78 10 1498 https://finearts.uvic.ca/music/archive/files/original/c79b48a488819a9e8bf7fec93a6133ba.pdf 48a72399fdda89ba958449ed9b344906 PDF Text Text � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/09072019-DegreeRecital_Kim/09072019-DegreeRecital_Kim_01.mp3">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/09072019-DegreeRecital_Kim/09072019-DegreeRecital_Kim_02.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/09072019-DegreeRecital_Kim/09072019-DegreeRecital_Kim_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/09072019-DegreeRecital_Kim/09072019-DegreeRecital_Kim_04.mp3"><br /></a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Shiun Kim, cello (MMus) Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource September 7, 2019 Contributor An entity responsible for making contributions to the resource Shiun Kim, Cello https://finearts.uvic.ca/music/archive/files/original/cbbf663b357996ac453db2259e876b99.pdf e4d2d762e8ed32950b394565f9e45358 PDF Text Text Erasing Cultural Memory: Music and the impact of war GUEST SPEAKER Julia Riegel PhD Candidate, Indiana University Bloomington PERFORMERS Connie Gitlin, clarinet Adam Dobres, guitar Orontes Guitar Quartet Wednesday, September 11, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM We acknowledge with respect that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. w Welcome Dr. Suzanne Snizek, UVic School of Music w Opening Remarks Dr. Evanthia Baboula, Acting Dean, UVic Faculty of Fine Arts Dr. Chris Goto-Jones, Dean, UVic Faculty of Humanities w Dr. Kristin Semmens, UVic History Introduction to Klezmer artist and UVic School of Music clarinet professor Connie Gitlin, with guest guitarist Adam Dobres Papirosen .................................................................................. Herman Yablokoff Freda’s Journey ............................................................................... Adam Dobres Ani Ma’amin ........................................................................ Azriel David Fastag Shalom Aleichem Rav Feldman ................................................... Bela Kovács w Dr. Charlotte Schallié, UVic Germanic and Slavic Studies Introduction to US Holocaust Memorial Museum guest speaker Julia Riegel (PhD candidate IU-Bloomington): Cultural Erasure, Cultural Endurance: Music in the Warsaw Ghetto I NT E R M I S S I O N �w Dr. Alexander Dunn, UVic School of Music Introduction to the Orontes Guitar Quartet from Syria Orwa Al Shara’a, guest speaker (member of Orontes): A Journey from Conflict Four Syrian musicians describe their passage from a war-torn culture to Canada. Short performance by Orontes: Grisas y Soles ............................................................................... Maximilio Pujol Orontes Guitar Quartet: Orwa Al-Shara’a Nazir Salameh Mohammed Mir Mahmoud Gaby Al-Botros This program is made possible by the Campus Outreach Lecture Program of the United States Holocaust Memorial Museum’s Jack, Joseph and Morton Mandel Center for Advanced Holocaust Studies, supported by the Anne and Harry Chinitz Campus Outreach Lecture Fund. Further support has been provided by the University of Victoria’s Department of Germanic and Slavic Studies, the School of Music, the History Department, the Centre for Global Studies, the Faculty of Fine Arts and the Faculty of Humanities. �BIOGRAPHIES Adam Dobres, guitar Adam Dobres is a folk-oriented guitarist with a fluid talent and adaptive sensibility. Born in Canada and currently living on Pender Island in British Columbia, he has toured all over the world with acts ranging from folk ensemble The Ruth Moody Band to pop rock singer Toni Childs. In 2016, he stepped into the spotlight with his eponymous debut album, earning him a nomination for instrumental artist of the year in the West Coast Music Awards. Dobres has a special place in his heart for beloved vocal group The Wailin’ Jennies, with whom he’s toured across America and played on acclaimed radio show the Prairie Home Companion. He also recorded on their latest album, Fifteen, which recently hit the No. 1 spot on the bluegrass charts as well as earning a Juno Nomination in 2018. Among the most exciting of Adam’s recent performances were the two tours he spent with the Ruth Moody Band opening for renowned guitarist Mark Knopfler, including 8 nights at the Royal Albert Hall in London. Adam has shared a very special collaboration spanning many years with celebrated fiddler Daniel Lapp, starting in his fiddle orchestra at the age of fifteen and nowadays joining him around the world. They’ve played together in Glasgow at the Celtic Connections Festival, at the Celtic Colors Festival in Cape Breton, and once opened together for legendary lrish folk band The Chieftains. Connie Gitlin, clarinet Connie Gitlin has served as principal clarinet with the Manitoba Chamber Orchestra since 1984, a position which she held with the Winnipeg Symphony Orchestra, Canadian Chamber Orchestra, Santa Fe Opera Orchestra and Colorado Philharmonic. Ms. Gitlin has appeared numerous times as a soloist with the Winnipeg Symphony, Manitoba Chamber Orchestra and Musique Baroque Orchestra performing the works of Mozart, Rossini, Weber, Copland and Molter among others. Her solo recitals include appearances as an invited guest artist at the International Clarinet Congress both in Vancouver, BC and Cincinnati, Ohio and she performed recital works at the Einov Cultural Center in Tel Aviv in collaboration with musicians of the Israel Philharmonic. An avid performer of both chamber music and new music, Ms Gitlin has been a guest performer on numerous chamber music series both in Winnipeg and Vancouver. �Ms. Gitlin is much in demand as a teacher of clarinet, conducts masterclasses for students of all ages and has served as Instructor of Clarinet at the faculties of music at the University of Manitoba, Brandon University and St. James Music Academy as well as maintaining a private teaching studio. Ms. Gitlin has participated in a number of recording projects with various ensembles including, with the Manitoba Chamber Orchestra and Isabel Bayrakdarian. Most recently, Ms. Gitlin has added the rich folkloric tradition of the clarinet Klezmer music to her repertoire, including collaborations with guitarist and recording artist, Adam Dobres. Orontes Guitar Quartet The Orontes Guitar Quartet, from Damascus, Syria, was formed in Beirut in 2015 at the University of Notre Dame Louaize. They have since performed throughout Syria, recorded a CD, performed as soloists with the Syrian Philharmonic at the Damascus Opera House, were teaching assistants at the YES Academy Lebanon, and taught at the Remember the River guitar program for Syrian refugee children in cooperation with Jusoor in Beirut. The Orontes Quartet are visiting artists at the UVic School of Music for the 2018-2019 season. With the help of Remember the River, whose mission is to provide support to artists in war zones, the quartet managed to escape the ravages of war in Syria to become the youngest artists to be awarded fellowships from the prestigious Artists Protection Fund.The APF is a program of the US International Institute of Education which partners with host institutions to provide fellowships in safe countries and where the artists may continue their work without fear of violence. UVic’s guitar culture was identified as an ideal home for Orontes’ stay. As instructor at UVic for over 28 years, Dr. Alexander Dunn built a top guitar program in Canada that has garnered much international respect. Dr. Dunn serves as mentor to the group, organizing their musical activities while in Canada. The UVic School of Music has attended as host and musical base and the Victoria Guitar Society has provided daily practical and artistic support as the quartet transitioned into Canadian life. The Orontes Quartet’s dramatic story of life in Damascus, of sustaining their art in the midst of violence, risk from extremist groups such as ISIS which target musicians, and their eventual journey to Canada is a remarkable narrative of hope and determination which celebrates the power of music to strengthen and inspire. �Julia Riegel Julia Riegel is a PhD candidate in Modern European History at Indiana University Bloomington (USA). Riegel’s research interests include modern Polish-Jewish cultural history, the Holocaust, and music during war and genocide. Her dissertation focuses on musical life in the Warsaw Ghetto, primarily using sources written and preserved by ghetto residents to reconstruct how musical life represented, reproduced, and contributed to the ghetto’s complex and contentious social and cultural dynamics. Her research has been supported by a Fulbright scholarship to Poland and a fellowship at the United States Holocaust Memorial Museum, as well as funding from Indiana University’s History Department and Borns Jewish Studies Program. Riegel has an article on the musician, ethnographer, and journalist Menachem Kipnis forthcoming in Polin: Studies in Polish Jewry 32, and has written articles for volumes III and VI of the Encyclopedia of Camps and Ghettos, 1933–1945. �Victoria Guitar Society presents Syrian Encounter An evening with Orontes Guitar Quartet The Orontes Quartet, hailing from Syria, are joined by BC writer Deborah Campbell, and guitar and rhythm master Celso Machado for a multimedia stage show featuring Syrian poetry, prose, solo and ensemble guitar, percussion and oud. Don’t miss the Orontes Quartet’s final concert in Victoria celebrating their remarkable journey from strife to Canada. Friday, October 18, 2019 | 7:30 PM Alix Goolden Performance Hall (907 Pandora Ave.) Advance tickets: General $25, Seniors $20, Students $15 At the door: General $30, Seniors $25, Students $20 Tickets available online and at: Ivy’s Bookshop, Good Earth Coffeehouse (Oak Bay), Long & McQuade and Tanner’s Books (Sidney) victoriaguitarsociety.ca �UVIC SCHOOL OF MUSIC UPCOMING EVENTS � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/091119-ErasingCulturalMemory/091119-ErasingCulturalMemory_01.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/091119-ErasingCulturalMemory/091119-ErasingCulturalMemory_02.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/091119-ErasingCulturalMemory/091119-ErasingCulturalMemory_03.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/091119-ErasingCulturalMemory/091119-ErasingCulturalMemory_04.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/091119-ErasingCulturalMemory/091119-ErasingCulturalMemory_05.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Erasing Cultural Memory: Music and the Impact of War Creator An entity primarily responsible for making the resource Ila Zbarsky Contributor An entity responsible for making contributions to the resource Julia Riegel Connie Gitlin Adam Dobres Orontes Guitar Quartet Date A point or period of time associated with an event in the lifecycle of the resource September 11 2019 https://finearts.uvic.ca/music/archive/files/original/51d893f158c9ac54ff9001992f3eaac3.pdf d8fb69a6f361ef5b9b78d11c63d27e25 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Emerging Artists Alumni Series Echéa Quartet Aliayta Foon-Dancoes violin (BMus ‘15) Emily Earl violin Clara Loeb viola Eliza Millett cello We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Wednesday, September 25, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Franz Joseph Haydn (1732–1809) String Quartet in D Major, Op. 20, No. 4 I. Allegro di molto II. Un poco adagio e affettuoso III. Menuet alla zingarese IV. Presto e scherzando R. Murray Schafer (b. 1933) String Quartet No. 4 With Jeanel Liang, violin Natasha Wendla Penfield, voice I NT E R M I S S I O N György Ligeti (1923–2006) String Quartet No. 1 “Métamorphoses nocturnes” �ABOUT ECHÉA QUARTET Finalists and prizewinners of the International Anton Rubinstein Chamber Music Competition, (2018) and finalists in the Royal Overseas-League Music Competition (2019), the Echéa Quartet is a London-based string quartet formed in 2017 at the Royal Academy of Music. They have recently been awarded the role as Fellowship String Quartet for 2019/20 at the Royal Academy of Music, where they are mentored by John Myerscough, Christoph Richter and Levon Chilingirian. In 2017, the quartet was awarded the St, Peter’s Chamber Music Prize, for which they have performed as part of the Eaton Square Concert Series. They have performed in masterclasses for Adrian Brendel, Miguel da Silva, Hartmut Rohde and members of the London Haydn and Belcea quartets. In the summer of 2018, the Echéa Quartet was the string-quartet-in-residence at Ferrandou Musique, Dordogne, where they gave many recitals as well as collaborated with the British baritone, David WilsonJohnson. The quartet was also awarded the role of Fellowship Quartet at Wintergreen Performing Arts, where they toured across Virginia and worked and performed with violinist Rachel Barton Pine Highlights of 2019 have included a performance of Haydn and Mendelssohn at the Musikverein in Vienna, as well as a collaboration with Marin Alsop at the World Economic Forum in Davos, Switzerland. Dedicated to the performance of new music, the Echéa Quartet performed at the Krama Contemporary Music Festival in Athens, Greece and continues to foster its relationship with London-based composers. They worked closely with Harrison Birtwistle at the Royal Academy and Henning Kraggerud at the West Cork Chamber Music Festival and attended the Banff Centre’s ‘Evolution of the String Quartet’ course, before touring the west-coast of North America in August and September. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/092519-EmergingArtistsAlumniSeriesEcheaQuartet/092519-EmergingAlumniArtists_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092519-EmergingArtistsAlumniSeriesEcheaQuartet/092519-EmergingAlumniArtists_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092519-EmergingArtistsAlumniSeriesEcheaQuartet/092519-EmergingAlumniArtists_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092519-EmergingArtistsAlumniSeriesEcheaQuartet/092519-EmergingAlumniArtists_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/guest/092519-EmergingArtistsAlumniSeriesEcheaQuartet/092519-EmergingAlumniArtists_5.mp3">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emerging Artists Alumni Series: Echea Quartet Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource September 25, 2019 Contributor An entity responsible for making contributions to the resource Echea Quartet: Aliayta Foon-Dancoes, Violin Emily Earl, Violin Clara Loeb, Viola Eliza Millett, Cello https://finearts.uvic.ca/music/archive/files/original/7a096e4bf2f302c6288f280b7fdb5fa8.pdf e76c2820912460e6e88ce95f0e8c7fa5 PDF Text Text DEGREE RECITAL Pedro Samsel Geraldo, composer Wednesday, October 2, 2019, 8:00 PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Echoes of a Parallel Ghost Pedro Samsel Liam B. Epp, cello Timo Pehkonen, piano Re:Flute Pedro Samsel Bailey Finley, flute Glass Edge Pedro Samsel Hollas Longton, violin Iryna Peleshchyshyn, violin Liam B. Epp, cello Logan McNeil, cello Noah Mellemstrand, conductor 百鬼丸 (Hyakkimaru) Pedro Samsel Nick Miskey, crotales Pedro Samsel, controller Pedro Samsel Geraldo is from the class of Professor, Mr. Christopher Butterfield This recital is presented in partial fulfillment of the requirements for the Master of Music (Composition) program. Please silence all electronic devices. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/100219-DegreeRecital_Geraldo/100219-PGeraldoComp_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100219-DegreeRecital_Geraldo/100219-PGeraldoComp_2.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100219-DegreeRecital_Geraldo/100219-PGeraldoComp_3.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100219-DegreeRecital_Geraldo/100219-PGeraldoComp_4.mp3">Track 4</a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100219-DegreeRecital_Geraldo/100219-PGeraldoComp_5.mp3"><br /></a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Pedro Samsel Geraldo, Composition (MMus) Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource October 2, 2019 Contributor An entity responsible for making contributions to the resource Pedro Samsel Geraldo, Composition https://finearts.uvic.ca/music/archive/files/original/8b689027d2ac95416eee3e4378886101.pdf 04d043b9ae411e90f3fc5931e3221ea8 PDF Text Text VIOLIN STUDIO RECITAL Students from the studio of Ann Elliott Goldschmid. FRIDAY, OCTOBER 4, 2019 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Duo in E-flat Major, BI 151 1. Allegro Tambourin Chinois Op. 3 Bennett Chiu, violin I Iryna Peleshchyshyn, violin II Bennett Chiu, violin Michelle Hoskin, piano Nocturne in C-sharp Minor, Op. Posthume Iryna Peleshchyshyn, violin Michelle Hoskin, piano Duo in G Major, Op. 3, No. 195 1. Allegro Six Morceaux pour violon et piano 1. Romance Allessandro Rolla (1757–1841) Fritz Kreisler (1875–1962) Frédéric Chopin (1810–1849) Arr. Nathan Milstein Allesandro Rolla Lea Fetterman, violin I Julien Haynes, violin II Lea Fetterman, violin Michelle Hoskin, piano Sonata No. 1 in G Minor, BWV 1001 I. Adagio Pauline Viardot (1821–1910) J.S. Bach (1685–1750) Julien Haynes, violin Duo in G Major, Op. 3, No. 195 1. Allegro Allesandro Rolla Dana Wenzel, violin I Amy-Lynne Toth, violin II Russian Dance from Swan Lake Dana Wenzell, violin Christopher Dlouhy, piano Danse Macabre Amy-Lynne Toth, violin Michelle Hoskin, piano I NT E R M I S S I O N Pyotr Ilyich Tchaikovsky (1840–1893) Camille Saint-Saëns (1835–1921) � Duo for Two Violins in F Major, BI 178, No. 2 II. Adagio Allesandro Rolla Megan Bibby, violin I Talia Sinclair, violin II Larghetto on a theme by Carl Maria von Weber Megan Bibby, violin Raymond Heberer, piano Novellette Op. 102, No. 1 Meditation Op. 32 Talia Sinclair, violin Michelle Hoskin, piano Devil’s Trill Sonata in G Minor I. Larghetto affettuoso Fritz Kreisler (1875–1962) Jean Sibelius (1865–1957) Alexander Glazunov (1865–1936) Giuseppe Tartini (1692–1770) Julien Haynes, violin Michelle Hoskin, piano Duet No. 1 in E-flat Major III. Rondo Polonese Alessandro Rolla Libby Wyse, violin I Jeanel Liang, violin II Ballade, Op. 4a George Enescu (1881–1955) Libby Wyse, violin Michelle Hoskin, piano Partita No. 2 in D Minor, BWV 1004 V. Ciaccona J.S. Bach Jeanel Liang, violin We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. UPCOMING EVENTS THURSDAY, OCTOBER 10 | 8 PM (By donation) Faculty Chamber Music Series: Our Canadian Landscape An evening showcasing chamber works from across Canada, including music by Anna Hostman, Scott MacInnes, Morley Calvert, Elizabeth Raum, Howard Cable and Kelly-Marie Murphy. Phillip T. Young Recital Hall FRIDAY, OCTOBER 11 | 12:30 PM (By donation) Fridaymusic Take an afternoon break to enjoy a concert of varied repertoire featuring UVic School of Music piano students. Phillip T. Young Recital Hall FRIDAY, OCTOBER 11 | 8 PM ($10-$20) UVic Wind Symphony: People and Places Steven Capaldo, conductor The opening concert of the UVic Wind Symphony’s season brings together works about the people and places that have influenced and inspired featured composers Cait Nishimura, Percy Grainger, Jodie Blackshaw and Peter Cavanagh. The Farquhar at UVic, University Centre � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_26.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_27.mp3">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_28.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_29.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_30.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_31.mp3">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_32.mp3">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_33.mp3">Track 8<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_34.mp3">Track 9<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_35.mp3">Track 10<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_36.mp3">Track 11<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_37.mp3">Track 12<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_38.mp3">Track 13<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_39.mp3">Track 14<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_40.mp3">Track 15<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_41.mp3">Track 16<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/100419-ViolinStudioRecital/10042019-ViolinStudioRecital_42.mp3">Track 17</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin Studio Recital Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource October 4, 2019 Contributor An entity responsible for making contributions to the resource Bennett Chiu, Violin I Iryna Peleshchyshyn, Violin II Bennett Chiu, Violin Michelle Hoskin, Piano Iryna Peleshchyshyn, Violin Michelle Hoskin, Piano Lea Fetterman, Violin I Julien Haynes, Violin II Lea Fetterman, Violin Michelle Hoskin, Piano Julien Haynes, Violin Dana Wenzel, Violin I Amy-Lynne Toth, Violin II Dana Wenzel, Violin Christopher Dlouhy, Piano Amy-Lynne Toth, Violin Michelle Hoskin, Piano Megan Bobby, Violin I Talia Sinclair, Violin II Megan Bobby, Violin Raymond Heberer, Piano Talia Sinclair, Violin Michelle Hoskin, Piano Julien Haynes, Violin Michelle Hoskin, Piano Libby Wyse, Violin I Jeanel Liang, Violin II Libby Wyse, Violin Michelle Hoskin, Piano Jeanel Liang, Violin https://finearts.uvic.ca/music/archive/files/original/4b4860bcc5f0b1e5f7089009b00abe08.pdf 4f9131e4d5fe52a3b898ed1ea0fdb953 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA FACULTY CHAMBER MUSIC SERIES Our Canadian Landscape Featuring Merrie Klazek, trumpet Alana Despins, horn Scott MacInnes, trombone Paul Beauchesne, tuba The Lafayette String Quartet Anne Grimm & Susan Young, sopranos Arthur Rowe, piano & UVic trumpet students from the studio of Merrie Klazek Thursday, October 10, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Fanfare for a Special Occasion Scott MacInnes (b. 1981) In honour of 50th anniversary of the UVic Faculty of Fine Arts Merrie Klazek, trumpet With UVic trumpet students Ben Parker, Tark Kim, Ryan Lau & Marianne Ing Two Mosaics for Voice and Cello Leila Lustig (b.1944) I. Jocebed, mother of Moses Words by Barbara D. Holender II. Miriam at the Red Sea Anne Grimm, soprano Pamela Highbaugh Aloni, cello Slanted Birds (2011) Anna Höstman (b. 1972) Lafayette String Quartet: Ann Elliott-Goldschmid, violin Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello Festival Fanfare Suite From the Monteregian Hills Valse Ridicule Chanson Melancholique La Marche Newfoundland Sketch Elizabeth Raum (b. 1945) Morley Calvert (1928-1991) Howard Cable (1920-2016) Merrie Klazek, trumpet Marianne Ing, trumpet Alana Despins, horn Scott MacInnes, trombone Paul Beauchesne, tuba �I NT E R M I S S I O N Excerpts from Hundreds and Thousands Ronald Hannah (b. 1945) An unaccompanied, one-woman opera inspired by the writings of Emily Carr Susan Young, soprano In a World of Motion and Distance Agitato Dolente Presto Kelly-Marie Murphy (b. 1964) Lafayette String Quartet Arthur Rowe, piano Please join us for a reception in the lounge. We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. �PERFORMER BIOGRAPHIES Paul Beauchesne is Principal Tuba with the Victoria Symphony, as well as tuba and euphonium instructor at UVic and the Victoria Conservatory of Music. Born in Montreal, he grew up on Canada’s west coast and played his first notes on the tuba at age 13. Prior to moving to Victoria in 2005 he was tubist in Calgary’s Foothills Brass Quintet, touring across North America and working on a variety of recordings. He has performed with numerous orchestras including the Boston, Santa Fe, and Vancouver Symphony Orchestras.Two years as Principal Tuba of the KwaZulu-Natal Philharmonic Orchestra took him to Durban, South Africa. In Victoria he has remained active as a clinician for Yamaha Canada and an instructor at PRISMA, an orchestral training program located in Powell River. He holds a Master’s Degree from the University of New Mexico and a Bachelor’s from UVic where he was honoured as a Distinguished Alumni in 2011. Alana Despins joined the Victoria Symphony as Principal Horn in 2009 and has since been featured as a soloist in concerti by Telemann, Mozart, and Bach. In addition to her busy orchestral life, Alana is in demand throughout Victoria as a chamber musician. Highlights include performances on the Eine Kleine Summer Music Series, the UVic Faculty Chamber Music Series, and the Saturday Summer Recital Series at Christ Church Cathedral. She is especially fond of performing with The Victoria Brass Quintet, of which she is a founding member. In 2011, Alana joined the faculty at the Victoria Conservatory of Music where she continues to share her passion of music with her students. Alana received her Master of Music from Northwestern University in Chicago, having studied with Gail Williams. She completed her Bachelor of Music with distinction at UVic where she studied with Kurt Kellan. When she is not with horn in hand, she is out exploring our beautiful city of Victoria with her husband and two young sons. Soprano Anne Grimm studied at the Sweelink Conservatorium in Amsterdam and in London with Noelle Barker. She has toured and recorded extensively with Ton Koopman and the Amsterdam Baroque Orchestra, worked with Christophe Rousset at the Halle Handel Festspiele and Potsdam Festival Sanssouci and performed Mozart’s Exultate Jubilate for the Royal households of the Netherlands and Belgium. Highlights have included Rameau’s Les Indes Galante with Frans Bruggen and the Orchestra of the 18th Century in Poland, Monteverdi’s Orfeo at the Netherlands Opera and The Magic Flute for the National Reisopera. In North America, Anne has sung at Tanglewood, with The Bach Choir of Bethlehem, Tafelmusik, Symphony Nova Scotia, Victoria Symphony as well as at the Ojai Festival with Cleveland based Apollo’s Fire. Ms. Grimm recently premiered Rudolf Komorous’ opera, The Mute Canary with Vancouver’s Turning Point Ensemble at the Ostrava New Music Festival in Czechia as well as in Prague for the Opera Nova Festival. With Toronto’s Continuum she premiered Christopher Butterfield’s opera, Les contes pour enfants pas sage. Ms. Grimm has recorded for Erato, NM Classics, Vanguard Classics, Troubadisc, Sony Classics and Harmonia Mundi France and is on the voice faculty at UVic. �Praised for her “meltingly beautiful solos” (The Detroit News) and for performances of “depth and insight” (Times Colonist), cellist Pamela Highbaugh Aloni is a founding member of the Lafayette String Quartet, Artists-in-Residence at UVic where since 1991 she teaches both cello and chamber music. Pamela performs with various chamber ensembles and was principal cellist with the Galiano Ensemble throughout its eighteen years as an ensemble. A devoted educator, she has been the cello coach for the Greater Victoria Youth Orchestra for over a decade and received a Degree of Doctor of Laws, honoris causa from University of Canada West in recognition of her outstanding achievements in music and community. She plays on a George Craske cello made in England, 1850. Originally from Vancouver, Marianne Ing has been performing in Victoria for thirty years. At present she is a second year Master of Music student at UVic. When not at UVic Marianne divides her time between teaching band, strings and choir at Central Middle School and playing trumpet professionally. She plays prinicipal trumpet with The Palm Court and Sooke Philharmonic Orchestras. Marianne also plays often with the Victoria Symphony, the Gilbert and Sullivan Society, The Victoria Jazz Orchestra and the Victoria Operatic Society. Merrie Klazek is a versatile and respected trumpet artist in the world of performance and education. Fluent in orchestral, chamber, solo, traditional, and popular music, Merrie joined the full-time faculty at UVic’s School of Music in 2016. Merrie holds a BMus from her native Calgary and a MMus from Northwestern University where she studied with the late Vincent Cichowicz. Her musical travels have taken her around the globe with performance highlights including Spoleto Festival Italy, Musik Contemporaire Strasbourg France, Tokyo’s Bunka Kaikan Hall, Stratford Festival, Hungary’s Niyrbator Festival, and many solo appearances with Canadian orchestras. Merrie’s solo album Songs to the Moon has been featured on TVO Studio 2 and CBC Radio and she is currently working on a recording to highlight the trumpet in settings of world music. Merrie has appeared as a presenter, artist and adjudicator at the International Trumpet Guild Conference, International Women’s Brass Conference, Canadian Women’s Brass Collective, and World Trumpet Society. This summer Merrie presented a recital and masterclass at the Trompetenmuseum in Badsackingen, Germany. Principal Trumpet with the Thunder Bay Symphony from 1999-2018, Merrie held the same position with the Victoria Symphony (2005-06) and Orchestra London Canada (1996-99.) Merrie is an endorsing artist for Wedge Mouthpieces, Robinson’s Remedies and Bach/ Selmer-Conn. Since 1986, the members of the Lafayette String Quartet have divided their time between entertaining audiences all over North America and Europe and teaching some of Canada’s finest young string players. The Lafayette is the only all-female ensemble in the world to comprise the four original members—a distinct rarity, regardless of gender and profession. Since their arrival at UVic in 1991 they have created a residency rich in local performances and community involvement.Their concerts in Canada and abroad have been hailed as “passionate, riveting, and with flawless ensemble.” �Scott MacInnes received his MMus from UVic (2011) and his BMus at the University of Toronto (2005). Scott moved to Victoria after winning a one-year bass trombone position with the Victoria Symphony for the 2005/6 season. The following year Scott secured the position of Principal Bass Trombone with the Vancouver Island Symphony. Scott is an extremely active chamber musician both as a member of the Pinnacle Brass Quintet and iTromboni. Demonstrating his great versatility, Scott can also been seen playing jazz, pop and rock around Victoria, as well as in most of the musical theater pits. As an instructor Scott holds positions at both UVic and the Victoria Conservatory where he teaches chamber music, a pep band and private instruction. Canadian pianist and Steinway Artist Arthur Rowe has received enthusiastic reviews from performances in North America, Europe and New Zealand. He has recorded with various artists for the Crystal, ebs, Innova, GM and Fanfare labels. A highly respected chamber musician, Rowe regularly collaborates with artists and chamber ensembles across North America. Performances this season include concerts with the Rolston, Penderecki and Dover Quartets. In 2020, Rowe and Jonathan Crow—Concertmaster of the Toronto Symphony—will perform all 10 Beethoven violin sonatas as part of the Beethoven celebrations in London, Ontario and Victoria. Having previously held positions at the University of Iowa and the University of Western Ontario, Rowe is Professor of Piano at UVic, where he has also served as Acting Director of the School of Music and Acting Associate Dean of Fine Arts. Canadian soprano Susan Young is a faculty member of the UVic School of Music. In addition to her teaching duties, she maintains a demanding performance schedule. She has performed in Canada, the United States, Spain, France and Austria. Educated as both pianist (BMus Brigham Young University) and singer (MMus University of Calgary), she is known for the diversity of her skills, and though her first and enduring love is the art song, she is equally at home singing Bach cantatas, Verdi’s Requiem, Schoenberg’s Pierrot Lunaire, or more recent chamber works by Canadian composers such as Christopher Butterfield and Douglas Schmidt. She is sought after as a choral conductor, clinician and adjudicator and loves nothing more than to be involved in the performance of good music. COMPOSER BIOGRAPHIES Ronald Hannah was born in Saskatchewan, but he is a wanderer. At present, he resides in Austria after having backpacked much of the world. In 1969 he received a BSc degree in Chemistry from the University of Alberta, and BMus and MMus degrees (student of Violet Archer and Malcolm Forsyth) in 1973 and 1975 respectively. His works have been performed in Canada and internationally and his catalogue contains over 100 compositions: choral, chamber, song cycles, orchestral, ballets, and several operas and theatre pieces, the most recent being a depiction of the life of St. Gregory of Armenia. His music tends toward the conservative, in a style that he describes as “dissonant pan-tonality,” but elements of the atonal, textural writing, minimalism, and randomness can also be found. He has received commissions from the CBC, the Edmonton Symphony Orchestra, the Alberta Choral Federation, and many others. �Anna Hostman’s compositions seek out tactile encounters with the world while extending into history, memory, and landscape. Performed throughout Canada and internationally, her works have been described as “suggestive, elegant and hauntingly beautiful.” Alongside pieces for chamber ensemble, orchestra, solo performers and opera, she has composed for dance, installation, theatre, experimental film and video, and created music for the National Film Board. Supported by a SSHRC Joseph Bombardier scholarship, Anna holds a DMA in composition from the University of Toronto as well as an MMus from UVic. She is a recipient of the prestigious K.M. Hunter Award, Toronto Emerging Composer’s Award, a Chalmers Grant, and residencies at the Matralab (Concordia University) and Outvert Artspace (Iceland). Recent performances include Continuum Contemporary Ensemble, Ottawa New Music, Vancouver and Victoria Symphonies, Brompton String Quartet and Tempest Flute Ensemble. Anna’s complete piano works have recently been recorded by Toronto pianist, Cheryl Duvall, and will be released by Redshift in the fall. Anna currently serves on the editorial board of new music journal, Tempo, Cambridge University Press. Leila Lustig was born in Louisville, Kentucky, and lived in various parts of the United States before moving to Canada in 1987. She holds a Bachelor’s degree in voice and a Master’s degree in composition from UCLA, and a PhD in composition and theory from the University of Wisconsin at Madison. Leila’s PhD dissertation was the opera Deirdre of the Sorrows, on a libretto she adapted from John M. Synge’s play. She spent 14 years in radio as a music producer and program director, producer of a number of classical music programs. In Canada she has been an arts marketer, a university public relations officer and a government writer. Since moving to Victoria, Leila has concentrated on vocal chamber music, opera and choral music, including a cantata on homelessness, Persons of No Fixed Abode, two choral works based on texts by the BC journalist and poet, Stephen Hume, and quite a few works for two-part and threepart women’s choir including a Magnificat, combining Latin and English texts. Kelly-Marie Murphy has created a number of memorable works for some of Canada’s leading performers and ensembles, including the Toronto, Winnipeg, and Vancouver Symphony Orchestras, James Campbell, and Alexander Tselyakov and the Lafayette String Quartet. Her music has been heard in iconic concert halls such as Carnegie Hall in New York, The Mozarteum in Salzburg, and The National Concert Hall in Dublin. Besides her many academic scholarships awarded in Canada and England, Dr. Murphy has also won top prizes for her music including the People’s Choice Award at the CBC Young Composer’s Competition, the New Music Concerts competition, the International Rostrum of Composers in Paris and others. Born on a NATO base in Sardegna, Italy, she grew up on Canadian Armed Forces bases all across Canada. She began her studies in composition at the University of Calgary with William Jordan and Allan Bell, and later received a PhD in composition from the University of Leeds, England, where she studied with Philip Wilby. After living and working for many years in the Washington D.C. area, she is now based in Ottawa. � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101019-FacultyChamberConcert/101019-FacultyChamberConcert_01.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101019-FacultyChamberConcert/101019-FacultyChamberConcert_02.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101019-FacultyChamberConcert/101019-FacultyChamberConcert_03.mp3">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101019-FacultyChamberConcert/101019-FacultyChamberConcert_04.mp3">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101019-FacultyChamberConcert/101019-FacultyChamberConcert_06.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101019-FacultyChamberConcert/101019-FacultyChamberConcert_05.mp3">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101019-FacultyChamberConcert/101019-FacultyChamberConcert_07.mp3">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101019-FacultyChamberConcert/101019-FacultyChamberConcert_08.mp3">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Chamber Concert: Our Canadian Landscape Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource October 10, 2019 Contributor An entity responsible for making contributions to the resource Merrie Klazek, Trumpet Alana Despins, Horn Scott MacInnes, Trombone Paul Beauchesne, Tuba The Lafayette String Quartet Anne Grimm, Soprano Susan Young, Soprano Arthur Rowe, Piano Ben Parker, Trumpet Tark Kim, Trumpet Ryan Lau. Trumpet Marianne Ing, Trumpet Pamela Highbaugh Aloni, Cello Anne Elliott-Goldschmid, Violin Sharon Stanis, Violin Joanna Hood, Viola https://finearts.uvic.ca/music/archive/files/original/2e43a993460d96f9e9e61b2274ece3e3.pdf ada71d6ae2bb70cdc0118c831eeace1a PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria October 11, 2019 • 12:30 p.m. Featuring School of Music piano students Claude Debussy (1862–1918) Estampes, L. 100 III. Jardins sous la pluie Rebecca Toews, piano Sonata in E-flat Major, Hob. XVI: 52 I. Allegro Joseph Haydn (1732–1809) Amber Dayton, piano On an Overgrown Path I. Our Evenings II. A Blown-Away Leaf III. Come With Us! Leoš Janáček (1854–1928) Christopher Dlouhy, piano Claude Debussy (1862–1918) Fantasie in C Major, Op. 17 I. Durchaus fantastisch und leidenschaftlich vorzutragen Robert Schumann (1810–1856) Préludes, Livre 1 I. Danseuses de Delphes IV. Les sons et les parfums tournent dans l’air du soir Zin Cho, piano Jonathan Li, piano Estampas Marítimas I. Jugando en la Playa II. Crepúsculo III. Son de Huapango Eduardo Hernández Moncada (1899–1995) Jorge Carrizales, piano UPCOMING AT THE SCHOOL OF MUSIC FRIDAY, OCTOBER 11 | 8 PM ($10-$20) UVic Wind Symphony: People and Places Dr. Steven Capaldo, conductor Join the UVic Wind Symphony conducted by Dr. Steven Capaldo for the opening concert of their 2019/20 series. Works will include Cait Nishimura’s Lake Superior Suite, Handel in The Strand by Percy Grainger, Jodie Blackshaw’s Peace Dancer (based on the book by Roy Henry Vickers) and the Canadian premiere of An Irish Suite by Australian composer Peter Cavanagh. The Farquhar at UVic, University Centre � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/101119-FridayMusic/101119-FridayMusic_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101119-FridayMusic/101119-FridayMusic_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101119-FridayMusic/101119-FridayMusic_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101119-FridayMusic/101119-FridayMusic_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101119-FridayMusic/101119-FridayMusic_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101119-FridayMusic/101119-FridayMusic_6.mp3">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friday Music: School of Music Piano Students Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource October 11, 2019 Contributor An entity responsible for making contributions to the resource Rebecca Toews, Piano Amber Dayton, Piano Christopher Dlouhy, Piano Zin Cho, Piano Jonathan Li, Piano Jorge Carrizales, Piano https://finearts.uvic.ca/music/archive/files/original/3bd13ac582d1421ece601309b2ea7d7d.pdf 90bb830af60d970bf89ad3c461310a33 PDF Text Text School of Music UVIC MUS C Faculty of Fine Arts University of Victoria �Wind Symphony UNIVERSITY OF VICTORIA People and Places Steven Capaldo, conductor We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Friday, October 11, 2019 • 8 p.m. The Farquhar at UVic University Centre, University of Victoria Regular $20 / Seniors $15 / Students & UVic alumni $10 �PROGRAM San Andreas Landscapes Rossano Galante (b. 1967) Lake Superior Suite 1. Pancake Bay 2. Pukaskwa 3. Sleeping Giant 4. Neys 5. Agawa Cait Nishimura (b. 1991) Percy Aldridge Grainger (1882–1961) (Edited by Thomas Rohrer) Handel in the Strand I NT E R M I S S I O N Peace Dancer Jodie Blackshaw (b. 1971) An Irish Suite *Canadian premiere 1. A Fig for a Kiss 2. The Maid of Coolmore 3. Three Reels Peter Cavenagh Glenbury Grove Xerxes Julie Giroux (b. 1961) John Mackey (b. 1973) �PROGRAM NOTES San Andreas Landscapes (2016) Rossano Galante This programmatic work depicts the beautiful landscapes of the San Andreas terrain in Palm Springs, California. The piece begins with a sparkling introduction mirroring the sun exploding over these mountainous vistas. The main theme is a soaring robust melody stated by horns and then passed on to trumpets which captures the grandeur of these mountains. The piece evolves to a more lyrical section including solos in the wind section.The work climaxes to a heroic and epic third theme stated by trumpets. After a brief recapitulation of the opening theme, the composition culminates in a broad and satisfying conclusion. © Rossano Galante (ed. Steven Capaldo) Lake Superior Suite (2018) Cait Nishimura Lake Superior Suite is a five-movement piece for wind band, inspired by the landscapes of five provincial and national parks on the north shore of Lake Superior. The piece was conceptualized during camping trips at each of the parks, and was finalized during the 150th anniversary of Canada’s confederation. The creation of this work was intended, in part, to expose listeners and performers to local natural wonders through music. The opening movement, Pancake Bay, depicts endlessly flowing waves, soaring birds, peaceful rays of light, and the first glimpse of the vastness of Lake Superior. Pancake Bay Provincial Park is situated on a wide bay that offers stunning panoramic views of the lake. Pukaskwa National Park is on the northeast shore of the lake, and features towering cliffs and rocky shores with century-old driftwood. Through meter changes and driving ostinatos, the music in Pukakswa represents the sense of wonder, adventure and determination involved in hiking precarious cliffs to breathtaking views. Sleeping Giant Provincial Park, the northernmost park included in this piece, is named after a landform that resembles a giant lying on its back. This is the park in which the composer interacted with the most wildlife, experienced the most extreme jaw-dropping views, and witnessed the most beautiful moments in nature. Sleeping Giant’s disjunct melodies, shifts in timbre and unexpected rhythmic patterns represent this experience. �Neys Provincial Park, a former WWII prisoner of war camp and processing camp for interned Japanese-Canadians, has a somewhat dark history. Much of the natural growth forest was cut down to build the POW camp, and trees were later re-planted in rows. Slow and steady melodic fragments represent the solemn voices of this beautiful but remote location, while the gradual build toward the climax evokes feelings of destruction, anguish, and yearning for peace. Neys is dedicated with love to the composer’s grandparents. The final movement, Agawa Bay, is named after a campground within Lake Superior Provincial Park. The music portrays the serenity of calm evening water and the mixed emotions about returning home after a life-changing journey. © Cait Nishimura Handel in the Strand (1911) Percy Aldridge Grainger Percy Grainger was a piano prodigy turned composer who was known for his strange personal habits, his colorful prose, and his equally unusual music—his many admirers today still recognize that he possessed “the supreme virtue of never being dull.” Born in Australia, he began studying piano at an early age. He came to the US at the outbreak of World War I and enlisted as an Army bandsman, becoming an American citizen in 1918. He went on to explore the frontiers of music with his idiosyncratic folk song settings, his lifelong advocacy for the saxophone, and his Free Music machines which predated electronic synthesizers. His many masterworks for winds include Lincolnshire Posy, Irish Tune from County Derry and Molly on the Shore. Handel in the Strand is one of Grainger’s early light orchestral pieces, written in 1911, before he enlisted in the US Army during World War I. Grainger had no trouble allowing other musicians to arrange his music to suit their needs, so Handel in the Strand has existed in several different versions. After its original massed piano and string orchestra setting came versions for full orchestra, piano (solo and 4 hands), organ, trombone choir, and two different settings for band (Goldman and Sousa). Grainger gives an amusing anecdote on its origin: “My title was originally Clog Dance. But my dear friend William Gair Rathbone (to whom the piece is dedicated) suggested the title Handel in the Strand because the music seemed to reflect both Handel and English musical comedy [the “Strand”—a street in London—is the home of London musical comedy] —as if jovial old Handel were careering down the Strand to the strains of modern English popular music.” © Andy Pease �Peace Dancer (2017) Jodie Blackshaw Jodie Blackshaw grew up in the Riverina, NSW, Australia and after completing high school, studied a Bachelor of Music (Composition) with Professor Larry Sitsky at the Australian National University School of Music. Since then, she has worked in a range of schools teaching classroom/instrumental music and conducting ensembles. Through her teaching, conducting and composing, Blackshaw has passionately searched for a compositional approach to band that offers directors a product that centres on musical elements other than melody and harmony. She is currently studying a PhD in Composition at the Australian National University with a focus on composing music for children influenced by brain-based educational principles. Blackshaw is fanatical about producing quality, meaningful works for band and is frequently commissioned by various groups throughout the western world to do just that. She desires that her music not just be “another piece, but an educational and spiritual journey for both the players and the director.” Peace Dancer is inspired by the First Nations text of the same name by Roy Henry Vickers (Squamish Nation). In the words of the author: “The story Peace Dancer is about a song and dance that is thousands of years old originating from the time of the flood. Songs have been composed for different Chiefs up and down the Pacific Northwest coast. The Chief who is chosen to do this sacred dance is recognised as a healer in each community and the songs and dances are a reminder of the great flood and how the people lost their way and their love for all things in creation. During the dance there is a time when the dancer shakes eagle down from their headdress to remind people of the flood.” Whilst this text afforded many musicmaking opportunities, the composer chose to focus on one moment… “We have really lost our way, we have not taught our children love and respect.” This is achieved by dividing the short piece into ‘moments’: meditation—awakening—realisation—humility. It takes you, the audience on an emotional journey, similar to realising you have been in the wrong; maybe you have been unkind or acted in a way that does not become you? Once you realise the consequences of your actions, remorse and the understanding that there is need to move forward with humility and grace follows. Thus is the lesson of Peace Dancer. © Jodie Blackshaw �An Irish Suite (2019) Peter Cavenagh Peter Cavenagh spent his childhood in northern Australia before moving to the southern state of Victoria. His career spanned over thirty years in music education and as a professional musician in Melbourne and the Gippsland region of Victoria. Since 2011 he has been living semi-retirement in Switzerland with his family. He has undertaken more music study at Conservatoire de Fribourg and has been performing with a number of jazz groups and wind bands. Peter is now enjoying the opportunity to pursue his life-long passion for arranging and composition. He has completed a number of works for wind and brass bands, chamber ensemble, jazz combo and big band. An Irish Suite is a setting of four traditional Irish dance tunes and one Irish ballad. The inspiration for the three movements was a series of recordings made by the magnificent traditional Irish music group, The Bothy Band. The compositional aim was to capture the spirit and ambience of the music as I have heard it and not to produce a ‘cover’ of the Bothy Band versions. Consequently, there are some examples of what I call Irish counterpoint: in traditional Irish music each melodic player does not adhere exactly to the tune but each adds their own inflections and ornaments. I have tried to capture this with unison lines that are not always exactly the same melodically and rhythmically. To me this slightly unruly and spontaneous treatment of the tune is an appealing aspect of the style. There are traces of the traditional Irish bagpipe (Uilleann pipes) with its nasal drone and ‘popping’ technique, especially in the third movement. Other characteristics of the style are to be found in the percussion parts imitating the bodhran (traditional Irish drum) and the foot tapping and stamping rhythms of dancers. Overall, I hope the joy, sadness and passion of Irish folk music will be evident to and enjoyable for the audience. © Peter Cavenagh Glenbury Grove (2010) Julie Giroux Glenbury Grove is both a fictional and non-fictional place. Deep in the woods behind my home is a special place. A winding pebble and sand bottomed stream with crystal clear water weaves and circles throughout the forest. Sunlight reflects off the water from gentle streams of light that occasionally pass through the forest canopy of ancient oak and pine trees. My favorite spot along that stream is at a very sharp bend. So sharp is the bend that it almost creates an island in the middle. The oak trees there are massive and very little light gets through.The outer banks of the stream are tall, creating a natural am- �phitheater and the forest floor is covered by a rich green moss. The first time I went into that place the name “Glenbury Grove” whispered to me. I have no idea where the name came from, it just did and the name has stuck with me over the years. I imagined it to be a place where anything could happen. At Glenbury Grove, if I waited long enough in silence, mystical creatures would make themselves known to me. Wood elves would pass by nearly undetected, fairies would flit about from flower to flower and occasionally, a unicorn would stop to drink at the water. It seemed that as I imagined things, they would appear. If I thought about an eagle, one would soon land on a nearby branch. One day, near dusk I dared to imagine somebody close to me that is gone now from this world. Nothing happened. Nearly dark now, I started to leave, hoping I didn’t offend the grove by wishing for something that could never come to pass. As I quietly made my way off the small island I turned and came face to face with the one I had wished for. He was a young man and looked exactly as I remembered him. Light reflected off his curly blond hair and his wide, contagious smile was at this moment, just for me. He approached me silently as I felt the warmth from tears running down my face. He reached his hand out to me and I dared to take it in my own. It lasted only a brief moment and then he was gone, faded into the shadows of nightfall. Slowly, I left Glenbury Grove filled with wonderment, peace and hope. © Julie Giroux Xerxes (2010) John Mackey John Mackey has written for orchestras (Brooklyn Philharmonic, New York Youth Symphony), theater (Dallas Theater Center), and extensively for dance (Alvin Ailey American Dance Theater, Parsons Dance Company, New York City Ballet), but the majority of his work for the past decade has been for wind ensembles, and his band catalog now receives annual performances numbering in the thousands. Recent commissions include works for the BBC Singers, the Dallas Wind Symphony, military, high school, middle school, and university bands across America and Japan, and concertos for Joseph Alessi (principal trombone, New York Philharmonic) and Christopher Martin (principal trumpet, New York Philharmonic). In 2014, he became the youngest composer ever inducted into the American Bandmasters Association. In 2018, he received the Wladimir & Rhoda Lakond Award from the American Academy of Arts and Letters. He resides in San Francisco, California. �Xerxes is a concert march. Xerxes, for those who haven’t seen 300, was King of Persia from 485 BC until his assassination by stabbing in 465 BC. I’d originally thought I’d write a march along the lines of the Ives Country Band March, but the more I worked on that idea, the more I felt like I was just trying to reinvent the Ives march, which is already a sort of reinvention of a march. My version sounded like bad Ives, and although it’s a great, crazy piece, I wouldn’t describe the Ives as sounding “good” to begin with. So many concert marches blur together in my head, all of them in some peppy major key, falling into either the chipper patriotic American sound or the more prim British sound. Since I don’t really do prim, or patriotic, I went with ... angry. The plan was, “This is going to be a march about somebody who is bad news.” It’s just a fairly straightforward concert march, only a little nastier. I don’t expect it’ll be played at a lot of July 4th parades. (Well, maybe somewhere like NYC.) © John Mackey UPCOMING CONCERTS UVIC WIND SYMPHONY Steven Capaldo, conductor The Farquhar at UVic NOV 22 8 PM FEB 7 8 PM MAR 27 8 PM TIME AND SPACE This program explores the concepts of time and space, from early works written for wind band to innovative and modern pieces that push the boundaries of our expectations. Hear music by Gordon Jacob, Julie Giroux, Peter Meechan and Katherine Bergman. SEA AND SONG WITH THE NADEN BAND OF THE ROYAL CANADIAN NAVY Now into its 7th year of this unique collaboration, the UVic Wind Symphony is delighted to celebrate with the Naden Band of the Royal Canadian Navy on their 80th anniversary with an exciting concert of classic and contemporary repertoire. REAL TO REEL The final concert of the UVic Wind Symphony’s 2019/20 season features an eclectic program of works by composers who have crossed over between stage and film, including music by Erich Korngold, John Williams and William Walton. �UVIC WIND SYMPHONY PICCOLO/FLUTE Connie Goetz FLUTE Lisa Matsugu* Vicky Zheng Breanna Morrissette Andrea Kim OBOE Janie Sinn* Kiara Hosie Ethan Slogotski ENGLISH HORN Janie Sinn BASSOON Rio Lagos Davison* Devin Hawthorne CLARINET Chensi Liu* Ben Litzcke Katherine Forster Nishant Amatya Emileigh Pearson Meghan Parker Devin Owpaluk Channing Mar BASS CLARINET Braeden Miles Melissa Holyhead-Miles CONTRABASS CLARINET Zachary Smith SOPRANO SAXOPHONE Karsten Brewka EUPHONIUM Liam Mulligan* Aidan Bernard ALTO SAXOPHONE Karsten Brewka* Todd Morgan Alex Tiller Tessa Belhomme-Orders TUBA Scott Gordon* Aidan Fentiman TENOR SAXOPHONE Ayari Kasukawa BARITONE SAXOPHONE Baylie Adams FRENCH HORN Emily Axford* Joshua Ward Maia Copley Thomas Hurley Brooke Clansey TRUMPET Tark Kim* Ekaterina Della Vedova Alicia Ellis Abha-Marie Parmar Brendan Wong Mark Barr TROMBONE Marina Antoniou* Will Quinn Tyler Schmit BASS TROMBONE Odyn Mulder PERCUSSION Simeon Weststeijn* Jesse Johnson Brandon Bronson Alyssa Haigh TIMPANI Cashton McGillivray PIANO Joseph Shudian GRADUATE ASSISTANT Marina Antoniou STAGE MANAGER Liam Mulligan Joseph Shudian LIBRARIAN Nima Kolmohammadi Connie Goetz * Principal �Dr. Steven J. Capaldo, conductor Dr. Steven Capaldo has distinguished himself as one of the most respected music educators, wind conductors and conductor educators in Australia, earning academic and musical recognition internationally. Dr. Capaldo is currently an Associate Professor of Music Education & Conducting and Wind Symphony Conductor at the University of Victoria. He has previously held positions in Music Education at the University of Wollongong (Australia) and the University of Victoria, and was the Conductor of the Sydney University Wind Orchestra and the UNSW Wind Symphony. An active writer, Dr. Capaldo composes, arranges and transcribes music for wind orchestras, symphony orchestras, festivals and concerts and his works have been performed by groups in Australia, Canada, Japan and the United States, and recorded on Klavier records (US). He has been listed as a composer in the book The Band Down Under, a finalist in several international composition competitions and published with Brolga Music Australia. An Assistant Producer for eight Klavier Records CD, Dr. Capaldo became a full voting member for the US Grammy Awards in 2010 and was Chair of the Australian Jury Panel for the 2017 Eurovision Song Contest. Dr. Capaldo is highly-active and in-demand as a conductor, clinician and adjudicator having worked at local, state/provincial, national and international levels including MusicFest and Chief Conductor of the British Columbia Honor Wind Ensemble. Committed to providing professional learning opportunities for music educators and conductors, Dr. Capaldo has been a conducting clinician at the 2017 Australian National Band and Orchestra Conference, the Chief Conducting Clinician for the 2017 Qld ABODA Conducting Camp and an Associate Instructor for the 2016, 2017 & 2018 NSW ABODA Conducting Camps. In 2018, Dr. Capaldo conducted a Qld State Honours Ensemble and presented at the Australian National Band and Orchestra Conference. �UPCOMING EVENTS TUESDAY, OCTOBER 15 | 12:30 PM (By donation) Tuesdaymusic Enjoy a program of solo and chamber music in a variety of genres, from baroque to contemporary, performed by School of Music students. Phillip T. Young Recital Hall FRIDAY, OCTOBER 18 | 12:30 PM (By donation) Fridaymusic Take an afternoon break to enjoy a concert of varied repertoire featuring School of Music guitar students. Phillip T. Young Recital Hall SATURDAY, OCTOBER 19 | 8 PM ($34-$49) The Real Group in concert With guests Fifth Street & UVic Vocal Jazz The Real Group is one of the leading forces in the world of vocal music today, entertaining and inspiring international audiences using the voice as their sole instrument. Don’t miss your chance to hear the Real Group during their only Canadian stop on their international tour. The Farquhar at UVic, University Centre SUNDAY, OCTOBER 20 | 12 PM ($20) Masterclass with The Real Group Featuring Fifth Street and UVic Vocal Jazz The Real Group works with UVic Vocal Jazz and Fifth Street in this special masterclass. (Ticket purchase includes a coupon code for $5 off the concert on Oct.19) David Lam Auditorium, MacLaurin A-Wing SUNDAY, OCTOBER 20 | 1–3 PM (By donation) Chamber Music Masterclass with Cuarteto Latinoamericano Cuarteto Latinoamericano works with UVic School of Music string students. Phillip T. Young Recital Hall SUNDAY, OCTOBER 20 | 8 PM ($12-$20) Guest Concert: Cuarteto Latinoamericano Delight in music by composers from Mexico, Spain, Brazil and Chile by Mexico’s award-winning Cuarteto Latinoamericano, the leading proponent of Latin American music for string quartet. Phillip T. Young Recital Hall To receive monthly updates about School of Music events by email, contact concert@uvic.ca. More information and tickets at: uvic.ca/music/events � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/101119-UVicWindSymphony/101119-UVicWindSymphony_01.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101119-UVicWindSymphony/101119-UVicWindSymphony_02.mp3">Track 2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Wind Symphony: People and Places Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource October 11, 2019 Contributor An entity responsible for making contributions to the resource University of Victoria Wind Symphony Conducted by Steven Capaldo https://finearts.uvic.ca/music/archive/files/original/dfa66f920669ba523949036c1e334011.pdf 25e777e4c9da93b4d3dda3a3184ab446 PDF Text Text School of Music Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria October 15, 2019 • 12:30 p.m. 24 Caprices, Op. 1 XX1. Amoroso-Presto Niccolo Paganini (1782–1840) Ada Qian, flute Partita in A minor, BWV 1013 1. Allemande Johann Sebastian Bach (1685–1750) Andrea Kim, flute Syrinx Emily Morse, flute Claude Debussy (1862–1918) Three Pieces for Solo Flute Pierre-Octave Ferroud I. Bergère captive (1900–1936) Charlotte Mason, flute Six Morceaux pour violon et piano Pauline Viardot I. Romance (1821–1910) Lea Fetterman, violin Michelle Hoskin, piano Concertino da camera I. Allegro con moto Jacques Ibert (1821–1910) Karsten Brewka, saxophone Yousef Shadian, piano UPCOMING AT THE SCHOOL OF MUSIC FRIDAY, OCTOBER 18 | 12:30 PM (By donation) FRIDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire featuring UVic School of Music guitar students. Phillip T. Young Recital Hall SATURDAY, OCTOBER 19 | 8 PM ($39-$49) The Real Group in Concert With guests Fifth Street and UVic Vocal Jazz The Real Group is one of the leading forces in the world of vocal music today, entertaining and inspiring international audiences using the voice as their sole instrument. Don’t miss your chance to hear the Real Group during their only Canadian stop on this tour, with guests Fifth Street and UVic Vocal Jazz. The Farquhar at UVic, University Centre SUNDAY, OCTOBER 20 | 12 PM ($20) Masterclass with the Real Group The Real Group works with UVic Vocal Jazz and Fifth Street in this special masterclass open for the public to attend. Phillip T. Young Recital Hall � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/101519-TuesdayMusic/101519-TuesdayMusic_1.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101519-TuesdayMusic/101519-TuesdayMusic_2.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101519-TuesdayMusic/101519-TuesdayMusic_3.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101519-TuesdayMusic/101519-TuesdayMusic_4.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101519-TuesdayMusic/101519-TuesdayMusic_5.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101519-TuesdayMusic/101519-TuesdayMusic_6.mp3">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesday Music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource October 15, 2019 Contributor An entity responsible for making contributions to the resource Ada Qian, Flute Andrea Kim, Flute Emily Morse, Flute Charlotte Mason, Flute Lea Fetterman, Violin Michelle Hoskin, Piano Karsten Break, Saxophone Yousef Shadian, Piano https://finearts.uvic.ca/music/archive/files/original/628f375b153fa6d44a42791689bcdac0.pdf d4aafd1d22c57e2d72363a29bc55bd8d PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria October 18, 2019 • 12:30 p.m. Featuring School of Music guitar students Astor Piazzolla (1921–1992) Libertango Mille Regretz Paige Thompson, flute Matt Graumans, guitar Ricercar III Francesco Canova da Milano (1497–1543) Sad Mood Jordyn Hutchings, guitar Cello Suite No. 4 in E-flat Major, BWV 1010 I. Prelude Luis de Narváez (1490–1547) Alexander Ivanov-Kramskoi (1912–1973) Johann Sebastian Bach (1685–1750) Mark Beattie, guitar Kindermarchen Fingal’s Höhle Johann Kaspar Mertz (1806–1856) Brodie Keating, guitar El Arpa del Guerrero Leo Brouwer (b. 1939) Christopher Bork, guitar UPCOMING AT THE SCHOOL OF MUSIC SATURDAY, OCTOBER 19 | 8 PM ($39-$49) The Real Group in Concert With guests Fifth Street and UVic Vocal Jazz The Real Group is one of the leading forces in the world of vocal music today, entertaining and inspiring international audiences using the voice as their sole instrument. Don’t miss your chance to hear the Real Group during their only Canadian stop on this tour, with guests Fifth Street and UVic Vocal Jazz. The Farquhar at UVic, University Centre SUNDAY, OCTOBER 20 | 12 PM ($20) Masterclass with the Real Group The Real Group works with UVic Vocal Jazz and Fifth Street in this special masterclass open for the public to attend. Phillip T. Young Recital Hall � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/101819-FridayMusic/101819-FridayMusic_01.mp3">Track 1<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101819-FridayMusic/101819-FridayMusic_02.mp3">Track 2<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101819-FridayMusic/101819-FridayMusic_03.mp3">Track 3<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101819-FridayMusic/101819-FridayMusic_04.mp3">Track 4<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101819-FridayMusic/101819-FridayMusic_05.mp3">Track 5<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101819-FridayMusic/101819-FridayMusic_06.mp3">Track 6<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101819-FridayMusic/101819-FridayMusic_07.mp3">Track 7<br /></a><a href="https://finearts.uvic.ca/music/archive/uploads/student/101819-FridayMusic/101819-FridayMusic_08.mp3">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friday Music Creator An entity primarily responsible for making the resource Ila Zbarsky Date A point or period of time associated with an event in the lifecycle of the resource October 18, 2019 Contributor An entity responsible for making contributions to the resource Paige Thompson, Flute Matt Graumans, Guitar Jordyn Hutchings, Guitar Mark Beattie, Guitar Brodie Keating, Guitar Christopher Bork, Guitar