75 10 1498 https://finearts.uvic.ca/music/archive/files/original/673dbc648b7c94d431170494d317ec66.pdf afc6d074ef30757965c822998e952c37 PDF Text Text DEGREE RECITAL Fraser Gibson, Guitar Wednesday, March 13th, 2019 Phillip T. Young Recital Hall, MacLaurin Building Free admission Soledad Patrick Roux (1962) Charlie Mason, Flute La Catedral Prelude Andante Allegro Agustín Barrios (1885-1944) Gran Jota Francisco Tárrega (1852–1909) — INTERMISSION — Nagoya Guitars Steve Reich (1936) Joshua Amendt Moylan, Guitar BWV 998 Prelude Fugue Allegro J.S. Bach (1685-1750) Concerto for Guitar and Jazz Piano Trio Hispanic Dance (With a Blue Touch) Mexiçaine Afriçaine Matt Poon, Piano Clayton Dowdell, Bass David Lochead, Percussion Fraser Gibson is from the class of Professor Alexander Dunn This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Reception to follow in the Lounge. Please silence all electronic devices. Claude Bolling (1930) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource Degree Recital - Fraser Gibson Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 13, 2019 Contributor An entity responsible for making contributions to the resource Fraser Gibson https://finearts.uvic.ca/music/archive/files/original/11d63a630e8e3447ecab927d9f5f2dac.pdf 916a42af7adf9736c37821ae6426addb PDF Text Text STUDENT COMPOSERS CONCERT Music by students from the composition program THURSDAY, MARCH 14, 2019 | 8 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Pulling Dragonflies from my Mouth Richard Charter Richard Charter, piano Ian Sirias Drifters Andrew Cunningham, harmonium Brodie Michael Keating, electric & classical guitar Ryan Kim, voice Eternal Rest Alex Klassen Alex and the Infinite Loop Ensemble + guests Null Stasis Sean Kiley, viola Dies ist nur eine Mauer (2018) It is Just a Wall (2018) Pedro Samsel Michael Vielguth Charlie Mason, flute Channing Mar, bass clarinet Todd Morgan, alto saxophone Karsten Brewka, baritone saxophone Rio Lagos Davison, bassoon I NT E R M I S S I O N �Rock Paper Scissors! Deborah Baynes Claire Sparrow-Clarke, violin Amanda Steinemann, viola Alex Klassen, cello As the wind Pedro Samsel Richard Charter, Timo Pehkonen, Sean Kiley & Alex Klassen, portable organ Room 7 Timo Pehkonen Tape piece Music from Sublime Travellers Cashton McGillivray Michael Vielguth, saxophone Baylie Adams, saxophone Brandon Bronson, marimba Cashton McGillivray, conductor Cries of Despair Deborah Baynes Carl Vis, clarinet Deborah Baynes, piano Cashton McGillivray, percussion We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. � Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student Composers Concert Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 14, 2019 Contributor An entity responsible for making contributions to the resource Music by students from the composition program https://finearts.uvic.ca/music/archive/files/original/ba1909b12503fd126a115356c2a90f35.pdf 9a6dc5535fb530cb63bbac93bbe0cfa5 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC FACULTY CONCERT SERIES Music & Biography Featuring BRUCE VOGT PIANO We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Friday, March 15, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $25 / Seniors: $20 / Students & UVic alumni: $10 �PROGRAM Frédéric Chopin (1810–1849) Two Nocturnes i. Op. 62, No. 1 in B Major (1846) ii. Op. 27, No. 2 in D-flat Major (1835–36) Seven Fantasias, Op. 116 (1892) i. Capriccio in D Minor ii. Intermezzo in A Minor iii. Capriccio in G Minor iv. Intermezzo in E Major v. Intermezzo in E Minor vi. Intermezzo in E Major vii. Capriccio in D Minor Johannes Brahms (1833–1897) I NT E R M I S S I O N Concession open in the lounge Intermezzo, Op.119, No. 1 in B Minor (1893) Brahms Interlude About Life and Art – and the case of Brahms’ Schumann Variations, Op. 9 Variations on a Theme by Schumann, Op. 9 (1854) Brahms �PROGRAM NOTES It seems that it was the Irish composer and pianist John Field (1782–1837) who first used the title “Nocturne”, or “Night Piece” for a single solo piano work. From Field, Chopin took the device of creating a web-like accompaniment by means of intricate broken chord figures in the left hand, combined with the sustaining pedal. To this Chopin added his own original harmonic language and his command of long sustained melodies. The Nocturne in D-flat, Opus 27, No. 2 certainly demonstrates Chopin’s genius for expressive melody. However he goes far beyond Field in harmonic range as well as in his seemingly inexhaustible capacity for inventing imaginative textures. The pair of Nocturnes, Opus 62, were written very near the end of his compositional life and three years before his death. In Opus 62, No. 1, one scarcely notices the contrapuntal richness which is unobtrusively everywhere, yet discreetly absorbed into the ongoing vocal texture. Many of Brahms’ earlier works for piano have an epic dimension with a powerful virtuoso approach. His three early sonatas and his four sets of variations are large in scale, often heroic in gesture. However, in 1878 and then again between 1892 and 1893 there appeared five sets of mostly shorter works, varying in number from three to eight.The majority of these are lyrical, intimate in mood. Of the four sets,The Seven Fantasies, Opus 116 most strongly suggests a unity from first to last, a unity both of tonality and character balance. Together, the seven pieces suggest the formal shape of a four-movement sonata. The two extroverted D minor pieces frame the set, the G minor Capriccio (No. 3) acts as a scherzo and the three slow intermezzi in E (minor and major) which follow it, together suggest a sonata slow movement. Furthermore, the opening theme of the final D minor Capriccio is a compressed version of the opening theme of the third piece, the G minor Capriccio. �Variations on a Theme by Schumann, Opus 9 – J. Brahms By the time he set off to meet Robert Schumann in Dusseldorf in September 1853, the 20-year old Johannes Brahms’ reputation as a pianist and composer was already established, if not widely known beyond a small circle of friends and admirers. Schumann and his wife, the great pianist Clara Wieck, were astounded both by Brahms’ masterful and passionate piano playing and by the originality and nobility of his compositions: they immediately became his musical champions. Robert advised Brahms on the polishing as well as the publishing of his youthful works, including the three early piano sonatas, and also introduced his name to the musical world in an article — the last criticism Schumann was to write — entitled “New Paths.” Six months after Brahms’ departure, word reached him that Robert Schumann had succumbed to the mental illness that had plagued him for many years — he was to spend the remaining two years of his life in an asylum. Immediately returning to Dusseldorf, Brahms devoted himself over the next few months to easing the burden of Clara and her children. During this time he became familiar with a set of variations written by Clara on a theme by her husband from his Bunte Blätter (Opus 99). Brahms not only admired these variations but he saw in this same theme a means to express his devotion to Clara, as well as his love and veneration for Robert. Accordingly he composed sixteen variations of his own on Robert’s theme and presented them to Clara on her birthday, August 12, 1854. Brahms clearly wrote this work as an elegy to Robert Schumann and as a gift of consolation to Clara: the autograph contains the dedication “Variationen über ein Thema von Ihm - Ihr zugeeignet” (Variations on a theme by Him - dedicated to Her). Therefore it is not surprising to find many allusions to Schumann’s music; many of the variations are clear parodies of Schumann’s style and some — particularly variations 9 and 16 — amount to paraphrases of particular works of the older composer. Variation 10 ends with a direct quotation of a theme by Clara which Robert had used as the basis for a set of variations at the beginning of his composing career. And, as a final symbolic gesture, the first variation from this same early work of Schumann is clearly recalled, to end this great homage. — Bruce Vogt �BIOGRAPHY Bruce Vogt appears regularly in concert across Canada, and also inspires audiences abroad, having performed in Japan, China, the U.S., Germany, France, Italy, Norway, the former Czechoslovakia, Romania and Bulgaria. Vogt grew up in Southern Ontario where he studied with Damjana Bratuz and Anton Kuerti. Later, he studied in the U.S. and Europe with such celebrated musicians as Gyorgy Sebok, Louis Kentner, Fou Ts’Ong and Dario de Rosa. Vogt’s repertoire is diverse, encompassing music from the sixteenth century to the present. He has long championed the music of contemporary composers, and commissioned and premiered a number of new works by such Canadian luminaries as Murray Adaskin and Alfred Fisher. He is also a dedicated performer on period instruments; one of his recordings features the music of Robert Schumann performed on a restored 1864 Erard. Other recordings include two volumes of the music of Franz Liszt, which have established for him an enviable reputation as a Liszt interpreter. In 2011 — the bicentenary of the composer’s birth — he recorded two subsequent Liszt CDs. In addition to his career as a soloist and chamber musician, Vogt is Professor at the University of Victoria. Because he sees teaching and working with young pianists and teachers as an important commitment, he lectures widely, leads masterclasses and workshops, and adjudicates for festivals. In recent years he has been invited more frequently in Canada and abroad to indulge another passion — presenting and improvising accompaniments to great films of the silent era. �Orion The Series in Fine Arts Through the generous support of the Orion Fund in Fine Arts, the Faculty of Fine Arts, University of Victoria, is pleased to present JENS LINDEMANN TRUMPET THURSDAY, MARCH 28 11:30 AM – 1 PM CONCERT AND Q&A Join Jens Lindemann for a short performance of Classical and jazz repertoire followed by a question and answer session. FRIDAY, MARCH 29 1:30-3:30 PM BRASS MASTERCLASS Lindemann leads a masterclass with School of Music brass students. Rm. B037, MacLaurin Building, B-Wing Phillip T. Young Recital Hall, MacLaurin B-Wing Trumpeter Jens Lindemann is hailed as one of the most celebrated soloists in his instrument’s history and is the first classical brass player ever to receive the Order of Canada. As an internationally recognized virtuoso and multiple Juno and Grammy nominee, Jens has performed in every major concert hall in the world and has an extensive discography in a multitude of styles ranging from solo and chamber to jazz and contemporary. All events are FREE and open to the public. uvic.ca/music �UPCOMING AT THE SCHOOL OF MUSIC SATURDAY, MARCH 16 | 8 PM ($10-$20) UVic Voice Ensemble: Acis and Galatea With Larry Beckwith, Music director & Isaiah Bell, Stage director And members of Victoria Baroque Presenting a staged concept of Handel’s beautiful pastoral drama about love, jealousy, and the power of devotion. Chapel of the New Jerusalem, Christ Church Cathedral SATURDAY, MARCH 16 | 8 PM ($10-$20) UVic Jazz Ensemble Patrick Boyle, director The UVic Jazz Ensemble presents a night of small group improvisation featuring UVic’s finest, with music by Horace Silver, Jimmy Giuffree, Wayne Shorter, Clifford Brown and more. Phillip T. Young Recital Hall SUNDAY, MARCH 17 | 2 PM (By donation) Piano Studio Recital Featuring piano students from the studio of May Ling Kwok. Phillip T. Young Recital Hall WEDNESDAY, MARCH 20 | 12:30 PM (By donation) Low Brass Studio Recital Featuring tuba & euphonium students from the studio of Paul Beauchesne. Phillip T. Young Recital Hall WEDNESDAY, MARCH 20 (Free) Orion Series in Fine Arts Cris Inguanti, clarinet 11:30 AM: Lecture Vox Terra: Music for the clarinet with a global focus Rm. B037, MacLaurin Building, B-Wing 1:30 PM: Clarinet Masterclass Phillip T. Young Recital Hall To receive our season brochure & monthly newsletter by email, contact: concert@uvic.ca � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. 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Title A name given to the resource Faculty Concert Series Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 15, 2019 Contributor An entity responsible for making contributions to the resource Bruce Vogt https://finearts.uvic.ca/music/archive/files/original/676407db1b2bd31b23746be72687e020.pdf 73866ae2ecbfca7ae5c69d8e93aa8a61 PDF Text Text School of Music fridaymusic Phillip T. Young Recital Hall, University of Victoria March 15, 2019 • 12:30 p.m. Featuring School of Music string students Violin Sonata in E minor, K304 I. Allegro Ross Ling, violin Aya Robertson, piano Wolfgang Amadeus Mozart (1756–1791) Viola Concerto, Sz. 120 I. Moderato Seth McMillan, viola Rosabel Choi, piano Béla Bartók (1881–1945) Quartet in C Major Op. 18, No. 4 Ludwig Van Beethoven I. Allegro, ma non tanto (1770–1827) Iryna Peleshchyshyn, violin Noah Mellemstrand, violin Logan McNeil, viola Liam Epp, cello Trio in C minor Op. 9, No.3 Ludwig Van Beethoven I. Allegretto con Spirito (1770–1827) Julien Haynes, violin Jaling Kersen, viola Bryan Lin, cello UPCOMING AT THE SCHOOL OF MUSIC FRIDAY, MARCH 15 | 8 PM ($10-25) Faculty Concert Series: Music and Biography Bruce Vogt, piano Pianist Bruce Vogt presents a concert of solo works by Frédéric Chopin and Johannes Brahms including two Chopin Nocturnes, and Brahms’ Seven Fantasia as well as Variations on a Theme by Schumann. Vogt will also share some insights into the connection between artists’ lives — their joys, sorrows, achievements — and the art they create, specifically in the case of Brahms’ Schumann Variations. Among the elite of Canadian pianists, Bruce Vogt is a unique and dynamic performer. He appears regularly in concert within Canada, but has also inspired audiences in England, the USA, Germany, France, Italy, Norway, Czechoslovakia, Bulgaria, China, and Japan. Phillip T. Young Recital Hall SATURDAY, MARCH 16 | 8 PM ($10-$20) UVic Voice Ensemble: Acis and Galatea Larry Beckwith, Music director; Isaiah Bell, Stage director; and members of Victoria Baroque Presenting a staged concept of Handel’s beautiful pastoral drama, Acis and Galatea, about love, jealousy, and the power of devotion. Canadian tenor and violinist Larry Beckwith enjoys a successful and versatile career in the arts in and around Toronto with roles ranging from radio producer and sound designer to journalist and teacher. Tenor Isaiah Bell (BMus ‘08) has been performing in prestigious venues across Canada, the United States and Europe. Recent projects include the role of Antinous in the world premiere of Rufus Wainwright’s Hadrian at the Canadian Opera Company (October 2018) as well as solo debuts with Opera Atelier (Il ritorno d’Ulisse in patria), the Caramoor Festival, the Innsbruck Festival of Early Music, and the St. Paul Chamber Orchestra. Chapel of the New Jerusalem, Christ Church Cathedral (Quadra St. at Rockland Ave) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031519-FridayMusic/031519-FridayMusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031519-FridayMusic/031519-FridayMusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031519-FridayMusic/031519-FridayMusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031519-FridayMusic/031519-FridayMusic_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friday Music Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 15, 2019 Contributor An entity responsible for making contributions to the resource Featuring School of Music string students https://finearts.uvic.ca/music/archive/files/original/4976c66f950c8fb16fb4f2d5362ed8b4.pdf 26722ae1e36afeeeb5c5e99bd8c555f8 PDF Text Text School of Music UVIC MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Jazz Ensemble DIRECTOR Patrick Boyle SAXOPHONE Baylie Adams Karsten Brewka Matthew Gannon Adam Jaseniuk Todd Morgan Michael Vielguth TROMBONE Espen Lyngberg Sophia Olim Ben Pakosz Darius Pomeroy Will Quinn TRUMPET Anthony Shackell FLUTE Taya Haldane RHYTHM SECTION Dante Andre-Kahan Lachlan Barry Cole Burns Rachel Burtman Owen Chernikhowsky Will Lynch Isley Owens Saturday, March 16, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults $20 / Seniors $15 / Students & UVic alumni $10 �PROGRAM Four Brothers Jimmy Giuffre Horace Silver Strollin’ My Little Suede Shoes Adam’s Apple Charlie Parker Wayne Shorter I NT E R M I S S I O N Concession open in the Lounge Strasbourg St. Denis All The Things You Are Red Clay The Blues Walk Roy Hargrove Jerome Kern Freddie Hubbard Sonny Stitt We respectfully acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. �UPCOMING AT THE SCHOOL OF MUSIC SUNDAY, MARCH 17 | 2 PM (By donation) Piano Studio Recital Featuring piano students from the studio of May Ling Kwok. Phillip T. Young Recital Hall WEDNESDAY, MARCH 20 | 12:30 PM (By donation) Low Brass Studio Recital Featuring tuba & euphonium students from the studio of Paul Beauchesne. Phillip T. Young Recital Hall WEDNESDAY, MARCH 20 (Free) Orion Series in Fine Arts Cris Inguanti, clarinet 11:30 AM: Lecture Vox Terra: Music for the clarinet with a global focus Rm. B037, MacLaurin Building, B-Wing 1:30 PM: Clarinet Masterclass Phillip T. Young Recital Hall FRIDAY, MARCH 22 | 12:30 PM (By donation) Fridaymusic A concert of varied repertoire featuring woodwind students. Phillip T. Young Recital Hall FRIDAY, MARCH 22 | 8 PM (By donation) Sonic Lab Anna Höstman, director UVic’s contemporary music ensemble performs music by Peter Hatch, Adrian Demoç, Jo Konda, Linda Catlin Smith, Kaija Saariaho and more! Phillip T. Young Recital Hall To receive our season brochure & monthly newsletter by email, contact: concert@uvic.ca � � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Orchestra Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Ensemble Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 16, 2019 Contributor An entity responsible for making contributions to the resource Patrick Boyle https://finearts.uvic.ca/music/archive/files/original/2f7c5bfa18da111091baa47938566329.pdf 44fa6273284048a97b6584ba2a536d6a PDF Text Text degree recital �ɔ ḱ ṣ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-GradComposersConcert_E.Hill/031719-GradComposersConcert_E.Hill.wav">track1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Ethan Hill Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 17, 2019 Contributor An entity responsible for making contributions to the resource Ethan Hill https://finearts.uvic.ca/music/archive/files/original/d38711c343e13a173a6d1d0977a150f7.pdf 7c2e56aaf81284c89afafd1d4dfac70a PDF Text Text PIANO STUDIO RECITAL Students from the studio of May Ling Kwok SUNDAY, MARCH 17, 2019 | 2 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Prelude in C Minor, BWV 999 Sonatina in F Major, Op. 168, No. 1 iii. Rondo Song of the Cavalry, Op. 27, No. 29 J. S. Bach (1685–1750) Anton Diabelli (1781–1858) Dmitri Kabalevsky (1904–1987) Filbert Zhang Prelude and Fugue in B-flat, BWV 866 Nocturne in E Minor, Op. 72, No. 1 J. S. Bach (1685–1750) Frédéric Chopin (1810–1849) Felina Yang Les collines d’Anacapri Grande valse brillante in A-flat Major, Op. 34, No. 1 Claude Debussy (1862–1918) Frédéric Chopin Jasmine Zhang Danzas Argentianas Alberto Ginastera (1916–1983) Danza del Viejo Boyero (Dance of the Old Herdsman), Op. 2, No. 1 Danza de la Moza Donosa (Dance of the Beautiful Maiden), Op. 2, No. 2 Danza del Gaucho Matrero (Dance of the Outlaw Cowboy), Op. 2, No. 3 Johnathan Devey Concerto in G Major i. Allegramente ii. Adagio assai Maurice Ravel (1875–1837) Carey Wang — INTERMISSION — �Improvisations, Op. 20 Béla Bartók (1881–1945) Soo Ji Lee** Fastforward Sonetto del Petrarca, No. 104 Alexina Louie (b. 1949) Franz Liszt (1811–1886) Boyana Makedonska* Sonata in A Major, Op. 2, No. 2 iv. Rondo Nocturne in B Major, Op. 33, No. 2 Ludwig van Beethoven (1770–1827) Gabriel Fauré (1877–1962) Nancy Lin* Hungarian Rhapsody No. 12 Franz Liszt Ryan Qu* Sonata in E-flat Major, Op. 81a (Les Adieux) i. Das Lebewohl (The Goodbye) ii. Abwesenheit (Absence) iii. Das Wiedersehen (The Return) L. van Beethoven Ya Ping Huang* * Students from the School of Music, University of Victoria ** Special guest We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_1.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_2.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_3.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_4.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_5.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_6.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_7.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_8.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_9.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_12.mp3">track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_13.mp3">track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_14.mp3">track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_15.mp3">track15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031719-kwokStudioRecital/031719-kwokStudioRecital_16.mp3">track16</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Studio Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 17, 2019 Contributor An entity responsible for making contributions to the resource Students from the studio of May Ling Kwok https://finearts.uvic.ca/music/archive/files/original/928a28a8d99bf0d47ebfa8698ecf3e12.pdf 7a4c334dca3fcc5f3e470ccc9f585607 PDF Text Text FIRST YEAR GRADUATE RECITAL Jorge Eduardo Flores Carrizales, Piano Tuesday March 19th, 2019,12:20 pm Phillip T. Young Recital Hall PROGRAM Preludio y fuga sobre un tema de Handel (1915) Manuel M. Ponce (1882-1948) Scenes d’enfants (1918) Frederic Mompou (1893-1987) I. II. III. IV. V. Cris dan la rue Jeux sur la plage Jeux sur la plage Jeux sur la plage Jeunes filles au jardin Tres piezas para piano (1948) José Pablo Moncayo (1912-1958) Sonata Madre Juana (1990) Federico Ibarra (1946-) I. II. III. Libero - Andante Lento Allegro Estampes pour le piano (1903) Claude Debussy (1862-1918) III. IV. V. I Pagodes II La soirée dans Granade III Jardins sous la pluie Jorge Eduardo Flores Carrizales is from the class of Professor Author Rowe This recital is presented in the partial fulfillment for the Master in Music Performance Program � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/031919-J.Carrizales_PianoRecital/031919-J.Carrizales_PianoRecital_1.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031919-J.Carrizales_PianoRecital/031919-J.Carrizales_PianoRecital_2.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031919-J.Carrizales_PianoRecital/031919-J.Carrizales_PianoRecital_3.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031919-J.Carrizales_PianoRecital/031919-J.Carrizales_PianoRecital_4.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031919-J.Carrizales_PianoRecital/031919-J.Carrizales_PianoRecital_5.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource First Year Graduate Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource January 19, 2019 Contributor An entity responsible for making contributions to the resource Jorge Eduardo Flores Carrizales https://finearts.uvic.ca/music/archive/files/original/79636880e1105cb3aa83e0489b221d19.pdf d15217b6c15dfce54329630afa604b59 PDF Text Text LOW BRASS STUDIO RECITAL Students from the studio of Paul Beauchesne WEDNESDAY, MARCH 20, 2019 | 12:30 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Prelude and Fugue in G Minor for tuba and euphonium quartet Jason Gordon, Liam Mulligan, euphoniums Jacob Tkachuk, Scott Gordon, Aidan Fentiman, tubas J. S. Bach (1685–1750) Arr. David Sabourin Domenico Gabrielli (1651–1690) Ricecare No. 7 for solo bass instrument Scott Gordon, tuba J. S. Bach Prelude from Cello Suite No. 2 Liam Mulligan, euphonium J. S. Bach Bourée from Cello Suite No. 3 Aidan Fentiman, tuba Oystein Baadsvik (b.1966) Ordner Seg (It’ll be Alright) Jacob Tkachuk, tuba Xheni Sinaj, piano David Gillingham (b.1947) Concerto for Euphonium, Movement 1 Jason Gordon, euphonium Robert Holliston, piano Songs Without Words Paul Beauchesne, tuba Robert Holliston, piano Felix Mendelssohn (1809–1847) Bummel-Petrus (Lazy Pete) Max Werner-Kersten (1880–1948) Arr. R.C. Knoener Jason Gordon, Liam Mulligan, euphoniums Jacob Tkachuk, Scott Gordon, Aidan Fentiman, tubas We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-LowBrassStudioRecital/032019-LowBrassStudioRecital_1.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-LowBrassStudioRecital/032019-LowBrassStudioRecital_2.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-LowBrassStudioRecital/032019-LowBrassStudioRecital_3.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-LowBrassStudioRecital/032019-LowBrassStudioRecital_4.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-LowBrassStudioRecital/032019-LowBrassStudioRecital_5.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-LowBrassStudioRecital/032019-LowBrassStudioRecital_6.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-LowBrassStudioRecital/032019-LowBrassStudioRecital_7.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-LowBrassStudioRecital/032019-LowBrassStudioRecital_8.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Low Brass Studio Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 20, 2019 Contributor An entity responsible for making contributions to the resource Students from the studio of Paul Beauchesne https://finearts.uvic.ca/music/archive/files/original/5e9af864464a1dcd94c539045aa3ef9e.pdf 29492f91c8b3db0f7eb40b587856f6f9 PDF Text Text DEGREE RECITAL Nolan Kehler, tenor Aya Robertson, piano Allison Miller, flute Wednesday, March 20, 2019, 8:00pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM An die ferne Geliebte I. II. III. IV. V. VI. Ludwig van Beethoven (1770-1827) Auf dem Hügel sitz ich spähend Wo die Berge so blau Leichte segler in den Höhen Diese Wolken in den Höhen Es kehret der Maien, es blühet die Au Nimm sie hin denn, diese Lieder Aya Robertson, piano Hide thou thy hated beams/Waft her Angels (from Jephtha) G.F. Handel (1685-1759) Aya Robertson, piano Deux poèmes de Ronsard I. II. Albert Roussel (1869-1937) Rossignol, mon mignon Ciel, aers, et vens Allison Miller, flute Deux poèmes de Louis Aragon I. II. Francis Poulenc (1899-1963) C Fêtes galantes Aya Robertson, piano — INTERMISSION — Que les destins prospères (from Le comte Ory) Aya Robertson, piano Please turn off all cell phones. Gioachino Rossini (1792-1868) �Winter Words i. ii. iii. iv. v. vi. vii. viii. Benjamin Britten (1913-1976) At Day-Close in November Midnight on the Great Western Wagtail and Baby (A Satire) The Little Old Table The Choirmaster’s Burial Proud Songsters At the Railway Station, Upway Before Life and After Aya Robertson, piano La danza tarantella Gioachino Rossini (1792-1868) Aya Robertson, piano Nolan is from the studio of Professor Benjamin Butterfield This recital is presented in partial fulfillment of the requirements for the Master of Music, vocal performance program. Reception to follow in the Lounge. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-KehlerRecital/032019-KehlerRecital_1.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-KehlerRecital/032019-KehlerRecital_2.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-KehlerRecital/032019-KehlerRecital_3.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-KehlerRecital/032019-KehlerRecital_4.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-KehlerRecital/032019-KehlerRecital_5.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-KehlerRecital/032019-KehlerRecital_6.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-KehlerRecital/032019-KehlerRecital_7.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032019-KehlerRecital/032019-KehlerRecital_8.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DEGREE RECITAL Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 20, 2019 Contributor An entity responsible for making contributions to the resource Nolan Kehler