche, Horn Devin Hawthorne, Bassoon Jeanel Liang, Violin Talia Sinclair, Violin Danielle Tsao, Viola Bryan Lin, Cello Rhiannon Jones, Flute Huaqian Zeng, Flute Breanna Morrissette, Flute Lisa Matsugu, Flute Lea Fetterman, Violin Carl Fung, Violin Maki Yamagata, Viola https://finearts.uvic.ca/music/archive/files/original/aaa1df7ce164f462f2b82dfe916e2af8.pdf 0e1363ce44614be4d038721cf4455b95 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA DONA NOBIS PACEM UVic Voice Ensemble Directed by Benjamin Butterfield and Kinza Tyrrell We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Friday, November 8, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM We respectfully request that there be no applause during this evening’s performance and welcome you to join us in a minute of silent reflection after the final piece. Husarenlieder Op. 117 Robert Schumann Der Husar, Trara! Leif Bradshaw Der leidige Frieden Ian Culling Den grünen Zeigern Kyron Basu Da liegt der Feinde gestreckte Rowan McWilliams Kriegers ahnung D. 957 No. 2, from Schwanengesang Alana Hayes Franz Schubert Noël des enfants qui n’ont plus de maisons Claude Debussy Deux poèmes de Louis Aragon FP 122 C Laura Giffen Fêtes galantes Gwen Jamieson Francis Poulenc Sergei Prokofiev Field of the dead, from Alexander Nevsky Op. 78 Cassidy Stahr Three songs Look down fair moon Natasha Gosling After the dazzle of day Jaime Kozak A clear midnight Kieran Foss Agnus Dei, from War Requiem Op. 66 Harry Somers Benjamin Britten Taylor Fawcett Ensemble Serenade to music Ralph Vaughan Williams Ensemble Soloists: Soprano Kyla Fradette, Holly Melville, Katherine Allen, Chelsea Kutyn Alto Kaylene Chan, Liv Duffin, Desiree Hall, Sophia Friesen Tenor Anton Sokalski, Grady Forsberg, Spencer van Dellen, Andrew Wolf Baritone Kyron Basu, Ian Culling, Leif Bradshaw, Rowan McWilliams �UVIC VOICE ENSEMBLE DIRECTORS Benjamin Butterfield & Kinza Tyrrell Chelsea Kutyn Holly Melville Laura Giffen Jaime Kozak Natasha Gosling Taylor Fawcett Kieran Foss Grady Forsberg Liv Duffin Emily Morse Lindsay Abbott Katherine Allen Kyla Fradette Spencer van Dellen Anton Sokalski Andrew Wolf Olivia Jackson Lauren Steinmann Adanna Avon Desiree Hall Sophia Friesen Leif Bradshaw Kyron Basu Gwen Jamieson Alana Hayes Kaylene Chan Cassidy Stahr Carson Moore Ian Culling Rowan McWilliams PIANO Csinszka Redai and Kyron Basu VIOLIN Amy-Lynne Toth To receive monthly updates about School of Music events by email, contact concert@uvic.ca. For a list of upcoming events, visit: uvic.ca/music/events � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-VoiceEnsemble/110819-VoiceEnsemble_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-VoiceEnsemble/110819-VoiceEnsemble_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-VoiceEnsemble/110819-VoiceEnsemble_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-VoiceEnsemble/110819-VoiceEnsemble_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-VoiceEnsemble/110819-VoiceEnsemble_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-VoiceEnsemble/110819-VoiceEnsemble_6.mp3">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-VoiceEnsemble/110819-VoiceEnsemble_7.mp3">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/110819-VoiceEnsemble/110819-VoiceEnsemble_8.mp3">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Title A name given to the resource Dona Nobis Pacem - UVic Voice Ensemble Concert Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 8, 2019 Contributor An entity responsible for making contributions to the resource Leif Bradshaw Ian Culling Kyron Basu Rowan McWilliams Alana Hayes Laura Giffen Gwen Jamieson Cassidy Stahr Natasha Gosling Jaime Kozak Kieran Foss Taylor Fawcett Ensemble: Soprano - Kyla Fradette, Holly Melville, Katherine Allen, Chelsea Kutyn Alto - Kaylene Chan, Liv Duffin, Desiree Hall, Sophia Friesen Tenor - Anton Sokalsi, Grady Forsberg, Spencer van Dellen, Andrew Wolf Baritone - Kyron Basu, Ian Culling, Leif Bradshaw, Rowan McWilliams https://finearts.uvic.ca/music/archive/files/original/2ec9698c7553e286a92a7a6f8f61304d.pdf 8308745541ebc81057d921192c19fb0e PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria November 15, 2018 • 12:30 p.m. Featuring School of Music brass students Nikolai Rimsky-Korsakov (1844–1908) Two Duets Brooke Clansey, horn Liam Mulligan, euphonium The Beatles (Arr. Steve Johns Power and John Stevens) When I’m Sixty-Four Liam Mulligan, euphonium Aidan Bernard, euphonium Scott Gordon, tuba Aidan Fentiman, tuba Liberty Bell March Sarah Higginson, euphonium Bridger Wealick, euphonium Paul Beauchesne, tuba Loraine Marshall, tuba John Philip Sousa (Arr. Gail Robertson) (1854–1932) Giuseppe Verdi (1813–1901) March From Aida Mark Barr, Alica Ellis, Evan McEwan, Brendan Wong, trumpets Within Sacred Walls Erik Morales (b.1966) Ekaterina Della Vedova, Sydney Hoffman, Tark Kim, Ryan Lau, Ben Parker, Abha-Marie Parmar, trumpets Three Pieces I. Muy Linda II. Pavan III. Gailliard Anthony Holborne (1545–1602) Mark Barr, trumpet Brendan Wong, trumpet Thomas Hurley, horn Odyn Mulder, trombone Loraine Marhall, tuba Second Suite for Military Band II. Song Without Words IV. Fantasia on the Dargason Ekaterina Della Vedova, trumpet Abha-Marie Parmar, trumpet Joshua Ward, horn Tyler Schmit, trombone Ben Pakosz, bass trombone Gustav Holst (1874–1934) � Quintet for Brass I. Rondo William Tell Elizabeth Raum (b. 1945) Gioachino Rossini (1792-1868) Tark Kim, trumpet Ryan Lau, trumpet Gillian Ramage, horn Marina Antoniou, trombone Aidan Fentiman, tuba Ben Parker, trumpet Sydney Hoffman, trumpet Emily Axford, horn Will Quinn, trombone Scott Gordon, tuba Quintet for Trombones Marina Antoniou, Will Quinn, Tiess McKenzie, Charlotte Cruse, Tyler Schmit, Ben Pakosz, Odyn Mulder, trombones Sonata Pian’ e Forte Elizabeth Raum (b. 1945) Giovanni Gabrieli (1557-1612) Scott MacInnes, conductor Ben Parker, Abha-Marie Parmar, Brendan Wong, trumpets Joshua Ward, Tyrell Loster Peitzsche, horns Liam Mulligan, Tyler Schmit trombones Scott Gordon, tuba Jingle Bells Emily Axford, Gillian Ramage, Maia Copley, Tyrell Loster Peitzsche, Joshua Ward, Brooke Clansey, Thomas Hurley, Allie Bertholm, horns Arr. Lowell Shaw (b. 1930) � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_01.wav">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_02.wav">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_03.wav">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_04-01.wav">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_05-01.wav">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_06-01.wav">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_07-01.wav">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_08-01.wav">Track 8<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_09-01.wav">Track 9<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_10-01.wav">Track 10<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_11-01.wav">Track 11<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-FridayMusic-Brass/111519-FridayMusic-Brass_12-01.wav">Track 12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Title A name given to the resource Friday Music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 15, 2019 Contributor An entity responsible for making contributions to the resource Brooke Clansey, Horn Liam Mulligan, Euphonium Aidan Bernard, Euphonium Scott Gordon, Tuba Aidan Fentiman, Tuba Sarah Higginson, Euphonium Bridger Wealick, Euphonium Paul Beuchesne, Tuba Loraine Marshall, Tuba Mark Barr, Trumpet Alicia Ellis, Trumpet Evan McEwan, Trumpet Brendan Wong, Trumpet Ekaterina Della Vedova, Trumpet Sydney Hoffman, Trumpet Tark Kim, Trumpet Ryan Lau, Trumpet Ben Parker, Trumpet Abha-Marie Parmar, Trumpet Thomas Hurley, Horn Odyn Mulder, Trombone Loraine Marhall, Tuba Joshua Ward, Horn Tyler Schmit, Trombone Ben Pakosz, Bass Trombone https://finearts.uvic.ca/music/archive/files/original/3948b52f206c4cbe688a6fd89118f851.pdf 3a3da177d9d89ab4073f743145464544 PDF Text Text STUDENT COMPOSERS CONCERT Music by students from the composition program FRIDAY, NOVEMBER 15, 2019 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. PROGRAM Culpa Mark Beattie Alex Klassen, cello 3 Intermezzi, from Alex’s Symphony of Musical Residue Intermezzo 1: Relax…Okay Intermezzo 3: Tingles…Threshold Intermezzo 4: Threshold Alex Klassen Emily Morse, alto flute Anna Betuzzi, oboe Wilson Kyne, bassoon Channing Mar, clarinet Richard Charter, celeste Whispers of Conversation Joseph Chiu Ensemble 561: Richard Charter Joseph Chiu Tiess McKenzie Emily Morse Luke Stevenson The Way Through the Woods Amanda Steinemann Sophia Friesen, voice Kaylene Chan, voice Cleo Yong, violin Sator Square Richard Charter Ensemble 561 What’s This? Tiess McKenzie, trombone I NT E R M I S S I O N Tiess McKenzie �Egglette Visits Heaven Emily Morse Ensemble 561 Cashton McGillivray Obed at Bodega Dana Wenzel, violin Bennett Chiu, violin Judith Gaston, viola Aline Gilbert-Thévard, cello Luke Stevenson Formations Ensemble 561 Deborah Baynes Black Hole (Powehi) Deborah Baynes, piano Ian Sirias, piano Tiess McKenzie Keyboard Quintet for Sounds You’ve Heard Before Ensemble 561 Ian Sirias Permutations Metamorphosis “Con Fusion” Lisa Matsugu, flute Alex Chernata, clarinet Texts for “The Way Through the Woods” The Way Through the Woods They shut the road through the woods Seventy years ago. Weather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath, And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few.) You will hear the beat of a horse’s feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods. But there is no road through the woods. – Rudyard Kipling The Road Less Travelled Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. – Robert Frost � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_6.mp3">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_7.mp3">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_8.mp3">Track 8<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_9.mp3">Track 9<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_10.mp3">Track 10<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111519-StudentComposers/111519-StudentComposers_11.mp3">Track 11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student Composers Night Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 15, 2019 Contributor An entity responsible for making contributions to the resource Alex Klassen, Cello Emily Morse, Alto Flute Anna Betuzzi, Oboe Wilson Kyne, Bassoon Channing Mar, Clarinet Richard Charter, Celeste Ensemble 561 - Richard Charter, Joseph Chiu, Tiess McKenzie, Emily Morse, Luke Stevenson Sophia Friesen, Voice Kaylene Chan, Voice Cleo Yong, Violin Tiess McKenzie, Trombone Dana Wenzel, Violin Bennet Chiu, Violin Judith Gaston, Viola Aline Gilbert-Thevard, Cello Deborah Baynes, Piano Ian Sirias, Piano https://finearts.uvic.ca/music/archive/files/original/c1b5ccbc99771e959fc463a270449434.pdf 3578aead1827872b9f14980c6bf55568 PDF Text Text School of Music Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria November 19, 2019 • 12:30 p.m. Density 21.5 Edgard Varèse (1883–1965) Keren Xu, flute Olivier Messiaen (1908-1992) Vingt Regards sur l’enfant-Jésus XI. Première communion de la Vierge Zin Cho, piano Sonate für Flöte und Klavier II. Sehr Langsam Lisa Matsugu, flute Charlotte Hale, piano Paul Hindemith (1895–1963) Cantabile et Presto George Enescu (1881-1995) Huaqian Zeng, flute Nancy Lin, piano Fantaisie pour flûte et piano Connie Goetz, flute Charlotte Hale, piano Georges Hüe (1858-1948) Piano Quintet No. 2, Op. 81 Antonín Dvořák I. Allegro, ma non tanto (1841-1904) Iryna Peleshchyshyn, violin Noah Mellemstrand, violin Logan McNeil, viola Liam Epp, cello Michelle Hoskin, piano UPCOMING AT THE SCHOOL OF MUSIC WEDNESDAY, NOVEMBER 20 | 8:00 PM (By donation) String Chamber Concert Featuring UVic School of Music string students from the chamber music classes of the Lafayette String Quartet. Phillip T. Young Recital Hall FRIDAY, NOVEMBER 22 | 12:30 PM (By donation) FridayMusic Take an afternoon break to enjoy a concert of varied repertoire featuring UVic School of Music string students. Phillip T. Young Recital Hall FRIDAY, NOVEMBER 22 | 8 PM ($10-$20) UVic Wind Symphony: Time and Space Steven Capaldo, conductor Join the UVic Wind Symphony in a program that explores the concepts of time and space, from early works written for wind band to innovative and modern pieces that push the boundaries of our expectations. The program will feature music by Gordon Jacob, Julie Giroux, Peter Meechan and Katherine Bergman. The Farquhar at UVic, University Centre � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/111919-TuesdayMusic/111919-TuesdayMusic_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111919-TuesdayMusic/111919-TuesdayMusic_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111919-TuesdayMusic/111919-TuesdayMusic_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111919-TuesdayMusic/111919-TuesdayMusic_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111919-TuesdayMusic/111919-TuesdayMusic_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/111919-TuesdayMusic/111919-TuesdayMusic_6.mp3">Track 6<br /></a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesday Music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 19, 2019 Contributor An entity responsible for making contributions to the resource Keren Xu, Flute Zin Cho, Piano Lisa Matsugu, Flute Charlotte Hale, Piano Huaqian Zeng, Flute Nancy Lin, Piano Connie Goetz, Flute Iryna Peleshchyshyn, Violin Noah Mellemstrand, Violin Logan McNeil, Viola Liam Epp, Cello Michelle Hoskin, Piano https://finearts.uvic.ca/music/archive/files/original/d877e2cd42c5dd0a2de5bcc9ce8d6068.pdf 80786457c7fad6e8f799cd296000a2af PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria November 22, 2018 • 12:30 p.m. Featuring School of Music string students Cello Suite No. 5 in C Minor, BWV 1011 Johann Sebastian Bach I. Prelude (1685–1750) Bryan Lin, cello Capriccio in C Minor, Op. 55 Maki Yamagata, viola Violin Sonata No. 2 in D Major, Op. 94a I. Moderato Carl Fung, violin Jinyoung Cho, piano Henri Vieuxtemps (1820–1881) Sergei Prokofiev (1891–1953) Violin Sonata in G Minor “Devil’s Trill Sonata” Giuseppe Tartini I. Larghetto affettuoso (1692–1770) II. Allegro energico Julien Haynes, violin Michelle Hoskin, piano Fantasia Quartet for Four Violas York Bowen (1884–1961) Maki Yamagata, Danielle Tsao, Logan McNeil, Judith Gaston, violas Quartet No. 15 in A Minor, Op. 132 IV. Allegro espressivo V. Allegro appassionato Jeanel Liang, violin Talia Sinclair, violin Danielle Tsao, viola Bryan Lin, cello Ludwig van Beethoven (1770–1827) UPCOMING AT THE SCHOOL OF MUSIC FRIDAY, NOVEMBER 22 | 8: PM ($10-20) UVic Wind Symphony: Time and Space Dr. Steven Capaldo, conductor Join the UVic Wind Symphony in a program that explores the concepts of time and space, from early works written for wind band to innovative and modern pieces that push the boundaries of our expectations. The program will feature music by Gordon Jacob, Julie Giroux, Peter Meechan and Katherine Bergman. The Farquhar at UVic, University Centre SATURDAY, NOVEMBER 23 | 8 PM (By donation) Sonic Lab Ajtony Csaba, director Come for an audiovisual experience with UVic’s contemporary music ensemble. This concert features works by Giacinto Scelsi, Alexander Schubert and David Leisner as well as improvisations by the ensemble. Phillip T. Young Recital Hall SUNDAY, NOVEMBER 24 | 7 PM (By donation) UVic Vocal Jazz Ensemble: Fall Showcase Wendell Clanton, director Expect a fun-filled evening featuring original arrangements and timeless classics performed by Vocal Jazz studio groups and combos. Phillip T. Young Recital Hall � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112219-FridayMusic/112219-FridayMusic_01.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112219-FridayMusic/112219-FridayMusic_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112219-FridayMusic/112219-FridayMusic_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112219-FridayMusic/112219-FridayMusic_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112219-FridayMusic/112219-FridayMusic_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112219-FridayMusic/112219-FridayMusic_6.mp3">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friday Music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 22, 2019 Contributor An entity responsible for making contributions to the resource Bryan Lin, Cello Maki Yamagata, Viola Carl Fung, Violin Jinyoung Cho, Piano Julien Haynes, Violin Michelle Hoskin, Piano Danielle Tsao, Viola Logan McNeil, Viola Judith Gaston, Viola Jeanel Liang, Violin Talia Sinclair, Violin https://finearts.uvic.ca/music/archive/files/original/f46e527a625674eed1b3c8227aac3647.pdf e8f9cc008bac3dfb499d64571e31e22c PDF Text Text School of Music UVIC MUS C Faculty of Fine Arts University of Victoria �Wind Symphony UNIVERSITY OF VICTORIA Time and Space Steven Capaldo, conductor We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Friday, November 22, 2019 • 8 p.m. The Farquhar at UVic University Centre, University of Victoria Regular $20 / Seniors $15 / Students & UVic alumni $10 �PROGRAM Luminescence David Biendenbender (b.1984) Dusk Steven Bryant (b. 1972) An Original Suite Gordon Jacob (1895–1984) Dream Machine Katherine Bergman (b. 1985) I NT E R M I S S I O N I.S.S. Flyover Poetic Intermezzo Peter Meechan (b. 1980) James Barnes (b. 1949) A King’s Supremacy Kit Turnbull (b. 1969) Outlander Julie Giroux (b. 1961) �PROGRAM NOTES Luminescence (2009) by David Biendenbender Luminescence is based on fragments from the melody Break Forth O Beauteous Heavenly Light, which was written by Johann Schop (ca. 1590–1664) and subsequently harmonized in several settings by Johann Sebastian Bach. Break Forth O Beauteous Heavenly Light was first known as “Ermuntre dich, mein schwacher Geist” (Rouse thyself, my weak spirit), and was published in Lepzig in 1641 in Johann Rist’s Himmlische Lieder (Heavenly or Celestial Songs), where the tune appeared in triple meter along with text by Rist. Bach probably found an altered version of the tune in Johann Cruger’s Praxis Pietatis Melica (1647) and subsequently harmonized it in various settings. This particular setting is from the second cantata of his Christmas Oratorio from 1737. The original melody had a different character in its original form, as it was more closely related to Renaissance musical style. By the time Bach harmonized the tune in the 18th century, musical preferences had shifted: the rhythm of the melody was made more consistent, the tempo became slower, and the harmony and counterpoint was more complex. This setting is still sung in modern churches at Christmas and is commonly known as Break Forth O Beauteous Heavenly Light. David Biedenbender is a composer, conductor, performer, educator, and interdisciplinary collaborator. David’s music has been described as “simply beautiful” [twincities.com], “striking” and “brilliantly crafted” [Times Argus] and is noted for its “rhythmic intensity” [NewMusicBox] and “stirring harmonies” [Boston Classical Review]. He has written music for the concert stage as well as for dance and multimedia collaborations, and his work is often influenced by his diverse musical experiences in rock and jazz bands as an electric bassist, in wind, jazz, and New Orleans-style brass bands as a euphonium, bass trombone, and tuba player, and by his study of Indian Carnatic music. His present creative interests include working with everyone from classically trained musicians to improvisers, acoustic chamber music to large ensembles, and interactive electronic interfaces to live brain data. © David Biedenbender Dusk (2004) by Steven Bryant This simple, chorale-like work captures the reflective calm of dusk, paradoxically illuminated by the fiery hues of sunset. I’m always struck by the dual nature of this experience, as if witnessing an event of epic proportions silently occurring in slow motion. Dusk is intended as a short, passionate evocation of this moment of dramatic stillness. �Steven Bryant’s music is chiselled in its structure and intent, fusing lyricism, dissonance, silence, technology, and humor into lean, skilfully-crafted works that enthral listeners and performers alike. Winner of the ABA Ostwald award and three-time winner of the NBA Revelli Award, Bryant’s music for wind ensemble has reshaped the genre. A prolific composer, his substantial catalogue of music is regularly performed throughout the world. Recently, his Ecstatic Waters was premiered by the Minnesota Orchestra to unanimous, rapturous acclaim. The son of a professional trumpeter and music educator, he strongly values music education, and his creative output includes a number of works for young and developing musicians. © Steven Bryant An Original Suite (1928) by Gordon Jacob An Original Suite is considered standard wind repertoire. Its very title shows its significance: when it was first published (by Boosey), the publisher added ‘Original’ to the title, presumably to distinguish it from the many popular music and orchestral arrangements that dominated the wind band repertoire at the time. The suite does indeed use original material throughout, making it a close cousin to Holst’s First Suite in E-flat, though one that arrived nearly 20 years later. Gordon Percival Septimus Jacob was a 20th century British composer. Along with Gustav Holst and Ralph Vaughan Williams, he is known as an early champion of the wind band and a skilled composer in the medium. His other wind works include a Symphony (AD 78), the William Byrd Suite, and a chamber suite called Old Wine in New Bottles, as well as several arrangements of other composers’ work. © Andy Pease Dream Machine (2016) by Katherine Bergman The meaning behind Dream Machine is two-fold. In one sense, the title suggests the brain is a “dream machine,” generating odd, otherworldly landscapes when neural activity reaches a certain state. Simultaneously, it refers to a physical art piece designed by artist Brion Gysin called the “Dreamachine.” The Dreamachine is a phonograph-driven stroboscope described as “the first art object to be seen with the eyes closed” and is intended to affect the viewer’s brain alpha wave activity. Whether the “machine” is the sculpture, the brain, the music itself, or all of the above is open to interpretation. Dream Machine was commissioned in recognition of Dr. James Patrick Miller’s appointment as conductor of the Gustavus Wind Orchestra, with sincere gratitude for the support of the Douglas Nimmo Endowment. �Katherine Bergman is a Minnesota-based composer who draws on literature, environmentalism, and found materials to create music that has been described as hypnotic and visceral. She has received commissions and performances from leading ensembles throughout the United States, including the U.S. Coast Guard Band, Encore Wind Ensemble, Gustavus Wind Orchestra, Zeitgeist, Seen/Heard Trio, the Minnesota Percussion Trio,The Dream Songs Project, and many others. Her works have been presented at the North American Saxophone Alliance Biennial Conference, the College Band Directors National Association Conference, and The Upper Midwest Chamber Winds Symposium, and her compositions have received support from the Minnesota State Arts Board, the Jerome Foundation, and the Metro Regional Arts Council. Katherine holds a master’s degree from the University of Northern Iowa School of Music, where she studied composition with Jonathan Schwabe and Alan Schmitz. She earned a bachelor’s degree in music from Gustavus Adolphus College in Saint Peter, Minnesota with composition instructors including Michele Gillman and Steve Wright. She has studied extensively with Mary Ellen Childs, and has received individual instruction from Samuel Adler. Recent and upcoming projects include new works for Hub New Music, Nautilus MusicTheater, and a new work for wind ensemble commissioned by a consortium of university and high school bands. Katherine is Co-Founder and Artistic Co-Director of Spitting Image, a composer collective that brings together composers, listeners, and performers to strengthen the Twin Cities contemporary music community. © Katherine Bergman I.S.S. Flyover (2012) by Peter Meechan I.S.S. Flyover was written in August 2012, when the International Space Station (I.S.S.) was visible in the sky over my home town of Manchester, UK.This is not an uncommon occurrence (www.heavens-above.com is a useful tool to help you find when the orbit of the I.S.S. passes over), but what was unique about this particular pass was that there would be astronauts carrying out repair work on the outside of the station. The idea that something that seemed to pass so quick in the skies above us juxtaposed with what must have seemed a slow, dangerous journey for the astronaut is what lead me to write this piece. The opening passage is a fast, ostinato driven section; the speed and energy that the I.S.S. is perceived from earth.The middle section is desolate and sparse; the astronauts looking down on earth as they slowly orbit around the globe, the loneliness of space. The final section is a return to the original material— this time with even more momentum and drive, provided by the percussion. �I.S.S. Flyover was commissioned by a Canadian consortium of the University of Saskatchewan, Brandon University, the University of Calgary, Harmonie Laval, Memorial University of Newfoundland, the University of Prince Edward Island, the University of Toronto and Anthony Reimer, Calgary, Alberta. The work is dedicated to Darrin Oehlerking who organised the commission consortium. The music of Canadian-based British composer Peter Meechan is performed throughout the world. His music has been commissioned, recorded, broadcast and performed by some of the world’s leading wind orchestras, brass bands, conductors and soloists, including: “The President’s Own” United States Marine Band, Dallas Symphony Orchestra, Bramwell Tovey, Black Dyke Brass Band, Dunshan Symphonic Wind Orchestra, The Band of the Coldstream Guards, RNCM Wind Orchestra, Steven Mead, Jens Lindemann, Ryan Anthony, Les Neish, Linda Merrick, the BBC Concert Orchestra, Edmonton Symphony Orchestra, Rex Richardson, Jacques Mauger and many more. He holds an undergraduate degree from the Royal Northern College of Music, a Master of Arts degree and a PhD (composition), both from the University of Salford. © Peter Meechan Poetic Intermezzo (1985) by James Barnes James Barnes studied composition and music theory at the University of Kansas, earning a Bachelor of Music degree in 1974, and Master of Music degree in 1975. He studied conducting privately with Zuohuang Chen. Professor Barnes is member of both the History and Theory-Composition faculties at the University of Kansas, where he teaches orchestration, arranging and composition courses as well as wind band history and repertoire courses. At KU, he served as an assistant, and later, as associate director of bands for 27 years. His numerous publications for concert band and orchestra are extensively performed at Tanglewood, Boston Symphony Hall, Lincoln Center, Carnegie Hall and the Kennedy Center in Washington, DC. Barnes has twice received the coveted American Bandmasters Association Ostwald Award for outstanding contemporary wind band music. He has been the recipient of numerous ASCAP Awards for composers of serious music, the Kappa Kappa Psi Distinguished Service to Music Medal, the Bohumil Makovsky Award for Outstanding College Band Conductors, along with numerous other honors and grants. He has three commercial recordings of his music with the world-famous Tokyo Kosei Wind Orchestra. More recently, he completed a recording of his works with the Koninklijke Militaire Kapel (The Queen’s Royal Military Band) in Holland. He has also been commissioned to compose works for all five of the major military bands in Washington, DC. �Mr. Barnes has traveled extensively as a guest composer, conductor, and lecturer throughout the United States, Europe, Australia, Japan and Taiwan. He is a member of the American Society of Composers, Authors, and Publishers (ASCAP), the American Bandmasters Association and numerous other professional organizations and societies. © Wind Repertory Project A King’s Supremacy (2016) by Kit Turnbull In 1534, the English parliament signed into law the Act of Supremacy, recognising Henry VIII as the “Supreme Head of the Church of England.” This was followed in February 1535 by The Suppression of Religious Houses Act, and a series of subsequent Parliamentary Acts that allowed the king bracket through his vicar general, Thomas Cromwell, to disband Catholic Monasteries, Priories, Friaries, and Convents across England, Ireland and Wales. There were approximately 900 religious houses in England and 2% of the total population was in religious orders at that time. The Act of Supremacy required an oath of loyalty from English subjects, recognising the King’s marriage to Anne Boleyn. The refusal of many in religious orders to acknowledge this led to their brutal deaths and executions, with Henry’s army dispatched to ensure the confiscation of all property and wealth held by their houses. Amongst the religious houses destroyed were the great Cistercian Abbeys of Yorkshire. Once the monks and treasures had been removed, the buildings were left to fall into a state of disrepair, with many being dismantled or partially destroyed to supply stone for other buildings. Today, these Abbeys, like so many others, are preserved as tourist sites and the remaining ruins leave you in no doubt as to the original splendour of these religious houses. Kit Turnbull began his musical career as a keyboard player in a rock band before joining Her Majesty’s Royal Marines Band Service in 1991 as a bassoonist. From 1997 he studied composition with Martin Ellerby at the London College of Music where he subsequently became a course leader and composition tutor. He is currently Composition and Arranging tutor to the Royal Air Force Music Services. A recipient of the Silver Medal of the Worshipful Company of Musicians in 1998, he has since completed numerous commissions that have been performed, broadcast and recorded all over the world. © Kit Turnbull �Outlander (2010) by Julie Giroux Outlander is a musical odyssey which explores emotions and states in the extreme; fear, total isolation, violence, pain, hope, relief and in the end, tears of joy and triumph. Full of textures and dynamic contrasts this work is extremely descriptive with the help of extensive melodic percussion and piano parts. The percussion and piano pads create a wonderful pallet which at times is dark and foreboding, even primal. Other times it helps creates a melodic texture that is sadly beautiful. Outlander explores what it is to be both human and alien with an orchestration and form that is totally freestyle. This work reflects the futuristic musical journey of a young heroine named Nanami who has recently graduated from the Space Academy. Her first mission into space turns into a catastrophic event forcing everyone on the ship to abandon via personal escape pods. Nanami unfortunately gets sucked into a worm hole and comes out millions of miles away from home. Low on fuel and supplies Nanami lands on a planet with oxygen and carbonbased life forms where she is an alien, captured and treated with hostility at best. Her only saving grace? On this planet, all of the creatures can hear her thoughts and she can hear theirs. The dominant race of this planet does not share this gift. Nanami uses this talent to her advantage and with the help of these creatures escapes, flies back through the worm hole and returns safely to earth. Giroux began composing commercially in 1984. She was hired by Oscar winning composer Bill Conti as an orchestrator, her first project with Conti being “North & South” the mini-series. With over 100 film, television and video game credits, Giroux collaborated with dozens of film composers, producers, and celebrities including Samuel Goldwyn, Martin Scorsese, Clint Eastwood, Madonna, Liza Minnelli, Celine Dion, Paula Abdul, Michael Jackson, Paul Newman, Harry Connick Jr. and many others. Projects she has worked on have been nominated for Oscars, Emmys, Grammys and Golden Globe awards. She has won individual Emmy Awards in the field of “Outstanding Individual Achievement in Music Direction.” When she won her first Emmy Award, Giroux was the first woman and youngest person to ever win that award. Giroux has been a true force in a male-dominated field and has accrued many previously male-only awards. She is a member of ASCAP, The Film Musicians Fund, Kappa Kappa PSI, Tau Beta Sigma and a member of the American Bandmasters Association. She is a recipient of the Distinguished Service to Music Medal Award,The Emmy Awards, and was the first female composer inducted into the American Bandmasters Association in 2009. © Julie Giroux �UVIC WIND SYMPHONY PICCOLO Connie Goetz FLUTE Lisa Matsugu* Vicky Zheng Connie Goetz Breanna Morrissette Andrea Kim OBOE Janie Sinn* Kiara Hosie Ethan Slogotski ENGLISH HORN Janie Sinn BASSOON Rio Lagos Davison* Devin Hawthorne CLARINET Chensi Liu* Ben Litzcke Katherine Forster Nishant Amatya Emileigh Pearson Meghan Parker Devin Owpaluk Channing Mar BASS CLARINET Braeden Miles Melissa Holyhead-Miles CONTRABASS CLARINET Lee Whitehorne SOPRANO SAXOPHONE Karsten Brewka EUPHONIUM Liam Mulligan* Aidan Bernard ALTO SAXOPHONE Karsten Brewka* Todd Morgan Alex Tiller Tessa Belhomme-Orders TUBA Scott Gordon* Aidan Fentiman TENOR SAXOPHONE Ayari Kasukawa BARITONE SAXOPHONE Baylie Adams FRENCH HORN Emily Axford* Joshua Ward Maia Copley Thomas Hurley Brooke Clansey TRUMPET Tark Kim* Ekaterina Della Vedova Alicia Ellis Abha-Marie Parmar Brendan Wong Mark Barr TROMBONE Marina Antoniou* Will Quinn Tyler Schmit BASS TROMBONE Odyn Mulder PERCUSSION Simeon Weststeijn* Jesse Johnson Allyssa Haigh Colin Malloy TIMPANI Cashton McGillivray PIANO Yousef Shudian GRADUATE ASSISTANT Marina Antoniou STAGE MANAGER Liam Mulligan Yousef Shudian LIBRARIAN Nima Kolmohammadi Connie Goetz * Principal �Dr. Steven J. Capaldo, conductor Dr. Steven Capaldo has distinguished himself as one of the most respected music educators, wind conductors and conductor educators in Australia, earning academic and musical recognition internationally. Dr. Capaldo is currently an Associate Professor of Music Education & Conducting and Wind Symphony Conductor at the University of Victoria. He has previously held positions in Music Education at the University of Wollongong (Australia) and the University of Victoria, and was the Conductor of the Sydney University Wind Orchestra and the UNSW Wind Symphony. An active writer, Dr. Capaldo composes, arranges and transcribes music for wind orchestras, symphony orchestras, festivals and concerts and his works have been performed by groups in Australia, Canada, Japan and the United States, and recorded on Klavier records (US). He has been listed as a composer in the book The Band Down Under, a finalist in several international composition competitions and published with Brolga Music Australia. An Assistant Producer for eight Klavier Records CD, Dr. Capaldo became a full voting member for the US Grammy Awards in 2010 and was Chair of the Australian Jury Panel for the 2017 Eurovision Song Contest. Dr. Capaldo is highly-active and in-demand as a conductor, clinician and adjudicator having worked at local, state/provincial, national and international levels including MusicFest and Chief Conductor of the British Columbia Honor Wind Ensemble. Committed to providing professional learning opportunities for music educators and conductors, Dr. Capaldo has been a conducting clinician at the 2017 Australian National Band and Orchestra Conference, the Chief Conducting Clinician for the 2017 Qld ABODA Conducting Camp and an Associate Instructor for the 2016, 2017 & 2018 NSW ABODA Conducting Camps. In 2018, Dr. Capaldo conducted a Qld State Honours Ensemble and presented at the Australian National Band and Orchestra Conference. �UPCOMING EVENTS SATURDAY, NOVEMBER 23 | 8 PM (By donation) Sonic Lab Ajtony Csaba, director Come for an audiovisual experience with UVic’s contemporary music ensemble. This concert features works by Giacinto Scelsi, Alexander Schubert, Michael Beil and David Leisner as well as improvisations by the ensemble. Phillip T. Young Recital Hall SUNDAY, NOVEMBER 24 | 7 PM (By donation) UVic Vocal Jazz Ensemble: Fall Showcase Wendell Clanton, director Expect a fun-filled evening featuring original arrangements and timeless classics performed by Vocal Jazz studio groups and combos. Phillip T. Young Recital Hall TUESDAY, NOVEMBER 26 | 12:30 PM (By donation) Tuesdaymusic Enjoy a program of solo and chamber music in a variety of genres, from baroque to contemporary, performed by UVic School of Music students. Phillip T. Young Recital Hall WEDNESDAY. NOVEMBER 27 | 8 PM (Free admission) Orion Series in Fine Arts Guest Concert Carl Petersson, piano Swedish pianist Carl Petersson performs solo works by Frédéric Chopin, Niccolò Paganini/Franz Liszt, Einar Englund, Sergei Rachmaninov, and Isaac Albéniz. With an international performance career, Petersson has appeared at venues such as Toronto’s Glenn Gould Studio, the Shanghai Oriental Art Center and the Kleinhans Music Hall in Buffalo, and has collaborated with orchestras including the Buffalo Philharmonic, the Kraków Philharmonic and the Czech National Symphony Orchestra. Phillip T. Young Recital Hall THURSDAY, NOVEMBER 28 | 8 PM ($10-$20) Don Wright Symphonic Winds: Out of This World Michael Keddy, conductor Students from across campus join together to perform music representative of the human fascination and connection with all things “extraterrestrial.” The Farquhar at UVic, University Centre To receive monthly updates about School of Music events by email, contact concert@uvic.ca. More information and tickets at: uvic.ca/music/events � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112219-WindSymphony/112219-WindSymphony_1.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112219-WindSymphony/112219-WindSymphony_2.mp3">Track 2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony Concert - Time and Space Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 22, 2019 Contributor An entity responsible for making contributions to the resource PICOLLO Connie Goetz FLUTE Lisa Matsugu* Vicky Zheng Connie Goetz Breanna Morrissette Andrea Kim OBOE Janie Sinn* Kiara Hosie Ethan Slogotski ENGLISH HORN Janie Sinn BASSOON Rio Lagos Davison* Devin Hawthorne CLARINET Chensi Liu* Ben Litzcke Katherine Forster Nishant Amatya Emileigh Pearson Meghan Parker Devin Owpaluk Channing Mar BASS CLARINET Braeden Miles Melissa Holyhead-Miles CONTRABASS CLARINET Lee Whitehorne SOPRANO SAXOPHONE Karsten Brewka ALTO SAXOPHONE Karsten Brewka* Todd Morgan Alex Tiller Tessa Belhomme-Orders TENOR SAXOPHONE Ayari Kasukawa BARITONE SAXOPHONE Baylie Adams FRENCH HORN Emily Axford* Joshua Ward Maia Copley Thomas Hurley Brooke Clansey TRUMPET Tark Kim* Ekaterina Della Vedova Alicia Ellis Abha-Marie Parmar Brendan Wong Mark Barr TROMBONE Marina Antoniou* Will Quinn Tyler Schmit BASS TROMBONE Odyn Mulder EUPHONIUM Liam Mulligan* Aidan Bernard TUBA Scott Gordon* Aidan Fentiman PERCUSSION Simeon Weststeijn* Jesse Johnson Allyssa Haigh Colin Malloy TIMPANI Cashton McGillivray PIANO Yousef Shudian GRADUATE ASSISTANT Marina Antoniou STAGE MANAGER Liam Mulligan Yousef Shudian LIBRARIAN Nima Kolmohammadi Connie Goetz * Principal https://finearts.uvic.ca/music/archive/files/original/2420fdf305aa71f97599b07995cbc24f.pdf 9933817eb47e50cf72cff9c8c2341e95 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA S ON I C L A B Ajtony Csaba, conductor We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. Saturday, November 23, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Soundpainting Anna Betuzzi, oboe Charlotte Mason, flute Connie Goetz, fute Karsten Brewka, saxophone Katherine Forster, clarinet Todd T. Morgan, saxophone Extremes - I (1987) David Leisner Katherine Forster, clarinet Connie Goetz, flute Matthew Graumans, guitar Ko-Lho (1966) Giacinto Scelsi Charlotte Mason, flute Kyle Lancaster, clarinet HELLO (2014) Lecture and demonstration Alexander Schubert HELLO is an audio-visual piece in which the projection serves as a score to be interpreted by the ensemble. The video consists of gestures per-formed by the composer in his living room. The piece is in eight movements and is an invitation into the personal world of Alexander Schubert. Anna Betuzzi, oboe Charlotte Mason, flute Connie Goetz, flute Karsten Brewka, saxophone Katherine Forster, clarinet Todd T. Morgan, saxophone Cashton McGilvray, percussion �UPCOMING EVENTS SUNDAY, NOVEMBER 24 | 7 PM (By donation) UVic Vocal Jazz Ensemble: Fall Showcase Wendell Clanton, director Expect a fun-filled evening featuring original arrangements and timeless classics performed by Vocal Jazz studio groups and combos. Phillip T. Young Recital Hall TUESDAY, NOVEMBER 26 | 12:30 PM (By donation) Tuesdaymusic Enjoy a program of solo and chamber music in a variety of genres, from baroque to contemporary, performed by UVic School of Music students. Phillip T. Young Recital Hall WEDNESDAY. NOVEMBER 27 | 8 PM (Free admission) Orion Series in Fine Arts Guest Concert Carl Petersson, piano Swedish pianist Carl Petersson performs solo works by Frédéric Chopin, Niccolò Paganini/Franz Liszt, Einar Englund, Sergei Rachmaninov, and Isaac Albéniz. With an international performance career, Petersson has appeared at venues such as Toronto’s Glenn Gould Studio, the Shanghai Oriental Art Center and the Kleinhans Music Hall in Buffalo, and has collaborated with orchestras including the Buffalo Philharmonic, the Kraków Philharmonic and the Czech National Symphony Orchestra. Phillip T. Young Recital Hall THURSDAY, NOVEMBER 28 | 8 PM ($10-$20) Don Wright Symphonic Winds: Out of This World Michael Keddy, conductor Students from across campus join together to perform music representative of the human fascination and connection with all things “extraterrestrial.” The Farquhar at UVic, University Centre FRIDAY, NOVEMBER 29 | 12:30 PM (By donation) Fridaymusic Take an afternoon break to enjoy a concert with the UVic Percussion Ensemble directed by Bill Linwood. Phillip T. Young Recital Hall SATURDAY, NOVEMBER 30 | 3:30 PM (By donation) UVic Choirs: ‘Tis the Season More than 250 voices from UVic’s choirs join in harmony for this popular seasonal concert. Get into the holiday spirit with the UVic Chorus, Chamber Singers, and Vocal Jazz Ensemble plus UVic brass, Christ Church organist Mark McDonald and a cappella ensemble Fifth Street. Christ Church Cathedral (Quadra St. at Rockland Ave.) To receive monthly updates about School of Music events by email, contact concert@uvic.ca. More information and tickets at: uvic.ca/music/events � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/112319-SonicLabPerformance/112319-SonicLabPerformance.mp3">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sonic Lab Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource November 23, 2019 Contributor An entity responsible for making contributions to the resource Ajtony Csaba, conductor Anna Betuzzi, oboe Charlotte Mason, flute Connie Goetz, fute Karsten Brewka, saxophone Katherine Forster, clarinet Todd T. Morgan, saxophone Matthew Graumans, guitar Kyle Lancaster, clarinet Cashton McGilvray, percussion Alexander Schubert